Film Review: Justice League Dark (2017)

Release Date: January 24th, 2017
Directed by: Jay Oliva
Written by: Ernie Altbacker
Based on: Justice League Dark by Peter Milligan, Mikel Janin
Music by: Robert J. Kral
Cast: Matt Ryan, Jason O’Mara, Camilla Luddington, Nicholas Turturro, Ray Chase, Jerry O’Connell, Rosario Dawson, Alfred Molina

Warner Bros. Animation, DC Entertainment, 75 Minutes

Review:

“I expect the worst, so I prepare for the worst, and when the worst happens, I’m ready. But my outlook doesn’t alter the reality of the world.”- John Constantine

I started reading the current run on Justice League Dark and I really love it, at least one issue into it. I figured that I’d give this a watch because of how much I was into the comic and because I’ve liked a lot of the modern DC Comics animated features.

This was a pretty cool film.

I loved the tone, I liked the choice of characters for the JLD team and is it possible that someone was cooler than Batman? Why, yes! His name is John Constantine.

It was neat seeing Constantine take center stage, where he outshines Batman and shows how cool of a character he actually is.

It mostly made me upset that the live action Constantine TV show was cancelled after a measly thirteen episodes because it could have kept growing and got as epic and awesome as this animated feature. Hell, had it gone on into multiple seasons, it could have expanded like the other DC Comics TV shows on the CW and Constantine probably would have had a whole squad, thus making that show a live action version of this film sans Batman.

Anyway, this had solid animation, a great voice cast and I liked how the regular Justice League characters were used in this.

This is one of the better DC animated features that I have seen.

Rating: 7.25/10
Pairs well with: Other recent DC Comics animated features.

Comic Review: The Man of Steel (2018 Miniseries)

Published: May 30th, 2018
Written by: Brian Michael Bendis
Art by: Jason Fabok, Ivan Reis, Joe Prado, Alex Sinclair, Steve Rude, Evan Shaner, Ryan Sook, Wade von Grawbadger, Kevin Maguire, Adam Hughes

DC Comics, 155 Pages

Review:

Brian Michael Bendis lost me a long time ago. But when he left Marvel for DC Comics and was given a weekly Superman miniseries to write, I was intrigued. It had been a while since I really got into a Superman story and even longer since Bendis wowed me. Would these two forces coming together give us something great?

Well, not really. But this did get off to a really strong start. I’ll explain.

This story is stretched over six issues that were released weekly, as a lead-in to the Bendis Superman ongoing series. The story started out really strong and it had me hooked over the first four issues. Things changed as I got to issue five though and I didn’t like the conclusion. Anything after this sentence is going into major spoiler territory, so you’ve been warned.

A new villain has arrived in the DC universe and his name is Rogol Zaar. Apparently, Zaar was instrumental in the cataclysmic event that destroyed Krypton. Now, he wants to do the same thing to Earth, as he must “cleanse” it from Kryptonians. I thought that Zaar was a pretty cool and intimidating villain but his design could have been better. He kind of just looks like a generic cosmic brute that Superman or a Green Lantern would take out after a bit of a struggle on the way to fighting a badder, major villain.

Ultimately, Superman gets help from Supergirl and his Justice League pals: Batman, Wonder Woman, the Hal Jordan Green Lantern, Cyborg and the Flash.

Superman also has to deal with the surprise appearance of his father, who randomly crashed into his apartment to take his grandson away for some sort of training experience. Superman’s son Jonathan wants to go but Supes and Lois Lane don’t agree. Then everyone ends up ganging up on Superman and cucks him out (for lack of a better description) and his son and Lois both leave with his dad, leaving him alone clutching a teddy bear. For real, this happens and it is baffling as hell seeing Superman without balls.

Then in the final battle, Superman is struggling and Supergirl just shows up and throws the big bad guy into the Negative Zone in the most anticlimactic, easy and bullshit ending possible. So he was upstaged by his little cousin like it was no big deal.

Yeah, the last two issues had me scratching my head and then I remembered what was going on here and his name is Brian Michael Bendis. For four issues, Bendis had his audience back in the palm of his hand and then he Bendised the fuck out of us!

Now I can excuse this dime store bullshit if it actually leads to something better and greater for the ongoing Superman series but I’m going to go into that title with serious caution.

It’s just that 66.7 percent of this story was really damn good. I don’t know if Bendis does this shit on purpose or if he just has good ideas without the ability to close out his stories.

In any event, this miniseries and the regular series to follow are going to have a major impact on the larger Superman mythos. Hell, they already have by making Rogol Zaar the force behind the destruction of Krypton.

Rating: 7.5/10
Pairs well with: One would assume, the upcoming Superman series by Brian Michael Bendis.

Comic Review: Batman Arkham – Poison Ivy

Published: September 13th, 2016
Written by: various
Art by: various

DC Comics, 312 Pages

Review:

I love these Batman Arkham collections and I’ve read four of them before this one but had to take a break to read some other comics for awhile. So far, there are about ten of these collections: all at around 300 pages.

This collection featuring Poison Ivy was the next one on my list, as I have read plenty of her stuff since the late ’80s but never really got to indulge in her earliest stories before she became really popular in the early ’90s due to how great she was on Batman: The Animated Series.

This starts with her earliest stories and works its way up to more recent ones and is organized chronologically by the publish date.

The early stuff for her isn’t as old as some of Batman’s better known villains. Her first appearance was actually in 1966 around the same time as the Adam West Batman television show. This is probably why she was never included on the show alongside Batman’s most famous rogues.

Her origin tale is pretty good but she isn’t quite the character that she would become. In fact, her origin is rehashed in a few of the different stories collected in this big volume of tales. I do like the older Ivy stories and really enjoyed the one that saw her face off with Wonder Woman, as opposed to Batman, but it’s the later stuff that really made this book for me.

Once we get into the mid-’80s, we see a darker and more serious take on the character. Her story where she comes off as a reformed victim, only to be laying traps for those that wronged her is damn good. It’s also a two-parter and takes up sixty pages or so of this collection.

Everything beyond that is also pretty solid. The editor did a nice job selecting key stories out of the large collection of Poison Ivy tales that have been told over the years.

This is a good collection and frankly, I love that DC is finally releasing books like this for the Batman rogues that have a long enough history to fill up 300 pages.

Rating: 7.25/10
Pairs well with: Other Batman Arkham collections.

Film Review: Justice League (2017)

Release Date: October 26th, 2017 (Beijing premiere)
Directed by: Zack Snyder
Written by: Chris Terrio, Joss Whedon, Zack Snyder
Based on: Characters from DC Comics
Music by: Danny Elfman
Cast: Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams, Diane Lane, Jeremy Irons, Ezra Miller, Jason Momoa, Ray Fisher, Connie Nielsen, J.K. Simmons, Jesse Eisenberg (cameo), Joe Manganiello (cameo)

Access Entertainment, DC Entertainment, RatPac-Dune Entertainment, Atlas Entertainment, Cruel and Unusual Films, Warner Bros., 120 Minutes

Review:

“I miss the days whens one’s biggest concern is exploding wind-up penguins.” – Alfred Pennyworth

Pardon my French but this was fucking unwatchable.

How does a film with a $300 million dollar budget in 2017 look like absolute dog shit? I have a rule, if you have a massive budget, you need to look as good or better than the original Lord of the Rings trilogy because those movies are getting close to twenty years old and they still look pretty perfect. Is technology regressing? Are the digital artists just shit now? What the hell happened with this picture?

The best way to describe this film is “CGI shit storm”. It was like someone took a bunch of unfinished, random CGI pieces, threw them in a blender and pureed that shit for two hours.

Hell, this makes Suicide Squad look like a f’n masterpiece by comparison.

The absolute worst thing about this film isn’t even the Sharknado looking special effects, it is Ezra Miller’s Flash. He’s an annoying, unfunny douchebag that is supposed to be comedic relief but is about as effective as Jay Leno trying to use Dane Cook’s material. He’s your token eccentric weirdo millennial hipster that did the most un-Flash-like thing ever by showing up late to the kooky character pop culture party. We’ve seen the type, it sucked before and it sucks now.

The film’s script and story is terrible. This is a hard film to follow, not because it is complicated but because it is a nonsensical mess that just feels like a two hour trailer and not an actual movie with some sort of a cohesive plot. In fact, it is hard to straighten out my thoughts and write much of a cohesive review because my brain is still spinning from the CGI puree. Anyway, I wrote better comic book stories when I was seven years-old and drunk.

Not a single character in this film is interesting in any way. Flash, again, sucks. Cyborg also sucks. Wonder Woman looked bored. Aquaman was token Momoa backed by CGI that defied the laws of physics in every way. Batman was boring. Superman was even more boring and his lovey dovey bullshit with Lois Lane trying to bring him back to normalcy was so cringe worthy it rivals the romance scenes between Padme and Anakin from Attack of the Clones. Yes, it was that fucking bad.

But hey, we get a cameo from Jesse Eisenluthor and Deathstroke. “Boo” for Luthor. “Hells Yeah!” for Deathstroke.

As far as the villain goes, didn’t Wonder Woman kill that same guy in her movie? Is every DC villain going to be some throwaway character no one cares about that resembles some ancient mythological god? That’s boring. And people think Marvel has a villain problem in their movies. I mean they do but DC makes Marvel’s faults look like strengths with how bad most of these movies have been.

I will never watch this film again and I have serious doubts that I’ll care for any other DC Comics movie for a very long time.

The only real positive about this film is that it wasn’t thirteen hours like Batman v. Superman. But really, it was still two hours too long.

Rating: 1.75/10
Pairs well with: Well, I guess the other really shitty DC Comics films, as of late.

Film Review: Wonder Woman (2017)

Release Date: May 15th, 2017 (Shanghai)
Directed by: Patty Jenkins
Written by: Allan Heinberg, Zack Snyder, Jason Fuchs
Based on: Wonder Woman by William Moulton Marston
Music by: Rupert Gregson-Williams
Cast: Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis, Connie Nielsen, Elena Anaya, Lucy Davis, Said Taghmaoui, Ewen Bremner, Eugene Brave Rock

DC Entertainment, Atlas Entertainment, Cruel and Unusual Films, Tencent Pictures, Wanda Pictures, Warner Bros., 141 Minutes

Review:

“To the war!” – Diana Prince

So far, I have not liked the DC Comics films that have been coming out as a part of their shared cinematic universe. Man of Steel was not my cup of tea, Batman v. Superman: Dawn of Justice was littered with serious issues and Suicide Squad was a complete clusterfuck of biblical proportions. Wonder Woman, however, has been receiving a ton of praise from critics and I’ve really only heard good things from those who were able to see it early. So how does it measure up?

Well, this is hands down the best DC Comics film since Christopher Nolan was making Batman movies. It blows all of their recent movies out of the water and then shoots them back down again while they are still in mid-air. And then it blows them out of the water again.

Wonder Woman is very good. It is the type of film that DC needed to get the locomotive back on its tracks. It makes me wish that the shared universe started here and we could wipe away those three previous films. And ultimately, I can only hope that this means that great things are coming in the future and that the people behind these movies have now righted the ship.

Most importantly, we now have a female superhero movie that doesn’t suck. And on that same token, it carries a strong feminist message without making itself too preachy. It has a good balance of showcasing the inequality of women during its historical era without beating it over the audience’s head like Hollywood likes to do.

When Gal Gadot was cast as Wonder Woman, I didn’t know much about her. Her casting is really what makes this picture work so well. She is perfect as Wonder Woman and showed that she had the ability to carry a huge motion picture on her back. Plus, she was the focal point in this film, the one to really turn DC’s film universe around.

Additionally, Chris Pine was a great choice for Steve Trevor. He’s starting to become a favorite of mine between this film and his ability to really nail Captain Kirk in the modern Star Trek films despite those films not feeling all that Trekish. He has a certain charm and charisma that go beyond just his looks. Plus, he has great comedic timing and delivery.

I love the music in this film much more than the other DC Comics pictures. Wonder Woman’s theme is simply bad ass. I can’t even recall what theme plays for Batman or Superman.

Now with all these positives, I do have to reel it back in a bit.

While the film was pretty good for a summer blockbuster, I don’t know if it has lasting power. It is good by comparison of what constitutes a normal tent pole film but it lacked in depth and didn’t generate the same sort of feeling you get when you know you are watching a classic for the first time.

The plot was pretty straightforward but it wasn’t all that interesting. The villain just kind of shows up at the end but the twist of who he actually is was not a surprise and I suspected it before it happened. Also, the final battle between Wonder Woman and Ares wasn’t very good. It was like a music video where the music was replaced with philosophical banter about the nature of man and it came off to make Ares look like a complete chump. Ares barely fazed Wonder Woman and she just sort of throws his lightning back at him, obliterating him. It was overly stylized visual poetry where there was no real feeling that Wonder Woman was in any real danger.

Also, for a film as long as this is, it didn’t feel like a whole lot happened. Once we get off of the magical island where the Amazons live, it is quite some time before there is any real battle. And when we finally get to that point, Wonder Woman is invincible and just crushes all the baddies, no sweat. I get that she is a god but this is why I’ve always had issues with Superman and Wonder Woman stories. They need a threat that is actually a threat and even though Wonder Woman confronts another god, she’s the “God Killer”. I kind of just hope Darkseid shows up in one of these movies soon.

Negatives aside, this film is full of a lot more positives and it is worth your time, if you are a fan of superhero flicks. It also gives little girls a film of their own because ElektraCatwoman and so many others didn’t cut it.

Rating: 7/10
Pairs well with: Well, I guess the other (really shitty) DC Comics films, as of late.

Film Review: Batman v. Superman: Dawn of Justice (2016)

Release Date: March 19th, 2016 (Auditorio Nacional premiere)
Directed by: Zack Snyder
Written by: Chris Terrio, David S. Goyer
Based on: Characters from DC Comics
Music by: Hans Zimmer, Junkie XL
Cast: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Diane Lane, Laurence Fishburne, Jeremy Irons, Holly Hunter, Gal Gadot, Ezra Miller, Jason Momoa, Ray Fisher, Scoot McNairy, Jeffrey Dean Morgan, Lauren Cohan, Patrick Wilson, Kevin Costner, Carla Gugino

DC Entertainment, RatPac-Dune Entertainment, Atlas Entertainment, Cruel and Unusual Films, Warner Bros., 151 Minutes

Review:

*Written in 2016.

I finally got around to seeing Batman v. Superman: Dawn of Justice. I wasn’t in a rush to see it and I was debating if I was going to check it out in the theater at all. The trailers did nothing for me and Zack Snyder has a pretty lackluster track record. However, after seeing it today, in a nice quiet theater, I’m glad I saw it on the big screen.

It wasn’t as bad of an experience as I had anticipated. But then again, it is more of the same if you have already witnessed Zack Snyder’s mostly awful Man of Steel. Sure, it has new stuff added in and it is that new stuff that gives this mostly dull film some life but once the big battle with Doomsday starts, it becomes Snyder style destruction porn to the tune of mediocre special effects and overly stylized dirty shots. I don’t think Snyder will be satisfied until he destroys the universe ten times over.

Let me point out the positives before I turn into a total dick, however.

Ben Affleck IS Batman. Okay, maybe Michael Keaton still has the edge for me but Affleck represents the Caped Crusader in a way that the previous Batman, Christian Bale, just couldn’t. The growly voice is gone and replaced with a much more plausible voice changer. His facial expressions and demeanor are just on point and I feel like I am watching a angrier, more mature version of the Dark Knight from the perfect Batman: The Animated Series. There are weird and uncharacteristic things that Batman does, but I will get into that later and it still doesn’t diminish what Ben Affleck did with this character.

Gal Gadot is pretty good as Diana Prince a.k.a. Wonder Woman. She isn’t in the film enough to guarantee that she is made for the role but from what I saw, I think she’s a good choice. Although she was overly sexualized with armor that gave her bigger boobs and a few perfectly timed crotch and ass shots of glory. But Zack Snyder is kind of a “lowest common denominator” director, so tits and ass for the masses!

Henry Cavill is a fine Superman, even though he has to portray the role in these incredibly flawed films. His Clark Kent is passable but you never see very much of Clark and therefore aren’t able to get a sense of the character’s two sides. In fact, his two personas are mostly pointless in this film, other than having Clark meet Bruce at a Lex Luthor shindig and to have someone for Perry White to wonder where they ran off to again.

Amy Adams as Lois Lane is okay. I feel like we got the most we were going to get out of her in Man of Steel and she doesn’t feel like a true Lois to me. I think the director just went for the biggest name he could get at the time and she does come with critical acclaim.

Jeremy Irons as Alfred Pennyworth is kind of intriguing. I liked the chemistry between Alfred and Bruce and it will be interesting to see him have more time to play the character when a solo Batman film comes out.

The film’s score by Hans Zimmer and Junkie XL was pretty damned good. Wonder Woman’s theme was especially bad ass.

Another big positive for me, is that the film starts twenty years into Batman’s legacy. He is already well established and his rogue’s gallery is out there causing havoc in Gotham City. It’s refreshing to not have to sit through another two and a half hour origin story for the umpteenth time.

Now on to the bad.

Lex Luthor is fucking shit. This isn’t a knock against Jesse Eisenberg for what he did, it is a knock against the filmmakers for casting him in the first place. And shaving him bald in the end doesn’t make up for the unpainted Nolan Joker-esque look of the character. He is whimsical, crazy and too bizarre to ever become the future President of the United States. His plot was idiotic, his execution was terrible and there was nothing even interesting about him. In fact, he reminded me of Lex Luthor’s annoying nephew Lenny from the horrendous Superman IV: The Quest For Peace. You know, the character played by Ducky from Pretty In Pink as an amped up more strange version of Ducky. I’m hoping, that in a future film, it is revealed that he was just Lenny Luthor playing with his uncle’s empire until his uncle gets back from where ever he is – maybe hanging out with Darkseid.

Speaking of Darkseid, it is obvious he is coming due to Batman having visions about it. But when the hell did Batman become a psychic with special visions? Is this Batman a metahuman with special powers? It’s weird and it doesn’t fit the character unless he’s been huffing gases from Scarecrow’s evil warehouse or spending too much time around Axis Chemicals.

Also, Batman murders the fuck out of people. Zack Snyder defended this in an interview by pointing out that Batman has killed before. Well, yes, he has. However, it’s never been his intention and he’s never been so reckless and careless about it. It is kind of Batman’s code not to kill. Zack Snyder, between this, Batman’s mystic eye, Batman branding criminals with his logo – giving them a death sentence – and the fact that he has to shoot a gun every time there is one on the set just proves that Snyder doesn’t give a fuck about source material and has probably never read a Batman comic other than the Frank Miller stuff he claims he based this off of. And even then, it still doesn’t fit the Frank Miller Batman mold.

The Batman versus Superman showdown is pretty awesome when it happens but it just doesn’t get to where you hope it would. Ultimately, Batman decides not to kill Superman at the last second, because his mom is also named Martha. “You’re mom’s name is Martha?” “Yep!” “Did we just become best friends?!” “Yep!”

Doomsday is a pile of shit whose sole purpose is to destroy the entire world, which he nearly accomplishes until Superman, Batman and Wonder Woman beat him. Superman gets mortally wounded and dies. But it’s obviously an homage to his comic book encounter with Doomsday, who killed him. Superman will be back, just like in the comics and his death in the film is neither a shocking moment or anything that you feel will be permanent. It plays more like “Oh, they did that? Whatever. See you next movie, Supes.”

And why was everything so dark and depressing throughout this entire film? Where is the yin to the yang? This was just yang and yang. Superman and Batman are great in the comics together because there is a clear difference between them. There was no real difference in this film. Both are vigilantes, both take the law into their own hands and both are tortured depressing characters hellbent on destroying each other. Superman is the all-American good guy. Batman is the antihero. In this film, they’re both just angry, damaged forces of nature destined to collide and there is no real contrast between them.

I will say that the film is more refreshing than the cookie cutter Marvel-Disney shit lately. I wouldn’t call it a better film than the Marvel stuff but it is different and not trying to emulate it too much.

I don’t have much excitement for what’s next but I hope I am pleasantly surprised. There was more good than bad in this film. I just hope that Zack Snyder is never allowed to direct again but he’s attached to direct the follow-up to this picture. Ultimately, I’m more interested in the solo hero films than the big Justice League movies coming first.