Also known as: The All New George A. Romero’s Night of the Living Dead (poster title) Release Date: October 19th, 1990 Directed by: Tom Savini Written by: George A. Romero Based on:Night of the Living Dead by George A. Romero, John A. Russo Music by: Paul McCullough Cast: Tony Todd, Patricia Tallman, Tom Towles, Bill Moseley
21st Century Film Corporation, Columbia Pictures, 92 Minutes
“This is something no one’s ever heard about, and no one’s ever seen before. This is hell on earth.” – Ben
Other than the solid special effects, I’m not a fan of this movie. And that does kind of suck because I am a fan of Tom Savini, the special effects master turned director.
I think what I don’t like about this movie is that everyone in it makes the worst decisions possible. Also, they’re all pretty unlikable because all they do is make dumb choices and scream the entire time with all the lights on in the house and zombies outside listening for food. I also should mention that everyone is hammering fucking boards over the windows for almost the entire length of the picture!
Now I know that this was a remake of the original 1968 film and that the script was pretty damn close to the source material. However, by 1990, zombie movies had been around for a long time and with that, there are much smarter films on the subject that George Romero, himself, had written.
While this was his attempt to start over with his original concept, it doesn’t mean that it has to be populated with really stupid, self-sabotaging assholes. A person in 1990, whether they know what zombies are or not, should still have the common sense to shut the fuck up and act like you don’t exist when there is literally death surrounding your house. No, not these dopes, they might as well have been banging pots and pans outside screaming, “Come and get it!”
By 1990, you can’t suspend this much disbelief. Well, I guess some people can because many consider this to be better than the original. Well, if I’m being honest, I was never a huge fan of the original either. In fact, I much prefer the sequels that started a decade later.
Whatever, no disrespect to Tom Savini but fuck this movie. His special effects were great, though.
Also known as: Hatchet IV (alternative title) Release Date: August 22nd, 2017 (Los Angeles premiere) Directed by: Adam Green Written by: Adam Green Music by: Jason Akers, Sam Ewing Cast: Kane Hodder, Tyler Mane, Parry Shen, Laura Ortiz, Dave Sheridan, Krystal Joy Brown, Felissa Rose, Brian Quinn, Tiffany Shepis, Jonah Ray, Blake Woodruff, Tony Todd, Danielle Harris (cameo)
IncitefulMedia, ArieScope Pictures, 83 Minutes
“Ten years later, you are like the O.J. Simpson of Honey Island Swamp. Wouldn’t you say?” – Sabrina, “Uh. No, I wouldn’t.” – Andrew
After seeing Hatchet III, several years ago, I thought that the film series really ran its course and went out with a pretty decent bang. I didn’t think I really wanted another one, then a few years later, this one came out, which I slept on. I intended to eventually watch it but then it slipped down the memory hole until it was featured on an episode of The Last Drive-Inwith Joe Bob Briggs.
I’m glad that Joe Bob hosted this, though, and that he also brought in writer/director/creator Adam Green, as well as a lot of the cast, to discuss the film, the franchise and its possible future.
I love Kane Hodder, so anytime the guy can get some solid horror work, I’m happy. He deserves to work as long as he wants to and since they aren’t making Friday the 13th movies anymore, this is the next best thing. Especially, since the character of Victor Crowley gets to use Hodder’s talents and then turns them up to eleven, allowing him to go ape shit crazy and express himself in stark contrast to the more reserved, quiet Jason Voorhees.
For the most part, this is a decent sequel in the same vein as the other films. It sees a plane crash in the swamp near Crowley’s home. Also, there is a filmmaking crew out there, trying to make a film about Crowley. The two groups converge and end up holed up in the crashed plane, trying to survive the night with the uber-violent Crowley outside.
The film is pretty straightforward and even though it’s a self-aware “wink at the camera” horror film, it’s never annoying about it like most modern horror flicks that try to do the same tired ass shit. This is one of the reasons why modern horror is crap but at least Victor Crowley doesn’t contribute to that problem and actually shows that you can be self-aware and not be a total douche about it.
Ultimately, I liked this movie and I think Adam Green has a really good grasp on his creation and how to traverse through the modern horror world where the competition is lackluster, redundant and uninspiring. While I can’t call his movies game changers, they at least give audiences something new and fun and don’t fall victim to the same, lame modern horror tropes.
Rating: 6/10 Pairs well with: the other films in the Hatchet series, as well as other slasher films, specifically the Friday the 13th movies with Kane Hodder as Jason.
Also known as: Clive Barker’s Candyman (complete title) Release Date: September 11th, 1992 (Toronto International Film Festival) Directed by: Bernard Rose Written by: Bernard Rose Based on:The Forbidden by Clive Barker Music by: Philip Glass Cast: Virginia Madsen, Tony Todd, Xander Berkeley, Kasi Lemmons, Ted Raimi, Vanessa Estelle Williams
“They will say that I have shed innocent blood. What’s blood for if not for shedding? With my hook for a hand, I’ll split you from your groin to your gullet. I came for you.” – Candyman
This movie is adored by some within the horror community but it’s just never really resonated with me. The weird thing, is that I love Tony Todd in just about everything he does and this certainly is his most iconic role. However, the film just kind of falls flat and it’s hard to care about much within it but I’ll explain.
To start, the film does lure you into a dreamlike state, almost immediately, by the enchanting, interesting and unique score by Philip Glass. However, even though I like the score, I don’t specifically like it for this film, as it gives it a weird tone and for me, at least, it doesn’t quite fit.
That’s also not to say that it’s not somewhat effective, as it does put your brain in a strange place. But that strange place sort of wrecks the film. Just because something is effective doesn’t mean that its effect is a good creative choice.
I have several issues with the film beyond this.
Firstly, the score doesn’t really help the pacing of the film, which moves slower than a drunk snail crossing over a maple syrup spill. In fact, it makes the film seem slower, as it tries to constantly enchant you and put you to sleep.
Secondly, it never really clearly defines who or what the monster is. You also don’t really understand what his powers are. Almost every time you see him, he appears to have the ability to teleport. Yet, at the end of the film, when he’s stuck in a giant pile of burning trash, he doesn’t teleport out, he just burns to death.
Thirdly, the ending is bizarre and doesn’t make a lot of sense. Does Virginia Madsen actually take the Candyman’s place as the monster? The ending implies such but this isn’t anything that’s ever revisited in the sequels. Granted, I haven’t seen the third one but I’m pretty sure it’s left unanswered and continuity doesn’t mean jack shit with these movies.
Fourthly, the film is just full of a lot of random, baffling shit. Like why was there a giant mountain of garbage in the first place? How did days go by and no one heard the missing baby in the next door apartment? What baby doesn’t cry every fifteen minutes? When Virginia Madsen calls for Candyman, she just gets drunk and goes to bed, why didn’t he appear instantaneously to butcher her and her friend like he did the girl in the beginning? This movie has more holes in its plot than a hobo has in his underwear.
However, there are some positives in this movie, like the performances from Madsen and Todd. They’re really good despite the picture feeling like a house of cards waiting to collapse in on itself.
Additionally, this flick does a superb job of making duality a theme throughout the picture. There’s the duality between white and black people in Chicago, the duality of there being a supernatural Candyman and a real world drug dealer who adopted the Candyman persona, there’s also the duality of the dream world and reality, as you’re never quite sure what’s actually happening at certain points.
There are a lot of layers to the movie but the problem is that none of them are as clearly stated as they need to be and they sort of get lost in the overall production being lackluster, the pace being too relaxed and the general dreamlike presentation.
The point is, this film should be more effective in regards to its social and political commentary. I don’t know if the director just didn’t want to hit people over the head with it but sometimes a story can benefit from that. The biggest issue with it is that Candyman, as a character, needed to be more defined and clearly tied to the themes of the film. At least the first sequel gives you his origin and clues you in to who he is, why he is and how this is all supposed to make sense in a clearer way.
Overall, this is a movie I’ve always wanted to like but I’m just kind of meh about it. From memory, I like the second one better but I’m going to re-watch it soon and then do a proper review of it.
Rating: 6/10 Pairs well with: the other films in the series, as well as Wes Craven’s The People Under the Stairs.
Release Date: May 24th, 1996 Directed by: Gabrielle Beaumont Written by: David Wise Based on:The Beast Master by Andre Norton, characters by Don Coscarelli, Paul Pepperman Music by: Jan Hammer Cast: Marc Singer, Tony Todd, Keith Coulouris, Sandra Hess, Casper Van Dien, Patrick Kilpatrick, Lesley-Anne Down, David Warner
Stu Segall Productions, MCA, NBC Universal, 91 Minutes
“Your aim is poor for one with three eyes.” – Dar
The original Beastmaster is a sword and sorcery classic. Beastmaster II is hated by most but I really enjoy it for its hokiness and characters. Beastmaster III, however, is a hard film to get through, even with Marc Singer, Tony Todd and David Warner.
What sticks out like a sore thumb the most is how bad the acting is. Now I’ll never claim that Singer is an Oscar caliber performer but he at least has charisma and can carry an action movie. Here, the charisma is stifled by terrible line delivery and an abhorrent script.
However, I do like that this film is a call back to the first and that we get to see what happened to Seth and Tal. Even if Seth was no longer played by John Amos and Tal was now grown up, it was cool seeing these characters coming back into Dar, the Beastmaster’s life after being absent from the time traveling weirdness of Beastmaster II.
But that’s also not enough to carry the film or its shoddy plot.
David Warner played the villain here but he pretty much just phoned it in. Not that I blame him but when Warner wants to give a great performance, it’s something he is very capable of. He just looked bored here, as did most of the actors and frankly, the film suffers from a complete lack of interest from the cast. Granted, I think Singer still gave it his all, despite the horrible direction.
Additionally, the music in this film is so bad that it’s distracting. I was shocked to see that the composer was Jan Hammer, because that guy did a tremendous job when he worked on Miami Vice in the ’80s. Here, the score just sounds like cliche, generic, straight to video, ’90s synth bullshit.
I remember seeing this back when it was a new release at the video store and I know I wasn’t fond of it but I didn’t remember it being this bad.
This was a terrible way to end the film series but if I’m being honest, it didn’t need to stretch beyond the first movie unless Don Coscarelli was involved.
Rating: 3.25/10 Pairs well with: washing poop off of your shoes.
Release Date: February 7th, 2019 Directed by: Xavier Burgin Written by: Ashlee Blackwell, Danielle Burrows Based on:Horror Noire by Robin R. Means Coleman Music by: Timothy Day Cast: Robin R. Means Coleman, Ashlee Blackwell, Rusty Cundieff, Keith David, Ernest R. Dickerson, Ken Foree, Richard Lawson, Kelly Jo Minter, Miguel A. Nunez Jr., Paula Jai Parker, Jordan Peele, Ken Sagoes, Tony Todd, Rachel True
Stage 3 Productions, Shudder, 83 Minutes
I’ve seen quite a few documentaries on the history of horror as well as ones on blaxploitation and grindhouse movies. What makes this a unique film is that it examines the history of black horror, specifically.
This is well organized, fabulously presented and the thing that really gives this a lot of life is all the people that they were able to bring in and chat about the subject matter.
Also, this was told from the perspective of black people. We were able to see how certain things in movie history effected them, which is refreshing when most documentaries that cover black cinema usually feature a lot of white voices trying to interpret what they assume black people were feeling.
I think that this film gave a lot of clarity to the cultural impact of certain horror tropes regarding minority characters, as well as Hollywood tropes about race in general.
Most importantly, this honors the films it features, as well as all the talent that worked behind the scenes and on the screen.
This is a Shudder exclusive but between this, the new Joe Bob Briggs show and all their great horror film selections, you should already be subscribed. Plus, it’s cheaper than all those other streaming services.
Rating: 7.5/10 Pairs well with: other retrospective documentaries on horror and blaxploitation cinema.
Release Date: August 10th, 2012 (Wizard World Chicago) Directed by: Corey Logsdon Music by: Kevin McLeod Cast: Tony Todd, Kane Hodder, Alex Hyde-White
State of Mind Productions, 61 Minutes
Watching this documentary made me realize something, all of these fandom/convention documentaries are pretty much all the same. There have been solid documentaries on the topic but now there are so many of them that they just all bleed together into one big amorphous blob in my brain.
Ones like this that are about one specific convention just don’t serve much of a purpose other than being an hour-plus advertisement to the convention itself and not a really effective advertisement at that.
The problem is, I don’t live near St. Louis and even though I like horror, it’s just not enough to get me to make a trip there for this one convention that doesn’t feel special in any way because all these documentaries do is show that they’re all pretty much the same.
Look, I’m not trying to shit on this documentary or this convention but these films aren’t effective when they’re a dime a dozen and are just random ass clips of talking heads talking about how rad this thing is. These films often times have a few small celebrities in them but they are mostly comprised of regular joes giving their two cents on their fandom. I’m into geek shit and I don’t care.
Now my critique is more about these types of films and not this one in particular but this is the one that broke me. I can’t watch these things anymore, unless there is more to it than just talking to people at a con.
These con specific docs are probably cool to people that frequent these specific cons that are featured but for everyone else, it’s like, “Oh, St. Louis has a horror convention with some people there. I’ll just see those same people when they come to that con an hour away from my house in six weeks.”
Rating: 5/10 Pairs well with: Other documentaries about various fandoms: Heroes Manufactured, Comic Book Independents, 24×36, Atari: Game Over, Way of the Puck, Nintendo Quest, VHS Massacre, Going Attractions, Vinylmania, Out of Print, Records Collecting Dust, Mai-Tais, Toques and Tikis and 24 Hour Comic.
I never watched Hatchet or any of its sequels until this past weekend. I heard good things and they star Kane Hodder (the longest running actor to play Jason Voorhees in the Friday the 13th films) as the monster Victor Crowley. These films also star a plethora of other horror icons. The series grabs actors from the A Nightmare On Elm Street, Halloween, Texas Chainsaw Massacre, Candyman and Gremlins franchises. I’m sure I’m leaving some out as well.
Let me analyze each film in this trilogy separately.
Release Date: April 27th, 2006 (Tribeca Film Festival) Directed by: Adam Green Written by: Adam Green Music by: Andy Garfield Cast: Joel Moore, Tamara Feldman, Deon Richmond, Mercedes McNab, Parry Shen, Joel Murray, Joleigh Fioreavanti, Richard Riehle, Patrika Darbo, Joel David Moore, Joshua Leonard, Tony Todd, Robert Englund, Kane Hodder
ArieScope Pictures, Radioaktive Film, High Seas Entertainment, Anchor Bay Entertainment, 93 Minutes
“But you only shot him once, right? Maybe you gotta shoot him more times. Like four- or six- maybe you gotta shoot him six times?” – Shawn
The first film is enjoyable. Although these movies are supposed to be homages to the great slasher films of the 80s, they feel more like homages to the late sequels of those films. What I mean, is that this movie plays like the fifth film in a slasher franchise, where plot doesn’t matter and things are just violent, insane and way more over the top than normal.
Hatchet follows a group of people on a haunted bayou boat tour outside of New Orleans. The boat crashes, the people are stranded and our brutal beast of a killer literally rips them apart.
While this is considered part of the slasher sub-genre of horror and Victor Crowley is seen as a slasher, he tends to rip off arms and pull people’s heads apart, as opposed to stabbing people with knives or using machetes. Granted, he does use some tools here and there, but he has the tendency to mutilate his victims with his bare hands.
The film is more campy than scary. It is more like splatter porn than a mysterious slasher film that builds suspense. Instead of characters hiding from a knife-wielding psycho and trying to survive the night with cunning and stealth, we have people running from a mindless berserker that wants to fertilize the woods with hundreds of gallons of blood. There really is no suspense, just intense insanity once the monster shows up.
The ending is horrible, by the way. The film just cuts off. But it isn’t so bad, if you immediately watch the second film, which starts right where this one ends.
Hatchet II (2010):
Release Date: August 26th, 2010 (Frightfest) Directed by: Adam Green Written by: Adam Green Music by: Andy Garfield Cast: Kane Hodder, Danielle Harris, Tony Todd, Parry Shen, Tom Holland, R. A. Mihailoff, AJ Bowen, Alexis Peters, Ed Ackerman, David Foy, Colton Dunn, Rick McCallum
Dark Sky Films, ArieScope Pictures, 85 Minutes
“Come on, you hatchet-faced fuck!” – Bob
The second film is more of the same. It also continues into the next day following part one. Also, the main girl is suspiciously different looking. Oh, she’s now a different actress – Danielle Harris from Halloween 4 and 5, to be exact.
The sole survivor of the first movie, the new actress playing the old actress, returns to New Orleans to get answers regarding Victor Crowley. She then immediately heads out with a clueless posse to hunt him down because why the fuck not?
This one gets more insane than the first installment and is a lot bloodier and ridiculous. There isn’t a whole lot more to add really.
Same movie; ante upped.
Hatchet III (2013):
Release Date: June 14th, 2013 Directed by: B.J. McDonnell Written by: Adam Green Music by: Scott Glasgow Cast: Kane Hodder, Danielle Harris, Caroline Williams, Zach Galligan, Robert Diago DoQui, Derek Mears, Cody Blue Snider, Rileah Vanderbilt, Sean Whalen, Jason Trost, Diane Ayala Goldner, Joel David Moore
Dark Sky Films, ArieScope Pictures, 82 Minutes
“I’ve seen some crazy shit, man. I was working on an Asian male; head severed off, uh, leg cut off below the knee. I’m telling you, man… He looked kinda like you, man.” – Randy
Like its predecessor, this one starts immediately where the last film ended. Basically, these three films happen over the course of three consecutive nights.
There is more splatter, more horror icon cameos but we are essentially just watching a single four and a half hour film instead of three separate movies.
Like the other films, this one ends somewhat open ended. I can only assume there will be a fourth chapter in the future.
These aren’t great movies but they are worth a watch and an entertaining way to kill a few hours. I don’t know how driven I will be to ever watch them again but I would check out another sequel. But I doubt that I would ride this out for ten films like Friday the 13th.
I just re-watched The Crow and all of its sequels. I watch the original film about once a year or so but it has been a long time since I have seen the sequels. Instead of just reviewing one of them, I figured I’d give my two cents on each film.
The Crow (1994):
Release Date: May 13th, 1994 Directed by: Alex Proyas Written by: David J. Schow, John Shirley Based on:The Crow by James O’Barr Music by: Graeme Revell Cast: Brandon Lee, Ernie Hudson, Michael Wincott, Bai Ling, Rochelle Davis, David Patrick Kelly, Jon Polito, Tony Todd, Jeff Imada, Anna Thomson
Dimension Films, Miramax Films, 102 Minutes
The first film in the series is by far the best, that isn’t even debatable. The cast was pretty fantastic, as director Alex Proyas (Dark City, I, Robot) strung together a nice team comprised of Brandon Lee (Rapid Fire, Showdown In Little Tokyo), the late son of Bruce Lee, as well as Ernie Hudson (Ghostbusters, Oz), Michael Wincott (Robin Hood: Prince of Thieves, Basquiat), Tony Todd (Candyman, Platoon), Bai Ling (Anna and the King, Three… Extremes), David Patrick Kelly (The Warriors, Twin Peaks) and newcomer Rochelle Davis, who has only appeared in one other film.
The tone of the film was perfect, the music was perfect, the casting of Brandon Lee was perfect. There aren’t a lot of negatives that one can find in this near masterpiece. For its time, it was one of the best, if not the best, comic book films of all-time. The only comic book films that one could possibly put in front of The Crow are the Richard Donner Superman films and the Tim Burton Batman films. In 1994, when this movie was released, comic book movies were very scarce.
This is a film that has a strong cult following and deservedly so.
Brandon Lee died on set due to a firearm accident and it had to be finished without him. There was a lot of debate as to whether or not the film should even be released but it was and has had a certain degree of mystique attached to it. The real-life tragedy added to the emotion and darkness of the film in a way that didn’t make light of Lee’s death or try to capitalize off of it. Everything, in my opinion, was done tastefully and in a way that honored the actor and gave people a look at his best work.
The chemistry between Lee and Davis, as well as Lee and Wincott was pretty strong. Brandon Lee gave this his all and it was a good display of his talent, which never got to grow and reach the heights it could have.
Plus, there is a performance by My Life With the Thrill Kill Kult in the film.
The Crow: City of Angels (1996):
Release Date: August 30th, 1996 Directed by: Tim Pope Written by: David S. Goyer Based on:The Crow by James O’Barr Music by: Graeme Revell Cast: Vincent Perez, Mia Kirshner, Iggy Pop, Richard Brooks, Thomas Jane
Dimension Films, Miramax Films, 84 Minutes
The first sequel in the series was pretty bad, which would become the trend. It starred Vincent Perez (Queen of the Damned) as the title character and I still can’t recall anything noteworthy that I have seen him in besides this. It also starred punk rock legend Iggy Pop (Dead Man, Tank Girl), Thomas Jane (The Punisher, Hung) and Mia Kirshner (The L Word, The Black Dahlia).
Iggy was fantastic and just completely Iggy, which made his character great. Kirshner was angelic and beautiful with a real genuine level of sweetness but she was also more or less a statue propped up in the background to add allure to a very ugly looking film. Tom Jane basically just played a weird pervert and he was unrecognizable in the role.
I would consider this film to be the second to worst in the series. And there really isn’t much one can say about it. It is empty, soulless and an awful rehash of the classic before it.
But again, it features Iggy Pop and I will watch him in anything.
And I love Mia Kirshner, who has never looked better than she does in this.
The Crow: Salvation (2000):
Release Date: January 23rd, 2000 Directed by: Bharat Nalluri Written by: Chip Johannessen Based on:The Crow by James O’Barr Music by: Marco Beltrami Cast: Eric Mabius, Kirsten Dunst, Jodi Lyn O’Keefe, Fred Ward, William Atherton, Walton Goggins
IMF, Edward R. Pressman Film Corporation, Jeff Most Productions, Pacifica Film Development, Dimension Films, 102 Minutes
The second sequel was better than the first sequel. After the original film, this is the best installment of the series. It starred Eric Mabius (Ugly Betty, Cruel Intentions), Kirsten Dunst (Spider-Man, Melancholia), William Atherton (Real Genius, Ghostbusters), Fred Ward (Tremors, The Right Stuff) and Walton Goggins (The Shield, Justified).
Mabius was much more personable and likable than his predecessor, Vincent Perez. Dunst was good but nothing extraordinary. Atherton and Goggins were both presences in the film but didn’t leave me with anything all that memorable. Fred Ward, one of those lesser-known actors I’ve just always liked for some reason, did a pretty solid job of playing the scumbag evil bastard in this film.
From a storytelling standpoint, this offered so much more than City of Angels. It involved a conspiracy, a cover-up and evil dudes sending an innocent kid off to die for their sins. It wasn’t as straightforward and as simple as the previous films in this series. Granted, it wasn’t a storytelling masterpiece but it had depth and a bit of mystery.
The Crow: Wicked Prayer (2005):
Release Date: June 3rd, 2005 Directed by: Lance Mungia Written by: Lance Mungia, Jeff Most, Sean Hood Based on:The Crow: Wicked Prayer by Norman Partridge Music by: Jamie Christopherson Cast: Edward Furlong, David Boreanaz, Tara Reid, Emmanuelle Chriqui, Dennis Hopper, Tito Ortiz, Danny Trejo
Dimension Films, 99 Minutes
The final film in the series was god awful, and that might be an understatement. It starred Edward Furlong (Terminator 2, American History X), Tara Reid (American Pie, The Big Lebowski), David Boreanaz (Angel, Bones), Tito Ortiz of UFC fame, Danny Trejo (Machete, From Dusk Till Dawn), Dennis Hopper (Speed, True Romance) and a very brief appearance by singer Macy Gray.
Furlong just looked ridiculous as the Crow. I think the hair had a lot to do with the sloppy shitty look. Also, Furlong by this point, had grown too old and looked like a washed up forty-something Robert Smith wearing his Cure makeup instead of an awesome twenty-something Robert Smith wearing his Cure makeup. Furlong’s acting was horrible but so was everyone else’s.
Boreanaz was deplorable, Tara Reid was annoying and not naked enough, Tito Ortiz was a dipshit and Danny Trejo was the worst I’ve ever seen him and I really love that guy. Dennis Hopper took the cake, however, as he stumbled through some of the worst written lines I have ever heard in a film. It sucks that such a great actor was working on shit like this so late in his career.
Technically speaking, the special effects were disastrous, the cinematography was nightmarish and the editing was shit. There isn’t anything nice I can say about this film.