There are books on Tiki culture and then there’s Tiki Pop: America Imagines Its Own Polynesian Paradise by Sven A. Kirsten and publisher TASCHEN.
What I mean by that is that this book is the bible on Tiki history in the United States, as it covers its genesis, all of its key elements, how it expanded into everything in pop culture and ultimately, how it faded away and then saw a bit of a revival.
Like all books I own by TASCHEN, this is image heavy and presented on premium paper stock. It’s a legitimate art book that truly delves into Tiki history and displays everything that one could imagine from that pocket of Americana.
This book is a very thick hardcover that covers so much territory, even for being chock full of hundreds of images and also being translated into three languages.
I found every single chapter intriguing and well researched. My only real gripe about the book is that the written part of each chapter is kind of short and I felt like it all could’ve been greatly expanded on. Maybe the author can do that in the future, as this has so many great entry points to different parts of Tiki pop that can be expanded upon in many books.
Regardless of that, this is still the greatest book I have ever come across on the subject. Plus, it’s beautifully and immaculately presented. For lovers of Tiki culture, this is absolutely a must own and it’s also really inexpensive for its size and quality.
Pairs well with: other books on Tiki culture and pop culture from bygone eras.
Also known as: Surprise Package (working title), A Present for Donald (TV title)
Release Date: December 21st, 1944 (Mexico City premiere)
Directed by: Norman Ferguson (supervising director), Clyde Geronimi, Jack Kinney, Bill Roberts, Harold Young (sequence director)
Written by: Homer Brightman, Ernest Terrazas, Ted Sears, Bill Peet, Ralph Wright, Elmer Plummer, Roy Williams, William Cottrell, Del Connell, James Bodrero
Music by: Edward H. Plumb, Paul J. Smith, Charles Wolcott
Cast: Clarence Nash, Jose Oliveira, Joaquin Garay, Aurora Miranda
Walt Disney Productions, RKO Radio Pictures, 71 Minutes
“Ah, Baia. It is like a song in my heart. A song with love and beautiful memories. Que saudades que eu tenho. Ah, Baia. I close my eyes, and I can see it now. I can see the beautiful twilight in the sky. I can feel the breeze from the bay. And I can hear the music, the music of Baia.” – José Carioca
The second of Disney’s package/anthology films, The Three Caballeros isn’t too dissimilar from the first one, Saludos Amigos, as it takes the same subject matter and expands on it more.
Beyond just that, this is a much more impressive film, as it spends a big portion of its time mixing animated characters with live-action. This plays like a proto-Who Framed Roger Rabbit over forty years before that film came out. And the execution of it is damn impressive, proving just how great the Disney animators and live-action directors were at this sort of thing. This is a film that is certainly far ahead of its time.
This pairs extremely well with Saludos Amigos, though, as it takes the audience back down to Latin America and showcases the region’s culture from style, fashion, music and their way of life. This focuses less on trying to be educational and more on the music, dancing and showing how fun these once exotic places were three-quarters of a century ago.
I really loved the scenes with Aurora Miranda and the other dancers, as it really kicks the second half of the film into high gear and makes it thoroughly enjoyable and lively.
The music in this feature is fantastic and if this picture didn’t get people flocking down to Central and South America in the 1940s, no other tourism marketing would.
The Three Caballeros is enthralling and exhilarating. It took the neat formula of Saludos Amigos, refined it and perfected it as best as could be done with the technology and craftsmanship of the time.
Pairs well with: Disney’s other 1940s package/anthology films.