Film Review: Beat the Devil (1953)

Release Date: November 24th, 1953 (London premiere)
Directed by: John Huston
Written by: John Huston, Truman Capote
Based on: Beat the Devil by James Helvick
Music by: Franco Mannino
Cast: Humphrey Bogart, Jennifer Jones, Gina Lollobrigida, Peter Lorre, Robert Morley, Bernard Lee, Peter Sellers (voice, uncredited)

Romulus Films, Dear Film, Santana Pictures Corporation, 89 Minutes

Review:

“Time. Time. What is time? Swiss manufacture it. French hoard it. Italians squander it. Americans say it is money. Hindus say it does not exist. Do you know what I say? I say time is a crook.” – O’Hara

I decided to check out Beat the Devil because a description I read for it referred to it as John Huston’s parody of his own movie The Maltese Falcon. Since this also starred Humphrey Bogart, I was intrigued to see what exactly that description meant.

Well, that description was terrible, as this isn’t a parody of one specific film, it is actually a crime comedy with adventure and romance thrown in. And while that description was bullshit, the movie is not. It was mostly amusing and fun.

Overall, it didn’t quite hit the mark for me but it wasn’t dull and it was cool seeing Bogart ham it up a bit with Robert Morley and Peter Lorre, along with Jennifer Jones and Gina Lollobrigida.

The story is actually about an ensemble of people stranded in Italy while trying to get to Africa. All of them are shifty types that are trying to lay claim to a property that is believed to be rich in uranium. So it’s definitely not a straight parody of The Maltese Falcon, other than it has the same director, two of the same stars and has some criminal scheming and twists.

In the end, I was disappointed by this being very different than how it was sold to me. It was still refreshing and kind of unique. I liked the camerawork, the on location shooting and how this felt like you were in a genuine space with these actors, whom are usually surrounded by lavish, indoor sets on big budget sound stages.

Beat the Devil wasn’t a waste of time and it’s kind of charming.

Side note: Bogart got into a car accident during production and lost some teeth; so he had a hard time speaking. Therefore, up and coming actor, Peter Sellers, was brought in to record dubbed dialogue for Bogart while he was having trouble adjusting to his lack of canines.

Rating: 6.25/10
Pairs well with: other Humphrey Bogart films of the time, most notably his film-noir work.

Film Review: Annie Hall (1977)

Also known as: It Had to be Jew, Anhedonia (working titles)
Release Date: March 27th, 1977 (Filmex)
Directed by: Woody Allen
Written by: Woody Allen, Marshall Brickman
Music by: various
Cast: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane, Paul Simon, Janet Margolin, Shelley Duvall, Christopher Walken, Colleen Dewhurst, Dick Cavett, John Glover, Mark Lenard, Jeff Goldblum, Beverly D’Angelo, Tracey Walter, Sigourney Weaver, Truman Capote, Laurie Bird

Jack Rollins & Charles H. Joffe Productions, Rollins-Joffe Productions, United Artists, 93 Minutes

Review:

“[referring to California] It’s so clean out here.” – Annie Hall, “That’s because they don’t throw their garbage away, they turn it into television shows.” – Alvy Singer

I’m not what you would call a big Woody Allen fan but I do find a lot of his films to be amusing. This is one of them and this is also probably my favorite out of the Allen pictures that I’ve seen.

While I’ve seen all of the famous scenes from Annie Hall time and time again in documentaries and shows about movies, I’ve never seen this film in its entirety and in the proper sequence with all of the narrative context. In some ways, this film is actually kind of genius in how refreshing, original and authentic it feels. But I also didn’t know, until now, that this was sort of autobiographical in regards to Allen and Diane Keaton’s real romantic relationship a few years before this movie.

What makes this work so well is the natural chemistry between Allen and Keaton. But even then, Allen had solid chemistry in his scenes with Shelley Duvall and Carol Kane. It’s hard to say that he’s a great actor when he’s essentially just playing himself but his natural charm works wonders in this picture and it gives a certain life to scenes that may have felt dry if played by someone else.

Diane Keaton was lovable and fun in the picture and I think she is the real glue of the film, even more so than Allen. The reason being is that she just radiates a glow that encapsulates anyone on the screen with her. You clearly see the woman that Woody Allen is legitimately infatuated with.

From a narrative standpoint, this is Allen writing what he knows most intimately. But even then, I don’t think that this authentic tale would have had the magic without the performances in the film. This is lightyears better than a standard romantic comedy but I feel like that’s because the main players felt very at home with the material and they took this very seriously, where most romantic comedies tend to by cheesy and lacking depth in the performances of their actors.

Allen certainly knows how to direct and it is very apparent here. He gets the most out of everyone on screen, including himself. It’s easy to write about your life but it’s difficult to make something so genuine.

In the end, this is a fun, cute, lighthearted picture that presents romance and comedy in a unique way that is very much Woody Allen. He’s had similar films but nothing that hits the right notes in quite the same way.

Rating: 8.5/10
Pairs well with: other early Woody Allen films.