Comic Review: X-Men: Mutant Massacre

Published: 1986
Written by: Chris Claremont, Louise Simonson, Walter Simonson, Ann Nocenti
Art by: John Romita Jr., Walter Simonson, Sal Buscema

Marvel Comics, 319 Pages

Review:

Well, not all giant X-Men crossover events can be created equal.

This one started off with a bang though. Sadly, it withered away in the second half, as it crossed over into non-X-Men-related titles and became a narrative clusterfuck that slowed down the story’s momentum to a complete halt.

The main reason I wanted to read this was to have a bit of background context before jumping into the following big event The Fall of the Mutants. While I had never read either crossover in their entirety, I had read parts and I knew that the stories had a very close association.

The focal point of the story shows the Marauders invading the Morlocks’ sewer hideout where they murder the shit out of them. Only a few actually survive and that’s mostly due to the X-Men, X-Factor and the New Mutants involving themselves in the ordeal.

As this collection rolls on, the story spins off into issues of Thor, Daredevil and Power Pack. This is where the narrative starts to become a mess. And once we get to this point, a lot of the issues rehash some of the same shit, over and over.

What I was excited to see was Apocalypse show up and the actual breaking of Angel. I thought that he would actually be turned into Archangel in this story but I guess that happens just after, which was kind of disappointing, as I’ve never got to read that actual story. I assumed it would happen here once Angel had his wings destroyed and was nailed to the sewer wall with about half the story left.

There were a lot of deaths in this but none that really hold any weight or matter to the bigger picture.

But I guess this helped plant the seed for The Fall of the Mutants and the introduction of both Archangel and Mister Sinister.

Rating: 6.25/10
Pairs well with: other big X-Men crossover events from the ’80s and ’90s.

Comic Review: Uncanny X-Force, Vol. 5: Otherworld

Published: November 21st, 2012
Written by: Rick Remender
Art by: Phil Noto, Billy Tan, Greg Tocchini, Dean White

Marvel Comics, 136 Pages

Review:

Coming off of a pretty big epic story that took up two separate trade paperbacks, this chapter in Rick Remender’s X-Force run was still entertaining but also sort of a bridge between the The Dark Angel Saga and the finale (also spread over two TPBs) Final Execution.

This sort of wraps up some of the stuff from the previous saga while building towards a big crescendo.

The bulk of the story takes place in Otherworld where Captain Britain leads his own corps. It pits twin sister, Psylocke, against twin brother, Captain Britain, while also throwing in their older brother Jamie Braddock Jr.

This also further develops Fantomex’s character, as well as his relationship with Psylocke.

If I’m being honest, things happen here to set the stage for the finale but ultimately, this was kind of boring when compared to the previous chapters. It seems to tap into a lot of Excalibur nostalgia. Now I did like that comic series, as well as Captain Britain, but I never read enough of it and it’s been a really long time.

Still, if you’ve made it this far into Remender’s mostly solid run, this is a necessary step on the way to the big, two-part finale.

Rating: 6.75/10
Pairs well with: the rest of Rick Remender’s Uncanny X-Force run.

Vids I Dig 126: Filmento: ‘Dark Phoenix’: How to Fail at ‘Civil War’

From Filmento’s YouTube description: In a year of movie flops, X-Men: Dark Phoenix, based on public opinion, might be the biggest failure flop of them all. But strangely, it actually does a lot of good, especially with a certain storytelling element that directly connects it to Captain America: Civil War: utilize conflict. The problem is that everything this movie does right, the ending act takes a dump on and completely ruins. Today in Anatomy of a Failure, let’s see how this movie handles conflict and what it does at the end to self-destruct and this way go from Civil War to a literal train wreck.

Comic Review: House of X/Powers of X

Published: June 24th, 2019 – October 9th, 2019
Written by: Jonathan Hickman
Art by: Pepe Larraz

Marvel Comics, 400 Pages

Review:

Let me preface this review by saying that this is the best new comic book story that I have read in ten years.

That’s absolutely a bold statement but let’s be honest, Marvel and DC haven’t really been bringing their A game for awhile, other than a few things, here and there.

Overall, modern comics just aren’t great anymore. But this is in a league of its own, as Sean Gordon Murphy’s recent Batman work at DC Comics is also on its own plane of existence when compared to what else is coming out from its publisher the last few years.

That being said, it’s been a really long time since I’ve been engaged by X-Men stories. That’s kind of depressing, as the X-Men pocket of the larger Marvel universe is one of my favorite franchises of all-time.

Jonathan Hickman has made me care again.

In fact, this made me care so much that I added every new X-comic to my pull list, as I am hoping that this carries over into something larger, richer and more spectacular. This sort of prologue to the larger X-universe is going to be a hard thing to beat or live up to over the long haul but it’s obvious that Hickman has a plan and I want to see how this all unfolds.

There are some things in this story that seem weird and out of place and I believe that these things are intentional. Primarily, many of the characters are acting uncharacteristic. I don’t think it’s an oversight or the product of a writer that doesn’t know what he’s actually writing about, as many modern writers seem to do.

If I’m wrong, I’ll be pissed and heartbroken but there is real intelligence to this writing and Hickman has a fantastic track record.

Also, this is a great jumping on point. You don’t really need to read what happens before. This is a true starting point for new readers or old readers that tapped out on the X-Men books long ago.

Plus, Pepe Larraz’s art is some of the best I’ve seen in a long time.

Rating: 10/10
Pairs well with: old school X-Men mega crossover events.

Comic Review: 1985

Published: July 22nd, 2009
Written by: Mark Millar
Art by: Tommy Lee Edwards

Marvel Comics, 146 Pages

Review:

This comic book was cool as hell!

It sort of reads like it’s a season of Stranger Things but where the small town is haunted by Marvel villains instead of weird shit from the Upsidedown. This also came out in the decade before Stranger Things, so it was kind of ahead of the curve but like Stranger Things, knew how to tap into ’80s nostalgia in a brilliant way.

But this was also written by Mark Millar, a true master of his craft.

What’s unique and cool about this comic is that it doesn’t take place in the Marvel Universe, it takes place in our universe.

The story follows a young boy in 1985. He is having issues like any normal ’80s kid dealing with divorced parents. He bonds with his father pretty strongly though, as they both have a deep love of comic books and are experts on Marvel lore. At the same time, Marvel villains start showing up in the real world because there are no heroes here to stop them.

Overall, this was a really neat idea and for the most part, I thought it was superbly executed.

1985 is incredibly imaginative but it really worked so well because the art fit the concept and the tone. While Millar deserves credit for a great story, Tommy Lee Edwards gave it so much more life than just words on paper. And his style works better for the setting than having that sort of standard Marvel art style.

This is one of those comics that I’m happy to have discovered as an adult but wish would have been around when I was a kid. If you know a kid that loves Marvel but they’ve never read this, I think that they’ll probably love the hell out of it.

Rating: 9/10
Pairs well with: the Stranger Things comics, as well as other Mark Millar stories.

Film Review: Dark Phoenix (2019)

Also known as: X-Men: Dark Phoenix (alternative title)
Release Date: June 4th, 2019 (Hollywood premiere)
Directed by: Simon Kinberg
Written by: Simon Kinberg
Based on: X-Men by Stan Lee and Jack Kirby, The Dark Phoenix Saga by Chris Claremont, John Byrne
Music by: Hans Zimmer
Cast: James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Tye Sheridan, Sophie Turner, Jessica Chastain, Kodi Smit-McPhee, Alexandra Shipp, Evan Peters, Halston Sage

Marvel Entertainment, TSG Entertainment, The Donners’ Company, 20th Century Fox, Walt Disney Studios, 114 Minutes

Review:

“You’re always sorry, Charles. And there’s always a speech. But nobody cares!” – Magneto

Well, I guess there’s a new rule. That rule is that if an X-Men film tries to tell a Phoenix story, it’s going to be the worst movie in the series.

I honestly didn’t think that the regular X-Men films of the rebooted/prequel era could get worse than Apocalypse but this one takes the cake.

That’s not to say that I didn’t enjoy parts of it, I did. However, for the most part, this movie is a fucking mess and ignores previous continuity more than any other X-film from either era and this comes after they tried to course-correct five years ago with Days of Future Past.

The big narrative problem for me is that it was established that the Phoenix Force in the film universe was dormant in Jean Grey all along. When Days of Future Past corrected the wonky timelines of the film, that shouldn’t have been a reboot of every aspect of the film series. Otherwise, that’s just some J. J. Abrams Kelvin Timeline bullshit.

In this film, Jean Grey gets infected with the Phoenix Force during a space mission. It’s more in line with how it happened in the comics but it doesn’t make sense with what was already established. Also, in just the previous movie, she sort of taps into the Phoenix Force when she’s battling Apocalypse. So it was in her but then it wasn’t? Fuck, these movies are a goddamned clusterfuck of epically biblical proportions!

Anyway, like the three films before this one, this takes place in a new decade: the ’90s. Somehow though, no one fucking ages in these movies even though First Class was thirty years earlier than this chapter. Cyclops and Quicksilver were in their late teens in the ’70s in Days of Future Past. Here they look like they’re maybe in their early twenties. But whatever, it’s not like the filmmakers cared, as Dazzler is wearing her disco outfit in 1992 and everyone else is dressed like its 2019.

Another thing that irked me somewhat, is that I love Michael Fassbender’s Magneto but it took an hour for him to show up. Also, three movies into the subplot with Quicksilver and Magneto still doesn’t know he’s the kid’s father and it’s actually just dropped in this movie and not mentioned.

It seemed pretty apparent that the regulars didn’t want to do this movie. Other than McAvoy’s Professor X, the rest of the main cast were only in half the movie, got killed off or got beat up and put on the shelf. That being said, Jennifer Lawrence’s Mystique was insufferable in this installment and I’m glad she got impaled.

The main characters that did actually appear for the entirety of the film were completely misused, however. Professor X was a careless prick and didn’t act like himself, Beast was super emo and almost became Dark Beast and Magneto switched his allegiances on a dime because he conveniently didn’t have all the information.

The threat in the film other than the Phoenix Force was a bunch of shapeshifting aliens that were obviously written to be the Skrulls but probably got changed late in production because Disney bought Fox and they couldn’t have Skrulls in an X-Men movie just after they introduced them in Captain Marvel.

Everything in this film feels scaled down as well. Every big battle is in a small area. There’s the fight at Jean’s daddy’s house, the confrontation on a small island, the big second act battle in front of a modest sized New York City building and its generic lobby and then the big finale which takes place on a train. They definitely didn’t do anything epic in scale, which seems like a missed opportunity considering that this is a movie that features the Phoenix Force trying to cleanse the Earth with fire.

Sophie Turner is also the focal point of the movie and I’m still not sure if she can act or not. This movie doesn’t help her case, as she was monotone in every scene, barely conveyed emotion and just acted like she was completely disinterested in the whole project.

While it sounds like I’m bashing the film and honestly, I probably am, I did like a few things.

For one, the Hans Zimmer score was damn incredible. It’s rare that I even notice music in movies anymore but I noticed it here and it actually made some scenes better and more emotional when some of the actors couldn’t even do that themselves.

I also liked the opening sequence, even if these teens going into space, untested, at the request of the United States President seemed strange.

Some of the new mutants in Magneto’s camp were also pretty cool additions in the New York and train battles but they were just kind of there and then discarded. The dude with the killer dreads was pretty badass; think Omega Red… but with dreads instead of hand tentacles.

I was really happy to see Dazzler show up too but she’s completely wasted in a cheap cameo. She sort of just hangs out in the background and doesn’t do anything else. Fans that have wanted Dazzler since 2000’s X-Men will probably feel cheated, especially since she was played by Halston Sage, who is dynamite on The Orville.

Additionally, I can’t say enough about how good Michael Fassbender and James McAvoy are in these films. Their bond transcends the screen, it truly does. It just sucks that the material they had to work with here was so fucking lackluster.

On a side note, I really liked Nicholas Hoult too. He’s a solid Beast, even if I wasn’t initially keen on the casting. But like the other two great actors in this, he also had shit to work with in this picture.

To be fair, a lot of this film’s issues might not be the fault of the actual filmmakers. Simon Kinberg can do some solid stuff and he’s mostly handled this franchise well. However, Disney bought Fox just before this movie was slated to come out. It’s pretty well known now that they meddled with it in post-production because they thought it was too similar to Captain Marvel, which they were banking the entire future of the Marvel Cinematic Universe on.

In the end, though, we got a really mediocre movie made by people that don’t seem like they care anymore. I guess it’s fitting that this incarnation of the cinematic X-Men franchise is now dead.

So I guess we’ll have to wait a few more years (or longer) to see what Disney does with the X-Men once they are rebooted into the MCU.

Rating: 5.25/10
Pairs well with: all the other Fox X-Men films and spinoffs.

Comic Review: Uncanny X-Force, Vol. 3 & 4: The Dark Angel Saga – Books I & II

Published: May 23rd, 2012 (Vol. 3), August 15th, 2012 (Vol. 4)
Written by: Rick Remender
Art by: Rich Elson, Billy Tan, Mark Brooks, Scot Eaton, Andrew Currie, Andrew Hennessy, Jerome Opena, Robbi Rodriguez, Dean White

Marvel Comics, 274 Pages (total)

Review:

This is the big story arc where this highly regarded comic series really came together for me. I was patient, I liked the build of the two volumes before this and I was happy to discover that this was going somewhere solid.

The Dark Angel Saga is broken out into two volumes but I’m reviewing it as one body of work because that’s the best way to talk about it and because these Uncanny X-Force TPBs are too short.

Overall, the story reminds me of the late ’80s/early ’90s X-Men crossover events. This is actually smaller in scale and didn’t crossover with multiple books but it just had that feel, as the story itself is pretty grandiose. And frankly, I’m surprised it was contained in just one comic.

Rick Remender had a vision for this title and this is where that truly becomes clear.

This is a team made up of several characters I love, as well as Fantomex, who I didn’t know before this but have grown to like over the course of this comic.

The focus of the story is on the continued inner turmoil of Angel/Archangel. Now that Apocalypse is dead, his body and mind are slipping into darkness, as he is supposed to evolve into the next Apocalypse.

The story also takes us into the dimension from the Age of Apocalypse epic. Our X-Force team finds allies in the X-Men team of that dimension, which adds some really cool subplots to the story, as characters are reunited and some are very different than their regular versions.

The Dark Angel Saga is well choreographed and written, balancing a ton of characters, introducing new ones but still giving us something pretty focused that tells its story well and isn’t bogged down by a large ensemble and the problems that come with that.

Rating: 8.5/10
Pairs well with: the rest of Rick Remender’s Uncanny X-Force run.