Talking Pulp: Stan Lee is Gone but His Legacy is Immortal – How He Impacted Me

It’s been a few days since Stan Lee passed away. The Internet is full of tributes to the man but I really needed some time to process it and to reflect on his life before writing about what Stan meant to me.

Stan Lee had an immense impact on me and to be honest, that’s an understatement. Alongside George Lucas, Lee was responsible for creating a vast mythos that was instrumental in shaping my life. I would say that Lee had an even larger impact than Lucas’ Star Wars, which was the biggest thing in the world to a kid of the ’80s.

Lee eclipsed Lucas because by the time I discovered his creations, Marvel had already expanded into a universe much larger than what Star Wars was or would ever be.

Stan the Man created more characters and things that I grew to care about than any other great creator throughout the history of time. Maybe that’s because of the time I grew up in or because I was just drawn to comics, being that I’ve been an artist and a writer since I could hold a pencil.

My very first Marvel experience came in the form of television, as I became a huge fan of the Spider-Man and His Amazing Friends cartoon, which ran from 1981 to 1983. I was four years-old in ’83 and I probably discovered the show right at it’s end but it would go on to be replayed beyond its cancellation.

I remember vividly, the day that I saw the Spider-Man and His Amazing Friends episode that featured the X-Men. I immediately fell in love with those characters and it wasn’t long before I had issues of The Uncanny X-Men in my hands. Then there was The Amazing Spider-Man and my first mega event, Secret Wars. Everything branched out from that but it was the foundation of Stan’s creations that brought me to a fantasy world where I could escape and spend my time.

Marvel was the first comic book company I discovered and even though I loved DC Comics’ Batman more than any other comic book character, I spent 90 percent of my time reading Marvel over DC. I was fascinated by the X-Men, I loved Spider-Man and his large rogues gallery. I really got into Captain America, dug the hell out of Iron Man and followed all versions of the Avengers teams from the mid-’80s and onward.

I was very aware of who Stan Lee was, as he was always a prominent figure in comics and his name was in the credits of nearly every Marvel book, if not all of them back then. When I would see Stan do interviews or pop up in other places, it was always a treat. He had charisma and an infectious personality. He was wise, creative and fatherly but in a way that was way cooler than any dad on Planet Earth.

When the Marvel Comics trading cards came out my first year of middle school, all the boys I knew were trying their damnedest to collect the full set. This was my first experience in trading cards with friends and a lot of the sixth grade boys at my school started becoming a bit of a club or community. Collecting these cards educated us on Marvel history and led us down new avenues with new characters and major stories to check out. We started trading and lending out comics. It was a really cool time to be a kid, especially for one that loved superhero comics.

By the way, my favorite Marvel trading card was always the Stan Lee one from the first series.

When you think about all the things that Stan Lee created and then take into account the scale of what those creations have become in pop culture, he may be the most prolific, successful and inspiring writer of his generation. Most of his creations are beloved and many of them have become big business in film, television and video games. Not to mention toys, trinkets and just about anything you can throw the Hulk or Thor’s mug on.

Stan Lee’s work has generated billions of dollars in revenue. It’s damn near impossible to find anyone who doesn’t know at least one of Lee’s creations.

I’ve seen Stan Lee in person but I never got to speak with him. But regardless of that, I always felt close to the man, as did many fans. He seemed accessible and he always seemed to love the people as much as they loved him. He always had his best face on, publicly, and I’ve never met a fan that had a bad experience in meeting him.

Stan Lee’s passing wasn’t unexpected. I think that everyone knew it was coming in the near future based off of the loss of his wife and the terrible things he went through since then but that doesn’t mean that it didn’t hit me like a dagger to the gut.

I don’t usually get down or upset about celebrity deaths. Sure, there are people that I know I’ll miss and dwelling on their deaths is a downer but Stan’s death was different. Stan was a major part of my life.

Without Stan, I might not have discovered comics in quite the same way and I probably wouldn’t have such a passionate love for them that didn’t just end in childhood but has carried over into adulthood.

Without Stan, I probably wouldn’t have ever drawn my own comics as a kid. By the time I was in 7th and 8th grade, I had formed my own company with some friends and we were putting out comics regularly, first selling them to other school kids and then kids from other schools we didn’t even know. I loved that time in my life and it was Stan that guided me to that great place. Plus, his book, How to Draw Comics the Marvel Way was my bible during this period of creative exploration.

Without Stan, I may have walked away from comics. However, he was always a presence in the industry and every time I saw him trucking along, putting out new projects and popping up in movies, it always brought me back to that place where I always felt most comfortable. Stan Lee was like a piece of home for me, a dear relative that lives far away but pops back up into my life every so often.

A world without Stan Lee just doesn’t seem like a world I want to live in. I don’t mean that to sound depressing but he was always a beacon of light and enthusiasm, exuding positivity and imagination. The world is truly missing something great without Stan Lee in it.

But we all have to do what Stan Lee would want us to do. Move forward, live life and try to be the best version of ourself, everyday.

TV Review: Cloak & Dagger (2018- )

Original Run: June 7th, 2018 – current
Created by: Joe Pokaski
Directed by: various
Written by: various
Based on: Cloak & Dagger by Bill Mantlo, Ed Hannigan
Music by: Mark Isham
Cast: Olivia Holt, Aubrey Joseph, Gloria Reuben, Andrea Roth, J. D. Evermore, Miles Mussenden, Carl Lundstedt, Emma Lahana, Jaime Zevallos

Wandering Rocks Productions, ABC Signature Studios, Marvel, Disney-ABC, Freeform, 10 Episodes (so far), 42-49 Minutes (per episode)

Review:

I watched this right after I quit watching Runaways in the middle of its inaugural season. Sadly, this is pretty cringeworthy too and I couldn’t finish it. But at least I got further before my body couldn’t physically hit the “play” button around episode 7 or so.

Cloak & Dagger is lame as hell. Where is the superheroing? 7 episodes into this and they’ve barely explored their powers. This is just teen drama crap that feels more like it belongs in the Twilight franchise than the Marvel Cinematic Universe, where it is supposed to take place.

The acting isn’t terrible but it’s nothing to praise. I mostly like the characters but if I’m being honest, they do not feel like the Tandy Bowen or Tyrone Johnson that I’ve gotten to know in the comics over three decades.

Also, why is this in New Orleans? I mean I love New Orleans but these characters are from New York City and often times cross paths with Spider-Man, Daredevil and other street level heroes of the Big Apple. Honestly, this feels completely separate from the larger universe it is supposed to be a part of.

The writing is slow, dull and I don’t care about the story one friggin’ iota.

The writing is also the biggest source of this show’s cringe. The dialogue is rough, unrefined and sounds like it was written by an intern that won’t get hired by the studio after graduation. Also, this gets pretty sociopolitical, not that that’s a bad thing but the show tends to hit you in the face with Mjolnir when trying to make those statements.

I have no urge to finish this or to watch a second season. I doubt that the show will last much longer and this is just further proof that the MCU is stretching itself way too thin, regardless of each project having its own filmmakers or showrunners. It’s just becoming so tiresome and this put me past the point of exhaustion. I wouldn’t call it “superhero fatigue”, as some people have called this market over saturation of superheroes, I would just call it a lack of the right people to steer these multiple ships.

Rating: 4.75/10
Pairs well with: Marvel’s Runaways, as both are mind numbingly bad and nearly unwatchable.

TV Review: Legion (2017- )

Original Run: February 8th, 2017 – current
Created by: Noah Hawley
Directed by: various
Written by: various
Based on: Legion by Chris Claremont, Bill Sienkiewicz
Music by: Jeff Russo
Cast: Dan Stevens, Rachel Keller, Aubrey Plaza, Bill Irwin, Jeremie Harris, Amber Midthunder, Katie Aselton, Jean Smart, Navid Negahban, Jemaine Clement, Hamish Linklater

26 Keys Productions, The Donners’ Company, Bad Hat Harry Productions, Kinberg Genre, Marvel Television, FX Productions, 20th Television, 19 Episodes (so far), 44-68 Minutes (per episode)

Review:

With two seasons in the bag, that bag is a mixed one.

Legion is a mindfuck of biblical proportions. And while that works for the show, it also works against it.

The problem with Legion is that if you zone out or miss something for five minutes, you’re totally lost and it’s hard to reel yourself back in.

This show has some very strong positives, however. The cast, for the most part, is f’n stellar. Dan Stevens and Aubrey Plaza are exceptionally fantastic in this. But I can’t dismiss the work of Rachel Keller, Jean Smart and the always entertaining Jemaine Clement. All the other players deliver as well.

Legion also has great cinematography, set design and sort of exists in a very vivid world that is one part fantastical and one part realistic. There is a balance in the show in storytelling, style and overall tone between the fantastical and the real. It works quite well, as long as you don’t get lost in the details and the weirdness of what’s unfolding on screen.

But with all those positives, the show is also hard to watch at times. For me, it gets too strange at certain parts and the narrative gets lost in the weirdness, just as the viewer might.

Point being, this can be a very confusing show and sometimes details come so fast that you might not grasp them all. What may look profound on paper, in this case the script, might not translate well to screen. It doesn’t matter that the screen is littered with a visual smorgasbord of incredible and creative images. It almost feels like all that stuff distracts from the most important thing that this show needs: story. And not just story but a coherent story that flows at a proper pace and doesn’t come across as some dreamlike clusterfuck.

I wish that this show would find a way to tighten up it’s superficial bullshit and be a bit more accessible because ultimately, it can continue to be a total mindfuck but it won’t maintain an audience and generate the ratings it would need to continue.

Legion isn’t beyond fixing but after two seasons, I kind of don’t care about it anymore. With season one, I was able to look past the flaws because it was so nice to look at but season two was tough to get through and every time a new episode popped up, it felt like a chore I had to push through.

This should be better and it can be better but it almost feels pretentious in a lot of ways and I hate saying that but it’s definitely putting art over substance and that doesn’t work too well in television, where people have to be enticed to keep coming back.

Rating: 6.5/10
Pairs well with: Other recent Marvel shows: The GiftedThe Runaways and Cloak & Dagger.

Documentary Review: Comic-Con – Episode IV: A Fan’s Hope (2011)

Release Date: September 10th, 2011 (Toronto International Film Festival)
Directed by: Morgan Spurlock
Written by: Jeremy Chilnick, Morgan Spurlock, Joss Whedon
Music by: Jeff Peters
Cast: Joss Whedon, Guillermo del Toro, Kevin Smith, Stan Lee, Kenneth Branagh, Eli Roth, Seth Rogen, Thomas Jane, Seth Green, Edgar Wright, Corey Feldman, Paul Scheer, Todd McFarlane, Matt Groening, Frank Miller, Gerard Way, Grant Morrison, Paul Dini, Joe Quesada, various

Mutant Enemy, Thomas Tull Productions, Warrior Poets, 88 Minutes

Review:

“I think the fans are the most important thing in the comic book business. And I might add, in any form of entertainment. I feel… you gotta be nice to the fans because without them… you’re nothing.” – Stan Lee

Here we go, these nerdy fan documentaries are a dime a dozen but I guess this one got some recognition for being well produced and for featuring a slew of famous nerd-centric personalities.

I didn’t know that this was a Morgan Spurlock film until I was already watching it. Had I known that, I probably wouldn’t have watched it. Reason being, I think the guy’s a f’n hack and disingenuous. His most popular film Super Size Me was unwatchable to anyone that can see through a ruse, which it was. It wasn’t science, it wasn’t a real test to see how fast food effects you, it was one man’s entertaining mockumentary, sold as a legit documentary and damnation of the fast food industry. His documentary series on FX was also mostly a big bullshit endeavor where he went into everything with a bias then cherry picked info and edited everything down to the narrative he wanted. He’s the reason behind the modern alteration to an old phrase, “No shit, Spurlock!”

Anyway, this is exactly what you’d think it is. A bunch of famous nerdy types talk about their nerdy shit and their love for the San Diego Comic Con, which is barely about comic books at this point and isn’t anywhere near as cool as it once was. You missed the boat by a decade or so, Spurlock.

The only thing I really liked about this was seeing the behind the scenes stuff on cosplay. I don’t normally give a shit about cosplay but it was interesting to see, nonetheless.

As far as the interviewees, the only one that stuck with me was Stan Lee. Everything else was edited so choppy that the vast majority of comments could have been things out of context and then just thrown together for Spurlock to manufacture whatever narrative he was going for. Stan Lee’s bit was heartwarming though but that’s because he’s Stan Lee and he always has eloquent shit to say.

You’d probably be alright if you never watched this. It doesn’t do anything to inspire you to go to San Diego Comic Con. If anything, it told me to stay away because I like comics and don’t give a crap about massive celebrity panels or Joss Whedon publicly ranting about lefty hysteria.

Rating: 5/10
Pairs well with: any of the dozens of other documentaries about nerd conventions or nerdy hobbies, there are so many.

TV Review: Runaways (2017- )

Original Run: November 21st, 2017 – current
Created by: John Schwartz, Stephanie Savage
Directed by: various
Written by: various
Based on: Runaways by Brian K. Vaughn, Adrian Alphona
Music by: Siddhartha Khosla
Cast: Rhenzy Feliz, Lyrica Okano, Virginia Gardner, Ariela Barer, Gregg Sulkin, Allegra Acosta, Angel Parker, Ryan Sands, Annie Wersching, Kip Pardue, Ever Carradine, James Marsters, Brigid Brannagh, Kevin Weisman, Brittany Ishibashi, James Yaegashi, Julian McMahon

ABC Signature Studios, Marvel Television, Fake Empire Productions, Hulu, 10 Episodes (so far), 46-53 Minutes (per episode)

Review:

Well, the day has come. I finally found a Marvel television show that doesn’t cut the mustard. In fact, I made it five or six episodes in and I had to walk away. I just couldn’t go on.

The first two episodes were the same story told from different perspectives and both were an absolute fucking bore.

The third episode started to get more interesting but every single character in this show was unlikable. Not only that, no one did anything that seemed to make a lick of fucking sense.

Then Julian McMahon shows up as the villain and he plays his role exactly like he played Doctor Doom in those terrible Fantastic Four movies from the ’00s.

Then this show got preachy, the hipster feminist was annoying as fuck, all the other kids were terrible, the parents were just as terrible and I found myself banging my head against my coffee table.

That’s when I realized that I could just hit “back” on Hulu and exit out of this rabbit hole I was falling down.

The premise of the whole Runaways comic (and TV show) is (and I’m paraphrasing here because I don’t want to look it up again), “Every kid thinks their parents are evil. Well, what if they really were?” Yeah, sorry… I never thought of my parents as “evil”. I’m sure most normal, well adjusted kids also don’t think this. So what kind of sociopath came up with this idea? Most parents aren’t the dad from Varsity Blues. Grow the fuck up.

Anyway, fuck this show. Good job, Hulu.

Rating: 4/10
Pairs well with: Other recent Marvel shows: LegionThe Gifted and Cloak & Dagger.

TV Review: Bates Motel (2013-2017)

Original Run: March 18th, 2013 – April 24th, 2017
Created by: Carlton Cuse, Kerry Ehrin, Anthony Cipriano
Directed by: various
Written by: various
Based on: characters by Robert Bloch
Music by: Chris Bacon
Cast: Vera Farmiga, Freddie Highmore, Max Thieriot, Olivia Cooke, Nicola Peltz, Nestor Carbonell, Kenny Johnson

American Genre, Cuse Productions, Kerry Ehrin Productions, Universal Television, NBC, A&E, 50 Episodes, 40-47 Minutes (per episode)

Review:

Psycho is a movie that I adore. I didn’t watch some of the sequels until just recently but Psycho II was far better than I thought it would be. Psycho III fell off and I’ve yet to find Psycho IV streaming anywhere. But this show has been floating around in my Netflix queue for a long time, so I thought I’d finally give it a watch, fresh off of watching the first two Psycho sequels.

Sadly, I could not get into this show. I watched the first half of season one and threw my hands up in the air and just quit. I don’t usually just quit a show but I have a lot of stuff I need to power through and the five hours I spent on this were a dreadful bore where I didn’t care for a single character (well, except Olivia Cooke’s Emma Decody).

The show just doesn’t work for me on any level, really. It takes the Norman Bates character and wants to give him an origin story. But this is bogged down by a bunch of characters and the town is made to feel much larger than the desolate place it was in the original movie.

Another issue for me, is that the show takes place in modern times. Now Norman, his mother and their rundown house and hotel look like they’re straight out of the 1950s but everything around them looks like an episode of Gilmore Girls with iPhones.

This is more of a high school teen show trying to be edgy. It feels like something that I wouldn’t watch on The CW.

One thing that really made me want to give this is a shot was that I heard about how good the acting was, especially from Vera Farmiga. I don’t know what the hell people are talking about, though, as her performance seemed incredibly forced and over the top in just about every scene where she was bossing her sons around.

This is also bogged down by too many characters but mainly Norman’s brother, who was created just for this show. He’s some sort of poor man’s Jesse Pinkman from Breaking Bad. I’m not sure how or if he evolves over the course of the show but from what I saw, he’s just a douche and takes a job protecting a marijuana field.

I was initially glad to see Nestor Carbonell in this, as I have loved him since Lost, but even his performance was weird and his character felt really inconsistent.

But the show, at least, looks good and has nice cinematography for something on cable.

I can’t quite say that this is bad. It’s just not what I want and it doesn’t feel like it belongs in the Psycho universe.

Rating: 6/10
Pairs well with: The original Psycho for context and it’s sequels, as this also doesn’t live up to the greatness of the original Hitchcock masterpiece.

TV Review: Maniac (2018- )

Original Run: September 21st, 2018 – current
Created by: Patrick Somerville
Directed by: Cary Joji Fukunaga
Written by: Patrick Somerville, various
Based on: Maniac by Espen PA Lervaag, Håakon Bast Mossige, Kjetil Indregard, Ole Marius Araldsen
Music by: Dan Romer
Cast: Emma Stone, Jonah Hill, Justin Theroux, Sonoya Mizuno, Gabriel Byrne, Sally Field, Julia Garner, Hank Azaria, Selenis Leyva

Parliament of Owls, Rubicon TV, Anonymous Content, Paramount Television, Netflix, 10 Episodes (so far), 26-47 Minutes (per episode)

Review:

I had no idea what this show was and I hadn’t heard anything about it before it dropped. That being said, I was glad that I went into this blindly. All I knew is that it was sci-fi, had Emma Stone, Jonah Hill and was directed by a guy who did True Detective, a show I still haven’t seen but have heard nothing but great things about.

Also, this is a miniseries. So I’m not sure if it’s a one-off or if it will return for new seasons with a whole new cast similar to Fukunaga’s True Detective or a lot of other recent television shows on various premium and cable networks.

The story is hard to summarize but in a nutshell this is about two people who undergo some controversial and dangerous drug trial. The pills and the almost otherworldly tech sends them into a strong dream state where they play out the lives of other people. The first story seems grounded in reality, even if it’s a bit nuts, and then each tale gets more and more fantastical. Ultimately, it all serves to help cure them of their personal and emotional demons. The two main characters, played by Emma Stone and Jonah Hill, develop a strong connection as they become directly involved in each other’s road to emotional recovery.

The show started out really strong, it lost me a bit going into the second half but then it recovered nicely in the last two episodes where everything came together in a great way.

This was a really cool experiment and this was exceptionally well crafted but I don’t know if it’s something I would want to revisit in a second season. I guess that depends on the cast and what the premise would be.

I loved the hybrid of retro and futuristic styles. In a lot of ways, this resembles an ’80s cinematic representation of the future.

I guess the high point for me was Sally Field. I liked seeing her play two very contrasting roles and she nailed both exceptionally well but at the same time, it’s Sally f’n Field.

Rating: 7.5/10
Pairs well with: Other recent Netflix shows: Black MirrorAltered Carbon and The OA.