Also known as: The Offspring (original title) Release Date: May 13th, 1987 (Cannes) Directed by: Jeff Burr Written by: C. Courtney Joyner, Darin Scott, Jeff Burr, Mike Malone Music by: Jim Manzie Cast: Vincent Price, Susan Tyrrell, Clu Gulager, Terry Kiser, Harry Caesar, Rosalind Cash, Cameron Mitchell, Martine Beswick, Lawrence Tierney
“One thing I’ve learned, my dear, is that one is never too old for nightmares.” – Julian White
I’ve stated in the past that I’m not a big fan of anthology horror movies. However, as I’ve reviewed more and more over the almost five years that this website has existed, they’ve kind of won me over.
Sure, many are bad and most are inconsistent from segment-to-segment. However, even if something doesn’t hit the right way, it’s over pretty quickly and the viewer gets to move on to the next chapter.
With From A Whisper To A Scream, we get an anthology picture where every chapter was pretty decent. Plus, the story that connects everything together stars horror legend Vincent Price in his last true horror role.
I don’t know if Price would’ve been a fan of the level of gore in this movie but it’s pretty standard for an ’80s horror flick that’s going for the jugular. I don’t think it’s overly gratuitous and it’s fine for the style but it’s definitely edgier and bloodier than the film’s one would typically associate Price with.
Each story was interesting and pretty creative. Unlike Creepshow, the Twilight Zone movie, Tales From the Darkside and the Tales From the Crypt TV show, this didn’t have source material to pull from and adapt. Still, the situations were cool and unique and frankly, pretty f’n bonkers.
From A Whisper To A Scream was enjoyable from top-to-bottom. For me, that’s rare in an anthology horror picture.
Rating: 6.5/10 Pairs well with: other horror anthologies of the ’70s and ’80s.
Also known as: Tanny and the Teenage T-Rex (Singapore) Release Date: December 21st, 1994 Directed by: Stewart Raffill Written by: Gary Brockette, Stewart Raffill Music by: Jack Conrad, Tony Riparetti Cast: Denise Richards, Theo Forsett, Paul Walker, Ellen Dubin, Terry Kiser, Buck Flower, Efren Ramirez, John Franklin
So I heard that there is an R-rated “gore cut” of this film being released later this year. I guess the version that was shown in Asia was much gorier but the US video release of the film is severely toned down.
Regardless, I wanted to check this film out in its regular US version, as it’s a cult classic but incredibly obscure. On a side note, for those who want to watch this, it is on YouTube, at the moment.
This is a goofy, over the top and ridiculous film. But it’s also a hell of a lot of fun and it works for what it is.
The average person would probably watch five minutes of this and turn it off, deeming it shit. But it’s that special kind of shit that if you stare at it long enough, it blasts you in the face with colorful, enjoyable and overwhelming insanity.
It’s endearing and charming in spite of its immense flaws. It will resonate with those of us who have a love for films like Mac and Me (the same director), The Room and Troll 2.
The premise is batshit crazy. A mad scientist played by Bernie from Weekend at Bernie’s takes the brain of Paul Walker and puts it inside of a mechanical dinosaur. No, not a real dinosaur… but a mechanical one like the full scale animatronic T-Rex robots that you’d see in shopping malls or seasonal science attractions in the ’90s.
The film also stars Denise Richards, who in her prime, was the hottest girl I had ever seen. Especially, through my teenage eyes in the ’90s. Plus, she was really charming and sweet in this and it’s damn near impossible to not get pulled in by her. I also really enjoyed her gay friend in this, as he was f’n hilarious in every scene.
Tammy and the T-Rex is a film that is sort of perfect as a bad movie that’s so bad it’s great.
My only real complaint about it is the butchered editing. But I blame that on the complete exclusion of the gore that the film intended to show. So hopefully, the soon to be released “gore cut” fixes those issues. And honestly, the inclusion of the gore may take this film to the next level and vastly improve upon it.
Rating: 6.5/10 Pairs well with: other Stewart Raffill movies: Mac and Me, The Ice Pirates, etc.
Release Date: May 13th, 1988 Directed by: John Carl Buechler Written by: Manuel Fidello, Daryl Haney Based on: characters by Victor Miller Music by: Harry Manfredini, Fred Mollin Cast: Lar Park Lincoln, Kevin Blair, Susan Blu, Terry Kiser, Susan Jennifer Sullivan, Elizabeth Kaitan, Jon Renfield, Jeff Bennett, Heidi Kozak, Diana Barrows, Larry Cox, Craig Thomas, Diane Almeida, Kane Hodder
Paramount Pictures, 88 Minutes
Hey, it’s Bernie from Weekend At Bernie’s and he’s alive! Well, not for long – it is a Jason movie.
This film also features Jason Voorhees going against Jean Grey from the X-Men. Actually, it is some girl named Tina but she has telekinetic and psychic powers and thus, spends a lot of time confusing Jason with cheap parlor tricks. I have a theory that she has no powers and was a con artist that rigged her house with lots of Hollywood strings. In any event, it gives this film an interesting dynamic that we haven’t seen in this series before.
The New Blood is important, in that it is the first film to feature Kane Hodder in the role of Jason. He is the only guy to play the role more than once. In fact, he played him over the course of four films and is the most recognized Jason actor and pretty much the overall fan favorite. I definitely think he had the best presence and mannerisms and brought the role to the next level, even though C.J. Graham did a pretty phenomenal job in Jason Lives (the installment before this one).
Jason also looks the absolute best in this film. He still looked pretty good in the next film but this is definitely my favorite Jason, as far as overall appearance. The fact that you can see his spine and ribs through the back of his tattered jumpsuit is pretty damned cool, as he was fish food in a lake for like ten years leading into being set free at the beginning of this movie.
The problem with this film, is that it was butchered by the censors and the MPAA. There is less gore, not because it was filmed that way but because it was edited down a lot. The fluidity of certain scenes and certain cuts are horrible.
Despite those issues, this is still a better-than-decent Friday the 13th chapter. It is also the best of the four Kane Hodder films.
Friday the 13th, Part VIII – Jason Takes Manhattan (1989):
Release Date: July 28th, 1989 Directed by: Rob Hedden Written by: Rob Hedden Based on: characters by Victor Miller Music by: Fred Mollin Cast: Jensen Daggett, Todd Caldecott, Peter Mark Richman, Kane Hodder, Kelly Hu
Paramount Pictures, 100 Minutes
Jason Takes Manhattan is a really misleading title. Jason is only in Manhattan for less than a third of the film and he’s pretty much just in the alleyways and the sewer other than a quick chase scene in Times Square. This film should really be called Jason On A Boat because it is primarily Jason on a boat, killing some teens.
There are a few good kills, like a sauna rock through a stomach and a boxer having his head knocked off by a Jason uppercut. That’s about it though. This takes Jason out of his normal element but it isn’t a wanted change and it is executed with absolutely no imagination. This is just a very boring film.
The ending is retarded level bizarre. It makes no sense and I’m not sure why the City of New York flushes their sewers with toxic waste every night at midnight and how hanging out on a ladder above the rampaging toxic river didn’t asphyxiate and cause severe brain damage in our heroes. And somehow, toxic waste melts Jason down to a crying little boy.
The film is also visually inconsistent with previous installments. The child Jason looks nothing like Jason has looked in the past at that age. The tone of the film is just strange and it feels more like an old Sci-Fi Channel slasher knockoff film than a chapter in a storied franchise.
I’ve always liked Jensen Daggett though and this is her first film. That is about the only positive I can give.
This was the last film of the original series to be released by Paramount.
Jason Goes to Hell: The Final Friday (1993):
Release Date: August 13th, 1993 Directed by: Adam Marcus Written by: Jay Huguely, Dean Lorey, Adam Marcus Based on: characters by Victor Miller Music by: Harry Manfredini Cast: John D. LeMay, Kari Keegan, Erin Gray, Allison Smith, Steve Culp, Steven Williams, Kane Hodder, Richard Gant
New Line Cinema, 88 Minutes
This is the worst film in the entire franchise. It is beyond horrible. Jason is barely in it and the monster is a demonic heart worm.
New Line Cinema acquired the rights to the Friday the 13th franchise and decided to reinvent it in their own way. Kane Hodder is back as Jason Voorhees but he is only in the opening sequence and the final battle, other than appearing in mirrors throughout the film when other people are possessed by his evil spirit.
By the way, that evil spirit travels from host to host via a worm crawling out of one mouth and into another. And Jason’s evil French kiss worm hatched from his heart. So I guess his heart is really some sort of egg. Well, the heart was eaten by a possessed guy in a morgue but that is how he got infected with the Jason worm and how this whole stupid process began.
The film also introduces a horrible concept that was abandoned after this film. Basically, now it is learned that Jason can only be killed with a magic knife wielded by a blood relative. So Jason is hunting down surviving family members because if he kills them, he can’t be killed. And somehow, all these people live around Crystal Lake and yet, he has never tried to hunt them down before, in any of the eight movies that predate this one!
The truth is, I completely ignore this film when it comes to the Friday the 13th mythos. The movie is absolute shit. It doesn’t exist except in some parallel universe. No, it doesn’t exist there either. Avoid it at all costs, unless you really want to torture yourself.
Jason also looks horrible. He looks like Krang from Teenage Mutant Ninja Turtles cosplaying as Jason. Why does his noggin look like a big mutant brain with a hockey mask that is obviously too tight for his newly enormous head?
The only noteworthy thing about this movie, is that after Jason is dragged to Hell, the glove of Freddy Krueger (from the A Nightmare On Elm Street series) bursts out of the ground, grabs Jason’s hockey mask in the dirt and drags it down to Hell. This set up the eventual Freddy vs. Jason film that was in development hell for a decade.
Jason X (2001):
Release Date: July 24th, 2001 (Germany) Directed by: James Issac Written by: Todd Farmer Based on: characters by Victor Miller Music by: Harry Manfredini Cast: Lexa Doig, Lisa Ryder, Chuck Campbell, Jonathan Potts, Melyssa Ade, Melody Johnson, David Cronenberg, Peter Mensah, Kane Hodder
New Line Cinema, 92 Minutes
This is the last film in the regular series of movies unless you count Freddy vs. Jason in 2003. It is also the last film to star Kane Hodder as Jason.
So when horror franchises jump the shark, they usually go to space. Where most horror franchises go to space by the fourth film (see Critters, Hellraiser and Leprechaun), at least Jason didn’t have to leave Earth until the tenth installment of his series.
Jason X is a bad movie. It is a really bad movie. But it is a bad movie that is great in its awfulness. It is fun, it is ridiculous and the film doesn’t, at any time, try to take itself seriously. It knows it is bad but it is doing a damned good job of creating a good time.
After nine films full of killing teens at (or around) a summer camp, the new direction was refreshing. At least the scenery changed and at least it wasn’t a boring ghetto cruise ship on the way to a boring Manhattan sewer.
Jason is cryogenically frozen, wakes up 500 years in the future on a spaceship conducting a high school field trip and goes on a sci-fi killing spree. At one point, he is rebuilt by nanomachines into what fans call Uber Jason. Basically, he looks like a much angrier and deadly version of a Mighty Morphin Power Rangers villain.
If you try to take this film seriously, you will hate it. If you take it for what it is, an intentionally bad but awesome time, you will most likely enjoy it.
*I will review Freddy vs. Jason and the 2009 Friday the 13th remake at a later date.