Published: November 11th, 2015 Written by: Quentin Tarantino, Matt Wagner Art by: Esteve Polls Based on:Django Unchained by Quentin Tarantino, Zorro by Johnston McCulley
Dynamite Entertainment, 306 Pages
Not gonna lie, I was really curious to see how this crossover would play out, especially since it was branded as “The official sequel to Django Unchained.” I’m sure this will be water under the bridge if Quentin Tarantino actually ever does a proper cinematic sequel but for now, I guess Jamie Foxx’s incarnation of Django exists in the same world as the legendary Zorro.
And that’s fine… in fact, it’s really fucking cool. Granted, I would’ve rather seen Zorro team-up with the original Franco Nero Django but I still really like Foxx’s version of the character even if I wasn’t in love with the film he was featured in.
Anyway, I thought the story was just okay. It’s not bad and this was entertaining, accomplishing what it set out to do. However, it still just feels like one of a gajillion comic book IP crossovers just made to cash-in on combining multiple franchises. But at least this one sort of fits together well unlike Transformers and Star Trek or Ghostbusters and Ninja Turtles.
Additionally, I also liked the art and overall style of the book. It felt like an homage to old school western comics while still being modern.
Overall, this was a neat experiment and an amusing read. However, it’s still kind of forgettable and will most likely slip down the memory hole fairly quickly.
Rating: 6.25/10 Pairs well with: other recent western comics from Dynamite Entertainment.
Also known as: All In Fun (working title) Release Date: May 27th, 1948 Directed by: Jack Kinney, Clyde Geronimi, Hamilton Luske, Wilfred Jackson Written by: Winston Hibler, Harry Reeves, Ken Anderson, Erdman Penner, Homer Brightman, Ted Sears, Joe Rinaldi, Bill Cottrell, Jesse Marsh, Art Scott, Bob Moore, John Walbridge Music by: Eliot Daniel, Paul J. Smith, Ken Darby Cast: Roy Rogers, Trigger, Dennis Day, The Andrews Sisters, Fred Waring and the Pennsylvanians, Freddy Martin, Ethel Smith, Frances Langford, Buddy Clark, Bob Nolan, Sons of the Pioneers, The Dinning Sisters, Bobby Driscoll, Luana Patten
Walt Disney Animation Studios, RKO Radio Pictures, 72 Minutes
“In the state of Texas, USA, life still goes on in the same old way.” – Roy Rogers
Melody Time is the fifth of the six Walt Disney anthology/package films of the 1940s. This one is also a lot like Make Mine Music in that it mostly focuses on a series of musical numbers.
I’d say that this one is a bit better than Make Mine Music, as it features some live-action actors interacting with animated characters. Although, I don’t think that it’s as groundbreaking as The Three Caballeros in that regard.
While I appreciate these films, I much prefer the anthologies that feature stories or educational bits like Fun and Fancy Free, Saludos Amigos and The Adventures of Ichabod and Mr. Toad.
The animation is really good, the voice acting is solid and overall, this is an energetic and amusing film with great music. But I think, by this point, the animated anthologies were starting to get redundant and tiresome.
Luckily, Disney fans in 1948 were only two years away from the second great era of Disney animation with 1950’s Cinderella being just around the corner.
Rating: 6.25/10 Pairs well with: Disney’s other 1940s package/anthology films.
From Filmento’s YouTube description: 2013 Disney summer blockbuster The Lone Ranger was directed by Gore Verbinski and starred Jack Sparrow himself Johnny Depp, and they clearly tried to recapture the success they found with Pirates of the Caribbean. Unfortunately, for some reason this time it didn’t work and The Lone Ranger ended up becoming the biggest box office bomb of all time, costing Mickey Mouse over 200 million dollars of lost cash. One of the biggest reasons for this is that they seemed to have forgotten the core qualities you need to keep in mind when making a massive blockbuster meant for all general audiences. In today’s Anatomy of a Failure, let’s see what those qualities are in order to see where The Lone Ranger went wrong. Here’s how to build a box office flop.
Also known as: Adventures In the Creep Zone (working title), Spacehunter (short title) Release Date: May 20th, 1983 Directed by: Lamont Johnson Written by: David Preston, Edith Rey, Daniel Goldberg, Len Blum, Stewart Harding, Jean LaFluer Music by: Elmer Bernstein Cast: Peter Strauss, Molly Ringwald, Ernie Hudson, Michael Ironside, Andrea Marcovicci
Delphi I Productions, Zone Productions, Columbia Pictures, 90 Minutes
For those of you that always wanted to see Molly Ringwald in a cyberpunk, almost comedy, space western, this is your movie!
For the rest of us, this is a forgettable relic lost to the sands of time but regardless of that, it’s still an enjoyable, mindless movie that’s sort of fun if you like ’80s sci-fi cheese and visually cool practical special effects.
I didn’t even know about this film until I stumbled across it while working in a video store. I fired it up in the store and thought it was pretty cool. I ended up taking it home and giving it a proper watch and found myself intrigued over the sets, the style and the more complicated effects like the villain’s body harness and cyborg appendages.
I also really loved the matte paintings and how well-crafted the larger world was for a film that had a pretty small budget.
In a lot of ways, this has a Mad Max vibe to it, as well, in its use of post-apocalyptic motor vehicles, as well as the characters’ style of dress.
Michael Ironside was the best part about the film, as his Overdog character was just a site to behold whenever he came onscreen. His costume was incredible and Ironside seemed to be really enjoying the role, hamming it up to the nth degree and putting in a performance that I can only assume eventually led to his villain role in the much more modern but very retro Turbo Kid.
Overall, there are much worse ways to spend 90 minutes. If you’re into campy sci-fi from the best decade for campy movies, you’ll probably like this weird, obscure flick.
Rating: 6.5/10 Pairs well with: other campy and cool sci-fi films of the ’80s like The Ice Pirates, Cherry 2000, Battle Beyond the Stars, etc.
Also known as: Il bianco il giallo il nero (original Italian title), Samurai (Canada), Ring Around the Horse’s Tail (US dubbed version), Shoot First… Ask Questions Later (US alternative title) Release Date: January 17th, 1975 (Italy) Directed by: Sergio Corbucci Written by: Amendola & Corbucci, Santiago Moncada, Renee Asseo, Antonio Troisio, Marcello Coscia, Sergio Spina Music by: Guido & Maurizio De Angelis Cast: Giuliano Gemma, Tomas Milian, Eli Wallach
Filmel, Mundial Film, Tritone Cinematografica, 112 Minutes
“[about to be hanged by a gang] I’ll never die without my boots on, and a star on my chest.” – Sheriff Edward Gideon
I’ve seen and reviewed about a half dozen Sergio Corbucci spaghetti westerns in recent years. I didn’t know about this one, however, until I stumbled across it while looking for something else. But I’m glad I did, even if it’s one of Corbucci’s weaker westerns.
Still, it’s a well cast film with three cool characters that had nice chemistry and provided solid performances that required dramatic and comedic acting with a little pinch of badassness sprinkled in.
People today would probably find the fact that Italian actor Tomas Milian plays a samurai in the Old West to be “problematic” and while the character is written mostly for laughs by tapping into cultural stereotypes, Milian still gives his character a certain panache and coolness when push comes to shove.
Spaghetti western legends Eli Wallach and Giuliano Gemma also add some fun to the proceedings, with Wallach playing a Sheriff and Gemma playing a typical western cowboy.
The plot sees this unlikely trio come together to track down a stolen Japanese horse that was intended to be a gift for the US government. The three men end up embroiled in a rivalry with a band of desperadoes that are made up of former Confederate soldiers.
Side note: this film was actually made as a loose parody of the Charles Bronson starring Red Sun. Milian’s samurai character would also reappear in the film Crime at the Chinese Restaurant in 1981, directed by Sergio’s younger brother, Bruno Corbucci.
Out of the Corbucci westerns I’ve seen, this one is, unfortunately, the weakest. But I can’t fault the director for trying to do something different for his last picture in the genre. While the characters are amusing and work fairly well together, the movie does kind of miss its mark and pales in comparison to Django, The Great Silence, Compañeros and The Mercenary. I’d also rank it behind Navajo Joe, which wasn’t anywhere near as goofy and borderline slapstick-y despite having more humorous bits than Corbucci’s other spaghetti westerns.
This also lacks the gravitas of those earlier films. Not that that’s a bad thing, per se, but Corbucci sort of had a particular style with his westerns and this plays more like a generic western comedy than the great action flicks one could expect from Corbucci.
Overall, I like the casting and I enjoyed their characters but apart from that, this is almost forgettable and probably only stayed afloat in a sea of spaghetti flicks due to who made it.
Rating: 6/10 Pairs well with: other Sergio Corbucci spaghetti westerns.
Release Date: May 31st, 2019 Directed by: Daniel Minahan Written by: David Milch Music by: Reinhold Heil, Johnny Klimek Cast: Timothy Olyphant, Ian McShane, Molly Parker, Paula Malcomson, W. Earl Brown, Dayton Callie, Kim Dickens, Brad Dourif, Anna Gunn, John Hawkes, Leon Rippy, William Sanderson, Robin Weigert, Brent Sexton, Sean Bridgers, Franklyn Ajaye, Gerald McRaney, Keone Young, Jeffrey Jones, Don Swayze, Jade Pettyjohn, Cleo King, Peter Jason, Geri Jewell, Garret Dillahunt (cameo), Larry Cedar (cameo)
Red Board Productions, The Mighty Mint, HBO Films, 110 Minutes
“It’s a sad night. Something’s afire. Christ, I do have feelings.” – Al Swearengen
Man, I’m still a bit pissed that we never got a fourth season of Deadwood, especially with how the third season ended. We were told that there’d be a movie to followup the series, however, but that seemed to be an empty promise, as it was in limbo for well over a decade. Well, in 2018, they were finally able to get the key cast members back to revisit the Deadwood world once again.
While I still would’ve preferred a fourth season and felt like the followup to the George Hearst storyline needed more time to come to its proper and satisfying conclusion, this was still probably the next best thing, considering the long hiatus and frankly, it’s better than nothing, as we’re no longer left with an intense, unresolved cliffhanger.
Even though, this film came out thirteen years after the show ended, the story takes place ten years later. It lets us peek into the lives of all these great characters once again and it does a pretty good job of closing out some lingering issues and plot threads. But, unfortunately, these characters deserved more time, especially since there are so many of them that you care about and only 110 minutes to wedge all this story into.
I get it, it was a bit of a miracle that this actually, finally, got made. But it would’ve been a richer, better and more satisfactory story had it at least been a multi-part miniseries or even the length of half of a regular season. While I know that these shows and films are expensive to produce, Deadwood was iconic and even if it is wrapped up, for better or worse, it just left you needing more.
Still, this was damn enjoyable and every actor really stepped up and brought their A-game, returning to roles that none of them had played for nearly a decade and a half. In fact, many of them have grown and become even better with all the added experience they’ve gotten over their careers. Most of these actors have gone on to do many, great things and it was impressive that they were actually able to get most of them back.
I thought the story was really good and the best that could be done with the running time. There isn’t a dull moment in the film and it flies by. On the flipside of that, it doesn’t feel like too much is stuffed in either. Plus, it is fairly well-balanced between all the key characters. I even like that they were able to work in some of the minor characters without it feeling forced or just cheap fan service.
While this isn’t as great as a fourth season could have been, it at least gives fans some closure after all these years. Still, I’d always be down for more.
Rating: 8.75/10 Pairs well with: the Deadwood television series, which should probably be watched first.
Published: May, 2020 Written by: Richard C. Meyer, Carlos I. Silva Art by: Ibai Canales, Kelsey Shannon (cover)
Splatto Comics, 100 Pages
I really dug the first Iron Sights, which upset some of the sensitive, snowflake types that are out to “cancel” Richard C. Meyer just because he criticized a dying comic book industry full of talentless shitheads.
Anyway, I’m happy to say that I enjoyed this sequel even more. Meyer had a few issues with his writing in his earliest books but he’s definitely improved quite a bit in the less than two years since he’s been publishing his own comics on a regular basis.
That being said, unlike his detractors, Meyer listens to criticism and learns from it, which is apparent after seeing how he’s improved over his last two releases.
Overall, I enjoyed this story a lot, even more so than the first and it has some interesting surprises that makes me enthused about the eventual third book. I don’t want to spoil any of the plot details but if you are a fan of neo-western films of the last decade or two, this will most assuredly be your cup of tea.
Additionally, the artist, Ibai Canales received a lot of criticism over the first Iron Sights. While his style wasn’t for everyone, I liked it. However, in this second story, the guy has vastly improved over his previous work. It gives me hope for the future, as I see the guy only getting better, as he keeps working at his craft. Seriously, he’s made really noticeable improvement here and I’m glad that Meyer kept him on and gave him the opportunity to keep working on this series.
At it’s core, this is a hard-edged, action packed crime saga that goes for the gusto and succeeds at building off of what came before it while keeping the reader excited about what could be next.
Rating: 7.75/10 Pairs well with: it’s predecessor, as well as Richard C. Meyer’s Jawbreakers comics.
From The Critical Drinker’s YouTube description: Grab your whisky and six-shooter, because we’re going into the Wild West with this one, as I review one of my favourite Westerns of all time – Unforgiven.
I have never played The Lone Ranger for the original Nintendo but I went into this knowing nothing about the game and without having any expectations.
What I was really surprised to discover is that this is one of the greatest 8-bit action RPGs of all-time!
Seriously, no one talks about this game, I’ve never heard anything about it and because of that, I have to consider it a real hidden gem among the 600+ titles that were released for the system.
The thing that makes this game so great is that it employs multiple gameplay styles from bird’s eye view world traveling to side scrolling, vertical scrolling and first person shooter action levels. You fight in towns, on moving trains, in caves, in forts, in hotels, on mountains, in the desert and even get to fight on horseback in two different ways.
Man, this game is just cool as hell and a shitload of fun! It’s really damn difficult but it isn’t unbeatable. I did beat the game, even though it took some time, and it gave me a real sense of accomplishment unlike many games from the era that have really underwhelming endings. This game’s ending was pretty superb for the time.
There isn’t a dull moment or a boring mission. The game designers did a fantastic job at keeping every area of the game fresh and unique, always adding new twists and ways to play the game.
For the 8-bit era, this is close to a masterpiece. The only things working against it are a lack of maps in the first-person stages and frustrating controls that switch your weapon when you jump.
Rating: 9.5/10 Pairs well with: other action RPGs and western games for the NES.
Original Run: January 20th, 2008 – September 29th, 2013 Created by: Vince Gilligan Directed by: various Written by: various Music by: Dave Porter Cast: Bryan Cranston, Anna Gunn, Aaron Paul, Dean Norris, Betsy Brandt, RJ Mitte, Bob Odenkirk, Giancarlo Esposito, Jonathan Banks, Laura Fraser, Jesse Plemons, Steven Michael Quezada, Charles Baker, Matt Jones, Krysten Ritter, Mark Margolis, Michael Bowen, Bill Burr, Raymond Cruz, Jere Burns, John de Lancie, Larry Hankin
High Bridge Entertainment, Gran Via Productions, Sony Pictures Television, AMC, 62 Episodes, 43-58 Minutes (per episode)
I came to the Breaking Bad party pretty late but after multiple seasons of people raving about it, I ended up binging through it all just before the last season premiered.
I also almost quit the show, as the beginning of the first season drags. But once I got to the end of Season One, everything just sort of clicked and I was hooked. But even then, I thought that it would be good but that it would slowly lose steam, as all shows do and eventually, I wouldn’t care about it.
Breaking Bad did something that almost no other show has been capable of doing, though. It continued to improve and get better as it rolled on.
Just when you thought the show reached its peak, it’d throw a curveball or shock you in a way that television shows before this were never able to do. And most importantly, it either gave you satisfying resolutions to plot threads or it subverted expectations and actually gave you something better and surprising.
Frankly, I hate the “subvert their expectations” bullshit that creatives in Hollywood seem to be clinging onto because 99 percent of the time, it’s just an indicator that they’re out of ideas and their only solution is to take a big shit and go, “Ha! You fans didn’t see that coming! I’m a genius! Adore me!”
No. Breaking Bad subverts expectations and gives the viewer something better. And it didn’t just do this once or twice, it did it quite often and it was consistently really fucking good at it. More than anything, that’s what made this show so great.
Additionally, very extreme things happen on the show but it never jumps the shark or takes you out of reality. Everything feels real and plausible and it does a superb job in staying grounded and not taking a turn for the ridiculous, as many shows have done that started out really strong.
I’d have to say that the best thing about this, though, is the cast. Everyone, top to bottom, is perfection.
Almost every character in the show starts at one end of the spectrum and finds a way to make it to the opposite side. All of this happens slowly and naturally. Characters you like become ones you despise and ones you might not have liked become lovable. There are secondary characters that stay the same throughout but many of them are there to be measuring sticks, to show you how every main character evolves in their own way over five seasons.
I know that there has been a ton of hype about this show for years but it is one of the few that lived up to it and actually, in my opinion, exceeded it. Breaking Bad is as close to a perfect show that you can get for a crime drama with neo-western and neo-noir flavors.
Rating: 10/10 Pairs well with: other modern crime dramas but this is the best of the lot.