Comic Review: X-Men: Mutant Genesis

Published: 1991
Written by: Chris Claremont, Jim Lee, Fabian Nicieza, Whilce Portacio, Peter David, Len Kaminski
Art by: Jim Lee, Whilce Portacio, Kirk Jarvinen, Tom Raney, Terry Shoemaker, Paul Smith, Andy Kubert, Jerry DeCaire, Ernie Stiner, Steven Butler, Art Thibert

Marvel Comics, 437 Pages

Review:

I’m pretty excited for the current Jonathan Hickman run on the X-Men titles. I haven’t started reading them because the two miniseries that are coming out are doing so just about weekly. So I want to wait to have all twelve issues before giving it a read. But from what I’ve heard, it’s absolutely solid and quite refreshing.

However, before getting into the new stuff, I wanted to travel back to the height of my time reading and buying X-books: 1991.

The reason I wanted to go back there was because it was a transitional period, as the original X-Factor team came to an end, the New Mutants became X-Force and two new X-Men teams formed, each with their own ongoing monthly series. It was also a transition from the Chris Claremont era into the era of Jim Lee.

This thick trade paperback collects multiple story arcs but all of the arcs are unified in their purpose, which was to end an era and to create a new one.

Here we have the final stories of the first X-Factor team, as well as stories involving the newly formed X-Force and New Warriors, Freedom Force and the X-Men team as it existed when Claremont moved on from the series.

This almost feels like an omnibus.

It also features a lot of great creatives on the writing side and art side.

Ultimately, this was a hell of a fun read that flew by despite its meaty 437 pages.

We get dozens of heroes and a whole slew of major X-villains like Magneto, Apocalypse, the Shadow King, Proteus and Fabian Cortez, just to name a few.

While a lot of the ’90s comics I go back to don’t have the same effect on me as they did when I was twelve, this is a solid f’n read. Seriously.

And what’s really surprising is that it has all these creatives working on it and it still turned out to be a really well managed and fully realized vision that brought an era to its end, quite epically, and generated real excitement and enthusiasm for what was to come.

Rating: 10/10
Pairs well with: other major X-Men crossover events from the era: X-Tinction Agenda, X-Cutioner’s Song, etc.

Comic Review: X-Cutioner’s Song

Published: 1992-1993
Written by: Scott Lobdell, Fabian Nicieza, Peter David
Art by: Brandon Peterson, Andy Kubert, Jae Lee, Greg Capullo

Marvel Comics, 336 Pages

Review:

This was one of my favorite big crossover events when I was really just getting deep into comics. This blew my middle school mind at the time and it had a lot of influence over my creative output in the comic book medium.

I was worried that revisiting this story would be a big disappointment. A lot of the stuff from this era that I reread now, usually lets me down, as my palate is more discriminatory than it was at thirteen years-old.

I’m happy to say that this was still pretty f’n solid!

In fact, I think it is slightly better than X-Tinction Agenda, which I used to place ahead of this one.

What I really liked about it, is that it features three of my absolute favorite villains: Apocalypse, Mister Sinister and Stryfe. They are all well balanced and they aren’t here to come together in an effort to finally take out the X-Men, X-Factor and X-Force (formerly the New Mutants). Each one of these baddies has their own purpose and agenda within the story and it all just comes together in a really cool way that even sees the X-Men have to turn to Apocalypse in order to stop Stryfe’s chaos.

This is the best big story to come after the epic Chris Claremont run on X-Men. But if I’m being honest and this certainly isn’t a dig at the legendary Claremont, whose work I love, X-Cutioner’s Song was really refreshing and it showed that new blood could liven things up. Granted, Peter David didn’t hang around too long, Scott Lobdell and Fabian Nicieza also moved on to other things, but this was a weirdly perfect storm considering all the changes happening on Marvel’s X-books following Claremont’s departure and many of the top creatives leaving for the newly formed Image Comics.

The art is also top notch, but Brandon Peterson, Andy Kubert, Jae Lee and Greg Capullo are all fantastic and three of those men have become somewhat legendary in their own right.

X-Cutioner’s Song is well crafted, well balanced and it should be a primer on how to write massive crossovers featuring dozens of characters all competing for their moment.

Rating: 9.25/10
Pairs well with: previous big X-Men crossover events like X-Tinction Agenda, Muir Island Saga, Inferno and Fall of the Mutants.

Comic Review: X-Force/Cable: Messiah War

Published: 2009
Written by: various
Art by: various

Marvel Comics, 243 Pages

Review:

This takes place between the major X-Men events Messiah Complex and Second Coming. And like those two events, I liked this story quite a bit. However, this is also a mixed bag as far as art and some of the writing.

Most of the story was well written but this story also crossed over multiple titles with different creative teams. Sometimes that works, sometimes it makes things disjointed and uneven. Now while I thought the overall narrative was good, some of the dialogue was cringy in parts. But this only happens in a low percentage of the issues collected here.

Like that cringe dialogue, some of the art in a few of the issues is also distracting. I think that this book has mostly good art but there is a strong variance in styles and going from one chapter to the next can be kind of jarring in this book. Additionally, the first few chapters looked the worst and things actually improved as the book went on.

The story follows Cable and young child Hope Summers as they keep jumping further and further into the future. In pursuit is former X-Men member Bishop, who is trying to kill Hope in order to save the future. Or is it the past, at this point?

The story also adds in X-Force, the version of the team that Cyclops used to do black ops. Here, it consists of Domino, Wolverine, Archangel, X-23, Warpath and a few characters that are pretty unknown and don’t matter much to this plot. Then Deadpool shows up and we also get very important appearances by Stryfe and Apocalypse.

Like the stories that sandwich this one, Hope Summers is pretty much the MacGuffin of this tale. Half the people want to protect her and the other half want to use her or kill her.

This is a good, dark, balls to the wall X-story. I love that it adds more context to the bigger X-Men stories about Hope Summers, as well as strengthening the rivalries between Cable and Stryfe, as well as Archangel and Apocalypse.

Despite issues with some of the dialogue and art, this was a really good read. It was certainly my cup of X-tea.

Rating: 7.5/10
Pairs well with: the stories that sandwich it: Messiah Complex and Second Coming.

Comic Review: X-Men: Messiah Complex

Published: March 29th, 2008
Written by: various
Art by: various

Marvel Comics, 344 Pages

Review:

This follows the major event in X-Men and Avengers lore that was House of M, which itself followed Avengers: Disassembled. While the Scarlet Witch is no longer the focal point here, the effects of what she did in the two previous stories is still felt and the central focus of this large crossover event’s plot. This is also an X-Men-centric story as it doesn’t crossover with Avengers characters or titles this time.

In a way this does a good job of closing out what some call the House of M trilogy but it also sets up an event that is a direct sequel to this called Second Coming.

The story is pretty good but it may be hard to follow for someone who just jumps in or for an old school X-Men fan that will be bombarded with a bunch of newer characters, as this came out when The New X-Men was going strong.

Overall, this is pretty good but the story jumps around a lot and if you don’t binge through it fairly quickly, you’ll probably forget some details. Also, some threads within the larger plot aren’t as great as others.

I didn’t care so much for the New X-Men Team and was more intrigued by what was going on with the main X-Men and the Marauders. Although, I had hoped that Mister Sinister would really get his moment to shine brightly and he’s just sort of there, leading the Marauders, and then he’s out of the story. Although, the twist that sees him taken out of the plot was pretty neat and it’s not something that I saw coming.

If you like classic X-Men, this more modern event will still probably resonate with you. It feels more like a ’90s X-Men event than something made within the last decade or so.

Rating: 7.75/10
Pairs well with:  Avengers: Disassembled and House of M.