Published: May 5th, 2015 Written by: Tony Bernard, Peter Calloway Art by: Andres Guinaldo, Jeremy Haun
DC Comics, 288 Pages
Well, losing Paul Dini as the series’ writer was a bit of a blow to Gotham City Sirens, as this second book doesn’t live up to the pretty solid first one.
Still, this is mostly a decent read and it carries on the story Dini started. Although, it does feel like it knew it was going to be wrapping up, as the bond between these three women seems to dissolve just as fast as it gelled.
I guess the most interesting parts within this are the ones dealing with Harley Quinn and how she’s processing her issues with The Joker and their very abusive, one-sided relationship.
But I’m glad that this presents Harley well unlike the more modern comics with her that have turned her into a one-dimensional joke character that has evolved into DC’s half-assed attempt at trying to make their own Deadpool.
Compared to the first book, this is almost forgettable other than the Harley stuff.
The art is really good, however, and it helps carry this series as it quickly loses steam and sort of just whimpers away because DC Comics had to reboot their universe for the umpteenth time.
Rating: 7/10 Pairs well with: the first book in the Gotham City Sirens series.
Published: October 28th, 2014 Written by: Paul Dini Art by: Guillem March
DC Comics, 314 Pages
I didn’t know much about this series but I really like Paul Dini’s Batman work, especially what he did on the near perfect Batman: The Animated Series. I also like how he wrote Harley Quinn and Poison Ivy on that show and thought that Dini gave them a fantastic dynamic, as well as superb chemistry.
This series adds Catwoman to that mix and since Dini did well with her character on that animated show, it just seemed like another reason to give this a shot.
Even though I anticipated liking this, I was still surprised by how good it is!
This brings the three women together as roommates, as they try and keep each other on the straight and narrow path, trying to be reformed criminals doing a little good in the world. Of course, things can’t be that simple.
The Riddler also plays a big role in this, as he helps the women where he can. That is, until he feels betrayed and personally hurt by them towards the end of this volume.
This is a pretty thick collection of stories, as it includes the first thirteen issues of the ongoing series. Within that, it features several story arcs, all of which are pretty good. There isn’t a dull moment in this run of issues and I actually really liked the standalone Christmas story that saw Harley return to see her family.
Dini gives us a lot of info on the backstory of all these characters and shows how some of their stories had some overlap at different times, whether they knew that then or not. For instance, the moment Harley met Ivy, she also met The Joker. Both characters would have an immense effect on her life.
So much happens in this and all of it is good. I dug the hell out of it much more than I thought I would. I’m sure I’ll read and review the second volume in the very near future.
Rating: 9/10 Pairs well with: other Paul Dini Batman-related comics.
Published: 2005-2006 Written by: Geoff Johns Art by: Phil Jimenez
DC Comics, 241 Pages
I hated Crisis On Infinite Earths but I had hoped that this more modern version of it would’ve been more to my liking. I guess it is better but not by much because it falls victim to the same bullshit.
It’s overloaded with characters to the point that it’s difficult to follow and it just becomes a mega clusterfuck, trying to be larger than life while wedging a fuck ton of characters into double splash pages.
DC likes doing these big events that try to “reset” the multiverse and all they do is become overly complicated messes that ignore their own established rules because new writers don’t have time to read the old stuff or pay attention to it. In Geoff Johns’ defense, the event this is a spiritual sequel to was a convoluted shitstorm, so I don’t blame him for paying it no real mind.
If I’m going to try and look at the positives, there is really only one: the art by Phil Jimenez. It’s spectacular and it is lively and even if I don’t enjoy the story, it’s hard not to get caught up in the absolute beauty of Jimenez’s work. It’s stunning and even on those overcrowded splash pages, he fills the space magnificently and dynamically.
Apart from that, there’s not much to say. This isn’t as messy as its predecessor but it is still an over-sized shit meatball.
Rating: 5/10 – because of the art more than anything else. Pairs well with: other massive DC Comics events that are overloaded with characters.
Published: 1985-1986 Written by: Marv Wolfman Art by: George Perez
DC Comics, 359 Pages
Crisis On Infinite Earths is one of DC Comics’ sacred cows. Yet, I’ve never had much urge to read it because my experience reading massive DC Comics crossovers has never been that great.
But now I have read it because I felt like it was long overdue and because this is a storyline that is referenced a lot, still to this day, thirty-five years later.
The first problem with this story might be apparent by the number of tags at the top of this post. It’s overloaded with so many characters that it is mostly a convoluted clusterfuck of biblical proportions.
In fact, this post may be the record holder for the number of tags I had to add to it. And frankly, that’s not all the characters, just the ones I know because two-thirds of the characters here are generic one-offs or so minute to the DC universe that they aren’t worth noting.
Now I know that some people love the splash pages from this series, as they showcase dozens (if not over a hundred) different characters all in one giant image. If I’m being honest, I’ve always disliked them and they are why I never really wanted to read this. Most of the action is minimal and many of these scenes are just characters standing around. They lack the energy that a splash page needs and look more like they belong in a Where’s Waldo? book. And I don’t say that to come off as a dick because I almost always love George Perez’s art. This just seems like DC management telling Perez to squeeze in as many characters as artistically possible. It’s hard on the eyes and it’s shit.
Another big problem with this twelve issue story arc is that every moment feels larger than life. Well, when everything is so big and grandiose, that becomes normal and status quo. You can’t possibly go bigger and with everything being so big from start to finish, none of it is memorable. It’s just a busy, stressful read without allowing the reader to catch their breath and reflect on what’s happened. It’s kind of like a Michael Bay movie. Throw so much intense shit at the audience, don’t let them stop and think and they’ll just move from point A to point B to point C and so on, forgetting everything that happened two points prior.
This event was made in an effort to sort of reset the DC universe. Honestly, all it does is make a giant fucking mess of things and splatters the mess all over everything it touches.
The plot doesn’t make sense, I’m not sure what exactly changed and with so many universes crashing together into one, it’s not properly organized and then re-established in any sort of way that a reader can follow. If this was supposed to be a jumping on point for readers in 1986, I don’t know how they made sense out of any of it and then knew which characters to follow.
The main reason for the previous sentence is that this is so overloaded with people that you don’t get to really know any of them. There is no character development and this is written in a way that it assumes the reader knows all about every character in the story. For a seasoned comic book reader like myself, who has been reading comics for three and a half decades, I was lost and didn’t know who half of the low tier characters were.
Crisis On Infinite Earths should have been written as a Justice League story with some inclusion of the Fawcett Comics characters and the Golden Age DC heroes. All the third tier and lower characters could have made cameos but even then, they don’t really need to.
I really hoped that this was going to pleasantly surprise me but it hurt my head.
It was too much, too big and too long.
Rating: 4/10 Pairs well with: mid-’80s DC Comics titles, as well as all the other massive DC crossover events.
Published: September 4th, 2018 Written by: various Art by: various
DC Comics, 241 Pages
As I’ve stated just about every time that I’ve reviewed one of these Batman Arkham “best of” collections, I love these damn things. Each one focuses on a specific villain from Batman lore and, for the most part, collect the best stories from all eras of Batman comic book history.
Now while I did enjoy most of this volume, I can’t honestly say that these are the Penguin’s greatest hits. Some of the stories here were kind of drab and just from memory I came up with about a half dozen that were better than the ones collected here.
However, I think part of the problem is that they want to cover all the eras and most of the great Penguin stories I’m thinking of are from the ’70s and ’80s.
This still does a good job at showcasing the character and giving fans a peak into how he’s evolved over the years as times change and new writers have come and gone, most of them leaving their imprint on the character.
In the end, this is worth adding to your collection if you’ve also been buying every volume. However, I wish that DC would come up with a better and beefier collection to honor the longevity and greatness of this 79 year-old character.
Rating: 6.75/10 Pairs well with: Other Batman Arkham collections.
Published: November 22nd, 2017 – December 18th, 2019 Written by: Geoff Johns Art by: Gary Frank, Brad Anderson Based on:Watchmen by Alan Moore
DC Comics, 456 Pages
Well, Doomsday Clock has finally ended! This twelve issue series wasn’t supposed to stretch out for over two years but it did. I’m glad that I didn’t start reading it until it was over, as I would’ve forgotten all the details due to the delays and the dozens of other comics I would’ve read between each issue.
Now that it’s all out, I finally read it: binging through it in two days.
I guess my first thoughts on it are that it is underwhelming and that it doesn’t justify its need to exist.
I had always been against new Watchmen stories without the involvement of Alan Moore. My mind changed, however, when I read some of the Before Watchmen stories from a couple years ago.
They made me see Watchmen the same way I see other comic book properties and that’s as a sort of modern mythology that is told and retold by countless others, each bringing something new and unique to the table. Superman and Batman have had countless writers and many of them have evolved and grown the character in great ways beyond their original concept. Granted, some writers have gravely failed too.
Generally, I like Geoff Johns’ work, so I wan’t against the idea of him tackling the Watchmen property.
Ultimately, though, this took too long to come out, especially with how sloppily put together it feels.
This is one of those stories where it feels like a lot happened but also like nothing happened.
It tries to merge the Watchmen universe with the DC universe but it doesn’t work. But I’m also over the crossover trope of using inter-dimensional portals or a superbeing that basically acts as a super-dimensional portal. That being said, I don’t know how else to bring these universes together but that also makes me ask why they had to try it in the first place?
Watchmen is very much its own thing, as is DC. Hell, Marvel is also its own thing in that same regard and whenever they tried to crossover Marvel and DC, which happened multiple times, it always felt forced, clunky and weird.
The only real highlight of this was seeing how certain characters from different universes would interact with one another but honestly, none of it was as cool as I felt it should have been and it all felt pretty pointless and made me realize how bad the Rebirth era of DC Comics has been – well, for the most part, as I liked some titles in the last few years.
In the end, this doesn’t feel any different than one of any of the dozen indie publisher crossovers that pit Green Lanterns against Ghostbusters, Ninja Turtles, Transformers, Star Trek crews or the apes from Planet of the Apes. While those crazy crossovers are neat to a point, they’ve been done to death in recent years. And despite this being better written and having better art than the other franchise mashups, it feels like DC Comics were really late to the party and didn’t even realize that it was over.
Rating: 6/10 Pairs well with:Watchmen and the Before Watchmen stuff, as well as just about everything under the DC Rebirth banner.
Published: December 26th, 2017 Written by: James Tynion IV, Christopher Sebela Art by: Carmen Carnero, Raul Fernandez, Alvaro Martinez
DC Comics, 121 Pages
I mostly enjoy James Tynion’s writing. He does a pretty good job with this series, even if it isn’t wholly my cup of tea because I’m not a fan of large Bat-Family groups. I like Batman working solo or with one or two other close allies.
But I still like Tynion’s run on Detective Comics enough to keep reading it, so there’s that.
I think I am mostly drawn in to the Clayface stuff because I actually like seeing him trying to redeem himself and work on the right side of the law.
While Clayface isn’t the focal point here, though, we do get to dive deeper into Azrael’s world. Now he’s a character I have a love/hate relationship with. But in this series, so far, I mostly like him and this chapter wasn’t any different.
This also puts some focus on Zatanna, who I was happy to see pop up, even for one volume. More importantly, this gives us some good backstory to her and Batman’s relationship, going back to their teen years when Bruce was trying to train under her father.
Overall, this was a quick, energetic read that added some new things to the plot and also served to strengthen the bond between this team of characters.
Most importantly, this brought Stephanie Brown a.k.a. the Spoiler back while also dropping hints that Tim Drake a.k.a. Red Robin was possibly still alive.
In the end, I like where this volume went and it ended in a way that makes me want to see what happens next.
Rating: 6.5/10 Pairs well with: other collections of James Tynion IV’s run on Detective Comics.
Published: October 25th, 2016 Written by: various Art by: various
DC Comics, 394 Pages
I love when DC Comics puts out massive compilations like this that celebrate big moments from the entire history of a character. Being that I never really read a lot of really old Aquaman stuff made this a big treat.
This goes all the way back to the earliest stories and gives us a good selection of tales from just about every era and decade since.
There are modern stories here but this focuses mostly on the old stuff. Especially first appearances (or very early appearances) of key characters from the Aquaman mythos. We see the debuts of the original Aquagirl, Aqualad, Ocean Master, Mera and some very early encounters with Oceanus and Black Manta.
We also get a lot of cameos from Aquaman’s Justice League allies from different eras. This has lots of cameos but all the stories are very Aquaman-centric, as opposed to wedging in Justice League stories where Arthur Curry isn’t the primary focus.
This is a thick, solid volume. It’s a bit pricey but I got the digital version of it really cheap during an Aquaman sale on Comixology. I think I paid less than $5, which to me, was an absolute steal.
If you want to know more about the Aquaman character’s history, this is a great starting point.
Rating: 9/10 Pairs well with: other recent DC Comics compilations celebrating milestone anniversaries.
Published: July 18th, 2018 – January 2nd, 2019 Written by: Tim Seeley Art by: Freddie E. Williams II, Jeremy Colwell Based on:Masters of the Universe by Mattel, Injustice by NetherRealm Studios
DC Comics, 153 Pages
I haven’t played the Injustice video games or read the comic books. I get the gist of it though, so being a long-time fan of Masters of the Universe, I thought that the idea of seeing He-Man and his world mix it up with the DC Comics universe was a cool idea.
However, I did have to go into this with some skepticism, as most comic book crossovers of unrelated intellectual properties usually don’t leave us with great results.
This one was pretty good though. I can’t say that it was completely compelling but the story did a good job of wedging in a lot of characters while managing multiple plot threads. This had many layers to it and all of them kept me engaged.
I think the thing that I liked most about this was the art. It just felt perfect for a Masters of the Universe story, as it reminded me of the art of the old comics they used to package with the toys. It just drummed up nostalgia on a pretty high level and it was very effective.
This lasted for six issues but I feel like it could have been better if it was a bit longer. While it works well in the space it was given, I felt like some confrontations were rushed through and some of the action suffered a bit. There were just some cool ideas here that could have been explored just a little bit more than they were but I don’t want to spoil the story details for those who want to read this.
Overall, this was pretty damn good. Tim Seeley told a fun story within two very different worlds that I love and the art was perfect for what this project was trying to convey.
Rating: 7.75/10 Pairs well with: other Masters of the Universe crossovers and the Injustice comics, as well as regular Justice League stories.
Published: November 21st, 2018 – December 12th, 2018 Written by: James Tynion IV Art by: Daniel Sampere, Juan Albarran, Brad Anderson, Adriano Lucas, various (covers)
DC Comics, 53 Pages
This story is a two issue arc in Justice League Dark issues five and six. It takes place immediately after The Witching Hour crossover event and is a small filler story leading into the next larger arc. However, this also adds a lot of context to the series and where it is headed.
If you are a fan of Detective Chimp, than this story will not disappoint. It gives his story more depth, more weight and sets up the possibility that he may disappoint his team in the future. It also deals a lot with his inner struggle and how he’s been thrust into a role he’s not confident in having.
Also, this story features Blue Devil, who I have always thought of as a pretty cool character, even if he doesn’t show up very much.
James Tynion is just on his A-game, right now. While this isn’t my favorite arc in this series, it certainly isn’t a letdown. It’s a worthwhile, quick read that fits nicely within the rest of the series and gives you a bit of a breather after the intensity of the first two stories we just read through.
Additionally, the art in all these books is stupendous and I’ve had to buy all the regular issues and the variants because I can’t say “no” to those incredible variant covers.
Rating: 7.5/10 Pairs well with:The Witching Hour crossover that precedes this and the original Justice League Dark series.