Film Review: Terminator: Dark Fate (2019)

Also known as: Terminator 6, T6 (informal alternative titles)
Release Date: October 23rd, 2019 (Belgium, Switzerland, France, UK, Ireland)
Directed by: Tim Miller
Written by: David Goyer, Justin Rhodes, Billy Ray, James Cameron, Charles H. Eglee, Josh Friedman
Music by: Tom Holkenborg
Cast: Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis, Natalia Reyes, Gabriel Luna, Diego Boneta, Edward Furlong, Earl Boen (archive footage)

Skydance Media, Paramount Pictures, Twentieth Century Fox, 128 Minutes

Review:

“I won’t be back.” – T-800

I hope the above quote from the T-800 actually rings true because this franchise has exhausted itself beyond repair.

Granted, it could go away for a few decades and try and reboot itself but chances are, Schwarzenegger won’t be around and he’ll be way, waaay too old. And frankly, without him, I don’t care about this franchise. Although, I did like the television show and if something came along and built off of that, we may have something. But I just don’t think that’s remotely possible anymore.

Like all the other sequels after Terminator 2: Judgment Day, fans wanted a nice hot, lobster bisque from a top notch restaurant but instead, were served a cold can of Campbell’s pea soup with a fork instead of a spoon.

This movie was a waste of the talent it had in it. Linda Hamilton came back for this bathtub fart, Schwarzenegger looked bored and Mackenzie Davis is capable of so much more than being a dry, boring, nearly lifeless half human/half machine. I think they totally forgot that she was half human and just told her to be a robot.

The film also shits on the legacy of the first two movies more than any other film in the franchise. It just straight up murders a young John Connor in the opening scene and if that doesn’t infuriate you, you’re not a fan.

That being said, if that had happened and was done to provide the viewer with something unique, compelling and with a real purpose, I could’ve lived with it. Instead, we got a soulless romp full of “girl power” nonsense that completely didn’t work because in the very end, the girls still needed the man to finish the job. I’m not trying to be a dick, here, but it’s hard not to be when the filmmakers do something so heavy handed yet so passé and just fuck it up in the end, anyway.

Linda Hamilton is one of the O.G. female badasses and it’s like the filmmakers forgot that shit and thought that they were giving us something knew and refreshing having female leads shoot guns and blow crap up.

As for the positives, I did like how Schwarzenegger’s Terminator character evolved and lived a normal life, developing human characteristics.

I also thought that some of the action was decent. Not great, but certainly passable by late 2010s standards. Unfortunately, those standards are grossly below the bar set by the first two movies in this franchise, three and four decades ago.

I also liked the villain Terminator and thought that he was a natural next step in killer robot evolution, unlike the robot from T3, which was overpowered beyond belief.

But that’s really about it for stuff I liked. I mean, it was neat seeing Hamilton and Schwarzenegger together again but unfortunately, that long overdue reunion was overshadowed by a movie without heart, soul or a point.

Rating: 5/10
Pairs well with: the other underwhelming Terminator sequels after T2.

Vids I Dig 240: Filmento: ‘Terminator: Dark Fate’: How to Terminate a Legacy

From Filmento’s YouTube description: The year 2019 in movies offered a bunch of flops and letdowns — Men In Black International, Curse of La Llorona, Hellboy, Gemini Man (+ Rise of Skywalker to some) and Mortal engines to name a few — but none of them as much so as Terminator: Dark Fate. This is a film that was supposed to revitalize a fallen franchise — packing talent like James Cameron, Arnold Schwarzenegger, Linda Hamilton, Tim Miller. And yet, the only thing it managed to do was destroy the very thing that made the franchise what it is. The filmmakers promised something new, whereas in reality all they delivered was fake originality at the cost of Terminator 2, the greatest action movie ever made. In today’s episode of award winning family friendly trending page worthy Anatomy of a Failure, let’s look at Dark Fate and how exactly it lies to the audience in a way that made it the worst movie of 2019.

Vids I Dig 136: Midnight’s Edge: No Fate to Dark Fate: The Ultimate ‘Terminator’ Retrospective

From the Midnight’s Edge YouTube description: November 1st of 2019 saw the release of Terminator: Dark Fate, the sixth installment of the Terminator franchise. It is the second Terminator movie in a row which ignores everything but the original two movies, and the third in a row which tries (and fails) to start a new trilogy of its own. How could the Terminator franchise have ended up in such a state where each new installment tries to undo the previous ones? And wasn’t Dark Fate supposed to be different, since it marked James Cameron’s return to franchise, in addition to bringing back Linda Hamilton and Arnold Schwarzenegger?

We shall see, for in this ultimate retrospective, we will explore the Terminator franchise as a whole, how the rights changed hands several times over, and what Cameron’s role has really been through it all.

Film Review: Deadpool (2016)

Release Date: February 8th, 2016 (Le Grande Rex premiere)
Directed by: Tim Miller
Written by: Rhett Reese, Paul Wernick
Based on: the character of Deadpool created by Fabian Nicieza, Rob Liefeld
Music by: Tom Holkenborg
Cast: Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller, Gina Carano, Leslie Uggams, Brianna Hildebrand, Stefan Kapičić

Marvel Entertainment, TSG Entertainment, Kinberg Genre, The Donners’ Company, 20th Century Fox, 108 Minutes

Review:

*originally written in 2016.

Well, I can’t say that I haven’t waited for a Deadpool movie since 1991 when he first appeared at the end of The New Mutants run and was there to help kick off the original  X-Force comic. And I still haven’t seen the universally panned X-Men Origins: Wolverine film because I couldn’t bear to see the character butchered beyond recognition.

But the film has finally arrived. It took a lot for Ryan Reynolds to get this thing to screen, after he already played the character in that shitty film I just mentioned. Reynolds knew he had to make it up to the fans and this time, he nailed it. Not that it was his fault the previous outing.

Deadpool is fantastic. It isn’t a perfect movie but I can seriously get behind the more mature comic book films. This along with the Marvel stuff being put out by Netflix is refreshing when I am losing faith in the genre after duds like Avengers: Age of Ultron and Man of Steel.

This movie was a welcome change. It was balls-to-the-wall and never stopped. Well, it had a few slow moments while bouncing around too much from flashbacks but all-in-all, this shit’s friggin’ solid.

Ryan Reynolds was perfect as Wade Wilson/Deadpool but we already knew that before going into this, thanks to the test footage from a few years back. Plus, the marketing for the movie really solidified how in-touch Reynolds was with the character.

X-Men characters Colossus and Teenage Negasonic Warhead show up and it is nice seeing smaller characters also get the chance to shine. Other X-Men are not in the film but the movie makes fun of that within the movie itself.

Also, this film features the best Stan Lee cameo ever.

Deadpool, like in the comics, often times breaks the fourth wall and talks to the audience as well as cracks a lot of inside jokes between himself and the people watching. I had worried about how that would play out but the execution was good. Everything felt natural.

The villains were throwaway minor characters and the threat didn’t seem all that threatening but this is a smaller film than Fox’s regular X-Men pictures and certainly smaller than Disney’s Avengers franchise.

Deadpool did a lot more with much less in comparison to its genre mates.

A fun ride from beginning to end with not much criticism from me, really.

Go see it. But don’t take your mum.

Rating: 7.75/10