Film Review: The Road Warrior (1981)

Also known as: Mad Max 2 (original title), Mad Max 2: The Road Warrior (US)
Release Date: December 24th, 1981 (Australia)
Directed by: George Miller
Written by: Terry Hayes, George Miller, Brian Hannant
Music by: Brian May
Cast: Mel Gibson, Bruce Spence, Mike Preston, Max Phipps, Vernon Wells, Emil Minty, Kjell Nilsson, Virginia Hey

Kennedy Miller Productions, Warner Bros., 96 Minutes

Review:

“Two days ago, I saw a vehicle that would haul that tanker. You want to get out of here? You talk to me.” – Max

The Road Warrior is a good example of a sequel being better than its predecessor. Some people might disagree but this was the best version of a Mad Max film until 2015’s Fury Road was released. But this is, in my opinion, the best of the original trilogy that starred Mel Gibson.

The world is pretty much destroyed in this film. While we saw a world on the brink of collapse in the first picture, by the time we get to this one, the world has been reduced to nothing but desert, as least as far as we know.

With that, the two most sought after commodities are water and oil. But here, oil is basically gold as those who can still run their machines, have a strong advantage over those who can’t.

The story sees Max discover a community that has a good amount of oil but they are being threatened by a vicious gang that looks more like barbarians than normal, well meaning people. The evil gang, led by Lord Humungus, keeps the community trapped behind their walls as they use their vehicles to run down anyone who comes outside. Max strikes a deal with the nice people being terrorized and we see him have to take on these vile villains in the most high octane way possible.

The Road Warrior is both barbaric and fantastical but still grounded in a sort of gritty reality. It came out just before the ’80s sword and sorcery trend took hold and while it has strong similarities to the genre, it doesn’t rely on magic and monsters but instead, machines and human monsters.

The movie feels otherworldly but not in a way that it doesn’t seem plausible or reflective of a possible future for humanity. Coming out during the Cold War, regardless of this being an Australian film, adds a natural heightened sense of fear. George Miller made something that effectively tapped into those societal and political concerns while also making just a badass action movie that has aged well, despite its weird fashion sense. But that ’80s punk meets new wave look also gives the film some of its charm.

While the film certainly doesn’t need to rely on Mel Gibson, his inclusion here adds and extra level of gravitas and personality to the picture. But I also have to give some credit to bad guy character actor Vernon Wells, as the mohawked savage Wez.

The Road Warrior is capped off by a twenty minute action finale that sees the greatest vehicular chase scene in cinematic history for its time. And frankly, it’s only really been upstaged by it’s later sequel Fury Road. I could say that maybe some movies have had better car chases but what gives this movie something special is how there is a variety of weird vehicles from cars, trucks, motorcycles and even a gyrocopter.

I love this movie. It’s one of the top action films of the ’80s and arguably, all-time. It’s simple, it’s tough and it gets the job done while surprising you along the way.

Rating: 9/10
Pairs well with: all the other Mad Max films, as well as other post-apocalyptic car and biker movies, most of which were ripoffs of this.

Film Review: Commando (1985)

Release Date: October 4th, 1985
Directed by: Mark L. Lester
Written by: Steven E. de Souza, Jeph Loeb, Matthew Weisman
Music by: James Horner
Cast: Arnold Schwarzenegger, Rae Dawn Chong, Alyssa Milano, Vernon Wells, James Olson, David Patrick Kelly, Bill Duke, Dan Hedaya, Bill Paxton, Drew Snyder

Silver Pictures, 20th Century Fox, 90 Minutes

Review:

“These guys eat too much red meat!” – Cindy

Commando is the quintessential 80s Schwarzenegger flick. This is the standard bearer for any motion picture featuring Arnie, where he isn’t a Terminator or a barbarian. It is straight up action with the right balance of Arnold’s style of comedic delivery. I mean, you could really even make the argument that this is a comedy – not to take away from the fact that it is balls to the wall bad ass.

Arnold Schwarzenegger plays John Matrix, a swollen and hard manly man that is a purebred killing machine. However, Matrix loves his daughter, the very young Alyssa Milano – before she was every 80s boy’s crush on the sitcom Who’s the Boss?

Matrix’s home is attacked and his daughter is kidnapped by bad men that have ties to his past. The bad men want Matrix to carry out an assassination. However, Matrix doesn’t take any shit whatsoever and he evades the bad guys and starts picking them off, one by one, in a race against time to save his daughter before the baddies discover that he didn’t carry out his mission.

What we get with this film is a big beefy charming bad ass with great one-liners and an arsenal that would make the Punisher weep in shame. In fact, just about everything in this movie explodes. Even Rae Dawn Chong, his cutesy fish out of water sidekick, gets to fire a rocket launcher a few times.

This movie also has a plethora of great actors. The evil and very homoerotic Bennett is played by Australian heavy Vernon Wells, probably most known as Wez from Mad Max 2 a.k.a. The Road Warrior and a parody of Wez in John Hughes’ Weird Science. You also have Bill Duke, who got to star alongside Schwarzenegger as Mac in Predator. Then there is the always enjoyable David Patrick Kelly, the leader of the bad guys in The Warriors and known for his time on Twin Peaks. The cast also includes Dan Hedaya, a guy who never gets enough props, and a small role by a young Bill Paxton.

Commando has just about everything you want in an 80s action flick without a lot of the stuff you don’t want. It isn’t an artistic masterpiece, per se. That is, unless you consider an intense crescendo of exploding buildings and flying bodies to be fine art: I friggin’ do. If that’s the case, this is true art in a classical sense that rivals the Sistine Chapel. Director Mark L. Lester is Michael-friggin’-angelo and Arnold is Adam reaching out to touch the finger of God.

The film is also only ninety minutes, so a bunch of boring character development and filler doesn’t get in the way of Schwarzenegger waving his peen around like a lasso trying to capture the hearts of 80s action fans.

The plot is simple, that is all you need to blow up an island fortress. Movies today try to get overly complicated and seem to have a guilty conscious about gratuitously shooting bullet holes in everything and everyone. Commando doesn’t have time for that horse shit. It throws its dick on the table and says, “Yeah, let’s fuckin’ rage!”

Commando was the perfect template for all Schwarzenegger movies going forward. Predator took it and added in a bad ass alien killer. The rest of his movies fell a bit short and tried to fill up the running time with annoying things like plot and character development.

If you watch Commando and you don’t have a fun time, we probably can’t be friends. Growing up in the 80s, this is one of the greatest things that ever happened to me that didn’t involve Harrison Ford or ninjas. It is actually a good thing that this didn’t have Harrison Ford or ninjas because it would have literally shattered the Earth’s crust with its intensity and the weight of its gargantuan gravitas.