Film Review: Terror of Mechagodzilla (1975)

Also known as: Mekagojira no Gyakushū, lit. Counterattack of Mechagodzilla (Japan)
Release Date: March 15th, 1975 (Japan)
Directed by: Ishirō Honda
Written by: Yukiko Takayama
Music by: Akira Ifukube
Cast: Katsuhiko Sasaki, Tomoko Ai, Akihiko Hirata, Katsumasa Uchida, Goro Mutsumi, Tadao Nakamaru, Toru Kawai, Kenji Sahara

Toho, 83 Minutes

Review:

“Wait till I really let Titanosaurus loose!” – Dr. Shinji Mafune

Well, this was the big sendoff for Godzilla in his Shōwa era of films, which stretch over fifteen movies from 1954’s Gojira to this 1975 conclusion that reunited original director Ishirō Honda and original music maestro Akira Ifukube.

Despite the talent working on this final chapter, it is fairly lackluster. I think the main reason is that it was a rehash of the Mechagodzilla story from the previous year’s Godzilla vs. Mechagodzilla. Also, instead of featuring the awesome King Caesar, we are introduced to a new kaiju: Titanosaurus. Unfortunately, despite a new power, Titanosaurus was pretty lame. In fact, his power isn’t really that original as it is just wind gusts, which we got as far back as 1956’s Rodan. Rodan used his supersonic speed to create destructive wind gusts where Titanosaurus used his fan shaped tail. I know that Titanosaurus has his fans out there but I’m not one of them.

While I love Mechagodzilla, there just wasn’t much to separate this film from the previous one and everything that was actually different was a step down. Still, it is a Godzilla film from his best era and it is a fun time.

I think the problem with this movie, is that although Ishirō Honda is the superior Godzilla director, the ’70s Godzilla films really belonged to Jun Fukuda. He created the vibe that worked in the ’70s, as the character of Godzilla became more kid friendly and kind of goofy. Honda’s style wasn’t really effective when trying to make a direct sequel to Fukuda’s Mechagodzilla film. Godzilla was very different in 1975 than it was when Honda directed his near masterpiece Gojira in 1954.

Also, I need to point out something strange with my latest viewing of this movie. While it is rated G and categorized in places as a “family film”, this movie has boobies in it. Granted, they are fake cyborg boobies but they are nude breasties, nonetheless. Strangely, these ’70s boobies never existed in any version of the film that I have seen before. While I own this, I most recently watched it on the Starz app. So if you are using that and are showing these “G rated” Godzilla movies to some young ones, be forewarned that you might get a mammary surprise. But, as far as I know, this is the only Godzilla film with cyborg titties in it or any titties for that matter.

Titties aside, I do like this film even if it is in the lower rung of Shōwa era films. The main reason, is that I don’t dislike any Shōwa era film. Something about this heroic kaiju makes me smile, especially in the classic era of rubber suits, miniature sets and a sort of hokey magic that ties it all together. While many fans don’t like ’70s Godzilla, I always have, as it was the decade I felt more connected to when I discovered these movies as a kid in the ’80s.

Terror of Mechagodzilla isn’t a place that I would start, if introducing this great and massive film franchise to new generations, but it still works in spite of its flaws. Granted, most people probably won’t embrace this with the enthusiasm that I have but most people paid to see Transformers 5.

Rating: 6/10

Ranking All the Kaiju of the Toho Godzilla Universe

The Godzilla universe spans seven decades, four different Japanese eras and two American remakes. In that long history, he has fought many deadly foes and had several awesome allies. However, the franchise expands beyond that as well, as some monsters that had their own films have crossed over into Godzilla movies, comics and video games. Toho has created a massive kaiju universe over the years and even if there are different eras and continuities, in some way, all these monsters exist in the same general realm.

So I feel the need to quantify these awesome giant beasts with a list. Because I like making lists and who the hell doesn’t like reading lists. Sure, our opinions may differ but that’s what the comments area is for. So feel free to list your favorites and discuss the results.

Also, I included the MUTOs from the American film for comparison’s sake.

How am I ranking these? Well, it is a combination of who is the most powerful, bad ass and the coolest. And of course, number one should not be a surprise.

1. Godzilla
2. Mothra Leo
3. Destoroyah
4. Monster X (Keizer Ghidorah)
5. Mecha-King Ghidorah
6. Biollante
7. Cretaceous King Ghidorah
8. Shin Godzilla
9. Fire Rodan
10. Gigan (Millennium)
11. King Ghidorah
12. Dagahra
13. Mechagodzilla (Showa)
14. Desghidorah
15. King Caesar
16. Mechagodzilla/Kiryu (Millennium)
17. King Kong
18. Mothra
19. Zone Fighter
20. Godzilla Junior
21. Gigan (Showa)
22. Rodan
23. Anguirus
24. Jet Jaguar
25. Mechani-Kong
26. Hedorah
27. SpaceGodzilla
28. Mechagodzilla (Heisei)
29. Gargantuan Sanda
30. Battra
31. Orga
32. Varan
33. Gargantuan Gaira
34. Megaguirus
35. MUTO (female)
36. Frankenstein
37. Megalon
38. Dogora
39. Gezora
40. Baragon
41. M.O.G.U.E.R.A. (Heisei)
42. Ebirah
43. Titanosaurus
44. MUTO (male)
45. Gabara
46. Moguera (Showa)
47. Manda
48. Kumonga
49. Ganimes
50. Gorosaurus
51. Kamoebas
52. Maguma
53. Kamacuras
54. Meganulon
55. Giant Octopus
56. Giant Sea Serpent
57. Minya
58. Giant Condor
59. Zilla

Film Review: Godzilla: Final Wars (2004)

Also known as: Gojira: Fainaru Wōzu (Japan)
Release Date: November 29th, 2004 (World Premiere)
Directed by: Ryuhei Kitamura
Written by: Isao Kiriyama, Wataru Mimura
Music by: Keith Emerson, Nobuhiko Morino, Daisuke Yano
Cast: Masahiro Matsuoka, Rei Kikukawa, Don Frye, Maki Mizuno, Kazuki Kitamura, Kane Kosugi, Jun Kunimura, Akira Takarada, Tsutomu Kitagawa

Toho, 125 Minutes

godzillafinalwarsReview:

Godzilla: Final Wars, which came out in 2004, was the last of the Godzilla films to come out of Japan (until 2016’s Shin Gojira). Additionally, it was made to commemorate the 50th anniversary of Godzilla. In doing so, the filmmakers at Toho decided to throw just about every monster they have ever created into this one movie. That being said, the word “epic” is a vast understatement to what this film was. Although, just so we’re clear, epic isn’t a synonym for “good”.

This film was at times glorious and at times hard to look at. The plot was recycled Godzilla shtick: alien race comes to Earth, alien race tricks people, alien race brainwashes monsters, alien race turns monsters against us, alien race makes monsters attack world capitals, Godzilla shows up, bigger mayhem ensues. Now I’m not knocking the formula because frankly, I don’t care that much about what the story is, as long as big monsters get to tear the crap out of each other for my enjoyment.

That being said, never has there been more kaiju violence in one place than in this film. Once Godzilla is reintroduced to us after his exile, he goes ape shit and runs through every monster like he’s playing Mortal Kombat III. Every second of Godzilla bad assery, I loved. It completely rectified any flaw that this film had and it went on for what seemed like forever. It was like a kaiju Royal Rumble match and Godzilla was that big unstoppable hero who drew number 30 – only to show up late to the party fresh and ready to crack every skull.

So what was wrong with the film? Well, in some instances, monsters were dudes in traditional rubber suits. In other instances, monsters were 100 percent CGI. The mixture of CGI vs. rubber monsters was odd and it just didn’t click. I’ve always been a fan of practical effects, although CGI doesn’t entirely irritate me. However, to mix the two so blatantly and so poorly kind of magnifies the flaws in both. Where effects should blend in and look real, having two differing styles together on the screen, at the same time, makes both styles look worse. I get that this was probably a cost-cutting measure due to the immensity and scope of this film but c’mon, the Godzilla franchise has made billions in fifty years. They could’ve fattened the budget a bit more or just cut out half of the unnecessary human versus alien special effects segments, which wouldn’t be horribly missed.

Speaking of which, the human parts of the film just felt like a really bad Underworld rip-off, which is itself a really bad Matrix rip-off. I liked how they structured the general plot but most of it was over-the-top and kind of tedious to watch. The only real highlight was the American general who looked like a thicker Tom Selleck with a generic American tough guy voice. He was certainly a caricature of what Japanese people see from a blockbuster bad ass American military leader but it worked. He was also played by MMA legend and pro-wrestling bad ass, Don Frye.

This isn’t what I’d call a good film or even close to being the best in the Godzilla mythos but it was supremely enjoyable and a bit of a gem in regards to the non-stop kaiju violence. In the end, I was more than satisfied.

Besides, if you love Godzilla, you aren’t going to let a few flaws ruin the movie.

Rating: 7/10