Comic Review: Spider-Man: Life Story

Published: March 20th, 2019 – August 28th, 2019
Written by: Chip Zdarsky
Art by: Mark Bagley

Marvel Comics, 200 Pages

Review:

When I first heard about this miniseries, I was pretty stoked for it.

The concept is that it starts in the ’60s when Spider-Man debuted and it follows him over the six decades he’s existed but it does that in real time. Basically, instead of Spider-Man only aging fifteen years (or so) since his debut, this story covers his entire life span, as he ages accordingly from decade to decade.

Each of the six issues represents a decade. But that is also kind of a problem with the story too.

You see, you can’t wedge a whole decade into twenty or thirty pages of a comic. So each issue just focuses on some sort of event in Spider-Man’s life from that era.

The total package of this series is really cool and interesting but it almost feels as if each decade could’ve been a miniseries of its own and that this is a comic that could have lived on for several years. And with the team of Chip Zdarsky and Mark Bagley, it could’ve been like a Spider-Man renaissance.

But ultimately, each chapter was pretty damn good. I only thought that the last one was a bit weak but I wasn’t too keen on how it ended. I felt like Spider-Man’s fate was kind of predictable, as this was his “life story”.

The thing is, it was hard investing into the weight of the finale, when you haven’t lived through the emergence of the massive threat that they face to end the series. And that just gets back to my feeling about there needing to be more time devoted to each decade than just single issues.

However, I’m hoping that this is just a framework or a road map and that Marvel at least has some plans to expand on this story in the future. If that’s the case, I really hope it is brought to us by Zdarsky and Bagley, once again.

If not, well… this was still one of the best comic book miniseries to come out this year.

Rating: 8.5/10
Pairs well with: the recent Symbiote Spider-Man miniseries by Peter David and Greg Land.

Comic Review: Avengers: Emperor Doom

Published: 1987
Written by: David Michelinie
Art by: Bob Hall, Bill Oakley, Ken Lopez

Marvel Comics, 64 Pages

Review:

I used to own this and I need to round up another copy. It was one of my favorite “big” stories of its time. But all of the Marvel graphic novels of the ’80s that I owned, all have a special place in my heart.

Reading it now, it was still a really engaging story that featured my favorite Avengers of the ’80s, the West Coast Avengers. It also throws in Captain America and Namor. However, Namor is initially one of the villains of the story due to his allegiance to Atlantis and his willingness to do anything to secure his homeland’s safety.

The main villain is Doctor Doom, if the title wasn’t enough of a hint. This is also one of his grandest schemes and he actually pulls it off and succeeds at becoming the Emperor of Earth. However, the Avengers do end up coming to their senses and stop Doom.

This story also features the usually underutilized Purple Man. It’s his power that Doom steals and then harnesses on a global scale, giving him control of humanity’s minds.

Under Doom, the Earth finds peace and some of its major problems are solved. However, those pesky Avengers have to muck it all up because humans should be free to make their own decisions and not be mentally enslaved by some global puppet master. I don’t think that modern Marvel writers would agree with that but hey, they’re also killing their own company.

Emperor Doom is a solid story. However, it may have benefited from more space than a 64 page graphic novel could allow. This could have been a major crossover event and maybe have been better than it was.

Still, it is a good use of its 64 pages and it was a hell of a lot of fun to revisit.

Rating: 7.5/10
Pairs well with: other Marvel graphic novels from the era.

Comic Review: Avengers: Kree/Skrull War

Published: 1971-1972
Written by: Roy Thomas
Art by: Neal Adams, John Buscema, Sal Buscema

Marvel Comics, 205 Pages

Review:

I never read the original Kree/Skrull War storyline but I’ve heard it referenced my entire life. But with it being free on Comixology and with my desire to read a lot of the major old school comic book milestones, I had to finally give this a read.

So if I’m being honest, this really is a mixed bag.

Now when this is good, it’s damn good. However, the middle act of this large story feels like it gets off track before it all comes back together for the big finale, which is a space battle between two warring alien races and members of the Avengers team.

This story is at its best when both Ronan the Accuser and Annihilus are front and center. Other than that, it deals with the newer Avengers team screwing up and the original team having to come back and disband them. Ultimately, this leads to the newer Avengers redeeming themselves and it also showcases Rick Jones, a man without any powers, as a brave, courageous badass. Never mind that Ronan nearly slaps him to smithereens at one point though.

The only weak thing about this story besides the middle act, is that it was probably too drawn out. In fact, most of that middle act should have been whittled down. If that was fixed, this would have had better pacing and it would have been much, much better overall.

I really loved seeing old school Ronan and Annihilus though. Man, they’re such good villains when used correctly and not written as fodder for heroes. Most modern comic book fans probably don’t know how scary it was to see either of these guys show up, back in the day. Annihilus, especially, was a terrifying enemy.

Lastly, I have to mention that this was just great to look at. The art of Neal Adams, John Buscema and Sal Buscema was ’70s Marvel perfection.

Rating: 7.75/10
Pairs well with: other ’70s Marvel milestone events.

Comic Review: The Avengers, Issues #195-196 – First Appearance of Taskmaster

Published: May, 1980 – June, 1980
Written by: David Michelinie
Art by: George Perez

Marvel Comics, 36 Pages

Review:

The Taskmaster is the shit! Which is why the two issues that make up his first appearance have been on my comic book bucket list for years. Recently, I tracked down affordable copies and finally gave his first little story arc a read.

Well, I wouldn’t call this great but if you like Taskmaster, this is still worth a look. Plus, it also has his origin wedged into the story, as he describes his abilities and history to the Avengers through flashbacks.

I think the thing that really stands out about this story and this era in Avengers history is the art of George Perez. In fact, since this is all about Taskmaster, I should point out the visual similarities between him and another George Perez creation, Deathstroke. He would create both of these iconic villains just a few months apart in 1980.

Anyway, the story sees the Avengers try to rescue the Wasp, who has been captured and is being experimented on in a castle. The Scott Lang Ant-Man and Hank Pym, as Yellow Jacket, infiltrate the castle and reach the Wasp. Once they are inside and have a scuffle, the Taskmaster makes his presence known with a big final page reveal.

In the second issue, the Taskmaster takes on the Avengers and nearly beats them. He also tells his origin story, explaining his unique skills that give him an advantage over all of the Avengers he’s observed in the past. However, we quickly discover his Achilles heel, at least in this story, as he doesn’t know how to defeat an Avengers teammate he’s never seen before.

The story is enjoyable and there is a lot of action. The real highlight is the George Perez art, though. Man, he really was one of my favorite artists from this era.

While these single issues aren’t cheap, due to them being a first appearance, you can read them on Comixology for just a few bucks.

Rating: 7.25/10
Pairs well with: other Avengers stories circa 1980.

Comic Review: Avengers: Disassembled

Published: January 26th, 2005
Written by: Brian Michael Bendis
Art by: David Finch

Marvel Comics, 133 Pages

Review:

This is one of those iconic stories that you hear about all the time in comic book circles. However, I thought that the whole thing was pretty damn underwhelming for what it has been built up as.

The Avengers team gets ripped apart. It is due to the betrayal of one of their own. They don’t know that at first and when confronted with the idea, reject it.

However, the Scarlet Witch has basically gone batshit and blames all of her friends for killing her children that were never actually real to begin with but a psychotic projection of the Scarlet Witch’s will.

Yeah, does this story sound stupid to you? Because it definitely felt stupid to me. I thought Bendis was a big deal but everything I read by him is just as batshit as the Scarlet Witch, Wanda’s fucked up brain in this story. I’ve just never been too keen on Bendis, other than his earliest work on the Miles Morales Spider-Man stuff. His Superman stories, his current job, are also just some weird ass shit.

I don’t know, this book hurt my head. It’s only saving grace was superb art from David Finch and awesome action sequences.

Also, this leads into the big Civil War event that effected all Marvel titles, as well as the major X-Men events: The House of M and The Messiah Complex.

Avengers Disassembled has been talked about fondly for years by many. I’m just glad that this was only 133 pages.

Rating: 5.5/10
Pairs well with: This leads into the massive X-Men stories The House of M and The Messiah Complex, also it has ramifications that carry over on the Avengers side of things and into the Civil War event.

Comic Review: Winter Soldier: Winter Kills – One-Shot

Published: December 27th, 2006
Written by: Ed Brubaker
Art by: Lee Weeks

Marvel Comics, 39 Pages

Review:

It’s been awhile since I’ve read anything from Marvel’s Civil War era but I though that I’d give this one-shot a chance, as I must have missed it back then. Plus, I like Winter Soldier and I like one-shots.

This takes place while the original Civil War was going on. It focuses on Winter Soldier trying to adjust to life after having been a brainwashed killer for so long. It also takes place on the first Christmas after he was freed from mind control while calling back to his last Christmas before everything went really bad for him, back in World War II with Captain America and Toro by his side.

This is short and sweet but it hit the mark for me.

You get to see the camaraderie between Bucky, Cap, Toro and Namor during the war and how important those relationships were. Then Bucky, now as the Winter Solider, is alone on Christmas, goes on a mission for Nick Fury and gets tied up in a fracas with Hydra, The Patriot, The Vision and the female Hawkeye, Kate Bishop.

Even though heroes find themselves on different sides of the Civil War divide, they come together out of respect for who Winter Soldier was and because it’s Christmas.

This isn’t as mushy as it sounds though. There is a lot of solid action and a good gritty tone while also critiquing what Christmas and America have become in the decades since Bucky was just a soldier in the 1940s.

Winter Kills is an enjoyable read and helps to build up Winter Soldier as a character. This also came out just before he took over as Captain America for awhile.

Rating: 7.5/10
Pairs well with: Marvel’s Civil WarCaptain America: Civil War and the Ed Brubaker run on Captain America.

Film Review: Avengers: Infinity War (2018)

Release Date: April 23rd, 2018 (Los Angeles premiere)
Directed by: Anthony Russo, Joe Russo
Written by: Christopher Markus, Stephen McFeely
Based on: The Avengers by Stan Lee, Jack Kirby
Music by: Alan Silvestri
Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Tom Holland, Benedict Cumberbatch, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Tom Hiddleston, Idris Elba, Peter Dinklage, Benedict Wong, Pom Klementieff, Karen Gillan, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio del Toro, William Hurt, Cobie Smulders, Samuel L. Jackson, Ross Marquand

Marvel Studios, Walt Disney Studios, 149 Minutes

Review:

“In time, you will know what it’s like to lose. To feel so desperately that you’re right. Yet to fail all the same. Dread it. Run from it. Destiny still arrives. ” – Thanos

*There be spoilers here! But I kept it as minimal as possible.

Well, this film has been ten years in the making, as it is the culmination of everything that has happened in the Marvel Cinematic Universe since Iron Man hit theaters in May of 2008. Ten years and eighteen films later, all the carefully crafted moving parts come together to create a unified front against the greatest cinematic Marvel villain of them all, Thanos.

So cramming in all these characters is a tremendous feat. And really, I think everyone’s biggest concern was how that would work. Despite my concerns and fears, I haven’t anxiously anticipated the release of a film as strongly as this one since 2008’s The Dark Knight.

But having now seen it, I finally know whether or not the Russos succeeded in successfully conquering such a tremendous feat. So did they succeed?

To quote Stone Cold Steve Austin, “Oh… Hell… Yeaaah!!!”

The way that the Russos balanced everything was incredible. It’s as if they read a ton of major comic book crossover events in preparation for this incredible task and they sort of took their cue from them.

What I mean by that is that this film handles itself like a well written crossover mega event in the comics. It segments the heroes into different groups on different missions, all fighting for the same endgame. It’s like when a crossover is spread over four different comic titles and when you read them in a collected format, you get a story where each chapter is an issue from a different comic. Like X-Cutioner’s Song from the early ’90s was spread over Uncanny X-MenX-FactorX-Men (vol. 2) and X-Force. When you read them in chronological order (or in a collected trade paperback) each issue/title focused on a specific group that was different from the previous chapter but all the stories were part of a bigger tapestry that saw everything come together. That’s exactly how Avengers: Infinity War works, which is really cool to experience in a live action format.

So you have multiple groups here: one led by Captain America that goes to Wakanda, one lead by Iron Man that goes into space, the Guardians of the Galaxy split into two groups with one of them being led by Thor and then there is Thanos’ story and he does get a lot of time to shine. In fact, he was handled better than every Marvel Cinematic Universe villain that isn’t Loki. But who knows, Thanos may still eclipse Loki when it’s all said and done.

This was a pretty long movie but it needed to be and unlike other Marvel movies that seem to run on for too long, there wasn’t a single moment where I looked at my watch or felt antsy like I needed them to wrap it up. In fact, when I got to the end, I felt like I had finally exhaled and I couldn’t get up out of my seat, there was a lot of amazing stuff to process and I sat there with a smile, completely and utterly impressed with how this turned out.

It’s obvious that the special effects are good and some of the most impressive ever created. Marvel never disappoints in that regard.

One thing that really stood out for me much more than it ever has in any other Marvel picture was the score. This film has a very good and memorable smorgasbord of booming orchestral tunes and the Avengers theme was re-imagined in some creative ways. Alan Silvestri really came up with an incredible score that serviced not just this film but served the entire franchise well. There aren’t scores like there were through the ’70s, ’80s and ’90s but this one felt like a throwback to that superior era for movie music.

If I had to compare this to anything, it’s like if someone took the best parts of both The Lord of the Rings and the original Star Wars movies and then mixed them together and replaced those films heroes and villains with Marvel characters. It truly was incredible and I can be a snobby dick that’s hard to impress sometimes. I just wish the modern comic writers at Marvel would take their cue from these movies and write comics worthy of these characters once again. But as superheroes are dying in print, they are thriving on celluloid.

Simply for the fact that I haven’t felt like this after seeing a movie in the theater since The Dark Knight, ten years ago, I have to give this film a perfect score. Sure, it’s not the greatest movie ever made but it is a f’n clinic on how to do a massive team up movie and a film that is presented on a massive scale that doesn’t lose itself and keeps you very engaged. Granted, this film also benefits from having 18 movies before it, where all of these key characters, minus Thanos, were able to be developed in preparation for this Royal Rumble of a superhero movie.

Rating: 10/10
Pairs well with: Everything in the MCU before this film, as it all leads up to this one.