Film Review: Armored Car Robbery (1950)

Also known as: Code 3, Code 3-A (working titles), Criminal Brigade (Portugal)
Release Date: June 8th, 1950
Directed by: Richard Fleischer
Written by: Gerald Drayson Adams, Earl Felton, Robert Leeds, Robert Angus
Music by: Roy Webb, Paul Sawtell
Cast: Charles McGraw, Adele Jergens, William Talman

RKO Radio Pictures, 67 Minutes

Review:

“You should see her workin’ clothes. Imagine a dish like this married to a mug like Benny McBride… the naked and the dead.” – Ryan

Richard Fleischer would go on to have a heck of a career. However, he first rose to prominence in the late ’40s and early ’50s when he turned his attention towards directing a string of film-noir pictures.

Armored Car Robbery is just one of four really solid noirs that Fleischer did. The other three being The Clay Pigeon, His Kind of Woman (he was uncredited for this one) and The Narrow Margin. I’ve reviewed all of these except for His Kind of Woman but I plan to revisit it soon.

This film teams up two classic noir heavyweights: Charles McGraw and William Talman. It also features Adele Jergens, who isn’t the most alluring femme fatale in noir history but still has a very strong presence and a certain beauty that seems more authentic and real than just some insanely beautiful dame slithering around her prey.

The plot sees a criminal named Purvis (Talman) recruit Benny to help him rob an armored car at Wrigley Field (the old Los Angeles one, not the famous Chicago one). Benny’s wife has been two-timing him and the man she has been sleeping with is Purvis, although Benny doesn’t know this at the time. The robbery goes sideways due to a passing police patrol. A cop is murdered in the getaway and the criminals escape. The dead cop’s partner, Lt. Jim Cordell (McGraw), makes it his personal mission to bring these criminals to justice. With all the pressure, the criminals become paranoid and things start to fall apart.

Armored Car Robbery is very typical of the RKO visual style in regards to their crime pictures. It feels like a gritty and edgy RKO picture, which for fans of classic film-noir, should be a very strong positive.

One problem with the film is that there was a better armored truck robbery a year earlier called Criss Cross. The stories themselves are different but it is hard to not review this film without citing the earlier one. That one was a Robert Siodmak picture and starred Burt Lancaster and Dan Duryea. While that film shouldn’t take anything away from this one, if you’ve seen Criss Cross first, this movie can’t help but feel a bit derivative.

The things that make this film work though are the talented cast, the direction of Fleischer and the crisp, high contrast visual style.

Rating: 7/10
Pairs well with: Richard Fleischer’s The Clay Pigeon, His Kind of Woman and The Narrow Margin.

Film Review: The Hitch-Hiker (1953)

Also known as: The Difference, The Persuader (both working titles)
Release Date: March 23rd, 1953 (Boston premiere)
Directed by: Ida Lupino
Written by: Ida Lupino, Collier Young
Music by: Leith Stevens
Cast: Edmond O’Brien, Frank Lovejoy, William Talman

The Filmakers Inc., RKO Radio Pictures, 71 Minutes

Review:

“You stink, Myers! You smell! Just like your clothes! Sure, you’ll make it to Guaymas, but they’ll catch up with you and put you out of your misery. You haven’t got a chance. You haven’t got a thing except that gun! You’d better hang onto it because without it, you’re finished! ” – Roy Collins

The Hitch-Hiker has the distinction of being the only classic film-noir directed by a woman. That woman was Ida Lupino, who went from being a very good actress to a pretty great director in a time when women weren’t often found behind the camera.

The movie is based on the crime spree of murderer Billy Cook, a psychotic who murdered six people on a 22 day rampage between Missouri and California that started the day before New Year’s Eve in 1950.

The character based off of Cook is renamed Emmett Myers and is played by William Talman in what is his most iconic role other than his 212 episode stint on Perry Mason as District Attorney Hamilton Burger. He is a sadistic killer and like a cat, likes to play with his victims before putting them down. In this film, we see him breakdown his captives over time.

In the story, two nice fishermen pickup a hitchhiker, Myers, and the rest is history. Myers bosses them around, plays games with them that force them into mortal danger and really doesn’t have much use for them other than his own amusement over their emasculation. This is a pretty deep movie for its time and it does things that weren’t common in motion pictures in the early 1950s. Being that this was directed by a woman is more intriguing. But it certainly wasn’t a statement about breaking men down in general, as the two who were victimized were nice, innocent people and it was the evil psychotic that pushed them to the limit. This was actually a film that tried to show what it was like to be held against your will by a psycho nut with a gun.

The acting and chemistry between the three leads was stellar and Lupino pulled great performances out of Talman, Edmond O’Brien and Frank Lovejoy. There were a few other characters in the movie but these three were the focal point and had to put this production on their backs.

The Hitch-Hiker is a darker and much better film than I expected it to be. It shows how well versed and comfortable Lupino was as a director in a male dominated industry. She lead her male cast towards creating something that was much better than a run of the mill film-noir.

Rating: 8.5/10
Pairs well with: DetourThe Prowler