Also known as: The Brain of Frankenstein (working title) Release Date: June 15th, 1948 Directed by: Charles Barton Written by: John Grant, Robert Lees, Frederic I. Rinaldo Based on: characters by Mary Shelley, Bram Stoker, Curt Siodmak, H.G. Wells Music by: Frank Skinner Cast: Bud Abbott, Lou Costello, Lon Chaney Jr., Bela Lugosi, Glenn Strange, Lenore Aubert, Jane Randolph, Frank Ferguson, Charles Bradstreet, Vincent Price (voice, uncredited cameo)
Universal International Pictures, 83 Minutes
“Young people making the most of life – while it lasts.” – Dr. Lejos/Dracula
I’m actually surprised that I hadn’t yet reviewed any of the Universal Monsters pictures with Abbot and Costello in them. I have an immense love of both things and having them come together, which they did a handful of times, was really cool.
Overall, this one was always my favorite but I like all of them.
In this one, we don’t just get Frankenstein’s Monster, we also get Dracula, the Wolf Man and a little cameo by the Invisible Man. With that, we also got Bela Lugosi, Lon Chaney Jr. and a voice cameo by the legendary Vincent Price.
Unfortunately, Boris Karloff didn’t come back to play Frankenstein’s Monster but we did get Glenn Strange, who had already played the monster twice before this and who is really underappreciated in that role.
The only problem with this is one that doesn’t actually effect the film itself but instead, effects the ones that followed. You see, they blew their nut really early by cramming a ton of monsters into this one, so the following movies felt a bit underwhelming after the precedent this one set. But honestly, it’s why this particular one is the best of the lot.
Abbot and Costello are both hilarious per usual and their camaraderie was so solid by this point that they could’ve entertained in their sleep.
All in all, this was a really good horror comedy that took the best parts of two very different things and merged them together very well, not diminishing the performances of the two comedic legends or the coolness of the classic monsters and the legends who played them.
Rating: 7.75/10 Pairs well with: the other Abbot and Costello monster movies.
Published: February 23rd, 2017 Written by: Stan Lee Art by: Jack Kirby
Marvel Comics, 301 Pages
This stretch of issues in the classic Stan Lee/Jack Kirby run of Fantastic Four really enhances things quite a bit.
At this point, we’re about a year removed from the big arrival of Galactus and the Marvel universe has truly taken shape. Things feel less experimental and as if Lee has truly found his grove.
Additionally, Jack Kirby’s work seems to improve slightly with each volume of this classic series and that’s impressive, as the guy was damn good before he even started drawing these characters. I mean, the guy was already working on Captain America as far back as the 1940s and he started professionally drawing comics in the late ’30s.
This stretch also introduces some new villains and reworks some already classic ones like The Sandman, who now has a cool suit and feels like a legit threat on his own without the help of the other three members of the Frightful Four.
We also get the debut of Ronan the Accuser, Blastaar, Adam Warlock (going by “Him” in these earliest stories) and one of my favorite and very underutilized villains, Psycho-Man.
Plus, we also get more appearances by the Inhumans, Black Panther and Silver Surfer.
All the stories within this volume are action-packed and top notch classic Marvel stuff. Just when you think that Lee and Kirby had found their stride, they find ways to surprise you. Both men are f’n legends for a reason.
Rating: 9/10 Pairs well with: the other Marvel Masterworks collections.
Since it’s the magical four-day weekend that is American Thanksgiving, I’m taking the time off.
That’s pretty much it.
I guess I’ll see you all next Monday, November 30th.
Now I’m off to go do the traditional things like eating a fuckload of holiday food, spending time with my family, going to the comic shop in hopes of a stupid sale and also doing my annual Peter Jackson Lord of the Rings and Hobbit extended editions marathon.
Release Date: November 25th, 1987 Directed by: John Hughes Written by: John Hughes Music by: Ira Newborn Cast: Steve Martin, John Candy, Laila Robins, Michael McKean, Kevin Bacon, Dylan Baker, Larry Hankin, Richard Herd, Edie McClurg, Bill Erwin, Ben Stein, Martin Ferrero, Lyman Ward
“You wanna hurt me? Go right ahead if it makes you feel any better. I’m an easy target. Yeah, you’re right, I talk too much. I also listen too much. I could be a cold-hearted cynic like you… but I don’t like to hurt people’s feelings. Well, you think what you want about me; I’m not changing. I like… I like me. My wife likes me. My customers like me. ‘Cause I’m the real article. What you see is what you get.” – Del
While I don’t love this movie as much as most people, it’s still something I watch leading up to Thanksgiving almost every year. The main reason, is it focuses on what’s important in life while also reminding its audience to open up to other people, even those who may seem difficult, because human beings are human beings and we’re all in this ride together.
Plus, I love buddy comedies and the pairing of legends Steve Martin and John Candy was a great one.
The film benefits from John Hughes’ masterful skill in blending comedy and drama, tackling tough subjects while also remaining lighthearted and hopeful. I miss good, positive films like this and even if it’s a “very ’80s thing” on the surface, it’s still sort of timeless and has a real charm about it that most modern films can’t replicate even when they really try.
This is why John Hughes was so great, though, because even though other filmmakers were able to make similar, feel good movies in the ’80s, Hughes’ films just had an extra sprinkle of something special that not only transcended the screen but also the time in which they were made.
Planes, Trains and Automobiles isn’t even the best of Hughes’ comedies (or even his holiday themed ones) but it captures that magic exceptionally well and it’s hard not to smile while watching these guys bumble through one crappy situation after another, seemingly attached at the hip all the way till the end.
That being said, I also don’t know how well this would’ve worked with other actors. Martin and Candy were reaching legendary status with each passing film and the merging of their talents in this took this picture to a level that it otherwise probably wouldn’t have reached, even with Hughes behind the camera and the typewriter.
Rating: 7.5/10 Pairs well with: other John Hughes holiday comedies, as well as comedies starring Steve Martin and John Candy.
Original Run: October 30th, 2020 – current Created by: Nick Frost, Simon Pegg, James Serafinowicz, Nat Saunders Directed by: Jim Field Smith Written by: Nick Frost, Simon Pegg, James Serafinowicz, Nat Saunders Music by: Robin Foster Cast: Nick Frost, Emma D’Arcy, Samson Kayo, Malcolm McDowell, Simon Pegg, Susie Wokoma, Julian Barratt, Rosalie Craig
When I saw the trailer for this television show, I was immediately stoked. However, once I started watching it, I was severely underwhelmed by it and then, by the end, I was just disappointed and sad.
I love Nick Frost and Simon Pegg and that goes all the way back to their TV show Spaced, which I saw via VHS tape from a friend in the UK, who I used to trade tapes with.
I think what makes this show weak is actually the fault of several things working against it.
To start, the concept is okay but the execution was weird and nonsensical. Basically, the writing isn’t good and most of the characters within the show are pretty unlikable. In fact, the only one I really liked was Malcolm McDowell, who at least got to ham it up and look like he was enjoying the material he was given.
Nick Frost was just Nick Frost and he felt a lot like his character Ed from Spaced but swap out his crazy love of guns for his crazy love of paranormal investigation tech.
The two younger co-stars were both pretty shit and I couldn’t relate to them and just didn’t care about their supernatural stories.
The sidekick’s sister was an absolute abomination of a character and she came across as some generic person-of-color that the BBC would’ve clunkily implanted into a show just so she could lecture all the characters. She’s a bossy, awful bitch and writing her character to have mental health issues isn’t a valid enough excuse to wedge her in and kill every scene.
Now I did like Simon Pegg’s character but at the same time, he wasn’t anything special. He was quirky and weird but a good leader and respectable boss. Still, he was used sparingly and didn’t get to properly develop. The big mistake with that is he’s a highpoint that wasn’t utilized anywhere near as well as he could’ve been.
I also enjoyed Julian Barratt in this but like Pegg, he’s not used enough and you never really get to know his character enough to really care.
Overall, this sucked. I really hoped it’d be a nice shining light in a year where entertainment has been pretty much absent. But it’s 2020, so I guess even two of my favorite comedic actors were simply destined to give us their worst work at the end of this terrible year.
Rating: 4.75/10 Pairs well with: other things with both Nick Frost and Simon Pegg in it.
Also known as: Trader (France), Money Trader (Japanese English title) Release Date: June 25th, 1999 (UK, Ireland, US TV premiere) Directed by: James Dearden Written by: James Dearden Based on:Rogue Trader: How I Brought Down Barings Bank and Shook the Financial World by Nick Leeson, Edward Whitley Music by: Richard Hartley Cast: Ewan McGregor, Anna Friel, Pip Torrens
Granada Film Productions, Newmarket, 101 Minutes
“Oh, fuck the rules, Tony. It’s barrow boys like Nick who are turning the City of London around. You can’t run a modern financial centre with a bunch of Hooray Henries.” – Ron Baker
I saw this movie back in 1999 and generally liked it but I hadn’t seen it since then and after recently revisiting the Wall Street movies, I wondered how well this one would hold up over two decades later.
For the most part, it’s pretty good and I thought that Ewan McGregor did well with the material, bringing a real energy to the film, which on it’s own, would’ve been really mundane without him.
Point being, McGregor is so good that it makes this a better picture than it should have been and he carries the rest of the cast in every scene. But honestly, that’s okay, as the end result worked and you cared enough about him and his situation that you wanted to see this all play out.
From a production standpoint, the cinematography, camera work and overall look of the picture feels cheap. If I’m being honest, this feels like more of a TV movie than a theatrical one, which is probably why it debuted on television in the US market where it saw theatrical releases overseas.
When compared to films like Wall Street 1 and 2, The Wolf of Wall Street and the grossly underrated Boiler Room, this doesn’t hold a candle to them.
Like The Wolf of Wall Street, though, this one is a true story and it’s an interesting enough story deserving of being told in the motion picture medium. However, the story probably deserves a better movie than what this turned out to be. The real story is fascinating and I don’t think that it really came through, here.
Still, this is good and it’s certainly worth checking out for Ewan McGregor and the part that he played quite greatly.
Rating: 7/10 Pairs well with: other finance industry thrillers like Boiler Room and the Wall Street movies.
RETRO RELAPSE is a series of older articles from various places where I used to write before Talking Pulp.
*Written in 2015.
Let me start this post off by saying that there is no way that this will ever happen.
That doesn’t mean that I cannot dream though. And frankly, this idea is great and it was born from a conversation a friend and I had about what to do with the Tampa Bay Rays.
By the way, I still prefer to call them the Devil Rays because that name was infinitely more bad ass than Rays. What the shit is a ray? Even Stingrays would be better than Rays. But enough bitching about a dumb name, let me get to the point here.
The Tampa Bay Rays have major attendance troubles. This also stems from the fact that they play in a shit hole, they are located in Florida (a state with horrible sports fans) and most of the attendees that do go to the games are usually there for the road team. If you don’t believe me, go to a Rays game. I have and each time I saw more jerseys and caps for the opposition. It didn’t matter if it was the Cubs, Cardinals, Brewers, Twins, Tigers, Yankees, Red Sox, Orioles or even the foreigner poutine-fueled Blue Jays.
Florida sports fans suck a bucket of balls. I live in Florida and I witness the antics of my state mates on the reg. Look at Miami Heat fans. Oh, that’s right, you can’t anymore because LeBron James left and they ceased to exist.
Florida is also made up of a lot of tourists who buy homes and become part-time residents. Even though they melt down the side of our planet every autumn and settle in on Florida during the winter months, many stay longer or become permanent fixtures in the state. With them, they bring their love and affection for their own team from their northern place of origin. This is why teams from the Northeast and Midwest are always represented en masse at Florida sporting events. This is also why the Tampa Bay Lightning decided to not sell playoff tickets to non-permanent Florida residents and banned all team apparel that isn’t Lightning apparel. God forbid those Red Wings fans have the freedom to express themselves in Tampa Bay’s house!
When it comes to Tropicana Field, the home of the Rays, I can’t even begin to express my frustration with that abomination: sitting like a gargantuan cyborg choad, wedged between I-275 and downtown St. Petersburg. The ballpark is impractical, balls get stuck in the rafters and it is just a drab and awful sight to see. The concessions are also below average. However, that Latin American fair I went to back in 1996 resulted in me getting a handy in a toilet stall while on a high school field trip, so I do have one fond memory of Tropicana Field.
But lewdness aside, there isn’t a month or even a week that goes by where it doesn’t seem like there is some story or report about how the Rays aren’t going to survive in the Tampa Bay area or that they are going to move somewhere else. A lot of it stems from their insanely lengthy lease at Tropicana Field and the fact that people just don’t want to go there but there are a multitude of things going on, most of which I’m not going to waste time on because I don’t feel like writing a novel and the problems aren’t what this is about – this is about the solution.
So I propose that you let the Rays just fade away. Unfortunately for the American League East, this leaves them with four teams in their division: everyone else has five. So what can be done to bring balance to the AL East?
You take the Rays Triple-A team since 1998, the Durham Bulls, and make them the new Major League Baseball franchise to represent that fifth spot in the American League East division.
Crazy idea? Well, hear me out.
The Carolinas do not have a major league baseball team. However they are represented in the NFL, NBA and the NHL. They have great sports fans and a pretty successful minor league history. The Durham area is also next to Raleigh, Chapel Hill, Wake Forest and not too far from Winston-Salem and Greensboro. Charlotte isn’t far either. Also, the Carolina Hurricanes already play in that area and do pretty well for a team not even located in the biggest city in the Carolinas.
By selecting the Durham Bulls, I’m not just picking some random Carolina-based team, I am also not picking them just because they are already associated with the Tampa Bay Rays, even though that does play into this. There are several reasons for this idea but the main one is that the Durham Bulls are already an internationally recognized brand.
Since the hugely successful and awesome 1988 film Bull Durham, there has been a mystique around this team. That film starred Kevin Costner, Tim Robbins, Susan Sarandon and “the Clown Prince of Baseball” Max Patkin (look him up). It is a classic and probably always will be. It is by far one of the greatest baseball movies ever made and it made the Durham Bulls a household name.
Because of that, a team that would come and go throughout history, became really popular, expanded, and went from a Single-A team to a Triple-A team when they left the Carolina League and joined the much larger International League in 1998. The Rays recognized the Durham Bulls’ value as a brand and thus, made them their premier minor league affiliate after their lengthy run as a lowly team in the Atlanta Braves system.
This does hurt the actual real Rays fans out there and for that I am sorry but this would be better for the sport in my opinion and would inject a much needed boost into the AL East and MLB, in general. And being that I live in Florida and love going to as many MLB games as possible, this would be a blow to me, even though these contests take place in the worst venue in Major League Baseball.
Fans would also miss out on the growing division rivalry between the Tampa Bay Rays and the Boston Red Sox, which only intensifies and strengthens with each season. This could certainly evolve naturally if the Rays whole roster moved to Durham though.
But then again, despite all the troubles the Rays have and all the reports about them hightailing it out of Tropicana Field or completely out of the Tampa area, one fact remains true: they are really friggin’ profitable.
As of right now, in April of 2015, they are valued at $625 million dollars. This is a huge jump from the $451 million they were worth in 2013 and an even bigger jump than the $200 million they were bought for in 2004.
Realistically, could the Carolinas match or exceed the value the team has built up in the Tampa Bay area over the last decade? It is tough to say but it would be an interesting experiment, nonetheless.
And truthfully, maybe them staying put, albeit in a better venue, is the right solution.