While this doesn’t collect all of the Kull stories by Robert E. Howard, I believe that it collects most of them. I feel like this nice, thick collection definitely gives you a lot of Kull to chew on and digest and honestly, this was all really solid without a dull moment to be found.
I believe that all of these stories are in chronological order to Kull’s life and not necessarily to the publishing date. They seem to be in order, anyway, as some stories have characters that connect to other stories and past situations sometimes get a mention.
Other than Kull, we do get mention of his big enemy Thulsa Doom. However, he doesn’t really have a presence here and I’m not sure how big of a presence he had in the actual short stories that Howard wrote. Doom did appear quite frequently in the Marvel comics series, though.
We also get a story where Kull meets another great Howard warrior, Bran Mak Morn. I think this story was originally written as a Bran Mak Morn tale but it was cool that it was included here, as it shows Howard sort of envisioned his stories within the same shared universe, which also exists within the realm of H.P. Lovecraft’s Cthulhu mythos. In fact, the two men were great friends and inspired one another.
For those who don’t know, Howard created Kull before his most famous character, Conan. The two have some similarities that are obvious but their personalities differ and you really get to see that, here.
Also, there is at least one story in this book that would be reworked and rewritten later as a Conan story.
For those who love Robert E. Howard’s work or are simply sword and sorcery fans, this is certainly something you’ll want to read and add to your library.
Rating: 9/10 Pairs well with: anything else by Robert E. Howard, also the works of H.P. Lovecraft.
Published: January, 1987 – November, 1987 Written by: Jim Owsley Art by: Val Semeiks, Geof Isherwood Based on:Conan the Barbarian and other characters by Robert E. Howard
Marvel Comics, 476 Pages
The title The Devourer of Souls isn’t the official title of this story. In fact, this is just what I call the larger story arc that takes place from Conan the Barbarian issues 190 through 200, plus the 12th annual.
This stretch of issues is actually several smaller stories but they all connect into a larger narrative around the antagonist referred to as “The Devourer of Souls” a.k.a. Wrarrl.
Outside of the classic Roy Thomas era, this is my favorite section of the original Marvel Conan the Barbarian run. It was a real high point and this is actually where I started reading the series when I was a kid.
What makes this so good and actually kind of epic is that it features the best villain in the Conan comics, as well as bringing in other Robert E. Howard characters: Red Sonja, Kull and Thulsa Doom.
Fans of the villainous Thulsa Doom might really dig this, as he actually works alongside Conan and the other heroes in their attempt to defeat the super powerful and immensely dangerous Wrarrl.
The plot by Jim Owsley is well constructed with great pacing and clever twists that prevent this great tale from being predictable or too derivative of previous Marvel sword and sorcery books.
I also love the art by Val Semeiks and Geof Isherwood, which was a perfect marriage of pencils, inks and colors.
Reading this entire saga might seem like a big undertaking but it’s well worth the time invested into it. It’s hands down one of the best stretches on the premiere Conan title and one of the greatest fantasy stories in the comic book medium.
Rating: 9.5/10 Pairs well with: other Conan and Red Sonja stories from their classic Marvel runs.
Published: October 3rd, 2012 Written by: Arvid Nelson Art by: Edgar Salazar Based on:Red Sonya by Robert E. Howard, Red Sonja by Roy Thomas and Barry Windsor-Smith
Dynamite Entertainment, 140 Pages
Where the previous installment of the Queen Sonja series felt kind of light and was more of a prequel/Year One type of tale, this moves the story forward in a great way and also serves as a sequel to Red Sonja Vs. Thulsa Doom, as Doom is resurrected by an ancient force claiming to be the god Set.
All the Thulsa stuff here is pretty great for fans of the character. Also, everything with Set has very strong Lovecraftian vibes and it draws comparisons to the old Robert E. Howard stories that kind of tied to Lovecraft’s mythos, as the two writers were very close friends and it’s been said that it’s possible that the original Conan, Kull and Red Sonya stories happen in the same universe as Lovecraft’s.
The story was the second strongest of the Queen Sonja series thus far, following the second volume. I liked the action, the stakes and how Sonja overcame adversity and was able to further develop into a real leader, able to rally her kingdom behind her, even when it’s all in complete disarray.
My only complaint about the story is that the faux Set and Thulsa Doom sort of have their own battle and we didn’t get the satisfaction of seeing Sonja really fight either of them. But the ending, regardless of that payoff, was still good and it makes sense for the story. I just wanted to see Sonja and Doom get into a physical confrontation once again.
Overall, this was some good shit, especially for fans of Howard lore, Lovecraftian lore and simple yet badass sword and sorcery tales.
Rating: 7.75/10 Pairs well with: other older Red Sonja comics from Dynamite.
Published: November 1st, 2006 Written by: Peter David, Luke Lieberman Art by: Will Conrad Based on: characters by Robert E. Howard, Roy Thomas, Barry Windsor-Smith
Dynamite Entertainment, 129 Pages
Since both Red Sonja and Conan have had new comics series start over the last few months, I’ve been in a barbarian kind of mood. I especially love the characters that have come from or evolved out of the original stories of Robert E. Howard.
While the comic book version of Red Sonja was created by Roy Thomas and Barry Windsor-Smith, she is partially based on Howard’s Red Sonya of Rogatino and has often times fought alongside Howard’s most famous hero, Conan the Barbarian.
In this story, we don’t see Red Sonja alongside Conan but we do get to see her face off with one of Conan’s villains, Thulsa Doom. And what I love about this version of Doom, is that he sometimes takes on the appearance of the James Earl Jones version of the character from the 1982 Conan movie but also disguises himself as a tall, brutish man. Yes, he also still transforms into a giant snake.
This story was written by Peter David and Luke Lieberman. David was one of my favorite writers a decade and a half before this when he was working on one of the greatest runs on The Incredible Hulk and also wrote some of my favorite X-Factor stories.
Here, David does a superb job of bringing these characters together in a way that was pretty unique and creative. It’s easy to just make one character good, one character bad and then pit them against each other. David did a solid job of making Doom use his guile to get the upper hand over Sonja when her guard was down.
This is action packed and badass, through and through. The final showdown between Sonja and Doom is pretty satisfying and it leaves things open for Doom to slither back into her life, somewhere down the road.
Will Conrad’s art was enjoyable. I love his style and it fits the narrative tone very well.
I also liked a lot of the covers for this series. It had a lot of variants, which is typical of Dynamite Entertainment, but for the most part, they were all stunning to look at.
Red Sonja Vs. Thulsa Doom is a damn entertaining book for fans of the sword and sorcery genre, especially the fans of Robert E. Howard.
Rating: 7.5/10 Pairs well with: other Red Sonja comics from Dynamite Entertainment.
Release Date: April 2nd, 1982 (Sweden) Directed by: John Milius Written by: John Milius, Oliver Stone Based on:Conan the Barbarian by Robert E. Howard Music by: Basil Poledouris Cast: Arnold Schwarzenegger, James Earl Jones, Sandahl Bergman, Ben Davidson, Gerry Lopez, Mako, William Smith, Max von Sydow
Dino De Laurentiis Corporation, Edward R. Pressman Productions, Universal Pictures, 129 Minutes
“Crom, I have never prayed to you before. I have no tongue for it. No one, not even you, will remember if we were good men or bad. Why we fought, or why we died. All that matters is that two stood against many. That’s what’s important! Valor pleases you, Crom… so grant me one request. Grant me revenge! And if you do not listen, then to Hell with you!” – Conan
Conan the Barbarian is a hard movie to top in the sword and sorcery sub-genre of fantasy. It really set the standard in 1982 and it also spawned innumerable ripoff films, mostly from Europe and mostly schlock. A few wannabe Conan pictures were good but there’s too many to address when I’m here to specifically review this film.
This is also the superior Conan film, as its sequel didn’t live up to this one and its remake, decades later, was lacking the lightning in a bottle that made this film special.
When I was a young boy, I looked up to this film. I looked up to Conan and his struggle and his fight to seek out justice for himself and eventually, the world he lived in. In 2018, this would be considered a film that exudes “toxic masculinity” while being dismissed as shit by third wave feminists and male apologists. Sorry, but Conan, even fueled by revenge, was a flawed hero that went on to be a king, against all odds, and continually vanquished the evil in his world. In fact, this film got me into reading Conan comics, as well as the original stories by Robert E. Howard.
Conan the Barbarian is a balls out, unapologetic action film about one badass dude that’s not just going to take the bullshit of tyrants.
Now the film, like its title character, has its flaws. But compared to other big action movies of the time, those flaws aren’t as bad and not as apparent.
The acting is what you would expect from a Schwarzenegger film, the direction is much better than average and the special effects are actually great for a 1982 film that didn’t have a massive budget.
The thing that really makes this film more superb than it would have otherwise been is the score by Basil Poledouris. Conan the Barbarian has one of the coolest and most powerful themes in film history. It isn’t just the title theme that’s great though, it’s the music throughout the entire picture. It just sets the mood and pacing right. It accentuates the action and subtly gives life to the slower bits.
My only real complaint about the film is it does feel drawn out too long. They could have fine tuned it, whittled it down by 15 minutes and it probably would have moved at a brisker, more energetic pace. There are a lot of action sequences and there are a few moments where you feel like you’ve reached the big finale, only for the film to stretch on more. But don’t get me wrong, all the action bits are damn solid.
The opening sequence of this film is powerful, beautiful and breathtaking. It is the best shot and best paced sequence in the entire movie but it really draws you in and makes you want to go on this long journey with the hero. James Earl Jones, no matter how many times I have seen this scene, is still absolutely chilling.
Conan the Barbarian is a film that couldn’t be made in quite the same way that it was in 1982 with Hollywood politics being what they are.
Although, I could be wrong about that, as the new Conan the Barbarian comic by Marvel surprised me in how badass and brutal its recent first issue was. But maybe that’s only because it speaks to a particular audience that Marvel knows they’d lose if they messed with the formula.
Rating: 7.75/10 Pairs well with:Conan the Destroyer, the Conan the Barbarian remake, Red Sonja and the first Beastmaster.