Comic Review: Crisis On Infinite Earths

Published: 1985-1986
Written by: Marv Wolfman
Art by: George Perez

DC Comics, 359 Pages

Review:

Crisis On Infinite Earths is one of DC Comics’ sacred cows. Yet, I’ve never had much urge to read it because my experience reading massive DC Comics crossovers has never been that great.

But now I have read it because I felt like it was long overdue and because this is a storyline that is referenced a lot, still to this day, thirty-five years later.

The first problem with this story might be apparent by the number of tags at the top of this post. It’s overloaded with so many characters that it is mostly a convoluted clusterfuck of biblical proportions.

In fact, this post may be the record holder for the number of tags I had to add to it. And frankly, that’s not all the characters, just the ones I know because two-thirds of the characters here are generic one-offs or so minute to the DC universe that they aren’t worth noting.

Now I know that some people love the splash pages from this series, as they showcase dozens (if not over a hundred) different characters all in one giant image. If I’m being honest, I’ve always disliked them and they are why I never really wanted to read this. Most of the action is minimal and many of these scenes are just characters standing around. They lack the energy that a splash page needs and look more like they belong in a Where’s Waldo? book. And I don’t say that to come off as a dick because I almost always love George Perez’s art. This just seems like DC management telling Perez to squeeze in as many characters as artistically possible. It’s hard on the eyes and it’s shit.

Another big problem with this twelve issue story arc is that every moment feels larger than life. Well, when everything is so big and grandiose, that becomes normal and status quo. You can’t possibly go bigger and with everything being so big from start to finish, none of it is memorable. It’s just a busy, stressful read without allowing the reader to catch their breath and reflect on what’s happened. It’s kind of like a Michael Bay movie. Throw so much intense shit at the audience, don’t let them stop and think and they’ll just move from point A to point B to point C and so on, forgetting everything that happened two points prior.

This event was made in an effort to sort of reset the DC universe. Honestly, all it does is make a giant fucking mess of things and splatters the mess all over everything it touches.

The plot doesn’t make sense, I’m not sure what exactly changed and with so many universes crashing together into one, it’s not properly organized and then re-established in any sort of way that a reader can follow. If this was supposed to be a jumping on point for readers in 1986, I don’t know how they made sense out of any of it and then knew which characters to follow.

The main reason for the previous sentence is that this is so overloaded with people that you don’t get to really know any of them. There is no character development and this is written in a way that it assumes the reader knows all about every character in the story. For a seasoned comic book reader like myself, who has been reading comics for three and a half decades, I was lost and didn’t know who half of the low tier characters were.

Crisis On Infinite Earths should have been written as a Justice League story with some inclusion of the Fawcett Comics characters and the Golden Age DC heroes. All the third tier and lower characters could have made cameos but even then, they don’t really need to.

I really hoped that this was going to pleasantly surprise me but it hurt my head.

It was too much, too big and too long.

Rating: 4/10
Pairs well with: mid-’80s DC Comics titles, as well as all the other massive DC crossover events.

Comic Review: Doomsday Clock

Published: November 22nd, 2017 – December 18th, 2019
Written by: Geoff Johns
Art by: Gary Frank, Brad Anderson
Based on: Watchmen by Alan Moore

DC Comics, 456 Pages

Review:

Well, Doomsday Clock has finally ended! This twelve issue series wasn’t supposed to stretch out for over two years but it did. I’m glad that I didn’t start reading it until it was over, as I would’ve forgotten all the details due to the delays and the dozens of other comics I would’ve read between each issue.

Now that it’s all out, I finally read it: binging through it in two days.

I guess my first thoughts on it are that it is underwhelming and that it doesn’t justify its need to exist.

I had always been against new Watchmen stories without the involvement of Alan Moore. My mind changed, however, when I read some of the Before Watchmen stories from a couple years ago.

They made me see Watchmen the same way I see other comic book properties and that’s as a sort of modern mythology that is told and retold by countless others, each bringing something new and unique to the table. Superman and Batman have had countless writers and many of them have evolved and grown the character in great ways beyond their original concept. Granted, some writers have gravely failed too.

Generally, I like Geoff Johns’ work, so I wan’t against the idea of him tackling the Watchmen property.

Ultimately, though, this took too long to come out, especially with how sloppily put together it feels.

This is one of those stories where it feels like a lot happened but also like nothing happened.

It tries to merge the Watchmen universe with the DC universe but it doesn’t work. But I’m also over the crossover trope of using inter-dimensional portals or a superbeing that basically acts as a super-dimensional portal. That being said, I don’t know how else to bring these universes together but that also makes me ask why they had to try it in the first place?

Watchmen is very much its own thing, as is DC. Hell, Marvel is also its own thing in that same regard and whenever they tried to crossover Marvel and DC, which happened multiple times, it always felt forced, clunky and weird.

The only real highlight of this was seeing how certain characters from different universes would interact with one another but honestly, none of it was as cool as I felt it should have been and it all felt pretty pointless and made me realize how bad the Rebirth era of DC Comics has been – well, for the most part, as I liked some titles in the last few years.

In the end, this doesn’t feel any different than one of any of the dozen indie publisher crossovers that pit Green Lanterns against Ghostbusters, Ninja Turtles, Transformers, Star Trek crews or the apes from Planet of the Apes. While those crazy crossovers are neat to a point, they’ve been done to death in recent years. And despite this being better written and having better art than the other franchise mashups, it feels like DC Comics were really late to the party and didn’t even realize that it was over.

Rating: 6/10
Pairs well with: Watchmen and the Before Watchmen stuff, as well as just about everything under the DC Rebirth banner.

Comic Review: Batman/The Flash: The Button

Published: October 17th, 2017
Written by: Tom King, Joshua Williamson
Art by: Jason Fabok, Howard Porter
Based on: Watchmen by Alan Moore

DC Comics, 99 Pages

Review:

I haven’t started the big Watchmen-centric sequel series Doomsday Clock because I’m waiting for all the issues to come out first. Now that it is almost complete, though, I thought that I’d read the story that sets it up.

This was a four issue crossover that happened between the regular Bamtan and The Flash titles.

This also links back to the Flashpoint event and is kind of a bridge between that and Doomsday Clock. The main way it connects to the previous story is that it brings back the Thomas Wayne version of Batman. And in this story, Thomas Wayne’s Batman finally meets Bruce Wayne’s Batman.

Apart from the meeting of the two Batmen, the rest of this seems kind of pointless. It doesn’t really take you anywhere worthwhile other than also bringing back the Reverse Flash. But then you just see him die, rather quickly, due to some powerful being on the other side of a portal.

By the end of this, we still don’t know who or what that being is. And no actual Watchmen characters appear.

If you want to read this before Doomsday Clock, I don’t really think it’s necessary. Although, if you have Comixology Unlimited, it’s free to read there.

All this really did was make me want more of the Thomas Wayne Batman. I think he’s a cool character that can be explored more in the future and a Batmen team up would be kind of neat to see.

Rating: 6.25/10
Pairs well with: Flashpoint and Doomsday Clock.

Comic Review: The Flash, Vol. 3: Rogues Reloaded

Published: August 1st, 2017
Written by: Joshua Williamson
Art by: Carmine Di Giandomenico, Jesus Merino

DC Comics, 163 Pages

Review:

I know I’ve said it before but I’m not a huge fan of Flash comics. I like the character and loved the TV show from 1990 but when it seems like he’s wrapped up in stories with a dozen other characters with the same powers, it’s boring. This is why I quit watching the modern TV show on the CW.

However, I have always enjoyed Flash’s Rogues because they present different types of challenges other than whether or not the fast guy can catch the other fast guy.

That being said, I picked this story arc up, leapfrogging over the first two volumes because it focuses on the Rogues.

Overall, I was really happy with this story. It was entertaining, fun and had a good plot with a nice twist worked in.

Now the Rogues story only covers about the first half of this collection but the followup story was also good.

Maybe I will give Joshua Williamson’s other arcs a read.

The thing is, I want to like the Flash but in modern times, the comic has the same issues that the television show does. But this story reminded me of Flash comics from the ’80s when I first checked out the character. Back when he’d fight Captain Cold, the Trickster, the Mirror Master and Gorilla Grodd a lot.

Rating: 7.5/10
Pairs well with: I’m assuming, Joshua Williamson’s other Flash stories.

Comic Review: Aquaman: A Celebration of 75 Years

Published: October 25th, 2016
Written by: various
Art by: various

DC Comics, 394 Pages

Review:

I love when DC Comics puts out massive compilations like this that celebrate big moments from the entire history of a character. Being that I never really read a lot of really old Aquaman stuff made this a big treat.

This goes all the way back to the earliest stories and gives us a good selection of tales from just about every era and decade since.

There are modern stories here but this focuses mostly on the old stuff. Especially first appearances (or very early appearances) of key characters from the Aquaman mythos. We see the debuts of the original Aquagirl, Aqualad, Ocean Master, Mera and some very early encounters with Oceanus and Black Manta.

We also get a lot of cameos from Aquaman’s Justice League allies from different eras. This has lots of cameos but all the stories are very Aquaman-centric, as opposed to wedging in Justice League stories where Arthur Curry isn’t the primary focus.

This is a thick, solid volume. It’s a bit pricey but I got the digital version of it really cheap during an Aquaman sale on Comixology. I think I paid less than $5, which to me, was an absolute steal.

If you want to know more about the Aquaman character’s history, this is a great starting point.

Rating: 9/10
Pairs well with: other recent DC Comics compilations celebrating milestone anniversaries.

Comic Review: The Flash: Flashpoint

Published: October 8th, 2013
Written by: Geoff Johns
Art by: Andy Kubert

DC Comics, 166 Pages

Review:

This is the best Flash event that I’ve ever read. Granted, I’m not a hug Flash fan in the comics and I haven’t read a lot of his big events but this wasn’t bogged down by too much Speed Force bullshit, which is typically a bone of contention with me, as it’s used to explain every random ass weird thing that happens in modern Flash stories. It’s also why I lost interest in the TV show, which started out pretty damn good.

The Speed Force does play a factor here but it doesn’t make this a mental clusterfuck like the plot of The Flash: Rebirth.

And while The Flash does fight another speedster, this isn’t just about a guy with speed fighting another guy with speed because that shit also gets tiresome and is another reason why I stopped watching the show.

There are a lot of characters and the fact that this takes place in an alternate reality where things are different enough to make the world interesting, makes this feel different than the standard Flash event.

Granted, I wish this featured more of the regular rogues that aren’t speedsters but when most of those villains have become jokes, that was probably for the best. At least we get small cameos from Captain Cold and the Pied Piper, even if they don’t have much to do with the story.

The thing that makes this so good, is that it just grabs you and holds on. It’s a quick read, as it takes place over just five issues but there is a lot to absorb. But in the end, this will hit you in the feels from a few different angles and frankly, that took me by surprise. But the final moments in this made this whole journey worth it.

Geoff Johns is one of my favorite writers of the last decade or so and this is the first Flash story that I felt was on the same level as his best Green Lantern work. Plus, Andy Kubert’s art was incredible and it wasn’t too far of a departure from the style I’ve come accustomed to seeing in Johns’ biggest stories, which were mostly drawn by Ethan Van Sciver.

Flashpoint is an action packed and legitimately emotional ride through two men’s tragic journeys. It was well executed and a visually stunning piece of work.

Rating: 9/10
Pairs well with: the Geoff Johns era of The Flash, as well as other major Flash events.

Comic Review: The Flash: Rebirth

Published: October 8th, 2013
Written by: Geoff Johns
Art by: Ethan Van Sciver

DC Comics, 158 Pages

Review:

I love Geoff Johns work at DC Comics and I have always loved his collaborations with artist Ethan Van Sciver. Their work on Green Lantern got me back into comics during a time when I had sort of faded away from the medium due to no longer being as engaged by it.

Green Lantern: Rebirth was one of my favorite comic book stories of all-time. It made me love Hal Jordan and I was pulled in by Johns’ writing and Van Sciver’s wonderful art. Since I also liked Johns’ Flash stuff, I figured that The Flash: Rebirth would be something that I would also love. But sadly, it just didn’t do it for me.

The biggest problem that I have with Flash stories is the damn Speed Force. Also, in recent years, the Flash pocket of the larger DC universe is overloaded with too many characters with the same lame set of powers. There are so many damn speedsters that it’s really f’n redundant.

In an era where people are screaming for diversity, even though it has existed in comics for decades, maybe there should be a call for diversity in powers in the Flash titles. I mean, if you’re going to cram a dozen heroes and villains into a plot, why are they all similar? And why is that exciting? And to be frank, this is why I lost interest in The Flash TV show, which I loved when it started.

Anyway, the art in this is damn good but Van Sciver hits the right note stylistically speaking when it comes to how this era of DC felt. He was a premiere architect in DC’s visual style from 2007-2014 or so. This book lives up to the standard one should expect from his work but apart from that, there wasn’t much here for me to enjoy.

The premiere villain is the Reverse Flash, another f’n speedster. And really, this is all about the weird, mystical Speed Force that is capable of anything a writer needs it to do. I don’t know, Speed Force heavy stories bore me to tears and they’re hard to keep up with because it’s all pseudo-science mumbo jumbo made up on a whim to explain random ass shit. I prefer stories where one Flash takes on one of his many awesome rogues that aren’t speedsters.

This is probably really good if reading about a dozen speedsters and Speed Force stuff is your thing. For me, it numbed my brain and made it hard to get through.

And fuck… this had so many damn cameos. I felt like it partially existed just to wedge in as many characters as possible.

Rating: 5.5/10
Pairs well with: The Geoff Johns era of The Flash, as well as his era of Green Lantern.