Release Date: April 22nd, 1987 Directed by: Oz Scott Written by: Michael Janover Music by: John Addison Cast: Richard Masur, Mimi Kennedy, Tammy Lauren, David Faustino, Eugene Levy, Vincent Schiavelli
Michael Janover-Oz Scott Productions, Walt Disney Television, ABC, 93 Minutes
“[after stealing the magic cloak] So this is the secret of your success, eh Davis? Magic! Well two can play at that one my friend! When I’m through with you, you and your family will be sorry you ever moved to Lucifer Falls!” – Tom Lynch
I figured that I’d have to watch this after revisiting its predecessor a week or so ago. Plus, both are streaming on Disney+, which I re-upped to watch and review all the classic animated films.
This one is slightly better than the first but I think that mostly has to do with the fact that it is twice as long and actually the length of a regular film. An issue with the first one is that it felt rushed in its pacing, due to only having about 45 minutes to tell its story.
In this one, the filmmakers had more room to breathe and could tell a richer, more complete story.
I did miss Kristy Swanson and John Astin in this one but that was also off-set by the inclusion of Eugene Levy and a smaller part for character actor, Vincent Schiavelli.
The story sees Mr. Boogedy return after he’s essentially raised from the netherworld by a professional rival of the protagonist family’s father.
The film is primarily made up of gags and amusing sequences but there isn’t a whole lot in the picture that really matters. Everything is building up towards a big town carnival though.
At the carnival, Mr. Boogedy appears in front of everyone and steals the family’s mother away to be his bride. The family then has to find a way to pull her back into the real world while locking Mr. Boogedy away once again.
This film is cheesy and goofy but it’s also endearing, as you do care about the family and how positive and optimistic these people are, even after moving to a haunted house in a town called Lucifer Falls.
Rating: 6/10 Pairs well with: it’s predecessor and other episodes of The Magical World of Disney.
Also known as: Fast Times (working title, informal title) Release Date: August 13th, 1982 Directed by: Amy Heckerling Written by: Cameron Crowe Based on:Fast Times at Ridgemont High: A True Story by Cameron Crowe Music by: various pop bands Cast: Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, Brian Backer, Robert Romanus, Ray Walston, Amanda Wyss, Forest Whitaker, Vincent Schiavelli, Lana Clarkson, Eric Stoltz, Anthony Edwards, Nicolas Cage, Kelli Maroney, Scott Thomson, Taylor Negron, Lana Clarkson, James Russo, Pamela Springsteen
Refugee Films, Universal Pictures, 90 Minutes
“Why don’t you get a job, Spicoli?” – Brad Hamilton, “What for?” – Jeff Spicoli, “You need money.” – Brad Hamilton, “All I need are some tasty waves, a cool buzz and I’m fine.” – Jeff Spicoli
Teen sex comedies were all the rage in the early 1980s. However, unlike all the others, Fast Times at Ridgemont High was much more than just a teen sex comedy. It was a film with purpose, heart and characters that you actually cared for and felt connected to. It had high drama, human emotion but it was still true to the spirit of the genre it was actually better than.
There were several factors that contributed to this movie being better than one would expect at first glance.
First, the story came from a book written by Cameron Crowe, who spent some time undercover in high school to capture the real lives of the teenagers around him. The book was full of true stories, which got adapted into this fictional movie tale. Crowe’s work gave this film a sense of realism and human emotion that other films like it were lacking.
Also, this was directed by Amy Heckerling and even though it was her first feature film, she was young, hip and connected to a lot of cool people at the time. She gave this picture a sort of life and energy that it wouldn’t have had otherwise. She also pulls off similar magic with 1995’s beloved teen comedy Clueless.
Additionally, this film benefits from having an incredible cast for its time. It has Sean Penn, just before he became a superstar, as well as Jennifer Jason Leigh, one of the best actresses of her generation. The shy kind of nerdy character was played by Brian Backer, who had already won a Tony Award the year before for his leading role in Woody Allen’s The Floating Light Bulb on Broadway. You’ve also got quintessential ’80s cool guy Judge Reinhold, the always lovable Phoebe Cates, Robert Romanus, future Academy Award winner Forest Whitaker, Nicolas Cage, Eric Stoltz, Anthony Edwards, Amanda Wyss, Kelli Maroney, Scott Thomson, as well as veterans Ray Walston and Vincent Schiavelli. How many other ’80s teen sex comedies can boast a lineup that impressive? And this didn’t even have a single person from the Brat Pack in it.
The film is well balanced between all of its main characters. It also doesn’t showcase the token stoner as just a token stoner. The chemistry between Penn’s Spicoli and Walston’s Mr. Hand is fabulous and makes for some of the best moments in the film. Seeing Walston go that extra step for a student that most teachers would just roll their eyes at is both sweet and refreshing. I could’ve watched a spinoff movie of just Spicoli and Mr. Hand and been happy, even if it had a lackluster script.
I also loved the chemistry between best buds Mark Ratner (Backer) and Mike Damone (Romanus). The shy Ratner needs Damone’s help in getting with the ladies and their exchanges are hilarious and entertaining. Life throws these best buds a curveball though but it was great seeing real friendship conquer all.
There are several good stories sprinkled throughout this ensemble piece. And it is sort of timeless in that the jokes still work, the characters are amusing and even though this gets very serious at points, it is never short on laughs and keeps things generally lighthearted.
It also has one of the best soundtracks of its decade.
Fast Times at Ridgemont High is a perfect template on how to create a teen coming of age movie. Sure, it is sex heavy, as it was the ’80s, but it’s light-years more mature than similar films like Private School and The Last American Virgin.
Rating: 9.5/10 Pairs well with:Dazed and Confused, The Last American Virgin and Private School. Also, Gremlins, as that features both Phoebe Cates and Judge Reinhold. Plus, Clueless, another teen coming of age comedy directed by Heckerling.
Release Date: June 16th, 1992 (Los Angeles premiere) Directed by: Tim Burton Written by: Daniel Waters, Sam Hamm Based on:Batman by Bob Kane, Bill Finger Music by: Danny Elfman Cast: Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken, Michael Gough, Pat Hingle, Michael Murphy, Vincent Schiavelli, Andrew Bryniarski, Cristi Conaway, Paul Reubens, Sean Whalen
Warner Bros., 126 Minutes
“My dear penguins, we stand on a great threshold! It’s okay to be scared; many of you won’t be coming back. Thanks to Batman, the time has come to punish all God’s children! First, second, third and fourth born! Why be biased? Male and female! Hell, the sexes are equal with their erogenous zones blown sky high! Forward march! The liberation of Gotham has begun!” – The Penguin
When I was a kid, other than Indiana Jones and the Last Crusade and Back to the Future, Part II, this was my most anticipated sequel. This was also the second and final time that Michael Keaton would play Batman, as well as being Tim Burton’s last Batman picture.
While I don’t quite love this chapter in the film series as much as the original, it is still really damn good and certainly better than the two Joel Schumacher films that followed.
We lose Jack Nicholson, Kim Basinger, Robert Wuhl and Jack Palance but we gain Danny DeVito, Michelle Pfeiffer, Christopher Walken, as well as small parts by Vincent Schiavelli and Paul Reubens. Plus, Michael Gough and Pat Hingle return to accompany Keaton.
The two top billed villains in this story are the Penguin and Catwoman, although when you really analyze the picture, Walken’s Max Shrek is the true villain and his name was an obvious homage to Nosferatu actor Max Schreck. By story’s end, Catwoman is more of an antihero like she would become in the comics.
Danny DeVito was probably a perfect choice for the Penguin back in 1992. He had star power, charisma and definitely a similar body type. However, in this adaptation of the Batman mythos, he is reinvented to be more grotesque and much larger in girth. While he comes from wealth and opulence, this version of the character was rejected as an infant and went to live out his life in the Gotham City sewers where his only friends were sewer penguins and eventually the circus themed gang that he controls.
Catwoman also has a different origin. Here, she is a pushover secretary who gets in over her head and is shoved out of a high rise window, presumably to her death. There is a sort of mystical moment where alley cats swarm her body and she is magically reborn with cat-like reflexes and confidence. It’s pretty silly but Tim Burton made this film more like a dark fairy tale than his previous Batman movie.
Even though Gotham City is a massive place, the sets and design of this film make it feel pretty confined, even when we are in what are assumed to be wide open spaces. Maybe it was designed this way, intentionally. But the film feels smaller than the previous Batman movie, even though it cost a lot more to make: $80 million, as opposed to the $35 million budget of the first chapter.
Still, the cinematography is pretty good and the world looks much more like a Tim Burton world than the first film, which had tighter controls on it from the studio. It was the Burton elements though that I feel bogged this picture down a bit. Plus, the film was considered less family friendly and caused the studio to make drastic changes to the franchise after Burton was booted before the next picture. Granted, the followup movies were pretty horrendous.
This is a pretty good Batman picture, even if it does take some tremendous liberties in altering the source material. The right kind of spirit was there and this really just sort of exists in its own Tim Burton universe. That’s not a bad thing and if it wasn’t for the Burton Batman movies, we would have never gotten the near perfect masterpiece that was Batman: The Animated Series.
Release Date: December 9th, 1997 (London premiere) Directed by: Roger Spottiswoode Written by: Bruce Feirstein Based on: the James Bond novels by Ian Fleming Music by: David Arnold Cast: Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher, Joe Don Baker, Judi Dench, Desmond Llewelyn, Samantha Bond, Götz Otto, Ricky Jay, Vincent Schiavelli, Pip Torrens
Eon Productions, United Artists, Metro-Goldwyn-Mayer, 119 Minutes
“The distance between insanity and genius is measured only by success.” – Elliot Carver
I’ve been working my way through the Pierce Brosnan James Bond films, as they are my least favorite stretch in the franchise and I haven’t revisited them in quite some time. Brosnan was a great Bond but other than GoldenEye, his films were weak and not worthy of his talents. Rewatching these now, I have found them to be a bit better than I remembered but they still aren’t great Bond outings.
While this chapter in the saga isn’t anywhere near as bad as Die Another Day, the worst Bond film of all-time, this one certainly isn’t as good as GoldenEye and I’d also have to rank it lower than The World Is Not Enough. Still, I enjoyed it more now than I did in 1997.
I remember that when this came out, I was really excited to see that Michelle Yeoh was in it. She is one of the greatest actresses to ever come out of Hong Kong and she spent the majority of her career kicking ass with style. This film also adds in Teri Hatcher to the long list of Bond Girls but unfortunately, she’s snuffed out before this film even gets to the halfway point. It felt like a waste for Hatcher and honestly, I was kind of hoping she’d be a femme fatale and throw a wrench into Bond’s plans. Hatcher was the perfect choice for that type of Bond Girl but the filmmakers really missed the mark for her.
Michelle Yeoh did at least kick some ass in this but I still felt that her skills were underutilized. Maybe they couldn’t have her upstaging Bond but frankly, that would have added a good element to the film and I’d rather see her as the top female badass of the franchise with the potential for a spin off, rather than how they tried to do that with Halle Berry, two films later in the disastrous Die Another Day.
Typically, I like Jonathan Pryce. I mean, he killed it in Brazil and I loved him popping up in those earlier Pirates of the Caribbean movies but I’m not a fan of his character here. He plays Elliot Carver, a media mogul that looks like an evil Steve Jobs, assuming Jobs wasn’t evil – I think he was evil. Carver has a world domination plot that seemed like something from an old throwaway episode of G.I. Joe. He might as well have just been Cobra Commander and bumbled his way through a dumb scheme only to have Roadblock shoot his way into the evil command center and dump gumbo on his head. Funny, since Pryce was also in those live action G.I. Joe movies.
Pryce’s main henchman was also one of the worst in Bond history. He wasn’t gimmicky or cool, he was just some buff, blonde European. Is this a Bond movie or Die Hard 9? Plus, no buff, blonde European is going to top Red Grant of From Russia With Love. Sorry, but the Soviet uniform and his menacing presence makes it hard for most evil henchmen to top him and he was featured in this series over thirty years before Pryce’s right hand stooge.
Tomorrow Never Dies is mostly unworthy of boasting the James Bond name. While it had a few good and amusing moments, it’s definitely a film that is way down towards the bottom of the list, if one were ranking these movies.
Release Date: August 15th, 1984 Directed by: W.D. Richter Written by: Earl Mac Rauch Music by: Michael Boddicker Cast: Peter Weller, Ellen Barkin, John Lithgow, Jeff Goldblum, Christopher Lloyd, Lewis Smith, Rosalind Cash, Robert Ito, Pepe Serna, Ronald Lacey, Matt Clark, Clancy Brown, Vincent Schiavelli, Jonathan Banks, Dan Hedaya, Jessie Lawrence Ferguson
Sherwood Productions, 20th Century Fox, MGM Home Entertainment, 102 Minutes
There was a time when I absolutely loved this motion picture. That time was when I was six years-old and had discovered Buckaroo Banzai at the video store. It was cool, hip, full of aliens and weird sci-fi shit and it was full of 1980s cliches and tropes. And although I am pretty much a sucker for nostalgia, the movie just doesn’t bring me back to that awesome place like other films from the era do. It hasn’t aged well and even though it has some charm, it’s kind of just stupid and mostly boring.
Watching this now, at 38 years-old, was fairly disappointing. I expected to feel pleased and to really enjoy this picture like I do when I revisit Spielberg or Dante films. Hell, I recently watched The Wraith and Maximum Overdrive and still loved them despite their flaws. Buckaroo Banzai Across the 8th Dimension is just incredibly dated and the stuff that made it cool were done much better in other films. In fact, it isn’t a fresh set of ideas, it is an amalgamation of many things and frankly, it’s a mess because of it.
I can see now, why this film wasn’t a success even though the studio thought it was going to be a huge hit. The film, in its end credits, even mentions the name of the sequel that never came to be. It was supposed to kick off a franchise but that didn’t happen.
It is not for lack of talent though. This film stars Peter Weller and he’s backed up by Jeff Goldblum, John Lithgow, Christopher Lloyd, Ellen Barkin, Clancy Brown, Pepe Serna, Jonathan Banks, Vincent Schiavelli, Ronald Lacey and a slew of others. This was also before most of those names hit it big. The casting director must have had an amazing eye for talent. Had this been released a few years later, with the same cast, Disney may have eventually bought the franchise in an effort to produce a third trilogy and endless spinoffs.
I’m not going to say that Buckaroo Banzai isn’t a fun movie, it is. It has some charm, it is fairly witty but it isn’t a classic and certainly isn’t a must see, unless you are trying to view the entire filmography of one of its many stars.
In my mind, this was a much better movie than what I watched. Memory is tricky like that. Besides, I don’t think I’ve watched this since it was on TV late at night in my teen years.