Release Date: April 8th, 2018 Cast: Shinsuke Nakamura, Triple H, various
WWE, 37 Minutes
I was hoping for more out of this but WWE’s modern documentaries are really a mixed bag, as sometimes they just throw shit together because they need content for their streaming network.
Being a big fan of Shinsuke Nakamura, I hoped this would go more into the man and his career.
Granted, WWE won’t show his New Japan stuff or even really acknowledge it because they like to pretend that no other wrestling exists outside of their own sphere.
Anyway, this follows Nakamura from the time he won the 2018 Royal Rumble up to his match for the World Championship at Wrestlemania, a few months later.
This isn’t as insightful as one would hope and it kind of just randomly checks in on him and lets him talk for a minute or two before cutting to something else. Sadly, I never felt like they really let you know the guy but WWE also has a poor track record of dealing with language barriers, even though Nakamura is pretty damn good at English.
I don’t know, it was cool seeing him being featured in his own documentary; I just wish that WWE would’ve given a shit.
Rating: 5/10 Pairs well with: other modern documentaries made for the WWE Network.
Release Date: September 25th, 2005 Directed by: Kevin Dunn Music by: Jim Johnston Cast: Ultimate Warrior (archive footage), Vince McMahon, Triple H, Bobby “The Brain” Heenan, Eric Bischoff, Adam “Edge” Copeland, Ted DiBiase, Ric Flair, Hulk Hogan, Chris Jericho, Jim Johnston, Jerry “The King” Lawler, Steve Lombardi, “Mean” Gene Okerlund, Bruce Prichard, Sgt. Slaughter, Jim Ross
WWE, 90 Minutes
“He was probably too stupid to know where he was from! Either that, or someone paid him to keep it quiet. ‘Here’s 50 bucks, don’t say you’re from Pittsburg!'” – Bobby “The Brain” Heenan [on the Warrior hailing from “Parts Unknown”]
This was a controversial documentary from a pop-culture standpoint and it is one that the WWE sort of wishes they had never made because it’s sentiment doesn’t paint one of its most popular legends in a very positive light. But I guess Vince McMahon had thin skin and a bug up his ass in 2005, which suddenly went away around 2014 when he put the Ultimate Warrior in his Hall of Fame.
That being said, when you watch The Self-Destruction of the Ultimate Warrior, it actually isn’t that bad and it’s not as heavy on the bashing as one would expect based off of the historical hype surrounding it.
I did see this back in 2005 but I hadn’t really watched it since. Back then, most of the information and stories about the Ultimate Warrior were already public knowledge. What made this interesting, though, is that the stories were now told by several of his former peers, colleagues and bosses.
This is kind of a disjointed production, however, as it spends a lot of time building up the man and his career. It takes digs and soft jabs throughout but it does convey his impact on the wrestling world. In a way, this is one part career retrospective and one part tabloid.
The tabloid parts of the film surround the stories about controversy, scandal and the Ultimate Warrior just being a general douche to most people.
Was he a likable guy? Probably not. Did he do some stupid shit that was only done to serve his own ego and self-interest? Absolutely. But does he deserve the condemnation that this documentary tried so hard to manufacture? Probably not.
The thing is, this was made with a very clear agenda in mind. Hell, the agenda is in the title. So it’s kind of hard to take this too seriously, as the WWE has a track record of re-shaping history to suit Vince McMahon’s wishes. I’m not saying that people are outright lying but if you have 90 minutes of a dozen or more people sharing their worst experiences with someone, you can paint anyone out to look like a total piece of shit.
Still, this is mostly entertaining and it allowed some other legends to blow off some steam. However, it’s hardly a clear or accurate picture of who the Ultimate Warrior really was at his core.
Rating: 6/10 Pairs well with: other ’00s WWE documentaries.
*since a trailer is no longer available, here’s an insane Ultimate Warrior promo.
Release Date: March 8th, 2020 Cast: Sasha Banks, Brie Bella, Nikki Bella, Gerald Brisco, Charlotte Flair, Steve Keirn, Triple H, Seth Rollins, Bayley, Natalya, Baron Corbin, Corey Graves, Tom Prichard, Dusty Rhodes, Gordon Solie (archive footage)
WWE, 79 Minutes
This wasn’t a documentary I ever expected to see but I’m glad WWE made it, as it really showcases a lot of the modern stars that started a few years before NXT became WWE’s developmental brand.
Also, being that I’m from Florida and that this promotion was an homage to Championship Wrestling from Florida, which I grew up with, gave FCW a special place in my fanboy heart.
For those that don’t know, Florida Championship Wrestling was where WWE sent their young talent in an effort to teach them WWE’s style of the business. It was owned and ran by veteran, Steve Keirn, and also had other ring veterans on staff to teach these kids how to work and how to excel.
This was a neat piece on FCW simply because it interviewed several of the well-known stars that worked there. It allowed them to give insight into the company, their education and their earliest career struggles and accomplishments.
However, like all WWE produced documentaries, this felt like it was a fairly one-sided story and take on the subject matter. Obviously, it doesn’t talk to those who failed and only focuses on the success stories. Some of the failed talents are mentioned but they weren’t given this platform to talk about their experience.
For the most part, this was still engaging and entertaining and it was nice seeing this small part of WWE’s history get showcased.
Rating: 6.5/10 Pairs well with: other WWE behind the scenes style documentaries and their reality series Breaking Ground.
After the Attitude Era, WWE gave us the Ruthless Aggression Era. It’s never been considered as popular but it seems like some people have gotten nostalgic about it in recent years. Maybe that’s because the WWE has evolved into a pretty shitty product since the advent of the PG Era and has never really recovered. I’d say that has more to do with lack of real competition and Vince McMahon losing touch with pop culture, as he gets older, but still won’t give some control to other people who might steer the ship better.
That being said, I’m honestly not a big fan of the Ruthless Aggression Era, as it really started to be where my interest in WWE began its decline. That’s not a knock against guys like John Cena, Randy Orton, Brock Lesnar or Dave Bautista, it just is what it is because even if these guys are great, they just didn’t have the same sort of electricity as The Rock, Steve Austin, Mick Foley, Shawn Michaels, Chris Jericho or even Triple H.
I still wanted to check out this weekly documentary series, however, because I typically dig stuff like this regardless of the era it features. Mainly, I like the wrestling business and industry, which is why I can actually stomach things like Total Divas in small doses.
For the most part, this is entertaining television but it does the same crap that most WWE produced pieces about WWE do: it tells a revisionist history because McMahon is always trying to control whatever narrative comes out of his company and he underestimates the intelligence of his longtime viewers and thinks that they don’t remember certain details.
I guess for modern fans who didn’t live through this era, this might come across as compelling, solid, documentary television. It’s certainly well produced, well edited and presented like a top notch production on par with some of the stuff ESPN puts out but it feels like WWE is trying to write a more colorful and interesting history than what reality actually is.
The Ruthless Aggression Era was a step down from the Attitude Era but it appears as if WWE wants to convince its modern audience that it saved a company in decline.
Rating: 6.75/10 Pairs well with: other WWE documentary television series.
Also known as: Blade III (working title) Release Date: December 7th, 2004 (Hollywood premiere) Directed by: David S. Goyer Written by: David S. Goyer Based on:Blade by Marv Wolfman, Gene Colan Music by: Ramin Djawadi, Rza Cast: Wesley Snipes, Kris Kristofferson, Jessica Biel, Ryan Reynolds, Parker Posey, Dominic Purcell, Triple H, Natasha Lyonne, John Michael Higgins, James Remar, Patton Oswalt, Christopher Heyerdahl
Marvel Enterprises, Shawn Danielle Productions Ltd., Amen Ra Films, Imaginary Forces, New Line Cinema, 112 Minutes
“[licking one of Hannibal’s wounds] You’re tasting a little bland, lover. Are you getting enough fatty acids in your diet? Have you tried lake trout? Mackerel?” – Danica Talos, “How about you take a sugar-frosted fuck off the end of my dick?” – Hannibal King, “And how about everyone here not saying the word “dick” anymore? It provokes my envy.” – Danica Talos
Well, revisiting Blade II wasn’t fun but at least this one was a bit better, in my opinion, even if the consensus doesn’t agree with me.
But let’s be honest, this is also pretty much a total turkey unworthy of being a sequel to the first film.
What’s kind of baffling is that this installment has the best cast out of all three films. I mean, there is a lot of talent on the roster but what we got was a movie that has given most of these actors something to scrub off of their resume.
For instance, Parker Posey is a dynamite actress. In fact, she may be mostly known as an indie darling but she’s one of the best actresses of the past twenty-five years. She has range, she delivers and it’s hard to think of anything else that sees her performance be anywhere near as cringe as it is here. But I don’t blame Posey, I blame the atrocious script and poor direction of David S. Goyer.
So speaking on that, I have to point out how bad the dialogue is in this picture. It’s heinously bad. So bad, in fact, that it almost makes the dialogue in the first Blade come off as Shakespearean. It’s worse than the dialogue in Blade II, which was also shit. But I guess it’s kind of surprising, considering that Goyer wrote all three films. But maybe it’s worse here because he took over the directing duties and thus, didn’t have a more talented director that was able to work around terribly written lines and find a way to salvage them. Maybe Goyer kept a tighter leash on his actors than Guillermo del Toro or Stephen Norrington.
I mean, even Ryan Reynolds who is one of the most charming and funny actors of his generation, stumbled through his clunky and unfunny lines, trying to make them work but failing at delivering anything other than unfunny edgy boi humor that sounds like it was written by a middle schooler trying so hard to impress his older brother’s high school friends.
Don’t even get me started on Triple H’s performance but regardless of how convincing he is as a wrestler, his heel game is weak as hell here and I actually had to subtract some cool points from him when I saw this in 2004.
This chapter also lacks a real story and it isn’t even sure which character it wants to make the big bad of the movie. Dominic Purcell plays Drake, who is really just Dracula, but he comes off as the lamest Dracula in the last twenty years of film history. But Purcell is another guy that’s cool and pretty capable of putting in a good performance if given the right direction.
Ultimately, this is a film entirely bogged down by poor performances, bad writing and sloppy direction.
However, the story is better and more clever than the previous film. This had elements that could have saved it and turned this into something great. The opening in the desert and then the first action sequence were all well done and set the stage for what could have been a really solid picture but everything becomes a mess after that.
I also liked the idea of Blade finding a team to work with but the film fucks all that up by having Limp Bizkit Dracula killing just about all of them off except for Ryan Reynolds and Jessica Biel.
Now I really liked Biel in this, even if fighting vampires while jiving to your iPod seems incredibly careless. She gives a better performance than this weak script should have allowed and maybe Goyer was more lenient on letting her alter her performance, as she’s pretty hot and this was only the second time he directed.
Other great performers were all pretty much wasted and were forgettable. In fact, I forgot that James Remar, John Michael Higgins, Christopher Heyerdahl, Patton Oswalt and Natasha Lyonne were even in this.
In the end, this had the ability to be something much better but it suffered for all the reasons I’ve already bitched about. I liked that this wasn’t over stylized like del Toro’s Blade II and that it had a more interesting story that put Blade up against Dracula but the film’s execution snuffed out the possibility of something solid.
And while it seems as if I’m bashing Goyer, he would improve. But his best work has always come when he’s worked under a much more talented director than himself. Christopher Nolan, for instance. But he’s still put out some shitty scripts and unfortunately, the shit outweighs the gold.
Rating: 6/10 Pairs well with: the other Blade movies.
Original Run: October 25th, 2015 – current Created by: WWE Directed by: Christopher Bavelles, Ronn Head Narrated by: William Shatner Cast: Matt Bloom, William Regal, Sara Amato, Triple H, Bayley, Mojo Rawley, Carmella, Robbie Brookside, Dana Brooke, Tyler Breeze, Nia Jax, Baron Corbin, Tino Sabbatelli, Apollo Crews, Jason Jordan, Chad Gable, Big Cass, Sami Zayn
Breaking Ground is a documentary reality show produced by WWE for their exclusive streaming service, the WWE Network. It showcases a lot of their talent in NXT, which is the WWE’s training ground and minor leagues, where wrestlers hone their skills in an effort to eventually make it up to the main roster.
The feel of this show is much more real and serious than their other attempts at reality television. It is also more fine tuned and comes off as completely authentic other than the manufactured drama of shows like Total Divas, Total Bellas, Legends’ House and even Tough Enough.
Narrated by William Shatner, the show has a sense of legitimacy and plays out much more professionally. He adds a certain level of gravitas and credence to the production that is missing in WWE’s other shows.
The story follows several NXT Superstars, as they work out daily in the WWE Performance Center in Orlando, FL. It also follows them as they perform for WWE’s NXT brand on television and on the road. It shows the trials and tribulations of each person featured and really covers all areas and aspects of the WWE training process, by incorporating talent at varying levels of development.
While this isn’t an amazing show and is pretty dry, most of the time, it should be interesting to those who are fans of the sports entertainment business at a deeper level than just watching Monday Night Raw or Smackdown on a weekly basis.