Comic Review: X-Infernus

Published: December 3rd, 2008 – March 25th, 2009
Written by: C.B. Cebulski
Art by: Giuseppe Camuncoli, Jesse Delperdang

Marvel Comics, 96 Pages

Review:

I have always loved Magik and this series has one of my two favorite covers that she’s ever been on. Just ten years ago, heroines could still look super sexy and display the ideal form. Nowadays, the ideal female form is being pushed out of comic books, even though it’s been a very important staple in art throughout history, as well as escapism entertainment. Nowadays, we aren’t supposed to look at things that attract us because that’s implied rape or something. Also, I’m going to excuse the Papyrus typeface on the cover because the art distract from it. But c’mon, Marvel… fucking Papyrus, really?!

This is one of the better stories centered around Magik and her association with Limbo. Although, it isn’t as good as the original Magik miniseries from the early ’80s, it really brought me back to that special place. C.B. Cebulski weaves a good story here but on the flipside of that, his dialogue can induce a bit of cringe sometimes. For instance, here’s an actual quote from Pixie, immediately after she thinks she stabbed Nightcrawler to death:

“Oh my god Dr. McCoy I don’t know what happened Mr. Wagner asked to see my soul dagger so I pulled it out and then it was like it had a mind of its own and the next thing I know I’m all evil and like GRRRR and then it all goes black and Mr. Wagner’s on the ground with my soul dagger plunged into his–“

Yeah, wow… is that bad or am I just crazy? It’s the world’s longest unpunctuated string of dialogue ever but I guess you’re supposed to interpret that as her being scared, nervous and in shock. But really, did she need to say “GRRRR”? Who talks like this?

Apart from that, I don’t have any gripes with this story, except that it felt a bit too short. But the original Magik miniseries was the same length. That one just felt like it had more in it though.

When this starts, Magik is a demon ruling over Limbo. She discovers that Belasco, the demon warlock that made her what she is, has a daughter named Witchfire. While this isn’t Witchfire’s first appearance, it’s the first time that she and Magik have crossed paths.

The X-Men intervene to bring Magik back to the light and to help stop Withfire, who has grown extremely powerful in her quest to rule Limbo and to be more powerful than her underworld peers: Hela, Dormammu, Mephisto, Blackheart and Satannish.

I love Magik and the world of Limbo because these tales bring something really cool to the Marvel universe. They feel like ’80s Dungeons & Dragons stories.

Now this isn’t as good as the Magik miniseries but it’s a great continuation of the things that were established by it.

I also can’t end this without giving props to the art. I loved the look of this book, the character design and the atmosphere of Limbo. Overall, this was a fun, dark read.

Rating: 7.5/10
Pairs well with: other Magik-centric stories: the Magik miniseries, the classic New Mutants stuff and the more recent New Mutants: Dead Souls but that one was pretty weak.

Video Game: X-Men (Arcade)

Kids of the ’90s know this game. Well, assuming that they had a video arcade near them and were into the X-Men at the height of their ’90s popularity.

This game was originally presented in a double-wide arcade cabinet with two screens and room for six players at the same time. I used to love playing this and I always hoped for a version of it that I could play at home. But it wasn’t until about ten years ago that this was ported and released for the PlayStation 3 via the PlayStation Store.

The home version isn’t as exciting, as I don’t have six people to play this with or even six controls but playing through it on my own or with a friend or two is still quite a lot of fun.

This is a standard 2D, side scrolling, beat’em up game. Those were super popular back in the late ’80s and early ’90s with games like Double DragonFinal Fight, the arcade version of Teenage Mutant Ninja TurtlesStreets of Rage, the sister game to this one: Captain American and the Avengers, as well as a slew of others. I loved this genre of video games and could never get enough of them. In 2018, I wish side scrolling beat’em ups still populated the marketplace.

For the time, this had solid graphics, great sound, easy gameplay and it was addicting as hell. You didn’t care how many quarters it took, it was hard to leave the arcade without beating this on a playthrough each visit.

The game came out around the same time as the popular X-Men cartoon series. It wasn’t based on that, however. The game was actually designed after the pilot episode of a failed X-Men animated series from a few years earlier. Now that pilot was popular when it VHS, I rented it a lot, but the game sort of exists as an expansion to what probably would have been a solid cartoon series.

You have six playable X-Men characters in this: Cyclops, Wolverine, Storm, Colossus, Nightcrawler and Dazzler. Professor X and Kitty Pryde also show up. The villains also have an impressive roster with Magneto, Mystique, Juggernaut, Emma Frost, Nimrod, Pyro, the Blob and Wendigo. It would’ve been nice to have Sabretooth though.

I still enjoy the hell out of this game and play through it on my PS3 about once a year. Nowadays, it doesn’t cost quarters and I can run through it in about a half an hour.

Rating: 7.5/10
Pairs well with: Captain America and the Avengers arcade game, Spider-Man for Sega Genesis and Maximum Carnage.

Comic Review: The New Mutants: Dead Souls

Published: March 14th, 2018 – August 29th, 2018
Written by: Matt Rosenberg
Art by: Adam Gorham, Ryan Stegman (covers)

Marvel Comics, 136 Pages

Review:

I had trouble rounding up the six issues in this miniseries, as the first few sold out quickly at my local comic shop and then the last few seemed to have not been ordered. But now that I got all six issues, I was able to finally read this. I was anticipating this greatly, as I am a long time New Mutants fan and I also love Magik.

But man, this was a mixed bag.

Had I bought and read these from the beginning, I would have quit this series after the second issue. As much as I like these characters, this miniseries started out really f’n bad.

To start, don’t let the nice covers fool you because the interior art is pretty unimpressive. In fact, Magik looks like a blonde wannabe of Lisbeth Slander from those Girl With the Predictable Yet Easily Triggered Goth Attitude books and movies.

Go look at the cover of X-Infernus because that’s how Magik should look in the modern age: all woman. I mean, is she a teenager again or supposed to be? Did I miss some moment in recent years where she reverted back to her younger age? Because she grew into one heck of a badass demon women wielding a magic sword and wearing armor like some sexy Red Sonja villain. Now she looks like my neighbor’s pissy daughter, Chloe. I said “hi” to her once and she just starred at her phone, chewing gum and looking like she was cosplaying as Negasonic Teenage Warhead cosplaying as Axl Rose. I just call her “Chlobot” now and her reaction is the same.

Anyway, the story was pretty unimaginative, at least in the beginning. It started out as a New Mutants versus zombies tale but then it evolved into a mish mash of what felt like random shit. It went from The Walking Dead to fighting a frost giant at the North Pole to a bad plane ride to a funeral to I don’t know, it was all over the place.

However, it did pick up and seem more cohesive as it went on. The part about the funeral and it being some mind games from the villain was an interesting twist. I wouldn’t call it original and the twist felt like a cop out, as they couldn’t commit to the more interesting bit but at least it pulled me into the story.

There is a whole side plot about Warlock, which culminates in the big ending of this story but that ending was problematic because it was a non-ending and showed that this six issue miniseries was just a tool to setup something else in the future. The problem with this, is that a miniseries should be pretty self-contained and this wasn’t. It ends in the middle of a larger story arc and I have no idea where this is supposed to pick up or if it even started or not.

Another big issue was the writing and I don’t mean the story, I just covered that. It was the dialogue. Man, it was terrible. These kids talk like every generic and uninteresting Marvel character being written today. They all have the same personality with just minor tweaks. It’s all snark, no likability and it’s a lot of forced humor. You know how some people aren’t funny but try to be funny? That’s just about every character in this book.

I really wanted to like this because I miss the experience I had reading The New Mutants. Sadly, this doesn’t cut the mustard. But I can just go back and pick those old books up anytime, I guess.

Rating: 5.25/10
Pairs well with: I guess the recent X-Men stuff, which has all been pretty weak if not outright terrible. I’d like to say classic New Mutants but this just doesn’t live up to those great stories.

TV Review: Legion (2017- )

Original Run: February 8th, 2017 – current
Created by: Noah Hawley
Directed by: various
Written by: various
Based on: Legion by Chris Claremont, Bill Sienkiewicz
Music by: Jeff Russo
Cast: Dan Stevens, Rachel Keller, Aubrey Plaza, Bill Irwin, Jeremie Harris, Amber Midthunder, Katie Aselton, Jean Smart, Navid Negahban, Jemaine Clement, Hamish Linklater

26 Keys Productions, The Donners’ Company, Bad Hat Harry Productions, Kinberg Genre, Marvel Television, FX Productions, 20th Television, 19 Episodes (so far), 44-68 Minutes (per episode)

Review:

With two seasons in the bag, that bag is a mixed one.

Legion is a mindfuck of biblical proportions. And while that works for the show, it also works against it.

The problem with Legion is that if you zone out or miss something for five minutes, you’re totally lost and it’s hard to reel yourself back in.

This show has some very strong positives, however. The cast, for the most part, is f’n stellar. Dan Stevens and Aubrey Plaza are exceptionally fantastic in this. But I can’t dismiss the work of Rachel Keller, Jean Smart and the always entertaining Jemaine Clement. All the other players deliver as well.

Legion also has great cinematography, set design and sort of exists in a very vivid world that is one part fantastical and one part realistic. There is a balance in the show in storytelling, style and overall tone between the fantastical and the real. It works quite well, as long as you don’t get lost in the details and the weirdness of what’s unfolding on screen.

But with all those positives, the show is also hard to watch at times. For me, it gets too strange at certain parts and the narrative gets lost in the weirdness, just as the viewer might.

Point being, this can be a very confusing show and sometimes details come so fast that you might not grasp them all. What may look profound on paper, in this case the script, might not translate well to screen. It doesn’t matter that the screen is littered with a visual smorgasbord of incredible and creative images. It almost feels like all that stuff distracts from the most important thing that this show needs: story. And not just story but a coherent story that flows at a proper pace and doesn’t come across as some dreamlike clusterfuck.

I wish that this show would find a way to tighten up it’s superficial bullshit and be a bit more accessible because ultimately, it can continue to be a total mindfuck but it won’t maintain an audience and generate the ratings it would need to continue.

Legion isn’t beyond fixing but after two seasons, I kind of don’t care about it anymore. With season one, I was able to look past the flaws because it was so nice to look at but season two was tough to get through and every time a new episode popped up, it felt like a chore I had to push through.

This should be better and it can be better but it almost feels pretentious in a lot of ways and I hate saying that but it’s definitely putting art over substance and that doesn’t work too well in television, where people have to be enticed to keep coming back.

Rating: 6.5/10
Pairs well with: Other recent Marvel shows: The GiftedThe Runaways and Cloak & Dagger.

Comic Review: Magik: Illyana and Storm

Published: December, 1983 – March, 1984
Written by: Chris Claremont
Art by: John Buscema, Ron Frenz, Sal Buscema, Tom Palmer, Glynis Wein

Marvel Comics, 128 Pages

Review:

Illyana Rasputin a.k.a. Magik is one of my favorite Marvel characters of all-time. I loved her in The New Mutants and in her many appearances since. I never read her origin story, however.

Before getting my hands on this series, I read The Uncanny X-Men #160, which bookends this miniseries. At the start of that story, Illyana is a small child. She gets caught on the other side of a portal. When the X-Men pull her through, just seconds later, she is seven years older. This miniseries fills in that seven year gap and shows how she went from just being a young mutant with teleportation abilities to a powerful sorceress with a magic sword.

Chris Claremont did a damn fine job with the story and each of the four issues were great from cover to cover. This also got away from standard Marvel fare and tapped into a tone and style that was much more in tune with hardcore fantasy fans of the ’80s.

This looks and feels like a comic set in the Dungeons & Dragons universe, which was at a peak in popularity at the time. In fact, maybe I never got my hands on this comic because my mum was pretty adamant that playing Dungeons & Dragons with my cousins was going to punch my ticket to Hell. She’s less crazy about that stuff now and weirdly, she’s a big Harry Potter fan.

Anyway, this story kind of reminded me of how I felt when I used to watch the Dungeons & Dragons cartoon on Saturday mornings when my mum wasn’t paying attention to what I had on TV.

This story is pretty damn dark. While it is a coming of age story and very much written for a teen audience, Claremont’s greatness transcends that demographic and I think that most people that love ’80s X-Men or ’80s D&D will enjoy the hell out of this.

It does some really disturbing things to some of the core X-Men characters too. Kitty Pryde is transformed into a werecat creature and then dies, Storm is a badass sorceress and then dies, Nightcrawler is a demon slave and then dies, Colossus, who is Magik’s older brother, is found with his metal shell ripped open and yes… he’s also dead.

Illyana has to figure out her predicament, battle a powerful warlock, take his power and also fight several other demonic and magical forces. Ultimately, she becomes a demon goddess of the awesomest caliber. She may also have had the most screwed up childhood of any X-Men character that wasn’t present at the Holocaust.

I f’n loved this story. It also motivated me to get back into those early New Mutants tales, as it’s been a really long time since I’ve read them.

Rating: 8.75/10
Pairs well with: The Uncanny X-Men #160, which bookends this story and the early New Mutants stuff featuring Magik as a member of the team.

Comic Review: X-Men: Grand Design

Published: October 4th, 2017 – January 3rd, 2018
Written by: Ed Piskor
Art by: Ed Piskor

Marvel Comics, 92 Pages

Review:

X-Men lore is so massive that a series like this is actually pretty necessary for modern fans who don’t know all the details of the older X-Men stories and how things led to where the franchise is now.

X-Men: Grand Design is a fabulous series that goes through the entire history of the X-Men team.

The first Grand Design series was comprised of two 46 page comics. The second series is also broken out over two issues but this is about the original run, which covered the original X-Men team, mainly comprised of Cyclops, the original Ms. Marvel (Jean Grey), Beast, Iceman and Angel.

This comic moves very briskly, as it hits every major storyline in the comic’s original run. We see the origins of all the key players, heroes and villains. We also see how the Sentinels came to be and the formation of the Brotherhood of Evil Mutants, as well as all the hoopla surrounding the arrival of the Phoenix Force.

Ed Piskor did an incredible job of writing this and mapping out the story so well. Everything just flows and it is perfectly accented by his old school pulp-like artwork.

I know these stories but even I don’t remember every single chapter of X-Men history. For old fans and new fans, this really is a must own and a must read. If anything, it just tapped into nostalgia pretty strongly and it has made me want to go back and read some of the classic story arcs.

Rating: 9.5/10
Pairs well with: It’s sequel X-Men: Grand Design – Second Genesis.

Comic Review: House of M

Published: February 1st, 2006
Written by: Brian Michael Bendis
Art by: Oliver Coipel

Marvel Comics, 280 Pages

Review:

This picks up after the events that happened in Avengers: Disassembled. This story also has effects that will go on to be felt in Marvel’s Civil War event, as well as X-Men: The Messiah Complex.

So following the tragic events of Avengers: Disassembled, the Avengers and the X-Men meet to discuss the fate of the Scarlet Witch. Wolverine leads the charge pretty much calling for her death, as the potential for what she can do with her powers is too great. Other Avengers and X-Men disagree but ultimately, you get the idea that this is going to go somewhere really friggin’ dark.

After that, Wolverine wakes up in an alternate reality and is aware that he’s not where he’s supposed to be, even though all of his allies are buying into the mystical charade. Wolverine has to go against his friends, search for answers and has to convince his allies that something happened that completely changed reality.

In the end, the Scarlet Witch only leaves like ten percent of the mutants in the world with their powers intact. So Wolverine saves the day, essentially, but the Scarlet Witch with her insane powers is still a crazy bitch.

This story was a cool idea but it didn’t really move forward in a way that excited me. Granted, I wasn’t too fond of Avengers: Disassemble, which lead to this.

This is one of the big Marvel stories of the ’00s and it is certainly better than the schlock they are synonymous with now but it still pales in comparison to the great epics that came before this. Don’t get me wrong, Marvel has some events that were duds in the old days too but this book just missed the mark and frankly, it could have been longer and probably needed to be, as the pace was insanely quick.

I really enjoyed Oliver Coipel’s art, though.

Rating: 6.25/10
Pairs well with: Avengers: DisassembledThe Messiah Complex, also it has ramifications that carry over into the Civil War event.