Release Date: April 8th, 2018
Cast: Shinsuke Nakamura, Triple H, various
WWE, 37 Minutes
I was hoping for more out of this but WWE’s modern documentaries are really a mixed bag, as sometimes they just throw shit together because they need content for their streaming network.
Being a big fan of Shinsuke Nakamura, I hoped this would go more into the man and his career.
Granted, WWE won’t show his New Japan stuff or even really acknowledge it because they like to pretend that no other wrestling exists outside of their own sphere.
Anyway, this follows Nakamura from the time he won the 2018 Royal Rumble up to his match for the World Championship at Wrestlemania, a few months later.
This isn’t as insightful as one would hope and it kind of just randomly checks in on him and lets him talk for a minute or two before cutting to something else. Sadly, I never felt like they really let you know the guy but WWE also has a poor track record of dealing with language barriers, even though Nakamura is pretty damn good at English.
I don’t know, it was cool seeing him being featured in his own documentary; I just wish that WWE would’ve given a shit.
Pairs well with: other modern documentaries made for the WWE Network.
From The Critical Drinker’s YouTube description: Let’s take a look at the recent trailer for CBS’s new show Star Trek Lower Decks, and see if it’s any good. Spoiler: It isn’t.
Original Run: July 22nd, 2020
Created by: Dimitri Doganis, Bart Layton, Adam Hawkins, Jon Liebman
Directed by: Sam Hobkinson
Cast: Rudy Giuliani, various
Brillstein Entertainment Partners, Raw Television, Netflix, 3 Episodes, 44-62 Minutes (per episode)
I watched this on a recommendation by a friend. I was glad I did though, as I might not have known about it, as I rarely even login to Netflix anymore.
The title is pretty self-explanatory but to delve beyond that, this specifically talks about how guys like Rudy Giuliani, other lawyers and the FBI worked at bringing down the big crime families in New York City during the mid-’80s.
The show features a lot of talking head interviews by the people who were there, as they recount all the key events and developments that led to the collapse of organized crime and how their efforts changed how mob rule would be fought against forever.
Overall, this is engaging and packed full of so many great stories that I was pretty captivated by it from start to finish. In fact, I binged through it in one sitting but it is also only three episodes long.
I’d like to see this series continue in the future, maybe looking at how organized crime was fought in different cities or regions.
Pairs well with: other recent crime documentaries, many others are also found on Netflix.
Original Run: March 21st, 1996 – April 27th, 1997
Created by: Max Mutchnick, David Kohan
Directed by: various
Written by: various
Cast: Anthony Clark, Traylor Howard, Hedy Burress, Steve Paymer, Roger Rees, Tasha Smith, Vincent Ventresca, Sam Anderson, Margot Kidder, Zach Galifianakis
KoMut Entertainment, Castle Rock Entertainment, Columbia TriStar Television, Sony Pictures Television, NBC, 32 Episodes, 22 Minutes (per episode)
Recently, while on YouTube, I went down the sitcom rabbit hole and started to rewatch a lot of the stuff I used to like, back in the day. I was curious to see how these shows held up and if I would still enjoy them. This one, particularly, was one I would watch in the late ’90s when the USA Network would do that morning block of shows called USAM.
Boston Common was unfortunately short-lived, as it was a mid-season replacement in its first season and then only got a full second season later that same year.
I remember thinking that Anthony Clark was hilarious and I was crushing hard on Traylor Howard, who played the apple of his eye on the show.
In 2020, I still enjoyed this quite a bit. It’s hokey in the way that traditional multi-cam, studio audience sitcoms were back then but it has character and depth beyond what’s on the surface. The characters develop well over the short time they had to exist and it’s hard not to find something to like in all of them. Even Jack, the pompous professor.
Shows like this don’t seem to really work nowadays but its a shame. They were a good, light-hearted way to escape from reality. And even if they did touch on some tougher or topical subjects, they always did it in a way that was more palatable and fair than the heavy-handed, overly biased shows of today.
Pairs well with: other late ’90s sitcoms.
I never got to play Dungeons & Dragons, even though I was fascinated by it. My mum dumped the religion on me pretty hard and then by the time I was older and didn’t care about that, none of my friends really cared about playing D&D anymore.
I’ve always adored the franchise and everything within it, as I’ve always loved fantasy, especially sword and sorcery fiction and movies. I also dug the hell out of the cartoon when I was a kid, which I was actually allowed to watch for some reason.
This big, thick, hardcover masterpiece is a damn fine book to add to your collection. Even if you’re not a fan of the franchise, the artwork collected in this alone makes the book well worth the price tag.
One really cool thing about this is that it’s foreward was written by Joe Manganiello. Yes, that Joe Manganiello, who apparently was a massive D&D fan. Sam Witwer, another actor known for a lot of his sci-fi roles, also contributed to this.
This book covers a lot more than even its large size would imply. It shows the history of the property in just about all of its forms from early role-playing manuals to the animated series to video games to comics to books and just about every other medium and product that adorned the Dungeons & Dragons name.
I love this book. Right now, it’s on my coffee table. Granted, I should probably move it before someone with French fry fingers gets it all nasty.
Pairs well with: anything, from any media, about Dungeons & Dragons, as well as other big, hardcover art books on cool nerd shit.
Release Date: April 22nd, 1987
Directed by: Oz Scott
Written by: Michael Janover
Music by: John Addison
Cast: Richard Masur, Mimi Kennedy, Tammy Lauren, David Faustino, Eugene Levy, Vincent Schiavelli
Michael Janover-Oz Scott Productions, Walt Disney Television, ABC, 93 Minutes
“[after stealing the magic cloak] So this is the secret of your success, eh Davis? Magic! Well two can play at that one my friend! When I’m through with you, you and your family will be sorry you ever moved to Lucifer Falls!” – Tom Lynch
I figured that I’d have to watch this after revisiting its predecessor a week or so ago. Plus, both are streaming on Disney+, which I re-upped to watch and review all the classic animated films.
This one is slightly better than the first but I think that mostly has to do with the fact that it is twice as long and actually the length of a regular film. An issue with the first one is that it felt rushed in its pacing, due to only having about 45 minutes to tell its story.
In this one, the filmmakers had more room to breathe and could tell a richer, more complete story.
I did miss Kristy Swanson and John Astin in this one but that was also off-set by the inclusion of Eugene Levy and a smaller part for character actor, Vincent Schiavelli.
The story sees Mr. Boogedy return after he’s essentially raised from the netherworld by a professional rival of the protagonist family’s father.
The film is primarily made up of gags and amusing sequences but there isn’t a whole lot in the picture that really matters. Everything is building up towards a big town carnival though.
At the carnival, Mr. Boogedy appears in front of everyone and steals the family’s mother away to be his bride. The family then has to find a way to pull her back into the real world while locking Mr. Boogedy away once again.
This film is cheesy and goofy but it’s also endearing, as you do care about the family and how positive and optimistic these people are, even after moving to a haunted house in a town called Lucifer Falls.
Pairs well with: it’s predecessor and other episodes of The Magical World of Disney.