Published: May 18th, 2017 Written by: Stan Lee Art by: Jack Kirby, John Romita Sr.
Marvel Comics, 289 Pages
Here we are, at the end of the legendary 100-plus issue run on Fantastic Four by the truly dynamic duo of Stan Lee and Jack Kirby. And man, they really went out with a bang, as this final volume was packed full of many of the great characters that have been in the series since its beginning.
Now Kirby exited the series with one issue left in the final story arc that he worked on but John Romita Sr. slid right in and gave us some pretty stellar art as well. But other than the final issue, collected here, this is all Kirby and Kirby really at his best.
This is also Stan Lee at his best, as he finds a way to work in so many classic characters without this turning into a convoluted mess. The only noticeable omissions from this beefy volume were Silver Surfer, Galactus and Black Panther but just about every other character that debuted in Fantastic Four, up to this point, shows up, even if it’s just a quick cameo. Most of that happens in the 100th issue.
Beyond that, this is full of good stories and we even see the brief return of the Frightful Four, one of my favorite villain groups that gets no love in modern times.
Overall, I’m glad that I read this entire run and this was a nice cap off to a great series.
Rating: 9.25/10 Pairs well with: the other Marvel Masterworks collections.
Published: February 23rd, 2017 Written by: Stan Lee Art by: Jack Kirby
Marvel Comics, 301 Pages
This stretch of issues in the classic Stan Lee/Jack Kirby run of Fantastic Four really enhances things quite a bit.
At this point, we’re about a year removed from the big arrival of Galactus and the Marvel universe has truly taken shape. Things feel less experimental and as if Lee has truly found his grove.
Additionally, Jack Kirby’s work seems to improve slightly with each volume of this classic series and that’s impressive, as the guy was damn good before he even started drawing these characters. I mean, the guy was already working on Captain America as far back as the 1940s and he started professionally drawing comics in the late ’30s.
This stretch also introduces some new villains and reworks some already classic ones like The Sandman, who now has a cool suit and feels like a legit threat on his own without the help of the other three members of the Frightful Four.
We also get the debut of Ronan the Accuser, Blastaar, Adam Warlock (going by “Him” in these earliest stories) and one of my favorite and very underutilized villains, Psycho-Man.
Plus, we also get more appearances by the Inhumans, Black Panther and Silver Surfer.
All the stories within this volume are action-packed and top notch classic Marvel stuff. Just when you think that Lee and Kirby had found their stride, they find ways to surprise you. Both men are f’n legends for a reason.
Rating: 9/10 Pairs well with: the other Marvel Masterworks collections.
Published: February 23rd, 2017 Written by: Stan Lee Art by: Jack Kirby
Marvel Comics, 240 Pages
I feel like it would be hard to top the greatness that was the previous Fantastic Four – Masterworks volume but this did follow it up pretty nicely and also expanded the Marvel universe by introducing the world to Black Panther and his enemy Klaw.
The earliest arc in this collection focuses on Black Panther and his home of Wakanda. It also brings in the Inhumans, as well. While I love this story, it’s somewhat overshadowed by the epic tale of Doctor Doom stealing Silver Surfer’s powers and cosmic surfboard.
It also features some other Fantastic Four villains sprinkled in but it’s the Doom story that really takes the spotlight, here.
As is the norm for these early Fantastic Four – Masterworks editions, the stories were written by Stan Lee with art by Jack Kirby. While I’m now sixty percent of the way through their 100 issue run, the series hasn’t gotten dull or even really tapered off. Everything is still damn solid and Kirby’s artwork seems to still improve with each volume, even if he was a long-time veteran by this point.
All in all, this is still a great collection that lives up to the hype and only serves to make me appreciate Lee and Kirby’s partnership on this title even more.
Rating: 8.5/10 Pairs well with: the other Marvel Masterworks collections.
Published: August 7th, 2014 Written by: Stan Lee Art by: Jack Kirby
Marvel Comics, 248 Pages
This right here is the volume I’ve been waiting to get to! This is the collection of the Stan Lee/Jack Kirby run on Fantastic Four where everything changes and the Marvel universe expands exponentially!
This edition of the Masterworks series covers issues 41 through 50, as well as the third annual.
Within this collection, we get a great Frightful Four story, the marriage between Mr. Fantastic and the Invisible Girl, the full debut of the Inhumans, as well as the first appearances of Silver Surfer and Galactus! There are also cameos from just about every hero and villain from the Marvel universe of the 1960s! This chapter in the saga literally has everyone and everything!
What’s even better than that, is that Stan Lee is absolutely on his A-game with these stories and scripts and Jack Kirby’s art was on-point.
If you can only ever read oneFantastic Four collection, graphic novel or trade paperback, it should be this one.
This is quintessential Fantastic Four at its finest. It’s the epitome of what was so damn great about ’60s Marvel and the work of Lee and Kirby.
Just buy it, read it, read it a dozen more times and cherish it forever.
Rating: 10+/10 Pairs well with: the other Marvel Masterworks collections.
Also known as: 3 (trailer title) Release Date: April 3rd, 2007 (Uruguay) Directed by: Sam Raimi Written by: Sam Raimi, Ivan Raimi, Alvin Sargent Based on:Spider-Man by Stan Lee, Steve Ditko Music by: Christopher Young Cast: Tobey Maguire, Kirsten Dunst, James Franco, Rosemary Harris, Thomas Haden Church, Topher Grace, Bryce Dallas Howard, J.K. Simmons, Bill Nunn, Elizabeth Banks, Ted Raimi, Bruce Campbell, Dylan Baker, Elya Baskin, James Cromwell, Willem Dafoe (cameo), Cliff Robertson (cameo), Joe Manganiello (cameo)
Marvel Entertainment, Laura Ziskin Productions, Columbia Pictures, 139 Minutes, 137 Minutes (Editor’s Cut)
“Whatever comes our way, whatever battle we have raging inside us, we always have a choice. My friend Harry taught me that. He chose to be the best of himself. It’s the choices that make us who we are, and we can always choose to do what’s right.” – Peter Parker
While this wasn’t as bad as I remembered, there are still some things that are very off about this picture.
Starting with a positive, I do like the visual tone of this film the best out of the trilogy. It abandoned that overly copper, sunset look the other ones had and most of the film takes place at night or in normal daylight.
However, the improvements in the visual look are overshadowed by the film’s very shoddy CGI effects. It’s kind of baffling but this is the worst looking film of the three when it comes to digital effects. I’m not sure if the studio cut some corners or were rushed but most action heavy CGI sequences looked like a video game. It was distracting and pulled you out of the magic.
I think it’s possible that they overextended themselves in trying to include both Venom and The Sandman, as it’s damn near impossible to create those characters, in all their glory, without the use of CGI. In fact, their battles in the film needed to be larger than life spectacles.
Now the problem isn’t the use of either villain but it’s the use of both of them at the same time. Plus, Harry Osborn also becomes the new Green Goblin.
This picture suffers across the board because trying to wedge in three villains just didn’t work from a narrative standpoint and it forced the effects artists to focus their efforts into multiple effects heavy characters.
Now the film did a superb job with The Sandman’s story and if this movie just focused on him, it could’ve actually been incredible. The Sandman gets thrown to the side at multiple points throughout the movie though, as they then have to rush through Venom’s origin in the most half-assed way possible. Then they have to deal with Harry and his Goblin thing, Peter and Mary Jane’s relationship issues, introducing Gwen Stacy and even having Peter turn into an emo douche because I guess that’s what the Venom symbiote does in the movie universe.
The narrative is disjointed as hell but where it’s good, it’s great. But every time you really get into a portion of the story, it shifts gears or throws something stupid at you. The misfires and shifts are pretty maddening, especially when there are things in the film that work and come across as spectacular. It’s like you can see the real love for these characters rise up like cream to the top but then the filmmakers stir the coffee again. By the third act, they just keep throwing hot coffee in your face.
In a nutshell, this is a clusterfuck but it’s a clusterfuck that has greatness in it. I still like the movie despite its massive flaws and for fans of Harry Osborn, his journey comes to a beautiful end. With it, the film hits you right in the feels, as you feel the pain that Peter and Mary Jane share over the loss of their dear friend and how wrecked their own relationship has become.
The film does leave you with some hope but the ending is still kind of a downer. Granted, they planned a followup (or three) to this film but those movies never happened.
In the end, this movie was a weird end to the film series. I know it wasn’t intended to be the send off for these characters but it left the film series in a strange, uncertain place. I would’ve liked to have seen this cast get to make at least one more picture but that ship has sailed.
Maybe a comic book sequel could work but with the comic industry being in the shitter, waiting to be flushed, that’s probably wishful thinking. Plus, they’ve already rebooted the film series twice since this came out.
Rating: 7.5/10 Pairs well with: the other two films in this mostly great series.
While not all licensed property video games are created equal, most in the 8-bit era were terrible. While this isn’t as good as DuckTales or the ’89 Batman game, it is actually better than most games like it. It certainly blows that Nintendo X-Men game out of the water! It’s also a lot less frustrating than the Silver Surfer game, which gave me an ulcer and a permanent lifelong migraine when I was eleven years-old.
This Spider-Man game is fairly okay but it pales in comparison to the 16-bit games like the first Genesis Spider-Man title and the much beloved Maximum Carnage.
Still, this brings together the Sinister Six and lets you fight through them all in an effort to stop their nefarious plan.
This version of the villain group consists of Doctor Octopus, Hobgoblin, The Vulture, The Sandman, Electro and Mysterio. All of them are regular Sinister Six members so I was pretty happy with the lineup, as we didn’t get stuck with some schmo like Carrion, Boomerang, Tarantula, Vermin or Shocker.
As far as design goes, the levels are pretty basic and a bit tedious to work through. Granted, the game certainly isn’t unbeatable and you can get through it with enough practice or if you’re just an 8-bit platform master.
The biggest thing working against you though, isn’t the level design and overabundance of enemies and projectiles, it’s the clunky, shitty mechanics. Spidey is a bitch to control and the physics are terrible.
When it comes to boss battles, most of them seem pretty hard the first time but once you figure out the enemy’s pattern, they aren’t too hard to beat. I actually thought the final boss, Doctor Octopus, was one of the easiest in the game.
Overall, this is both fun and frustrating. For those who grew up in this game’s era and who loved the Sinister Six story arcs in the comics, you’ll most likely enjoy this. Even if it overwhelms you about midway through, it’s not a hard game to adjust to and eventually conquer.
Rating: 6/10 Pairs well with: other side scrolling 8-bit era action games based on comic books characters.
Published: June 5th, 2014 Written by: Stan Lee Art by: Jack Kirby
Marvel Comics, 272 Pages
I’ve been blowing through these Fantastic Four – Masterworks collections pretty fast. But these represent the collaboration of Stan Lee and Jack Kirby at its best while also showcasing the earliest stages of the Marvel universe, as it was still developing, taking shape and hitting its stride.
This one kicks off with the second Fantastic Four annual and then collects issues 31 through 40.
I’ve always wanted to read the second annual and man, it did not disappoint. It actually tells the origin of Doctor Doom, as well as showing him meet Rama-Tut a.k.a. Kang the Conqueror for the first time. I knew enough of what was in this massive 72-page issue but I never got to read it until now.
Beyond that, this gives us more Namor, the return of the Mole Man, as well as a great Skrull story. Probably my two favorite things come in the second half though, which sees the debut of the villainous Frightful Four, as well as the first time that the Fantastic Four meet Daredevil, which is a great story on its own.
This was a real high point for me in the overall grander Fantastic Four mythos. A lot of cool stuff happens and this just keeps building up the Marvel universe in a great way.
Rating: 9/10 Pairs well with: the other Marvel Masterworks collections.
Published: July 22nd, 2009 Written by: Mark Millar Art by: Tommy Lee Edwards
Marvel Comics, 146 Pages
This comic book was cool as hell!
It sort of reads like it’s a season of Stranger Things but where the small town is haunted by Marvel villains instead of weird shit from the Upsidedown. This also came out in the decade before Stranger Things, so it was kind of ahead of the curve but like Stranger Things, knew how to tap into ’80s nostalgia in a brilliant way.
But this was also written by Mark Millar, a true master of his craft.
What’s unique and cool about this comic is that it doesn’t take place in the Marvel Universe, it takes place in our universe.
The story follows a young boy in 1985. He is having issues like any normal ’80s kid dealing with divorced parents. He bonds with his father pretty strongly though, as they both have a deep love of comic books and are experts on Marvel lore. At the same time, Marvel villains start showing up in the real world because there are no heroes here to stop them.
Overall, this was a really neat idea and for the most part, I thought it was superbly executed.
1985 is incredibly imaginative but it really worked so well because the art fit the concept and the tone. While Millar deserves credit for a great story, Tommy Lee Edwards gave it so much more life than just words on paper. And his style works better for the setting than having that sort of standard Marvel art style.
This is one of those comics that I’m happy to have discovered as an adult but wish would have been around when I was a kid. If you know a kid that loves Marvel but they’ve never read this, I think that they’ll probably love the hell out of it.
Rating: 9/10 Pairs well with: the Stranger Things comics, as well as other Mark Millar stories.
Published: 1991-1992 Written by: Erik Larsen, Terry Kavanagh Art by: Erik Larsen, Scott McDaniel
Marvel Comics, 165 Pages
I was really digging re-reading all the earliest Sinister Six storylines. But then I got to this one, the third of the three I wanted to re-experience and it really took the wind out of my sails.
This was a complete clusterfuck, narratively speaking.
I guess there is a big difference between the skill level of David Michelinie and Erik Larsen when it comes to writing. The two teamed up for the storyline, The Return of the Sinister Six, a year earlier in The Amazing Spider-Man. In this arc, Larsen took the reigns pretty much solo, as he had been moved to the Spider-Man title while Michelinie was still working on The Amazing Spider-Man with artist Mark Bagley. While that great duo were introducing us to Carnage, Larsen gave us this mess.
The biggest problem with this miniseries, is that it seemed like Larsen was using it as a way to feature and draw all the characters he wasn’t able to touch before this. This is a cameo bonanza in the worst way and many of these characters enter the story just for the hell of it and don’t serve much purpose to the overall narrative. It’s like Larsen just wanted to draw splash pages of the Hulk, Ghost Rider, the Fantastic Four, and a billion different villains. We also get a small and incredibly pointless cameo from Sleepwalker, one of my favorite ’90s characters.
Larsen’s art here was pretty damn solid, I have to give him that. He has a very distinct style and people either love it or hate it, similar to the style of Rob Liefeld. I have mostly liked Larsen’s style and this was interesting to see, as he did this right before jumping ship to Image Comics and his own creation, The Savage Dragon.
I do have to say that Larsen’s writing improves once he goes to Image and I’m thinking that he knew he was leaving when he took on this project and he felt that it was the only chance he would get to draw a lot of these characters.
To put it bluntly though, this story is ’90s as fuck and I don’t mean that complimentary. It’s trying really damn hard to be edgy. In fact, in the final battle all the villains are shooting machine guns like common street thugs while Spider-Man is wearing all this expensive, over the top, ’90s style tech. Hell, Spidey even gets a cyborg arm in this.
Also, the Sinister Six isn’t really even fully formed. Sandman is not on the team and is trying to get the other villains to stop Doctor Octopus. So really, this is the Sinister Five but then they bring in the giant beast Gog. So is he the sixth member now? It’s not really clear and it’s just one of many things that makes this story total chaos.
This was bad, dreadfully bad. I remembered liking it when it originally came out but I was also thirteen years-old and way more into the visual side of comics over having a coherent plot.
Rating: 4.75/10 Pairs well with: Stan Lee and Steve Ditko’s original Sinister Six story, as well as the prequel to this one, The Return of the Sinister Six. Also, anything from the Michelinie and Larsen run on The Amazing Spider-Man.
Published: 1990 Written by: David Michelinie Art by: Erik Larsen, Terry Austin, Mike Machlan
Marvel Comics, 141 Pages
This story arc took place in The Amazing Spider-Man issue numbers 334 through 339. It was a follow up to the original Sinister Six story that Stan Lee and Steve Ditko gave us with the first ever Amazing Spider-Man annual way back in 1964.
What’s strange to me, is that it took so long for six of Spidey’s best villains to team-up again. However, with Kraven the Hunter being dead, this version of the group replaced him with Hobgoblin. But the team is still led by Doctor Octopus and also features Electro, Mysterio, the Vulture and the Sandman. However, in a bit of a twist, Sandman has gone straight and Octopus blackmails him into joining the group.
This story also features a lot of cameos from other villains and heroes but Spider-Man ultimately faces the Sinister Six on his own and at one point, he finally fights them all at once, which he didn’t do in the first story.
While the Dave Michelinie/Todd McFarlane era of The Amazing Spider-Man is heralded as one of the best of all-time, the Dave Michelinie/Erik Larsen era is also damn good and really just continues off of what Michelinie developed with McFarlane. This came out at the height of me reading Spider-Man comics. To me, this was an event bigger than any of those Infinity things and this wasn’t really even an event.
Reading this now, I almost have a deeper appreciation for it than I did as a kid in 1990. The plot is well constructed and it has a lot of layers to it. Also, there’s a few subplots that have their own interesting narratives. There’s much more here than Peter Parker’s Royal Rumble match with his rogues and it makes this a really rich tale with good character development and real depth.
Some of the plot points, like the bizarreness of Octavius’ scheme are baffling but even the questionable stuff is amusing and just makes me yearn for the early ’90s comic book storytelling style. Twenty-nine years later, I definitely see issues I didn’t as a kid but it in no way wrecks the experience that is this great arc.
Also at the time, I was a hardcore Erik Larsen fan. I first discovered his art on this title. While I always preferred McFarlane, through the eyes of an eleven year-old, Larsen was a comic art superstar. I loved how he drew Spidey and his iconic villains and I think it still looks great. While I respect Larsen and McFarlane for forming Image and coming out with their own comics, there’s that part of me that wished that they both would’ve stuck around and worked on Spider-Man books a bit longer, as I was just so in love with what they were doing at the time and wasn’t ready to let them hand it off to someone else. But then, Mark Bagley did do a fine job, as well.
All these years later, this was fun to pick up again. I was a little worried that I’d think it’d suck now but it brought me back to where I was, reading it for the first time in 1990. Sometimes picking up old comics is like opening a time capsule. With this one, I was happy to find that it was even better than I remembered it.
And now I can’t wait to revisit its sequel, The Revenge of the Sinister Six.
Rating: 9.25/10 Pairs well with: Stan Lee and Steve Ditko’s original Sinister Six story, as well as the sequel to this one, The Revenge of the Sinister Six. Also, anything from the Michelinie and Larsen run on The Amazing Spider-Man.