Film Review: Heat (1995)

Release Date: December 6th, 1995 (Burbank premiere)
Directed by: Michael Mann
Written by: Michael Mann
Music by: Elliot Goldenthal
Cast: Al Pacino, Robert De Niro, Tom Sizemore, Diane Venora, Amy Brenneman, Ashley Judd, Mykelti Williamson, Wes Studi, Ted Levine, Jon Voight, Val Kilmer, Dennis Haysbert, William Fichtner, Natalie Portman, Tom Noonan, Kevin Gage, Hank Azaria, Danny Trejo, Henry Rollins, Tone Loc, Ricky Harris, Jeremy Piven, Xander Berkeley, Martin Ferrero, Bud Cort (uncredited)

Forward Pass, New Regency Productions, Warner Bros., 170 Minutes

Review:

“You know, we are sitting here, you and I, like a couple of regular fellas. You do what you do, and I do what I gotta do. And now that we’ve been face to face, if I’m there and I gotta put you away, I won’t like it. But I tell you, if it’s between you and some poor bastard whose wife you’re gonna turn into a widow, brother, you are going down.” – Vincent Hanna, “There is a flip side to that coin. What if you do got me boxed in and I gotta put you down? Cause no matter what, you will not get in my way. We’ve been face to face, yeah. But I will not hesitate. Not for a second.” – Neil McCauley

I saw this movie in the theater on a date during my junior year of high school. I think that my then-girlfriend was really annoyed because she wanted something “long and boring” so that we could fool around in the back row. Unfortunately, for her… this movie grabbed my attention and I couldn’t look away from it from start-to-finish.

Heat just clutches onto you immediately with the armored truck heist and how shit in that heist goes sideways, even though the criminal gang does successfully pull it off. The whole sequence was just absolute perfection, though, and it set a really, really high bar for the rest of the picture. However, that high bar would be surpassed with the bank robbery that starts the third act of the movie.

Never has there been a better bank robbery sequence on-screen. At least, I’ve never seen one and I’ve seen many. It’s just cinematic perfection. I love the way it’s shot, the way everything played out, the lack of any music and the absolute intensity of the rapid gunfire, as the criminals and the cops turn downtown Los Angeles into a literal warzone for several minutes. The tension building of the robbery itself, just before the bad guys hit the streets, was incredible!

Apart from these stupendous heist sequences, the film is full of great scene after great scene. Credit really should go to everyone involved in the movie, though.

The cast is one of the most talented ever assembled in this movie’s era and the direction by Michael Mann was damn near perfect. Mann’s pacing, visual style and tone all closely matched what he did with the original Miami Vice television series and the film Manhunter. While this lacked the ’80s panache it was still very stylized and just felt like a more refined and updated version of what I see as the patented Michael Mann style.

For a film that’s just under three hours, there isn’t really a dull moment in this thing. Every scene matters and even the most minute shit ends up having some sort of impact on the story or the characters within.

As I’m getting older, my attention span is getting worse and sometimes, sitting down to watch a movie this long is a real turnoff. I’m also surrounded by distractions and it’s hard to give a lengthy picture like this my full attention. However, Heat is so damn solid, all the way through, that it’s damn near impossible not to get lost in it.

And when you get to that first scene between Pacino and De Niro, you will feel chills. I still do and I’ve probably seen this a half dozen times over the years.

Rating: 9.5/10

Film Review: Bébé’s Kids (1992)

Also known as: Robin Harris’ Bébé’s Kids (video title)
Release Date: July 31st, 1992
Directed by: Bruce W. Smith
Written by: Reginald Hudlin
Based on: characters by Robin Harris
Music by: John Barnes
Cast: Robin Harris (archive footage), Faizon Love, Nell Carter, Myra J., Vanessa Bell Calloway, Tone Lōc, Wayne Collins, Jonell Green, Marques Houston, John Witherspoon, Chino ‘Fats’ Williams, Louie Anderson

Hyperion Studio, Paramount Pictures, 72 Minutes

Review:

“I am pissed off to the highest level of pissivity.” – Robin Harris

I saw Bébé’s Kids in the theater when I was thirteen. I watched it again a few years later but I haven’t seen it since the ’90s. But being that I always loved Robin Harris’ comedy act and having rewatched the first House Party recently, I wanted to also go back and revisit this, which took Harris’ most famous reoccurring comedy bit and turned it into an animated film. It was also written by Reginald Hudlin, the writer and director of the first House Party, a film where he worked with Harris.

While this isn’t a classic and it doesn’t boast animation worth praising, it still works for me. I thought the bits were still funny and even though Robin Harris died before this was made, I thought Faizon Love did a stupendous job of providing the animated Robin with a voice that encapsulated his unique spirit and energy. This was also the first credit to Love’s name and for him to be able to do this so well, is pretty impressive.

A funny thing that caught me off guard is that I forgot that Tone Lōc did the voice of the baby, Peewee. Lōc really steals the show in every scene that he’s in. You also get some voice work by Nell Carter and John Witherspoon.

This is a fun, silly movie but it has a good heart. It’s message and it’s purpose are noble and it actually hits you in the feels, which you just don’t expect when spending the majority of this film watching these jerk kids destroy a theme park while making everyone’s life hell.

Bébé’s Kids probably won’t resonate with most people in 2018 but I still enjoyed the hell out of it. Maybe some of that is nostalgia or my love of Robin Harris but it still hits the right notes for me.

Rating: 6.5/10
Pairs well with: Reginald Hudlin’s House Party movies.