Published: April 11th, 2007
Written by: Mark Millar
Art by: Steve McNiven
Marvel Comics, 196 Pages
I loved Civil War when I first read it over a dozen years ago. It reignited my interest in Marvel Comics and I stuck with a lot of the core stories that were born out of these events.
For those that don’t know, this pits two factions of superheroes against each other: one group led by Captain America and the other led by Iron Man. It would also go on to inspire the movie Captain America: Civil War, nine years later.
Cap’s group is against a new law that would force superheroes to give up their secret identities and become agents of the government. Iron Man agrees with the law, after a group of C-list heroes are responsible for the deaths of hundreds of children. Spider-Man, the third central character, starts the story on one side and then switches after certain events give him newfound clarity.
The story, the idea and its execution are near perfect. In fact, I’m not sure how this wasn’t a story idea before this, as it seems like a natural development for the superhero genre. Regardless, Mark Millar penned magic here and this is, hands down, one of the greatest mega events in comic book history.
Having just read two of DC’s massive Crisis events and seeing how they were massive clusterfucks, this is the complete antithesis of those and goes to show how much better Marvel is (or was) at bringing a massive group of characters together.
I also really enjoyed Steve McNiven’s art and it fit the tone well. McNiven was one of the top artists at the time and his talent was put to great use here.
My only negative takeaway is that this story should’ve been longer than seven issues. It felt like there was a lot more story to tell. But then again, there are literally dozens of Civil War tie-ins that you can read for more context and to see what other heroes were up to during this saga. From memory, a lot of them were also pretty good.
Pairs well with: all the other Civil War crossover tie-in trade paperbacks, as well as The Death of Captain America.
The Amazing Spider-Man was the game that made me want to get a Gameboy for Christmas the year it came out.
I was really hardcore into Spidey at the time and having the ability to play a Spider-Man game was something that excited the hell out of my eleven year-old brain.
This beat the superior Genesis game by a few years but it was still a really fun game for the time even if it was pretty hard due to wonky controls, poor mechanics and really simplistic graphics and level design.
I think the thing that captivated me the most, at the time, was that it had a good amount of enemies from Spider-Man’s deep rogues gallery.
This featured Mysterio, Hobgoblin, Scorpion, Rhino, Doctor Octopus and Venom, who was new at the time and the favorite comic book character for most boys circa 1990. There are also Lizard cameos throughout the game. Well, I’m assuming it’s either Lizard or people he infected with his condition, as he/they appear at every manhole in the game.
Sadly, the game hasn’t held up well. I don’t think that it was necessarily great for its time either but being that I was such a hardcore web-head, I excused the game’s flaws and just tried to immerse myself into the role of Spider-Man.
Pairs well with: its sequel, as well as the Spider-Man game for the Sega Genesis and the Maximum Carnage game for multiple consoles.
Published: March 20th, 2019 – August 28th, 2019
Written by: Chip Zdarsky
Art by: Mark Bagley
Marvel Comics, 200 Pages
When I first heard about this miniseries, I was pretty stoked for it.
The concept is that it starts in the ’60s when Spider-Man debuted and it follows him over the six decades he’s existed but it does that in real time. Basically, instead of Spider-Man only aging fifteen years (or so) since his debut, this story covers his entire life span, as he ages accordingly from decade to decade.
Each of the six issues represents a decade. But that is also kind of a problem with the story too.
You see, you can’t wedge a whole decade into twenty or thirty pages of a comic. So each issue just focuses on some sort of event in Spider-Man’s life from that era.
The total package of this series is really cool and interesting but it almost feels as if each decade could’ve been a miniseries of its own and that this is a comic that could have lived on for several years. And with the team of Chip Zdarsky and Mark Bagley, it could’ve been like a Spider-Man renaissance.
But ultimately, each chapter was pretty damn good. I only thought that the last one was a bit weak but I wasn’t too keen on how it ended. I felt like Spider-Man’s fate was kind of predictable, as this was his “life story”.
The thing is, it was hard investing into the weight of the finale, when you haven’t lived through the emergence of the massive threat that they face to end the series. And that just gets back to my feeling about there needing to be more time devoted to each decade than just single issues.
However, I’m hoping that this is just a framework or a road map and that Marvel at least has some plans to expand on this story in the future. If that’s the case, I really hope it is brought to us by Zdarsky and Bagley, once again.
If not, well… this was still one of the best comic book miniseries to come out this year.
Pairs well with: the recent Symbiote Spider-Man miniseries by Peter David and Greg Land.
Written by: David Michelinie
Art by: Mark Bagley
Marvel Comics, 70 Pages
This three issue story arc originally appeared in The Amazing Spider-Man issues 361 through 363. And it was also one of the biggest Spider-Man storylines to come out during my middle school years when I was the most impressionable, as far as comics go.
In 1992, there were few characters as popular as Venom. However, this milestone story gave us a second symbiote, Carnage.
What made this character’s debut so important is that it changed the landscape.
Venom was no longer Spider-Man’s deadliest foe. In Carnage, we have a psychotic serial killer in possession of an alien suit born from Venom. Therefore, it also inherited Venom’s strength. In addition to that, this symbiote has evolved due to being born on Earth, so it has better control of its mass, structure and can fire off projectile weapons made of its alien skin.
Carnage is so powerful and evil that Spider-Man had to enlist the help of Venom. Because of that, this was the turning point in Venom’s life where he no longer played the villain but he became more of an anti-hero and often times a reluctant ally to Spidey.
For a debut, this story packs a punch. Most of that is because Carnage is so damn scary. But the credit really has to go to the creative team. David Michelinie wrote another classic story and the great art of Mark Bagley gave Michelinie’s words and Carnage’s form real life. While people always talk about Todd McFarlane and Erik Larsen’s runs on The Amazing Spider-Man, Bagley was just as iconic and frankly, I like his style better than Larsen’s.
Carnage is one of the highest points in Michelinie’s long run on Spider-Man. While it’s not as impactful as Venom’s debut, it’s nearly on the same level and still, to this day, one of the greatest Spider-Man stories ever told.
Pairs well with: the earlier stories featuring Venom and then the later Maximum Carnage event.
Published: July 24th, 2019
Written by: Cullen Bunn
Art by: Alberto Jiminez Albuquerque, Joshua Cassara, Declan Shalvey (cover)
Marvel Comics, 32 Pages
I’ve lost count of how many Web of Venom one-shots there have been over the last year but I’ve enjoyed all of them. They tie directly to Donny Cates’ run on Venom, which started just over a year ago, as well as his upcoming Absolute Carnage mega event.
What I liked about this one is that it featured Mania, a symbiote character that’s been missing from Marvel since the death of Flash Thomspon. She was tied to Flash while he was Venom and because of that, became a symbiote herself.
I’ve always dug Mania, so seeing her come back and be involved, in some way, with this mega event is kind of cool.
This sees Carnage, back from oblivion, as he is hunting down all the symbiote pieces on Earth. This puts Mania in his crosshairs.
Overall, this story does a good job of reestablishing Mania into the Marvel mythos and it also helps add another plot thread to the Absolute Carange event.
I thought Cullen Bunn did a good job on the writing, tying this to a much bigger tapestry. I was a fan of the art too.
Ultimately, I don’t give a shit about big comic book events anymore. However, the groundwork that’s been laid for a year, leading up to Carnage’s massive return, has been pretty damn good and at least has me interested in what’s to come over the next few months.
Pairs well with: the recent Donny Cates Venom series and its Web of Venom spinoffs.
Published: April 10th, 2019
Written by: Frank Tieri
Art by: Danilo Beyruth, Joshua Cassara (cover)
Marvel Comics, 35 Pages
I’m not really sure where the Venom series is going other than it has been working towards the return of Carnage for what I assume will be a massive Venom versus Carnage showdown.
Since last year’s Venom number 1 and the other Web of Venom one-shots, Donny Cates has mostly been at the helm and he’s done a pretty stupendous job. However, he’s seemingly left Venom behind to focus on Guardians of the Galaxy and the upcoming relaunch of Silver Surfer. That being said, this one-shot was written by Frank Tieri, who I mostly only know from his work on DC Comics’ Harley Quinn, as well as Jughead: The Hunger and a Red Sonja miniseries.
Overall, the story here was quite good. There was a bit of cheesy dialogue in one or two panels but not enough the detract from the proceedings.
Venom is nowhere to be found in this story, which is fine, but with his name in the title, I thought maybe he’d be around. In his place are Man-Wolf, a character I’ve always loved, and Misty Knight. We also get an inside look at this cult that has sprung up. The cult worships a strange god but it is really all a front for the returned Carnage, who has big plans that will most assuredly see him cross paths with Venom once again.
I liked the art and the tone of this was good.
These Web of Venom one-shots have all been pretty enjoyable and I like that they kind of feel like scenes edited out of the larger movie. They aren’t necessary to read with the regular Venom comic but they add more context than what you would get from just the primary title.
Pairs well with: the recent Donny Cates Venom series and its Web of Venom spinoffs.