Written by: Chris Claremont, Peter David, Louise Simonson, Steve Englehart, Mark Gruenwald, Ann Nocenti
Art by: Marc Silvestri, Todd McFarlane, Bret Blevins, June Brigman, Kerry Gammill, Jon Bogdanove, Kieron Dwyer, Keith Pollard, John Romita Jr., Walt Simonson
Marvel Comics, 803 Pages
This was a story so big that it was collected into two massive volumes. But I figured I’d read both and give the whole thing a single review, as one body of work.
But that may have not been the best approach, as this crossover doesn’t really crossover in a way that makes one big story. This is more like an anthology of events that were going on in all the different X-books at the same time. And weirdly, this isn’t collected in chronological order but as separate stories without much overlap or characters meeting.
This big event also has some short stories focused on Hulk, Captain America, Daredevil, Black Widow and the Fantastic Four. In those tales, it shows what they’re up to during the events of what is happening in some of the X-books.
The Fall of the Mutants takes place between Mutant Massacre and Inferno. It is also the last of the ’80s X-Men crossovers that I hadn’t read in its entirety.
Out of all the tales here, I thought the X-Factor one was probably the best as it concludes the Apocalypse and Angel storyline, as it introduces Archangel for the first time. Also, the X-Factor arc showcases Cameron Hodge turning on the team, revealing his true agenda to set up what would eventually be the superb crossover event X-Tinction Agenda.
The New Mutants part was the weirdest but it also featured Hodge’s heel turn and kind of sets things in motion for X-Tinction Agenda and Inferno. This is also where the New Mutants dump Magneto as their teacher and return to the ways of Charles Xavier.
Ultimately, this was kind of a mess when read as one body of work. But it does do a proper job of bridging the gap from Mutant Massacre and the next two big events to follow.
Pairs well with: other major X-Men crossover events from the ’80s and ’90s.
Written by: Chris Claremont, Louise Simonson, Walter Simonson, Ann Nocenti
Art by: John Romita Jr., Walter Simonson, Sal Buscema
Marvel Comics, 319 Pages
Well, not all giant X-Men crossover events can be created equal.
This one started off with a bang though. Sadly, it withered away in the second half, as it crossed over into non-X-Men-related titles and became a narrative clusterfuck that slowed down the story’s momentum to a complete halt.
The main reason I wanted to read this was to have a bit of background context before jumping into the following big event The Fall of the Mutants. While I had never read either crossover in their entirety, I had read parts and I knew that the stories had a very close association.
The focal point of the story shows the Marauders invading the Morlocks’ sewer hideout where they murder the shit out of them. Only a few actually survive and that’s mostly due to the X-Men, X-Factor and the New Mutants involving themselves in the ordeal.
As this collection rolls on, the story spins off into issues of Thor, Daredevil and Power Pack. This is where the narrative starts to become a mess. And once we get to this point, a lot of the issues rehash some of the same shit, over and over.
What I was excited to see was Apocalypse show up and the actual breaking of Angel. I thought that he would actually be turned into Archangel in this story but I guess that happens just after, which was kind of disappointing, as I’ve never got to read that actual story. I assumed it would happen here once Angel had his wings destroyed and was nailed to the sewer wall with about half the story left.
There were a lot of deaths in this but none that really hold any weight or matter to the bigger picture.
But I guess this helped plant the seed for The Fall of the Mutants and the introduction of both Archangel and Mister Sinister.
Pairs well with: other big X-Men crossover events from the ’80s and ’90s.
Published: 1978 – 1980
Written by: Roy Thomas
Art by: Walt Simonson
Marvel Comics, 203 Pages
After reading Jack Kirby’s The Eternals and it sort of ending abruptly, I had to see where the story picked up. Well, the Eternals and their story shifted over to the regular Thor title where we got to see the most famous Asgardian and his realm mix it up with the Eternals, the Deviants and the Celestials.
I’ve got to say, merging these two pockets of the Marvel universe into one big story that stretched over twenty issues was a really natural fit and a very cool way to up the ante and bring the Eternals into the larger Marvel canon.
Now Jack Kirby wasn’t working on the continuation of the Eternals story once it moved on into the pages of The Mighty Thor but Roy Thomas does a fine job with the story and Walt Simonson’s art felt like a natural extension of what Kirby established.
This is true to the source material that Kirby established and I loved reading this as much as I did the original Eternals title.
Overall, this is an incredibly exciting epic that merges Norse mythology with the cosmic Kirby style in a way that feels seamless and fills the void I felt after The Eternals came to its end.
Pairs well with: Jack Kirby’s The Eternals, which is set before this big saga.
Release Date: June 5th, 2007
Cast: Neal Adams, Jim Lee, Stan Lee, Jeph Loeb, John Romita Sr., Alex Ross, Tim Sale, Walter Simonson, Bruce Timm, Len Wein, Barry Windsor-Smith, Marv Wolfman
Marvel Studios, Sparkhill Production, 20th Century Fox, 64 Minutes
I’ve been watching through a lot of comic book documentaries on YouTube, lately. I came across this one that discusses the work and legacy of Jack Kirby.
I’m not sure if this was made as a special feature on a DVD, as it was produced by Marvel and 20th Century Fox. Maybe it was included on one of the Fantastic Four DVD releases a decade ago.
Anyway, if you appreciate and admire the great work of Jack Kirby, this is a really engaging documentary.
It is rather short, considering the long career of the man but it does cover a lot of ground. It also interviews a lot of other comic book greats that worked with Kirby or were inspired by him.
This feels like a quickly thrown together low budget fluff piece and if I’m being honest, Jack Kirby deserves a proper documentary or a real biopic. As much as this does talk about how much Jack did, I still don’t feel like it captures the real importance and scale of it all.
But this is still a worthwhile watch because there really isn’t anything better… yet.
Pairs well with: other comic book industry biographical documentaries.
Written by: Chris Claremont, Louise Simonson, various
Art by: Marc Silvestri, Walter Simonson, various
Marvel Comics, 600 Pages
This was actually the first big X-Men crossover event that I ever read. Unfortunately for me back in 1988 and 1989, I wasn’t able to get every single issue in this massive event. But I do own them all now, so I wanted to revisit this huge story in its entirety.
It is really good but it also has some problems.
In regards to the positives, the writing is pretty solid. The bulk of this event is written by Chris Claremont and Louise Simonson with other writers contributing to some of the tie-ins. The art is also great, most of which is done by Marc Silvestri and Walter Simonson.
The story sees Mr. Sinister unleash literal Hell on Earth with many weapons at his disposal: Madelyne Prior, S’ym, the evil version of Polaris, the Marauders and the big bad demon, N’Astirh.
Sinister also finds ways to trick the X-Men and X-Factor into fighting amongst themselves and manipulates the stage to pit brothers Cyclops and Havok against each other.
There is a lot at stake here and it changes many of the characters going forward. One of my favorite characters, Magik, dies here. Granted, we all know she comes back because she’s basically a demon queen of the underworld but the weight of it is very heavy and at the time, we didn’t know if the young heroine could return.
This crossover also includes the New Mutants and the X-Terminators. The story serves to merge those two teen teams into one. This set the groundwork for what was to come once Rob Liefeld came into The New Mutants and gave us Cable, Deadpool and eventually, the hugely successful X-Force.
What I love about this story is that it merges superhero Marvel with fantasy Marvel. Like the Magik miniseries a few years earlier, this takes Marvel’s mutant heroes and makes them deal with fantastical and occult evil but on a much grander scale. Also, Mr. Sinister was damn cool in this period of X-history.
Looking at the negatives, my only real issue is that the story drags out in places. That could be due to me also reading all of the tie-ins apart from the main body of the central story. Some of it felt really unnecessary and it also felt poorly organized. The New Mutants issues were on the orbit of the main story but with the death of Magik and how that effected her brother Colossus, I feel like that should have happened within the framework of the stories actual main chapters.
Shaky narrative flow aside, this is still a better crossover event than what the Big Two comic book publishers give us in modern times.
Inferno was my first big crossover event. It’s not the best but it’s still a lot of fun and it came out in a time where the X-titles were at their absolute creative peak.
Pairs well with: other big X-Men crossover events of the late ’80s and early ’90s like X-Tinction Agenda and X-Ecutioner’s Song.