Release Date: September 14th, 1984
Directed by: Sam Firstenberg
Written by: James R. Silke
Music by: Udi Harpaz, Misha Segal
Cast: Lucinda Dickey, Sho Kosugi, Jordan Bennett, James Hong
Cannon Film Distributors, 92 Minutes
Ninja III: The Domination is the final chapter in the loose trilogy of ninja movies put out by Cannon Films. People typically refer to the series as The Ninja Trilogy, even though the films are unrelated other than all of them feature Sho Kosugi, the greatest ninja actor of all-time. Cannon would follow this series up with the American Ninja franchise a year later. That one spawned five American Ninja films and two quasi spin-offs.
This is the most bizarre of the Cannon Ninja pictures by far. The story sees a young woman become possessed by the spirit of an evil ninja. A good ninja has to help her separate from it before destroying it in an epic eyepatch ninja vs. zombie ninja battle.
Lucinda Dickey is great in this as the lead. 1984 was also a huge year for her as she starred in this as well as the hugely successful Breakin’ and Breakin’ 2: Electric Boogaloo for Cannon Films.
Sho Kosugi doesn’t have as much screen time as he had in the superior Revenge of the Ninja but all of his scenes were good. He was a better-than-decent martial arts star and the perfect ninja on screen, every time he appeared.
Compared to the two films before this, Ninja III is campy as hell but also incredibly fun. It is a different film entirely and I almost wish this spawned a series of its own. I don’t know if the formula could have carried over beyond one film but there was some serious magic here.
I love genre crossing movies and this one does it in the right way. It is a violent ninja movie mixed with 80s comedy, horror elements and fantasy elements. It also features the strangest product placement moment in the history of motion pictures. Go to YouTube and search “Ninja III V8”.
Ninja III is fantastic and it still plays great. Actually, it probably plays even better now as there is a high emphasis on 80s style and humor that any nostalgic for that era would find satisfying.