Published: 1995 Written by: Tom Veitch Art by: Jim Baikie, Dave Dorman (covers) Based on:Star Wars by George Lucas
Dark Horse Books, 54 Pages
Well, this is the final part in the Dark Empire trilogy.
Sadly, this is also the weakest installment. I think that the reason why this doesn’t live up to the greatness of the two previous story arcs is because this one was limited to two issues, as opposed to six like Dark Empire I and II.
This does wrap the trilogy up, though. It gives a pretty definitive conclusion to the resurrected Emperor Palpatine story, even if his fate here is bizarre and underwhelming.
Tom Veitch did a good job with the trilogy as a whole but this final chapter kind of felt like it was just thrown together to end the whole thing. It also read like this script was written rather abruptly just to get the final chapter of this trilogy out of the way.
It lacks the personality and depth of the previous ones and it relies heavily on the reader to have read those. So if you picked this up and it was your first Dark Horse Star Wars comic, you probably would have been confused by it. Granted, a resurrected Emperor should inspire the reader to go back and get the previous story arcs.
The art this time was done by Jim Baikie but it matches the previous two Dark Empire books pretty well.
Rating: 6.25/10 Pairs well with: Other Dark Horse Star Wars comics from the same era: the two other Dark Empire Trilogy stories, as well as The Shadows of the EmpireTrilogy, The ThrawnTrilogy and the Rogue Squadron series.
Published: 1994-1995 Written by: Tom Veitch Art by: Cam Kennedy, Dave Dorman (covers) Based on:Star Wars by George Lucas
Dark Horse Books, 162 Pages
I love this era of the Star Wars Expanded Universe, between this, The Thrawn Trilogy, The Jedi Academy Trilogy and all the great Rogue Squandron stuff, Disney’s new version of what they call “official” canon can’t hold a candle to these solid stories.
This picks up right after the events of the first Dark Empire and this also features the birth of Han and Leia’s third child, Anakin Solo.
The Empreror still has a presence despite the outcome of Dark Empire I and Luke and his allies must work towards stopping him once and for all while protecting Leia’s newborn child from the mad Sith’s grasp.
What’s really great about this story is that it also establishes what will become a new order of Jedi under the tutelage of Luke Skywalker.
I love Cam Kennedy’s art style and it just fits this story and this era very well. It’s simple, gritty but colorful and full of life. Here, Star Wars still feels like the “aged future” that George Lucas so carefully crafted with the Original Trilogy but then sort of dismissed with his Prequel films.
I especially love all the dark Jedi stuff here, as well as the bits with Boba Fett just being a mysterious badass. You have to remember that this came out when no one knew who Boba Fett was. He was still a masked bounty hunter with ties to Darth Vader. But here, we start to see depth added to the character, as he is shown to work specifically for money and not the Empire. He also shows glimmers of being a man with some sort of code and morals.
Man, this was just so much fun to read and revisit, as I’ve gotten to the point where I just don’t care much about Star Wars anymore, which was something I obsessed over in my youth and well into my twenties.
Rating: 7.5/10 Pairs well with: Other Dark Horse Star Wars comics from the same era: the two other Dark Empire Trilogy stories, as well as The Shadows of the EmpireTrilogy, The ThrawnTrilogy and the Rogue Squadron series.
Published: 1991 Written by: Tom Veitch Art by: Jim Baikie, Cam Kennedy, Dave Dorman (covers) Based on:Star Wars by George Lucas
Dark Horse Books, 155 Pages
If you follow the Star Wars Expanded Universe continuity, which I do because fuck Disney, this takes place about a year or so after The Thrawn Trilogy. This is also the first part of The Dark Empire Trilogy, which also featured Dark Empire II and Empire’s End.
This is the story that people are citing whenever they talk about how Luke Skywalker once fell to the dark side and joined the Emperor. Well, while there is some truth to that, it’s a bit more complicated than Luke just becoming Vader Jr.
I don’t necessarily want to spoil the story in regards to Luke’s journey but he does receive help from Leia, who, in this story, is my favorite version of her character. She’s got some Jedi skills, uses the Force and wields a lightsaber like a pro. She’s just a badass and ready to take part in the action, head on. This isn’t Leia, protected by layers of steel and an army, as she barks out orders from the safety of a command post. Granted, this is just six years after Return of the Jedi unlike the sequel films. But I feel like a Leia trained in the Jedi arts would have been a different character, entirely.
Frankly, Dark Empire is a clear reminder that Disney dropped the ball in regards to things they could’ve explored with their sequel trilogy.
The Emperor is also in this story. But, wait?! He’s dead, right? Well, not really and that’s all explained here. And honestly, the Emperor’s powers make sense when you really understand the scale of how strong he was in the dark side of the Force.
Now there are a few bits that create some continuity issues. I’m not talking about with Disney continuity, as that shit doesn’t matter, I’m actually talking about things that George Lucas did in the prequels that makes some bits of the plot not work here. I can excuse this stuff though, as Lucas claimed to care about his own continuity but by the time he made the prequels, there were too many details to sift through. Also, this story came out really early in the development of the Expanded Universe. But it’s nowhere near as contradictory as Splinter of the Mind’s Eye or the comics Marvel put out in the early ’80s.
Tom Veitch wrote a good, engaging story. He’s a comic book writer that I feel doesn’t get enough respect or notoriety. He would write a lot of early Star Wars comics while at Dark Horse in the ’90s. He also worked on other major comics like Animal Man, Kamandi and Superman.
I thought that the art was pretty damn good for an indie publisher in 1991. The color is very muted and this almost looks like it’s colored with watercolors and marker. It gives it a really unique feel and the color style works but it may look pretty dated when open next to a more modern Star Wars comic. One thing’s for sure, though, this miniseries had some incredible covers.
But even with its flaws, which there aren’t many, this stands head and shoulders above the Star Wars comics that have come out since Disney took over the franchise.
Rating: 8/10 Pairs well with: Other Dark Horse Star Wars comics from the same era: the two other Dark Empire Trilogy stories, as well as The Shadows of the EmpireTrilogy, The ThrawnTrilogy and the Rogue Squadron series.