The Cartoonist Kayfabe guys (Ed Piskor & Jim Rugg) discuss wrestling themed comic books.
The Cartoonist Kayfabe guys (Ed Piskor & Jim Rugg) discuss wrestling themed comic books.
Also known as: Transformers 6 (working title), Brighton Falls (fake working title)
Release Date: December 3rd, 2018 (Berlin premiere)
Directed by: Travis Knight
Written by: Christina Hodson
Based on: Transformers by Hasbro
Music by: Dario Marianelli
Cast: Dylan O’Brien, Hailee Steinfeld, John Cena, Jorge Lendeborg Jr., John Ortiz, Jason Drucker, Pamela Adlon, Glynn Turman, Fred Dryer, Angela Bassett (voice), Justin Theroux (voice), Peter Cullen (voice)
Allspark Pictures, Di Bonaventura Pictures, Tencent Pictures, Bay Films, Paramount Pictures, 114 Minutes
“The darkest nights, produce the brightest stars.” – Memo
The first three minutes and twenty seconds of this movie are pure Transformers perfection. The opening scene hit every single note in the right way and proved to me, right out the gate, that this was not a Michael Bay Transformers movie and that the creative team behind this film, actually cared about the source material.
Then the next scene was spectacular and the opening twelve minutes or so were a hell of a lot of fun, punctuated by John Cena being awesome because he initially felt like a heel in the story.
Now the film starts to taper off from its awesomeness a bit once we meet the main, non-robot characters, and deal with teen angst and crappy summer jobs. But that stuff is far from terrible and the movie does do a good job of fitting within the ’80s. Well, except for how often it has to remind you of what decade it is with a constant barrage of random Top 40 hits of the time. Not that I dislike ’80s music, I love a lot of music from that decade, but the selections didn’t seem cohesive and it felt like some millennial giving their Amazon Echo a very generic statement like, “Play ’80s music!”
This was also the most human and emotional Transformers to date. It develops its characters well, you truly care about Bumblebee and the humans and seeing Bumblebee feeling lost, without his memory, is executed greatly. Sure, it’s a cheesy, feel good movie but what’s wrong with feeling good?
What really wowed me is that most of this film is fan service but it understands what fan service is, delivers it damn well and sort of makes up for all the other atrocious Transformers movies I stopped watching after the second one.
Also, the robots look damn near perfect. Going back to the incredible opening scene, all the Autobots and Decepticons featured there looked exactly as they should if you are using the G1 era as your source. Between Wheeljack, Soundwave, Shockwave and all the others, it felt great to see them in a live action movie the way they were meant to be seen, which is all I ever wanted from the five films before this one. In fact, when Starscream and the Seekers turn into Cybertronian jets, they look just like they did in the pilot of the G1 cartoon, with a sort of sleek pyramid shape.
Megatron is nowhere to be seen but the two main villains were really solid stand-ins. The female robot was voice by Angela Bassett and the male was very much a perfect recreation of Vortex. The two of them were also triple changes. So where the Vortex looking Decepticon looked like the actual Vortex helicopter mode, he was also able to turn into a muscle car.
Hell, Cliffjumper shows up for one scene and he looked perfect. It was great seeing him get an appearance. considering that he’s been completely overshadowed by his brother, Bumblebee, since the original cartoon started. I always liked Cliffjumper better, as a kid.
Hailee Steinfeld put in an energetic and convincing performance and was the best human protagonist in the history of Transformers movies. The kid crushing on her was pretty useless but I didn’t hate him. However, the kid playing her little brother was terrific and I wish we would have seen more of him. Also, Pamela Adlon as her mother was a very strong plus for me.
In the end, Bumblebee was the Transformers movie I never thought I’d get. It’s far from perfect but it is a great step in the right direction. While this was intended to be a prequel to the Michael Bay films, I think they should just use this as a reboot and relaunch the franchise off of the shoulders of this film. And with that being said, I don’t want this to be the last time we see Steinfeld’s character.
Pairs well with: the original Transformers cartoon and animated movie but NOT the Michael Bay films, as this is so much better than those.
If you don’t like 8-bit, 2D, side scrolling, beat’em up video games, you’re probably lame.
Bad Dudes was one of the best. I preferred the arcade version, as it was graphically superior but the home console version for the Nintendo Entertainment System was still a hell of a lot of fun. Especially, with that 64 lives code. It’s pretty damn hard without that.
While I would consider the original Double Dragon a superior game, this one had the benefit of ninjas and the title character of the video game Karnov as one of its bosses.
All the boss battles in this were pretty unique and fun though. The only weak one was probably the second level boss, which was just a tiny midget dude that has claws like Vega from Street Fighter II.
This game has solid levels for the genre. None of them are designed great but you go from the city streets, to fighting on the top of moving semi trucks and trains, into the sewers, out into the country and finally into a big warehouse full of ninjas and all the bosses you already beat.
Some games can be simple and work and that’s exactly what Bad Dudes is. You walk, you punch, you kick and you steal weapons from ninjas you kick the crap out of. What’s not to love?
Pairs well with: other ’80s beat’em up games like Double Dragon and its sequels, Renegade, Crime Fighters, Final Fight, River City Ransom, Streets of Rage and its sequels, etc.
Written by: Erik Larsen, Terry Kavanagh
Art by: Erik Larsen, Scott McDaniel
Marvel Comics, 165 Pages
I was really digging re-reading all the earliest Sinister Six storylines. But then I got to this one, the third of the three I wanted to re-experience and it really took the wind out of my sails.
This was a complete clusterfuck, narratively speaking.
I guess there is a big difference between the skill level of David Michelinie and Erik Larsen when it comes to writing. The two teamed up for the storyline, The Return of the Sinister Six, a year earlier in The Amazing Spider-Man. In this arc, Larsen took the reigns pretty much solo, as he had been moved to the Spider-Man title while Michelinie was still working on The Amazing Spider-Man with artist Mark Bagley. While that great duo were introducing us to Carnage, Larsen gave us this mess.
The biggest problem with this miniseries, is that it seemed like Larsen was using it as a way to feature and draw all the characters he wasn’t able to touch before this. This is a cameo bonanza in the worst way and many of these characters enter the story just for the hell of it and don’t serve much purpose to the overall narrative. It’s like Larsen just wanted to draw splash pages of the Hulk, Ghost Rider, the Fantastic Four, and a billion different villains. We also get a small and incredibly pointless cameo from Sleepwalker, one of my favorite ’90s characters.
Larsen’s art here was pretty damn solid, I have to give him that. He has a very distinct style and people either love it or hate it, similar to the style of Rob Liefeld. I have mostly liked Larsen’s style and this was interesting to see, as he did this right before jumping ship to Image Comics and his own creation, The Savage Dragon.
I do have to say that Larsen’s writing improves once he goes to Image and I’m thinking that he knew he was leaving when he took on this project and he felt that it was the only chance he would get to draw a lot of these characters.
To put it bluntly though, this story is ’90s as fuck and I don’t mean that complimentary. It’s trying really damn hard to be edgy. In fact, in the final battle all the villains are shooting machine guns like common street thugs while Spider-Man is wearing all this expensive, over the top, ’90s style tech. Hell, Spidey even gets a cyborg arm in this.
Also, the Sinister Six isn’t really even fully formed. Sandman is not on the team and is trying to get the other villains to stop Doctor Octopus. So really, this is the Sinister Five but then they bring in the giant beast Gog. So is he the sixth member now? It’s not really clear and it’s just one of many things that makes this story total chaos.
This was bad, dreadfully bad. I remembered liking it when it originally came out but I was also thirteen years-old and way more into the visual side of comics over having a coherent plot.
Pairs well with: Stan Lee and Steve Ditko’s original Sinister Six story, as well as the prequel to this one, The Return of the Sinister Six. Also, anything from the Michelinie and Larsen run on The Amazing Spider-Man.
Release Date: June 8th, 1991 (Japan)
Directed by: Sylvio Tabet
Written by: Jim Wynorski, R.J. Robertson, Sylvio Tabet, Ken Hauser, Doug Miles
Based on: The Beast Master by Andre Norton, characters by Don Coscarelli, Paul Pepperman
Music by: Robert Folk
Cast: Marc Singer, Kari Wuhrer, Sarah Douglas, Wings Hauser, James Avery, Robert Z’Dar, Michael Berryman
Les Films 21, Republic Pictures, New Line Cinema, 107 Minutes
“He who defies Arklon, shall be destroyed… by Arklon!” – Arklon
This is such a shitty movie but it is a wonderfully entertaining shitty movie.
Where the original Beastmaster is truly a sword and sorcery classic, this film is pretty much just a “fish out of water” comedy with some sword and sorcery elements.
I’m not sure what the filmmakers were thinking with this. It wasn’t like they rushed out a sloppy sequel because this came nine years after the original. But it is very cheaply made and it completely lacks the superior craftsmanship of the previous film’s director, Don Coscarelli.
What saves this film, at least in my eyes, is the over the top performances of its cast. Marc Singer is dry when compared to his cast mates but he’s still enjoyable as Dar and I’ll always be a fan of his version of the character.
However, Singer is pretty much overshadowed by the energetic cuteness of Kari Wuhrer in one of her earliest film performances. He’s also usurped by the charismatic Wings Hauser, as his evil brother Arklon. Plus, you have Sarah Douglas as a sorceress and she’s always fantastic. But the real scene stealer is James Avery, who isn’t in this as much as the other actors but you’re always locked on him when we walks on screen. Avery is used as comedic relief and he’s a master of that but I can’t discount the fact that this entire movie really is comedy.
This lacks the edge and darkness of its predecessor and if I’m being honest, I would have preferred a proper sequel. However, I still like this strange movie for all of its batshittery. It’s a very smudged up gem but it’s still a gem. But you also have to be the right sort of film fan for this movie to click for you. The average person isn’t going to find much value in the picture and that’s fine. All this shit is subjective, anyway.
Beastmaster II already had its work cut out for it, as the first film casts a big shadow. But all things considered, this is bizarre and unique enough to justify its existence and at least it wasn’t just a rehash of the previous movie.
Pairs well with: other sword and sorcery movies of the time, most notably the Conan films. It’s also fun to watch with the other films within its own series.
RETRO RELAPSE is a series of older articles from various places where I used to write before Talking Pulp.
*Written in 2010.
It should be no surprise, at this point, how much I love waffles or breakfast food for that matter. So one particular breakfast item that I’d like to talk about and pay homage to, as my homie Greg calls it, is a “proper” full English breakfast. The Red Coats definitely created one of the greatest feats in the history of mankind when they assembled this culinary miracle.
The “proper” full English breakfast is comprised of many fine treats and can be presented with several different options. Generally, it is served with two eggs (I like 3-4 myself), “proper” English bacon (which is different than American bacon), fried tomatoes, fried mushrooms, toast, “proper” English sausage (which is much larger than American sausage) and black pudding. Some versions come with baked beans in tomato sauce, some variation of potato and other vegetables. The breakfast is usually accompanied by “proper” British tea (hopefully free of tariffs).
After discovering this awesome monster of a breakfast meal, I now realize why the Red Coats were so hard to defeat during the American Revolution. I wouldn’t want to fight anyone with a full breakfast in their stomach. It is no wonder why the British were able to nearly take over the entire world. That’s why I am glad that they are now our ally and we have the luxury of sharing our breakfast food with each other. Between full breakfasts in the UK and Waffle Houses in the US, there is nothing our two peoples cannot accomplish.
I’m sure the British swashbucklers used to eat these everyday, no matter what side of the law they were on. Full English breakfasts have been known to quicken swordplay, increase jumping height, enhance acrobatics as well as making someone literally impervious to musket balls. Merlin actually existed and was powered by full English breakfasts and the blood of trolls, whose blood was used to make black pudding before they became extinct. Now they just make black pudding with the blood of pigs and cows; I guess dragons and orcs are hard to find. King Arthur, the greatest warrior king ever, used to bathe in full English breakfasts for hours. Excalibur was forged in the same fires where the first full English breakfast was cooked.
If only the British could properly harness the power of the “proper” full English breakfast, as they did before troll extinction, they might have the power to destroy all evil in the world! If the whole world ate “proper” full English breakfasts, than we’d all be liberated and powerful yet peaceful due to the spiritual balance that the meal brings at the start of the day.
Sorry, I’ve been writing this while drunk on a “proper” full English breakfast. But it could also be the bottle of Scotch I just used to rinse out my liver.
Published: November 20th, 2018
Written by: Dan Abnett
Art by: Stjepan Sejic
DC Comics, 156 Pages
I’ve been a fan of Dan Abnett’s run on Aquaman. But this story didn’t hit the mark for me like the first few arcs did. Strangely, a lot of people told me that this story was a real highpoint.
This just seemed like an episode of Game of Thrones, a show that I’m not much of a fan of. What I mean by that is this features a lot of talking and plotting and conspiracies about thrones and whatnot. There isn’t enough action and the antagonists just seem like throwaway generic Aqua-villains who will never be seen again, at least not in a meaningful way that gives weight to their characters.
I respect that Abnett tried to add to the mythology with his own creations and by bringing in long forgotten characters like Dolphin, as well as the rarely used former Aqualad, Tempest.
However, it gets too far away from the great work that Abnett was doing with the three volumes before this one. This series started off with a hell of a bang and this chapter in the saga pretty much lulled me to sleep.
The final issue in this arc gave us some action but by that point, I was just ready to wrap this thing up.
It’s not that this is a bad comic story or that it isn’t necessary, it just felt like an arc that could have been whittled down to one or two filler issues. It really disrupted the energetic pace of the series and while sometimes a breather is needed, if done too soon, it can bring things to a halt.
Pairs well with: anything from Dan Abnett’s glorious run on Aquaman, as well as the Drowned Earth crossover event.