Original Run: October 13th, 1982 – March 30th, 1983 Created by: Leiji Matsumoto Directed by: Tomoharu Katsumata, Masamitsu Sasaki Written by: Leiji Matsumoto, Hiroyasu Yamaura, Hiroyuki Hoshiyama Based on:Space PirateCaptain Harlock by Leiji Matsumoto Music by: Shunsuke Kikuchi
This second Captain Harlock series served as a loose sequel to the Arcadia of My Youth feature film that came out in the same year.
Following the events of the film, Harlock and the crew of the Arcadia are exiled from Earth, which has been taken over by the Illumidas, along with several other planets.
For much of the series, Harlock explores space while also having battles with the Illumidas. He’s also searching for the mythical “Planet of Peace”, a place where all intelligent species can live free of war and interplanetary conflict.
The show was originally planned to have double the episodes that it got. It struggled in the ratings due to competition from new series like the original Gundam, which was a quicker paced, more action oriented show.
Still, this did have a proper and good conclusion, even if production was cut short.
I also liked this show a hair bit more than the earlier Captain Harlock series. I enjoyed the stories, the characters and the overall style of it.
Well, I have reached the final book in this great looking Robert E. Howard collection by Del Ray. These Del Ray editions are my favorite Robert E. Howard collections, aesthetically, physically and in the way they’re organized and decorated with incredible art, giving the stories more life and some visual flourish that fits exceptionally well with Howard’s incredible and beautiful prose.
Since this book doesn’t focus on a specific character, a lot of the stories here are also in some of the other Del Ray volumes for Conan the Barbarian and Solomon Kane. Also, this shares a lot of stories with another similar book I reviewed about a year ago, The Cthulhu Stories of Robert E. Howard (see here), which tied many of Howard’s famous characters with the work of one of his best friends, horror maestro H.P. Lovecraft.
All in all, this is really f’n solid and it’s just a good collection of Howard’s more horror-centric tales.
The thing with this installment is that some of the stories are recycled from other Howard collections. However, even though I had already read much of what’s here, I was still captivated enough by it to read those stories again in an effort to really embrace this volume for what its theme is.
Honestly, more than anything else, these various Del Ray collections just showed me how easy it is to revisit and re-read Howard’s short stories.
If you want to get into the man’s work, this is one of the books that is a good starting point. That is, unless you want to jump into a specific character first like Conan, Solomon Kane or Kull.
Release Date: June 14th, 1991 Directed by: Kevin Reynolds Written by: Pen Densham, John Watson Music by: Michael Kamen Cast: Kevin Costner, Morgan Freeman, Christian Slater, Alan Rickman, Mary Elizabeth Mastrantonio, Geraldine McEwan, Michael McShane, Brain Blessed, Michael Wincott, Nick Brimble, Jack Wild, Sean Connery (cameo, uncredited)
Morgan Creek Entertainment, Warner Bros., 143 Minutes (theatrical), 155 Minutes (Extended Edition)
“Locksley! I’ll cut your heart out with a spoon!” – Sheriff of Nottingham, “Then it begins.” – Robin Hood
I remember seeing this in the theater and loving the hell out of it. But I think I’ve only seen it once or twice since then and those viewings were in the ’90s. So I kind of didn’t know what to expect from it, seeing it decades later. And sure, I remembered some of the more iconic moments and lines but that’s about all I remembered.
This film starts out interesting and gives Robin Hood a neat backstory that saw him held prisoner in a dungeon in Jerusalem, far from his home in England. He is able to escape and saves the life of a Moorish warrior in the process. This warrior swears a life debt to Robin and follows him back to England.
Azeem, the Moorish character, was created just for this film but I liked the character a lot and it was cool seeing Morgan Freeman bring him to life while also getting to partake in the action heavy parts of the movie. Also, he paired up well with Kevin Costner’s Robin Hood and I’d be lying if I said I wouldn’t have watched these two go on further adventures.
The story is your standard Robin Hood tale for the most part but it takes some liberties, as all interpretations of the legend do. This one also pushes the romance pretty hard between Robin and Marian but honestly, it doesn’t get in the way of the action or the larger story. This version also has a witch character, who gives advice and directions to the Sheriff of Nottingham.
Alan Rickman plays the Sheriff and frankly, it’s one of his best roles. He gets some great lines in this and he came off as very formidable against Robin in their final battle. Rickman turned the role down twice but finally took it when he was told that he’d have the freedom to play the character in the way that he wanted. I think that his influence and creative decisions made the character unique and memorable and it takes a great villain to shape a great hero.
I also like that the Sheriff of Nottingham had Michael Wincott as his main henchman. I’ve dug the hell out of Wincott for as long as I can remember and he was a good addition to this cast.
I also liked Christian Slater in this even though I felt like he was a bit underutilized.
The only truly odd thing in the film is that Kevin Costner, as the legendary British hero Robin Hood, uses his American accent, as opposed to doing a British one. I guess this was decided during production, as there are some scenes where Robin sounds a bit British-y. However, the director thought that it might be too distracting and break the film. I guess the critics of the time felt the opposite, though, as they got really hung up on the American sounding Robin Hood.
While the accent didn’t bother me too much, the running time did. I just thought this was 20-30 minutes too long and there was a lot that could’ve been whittled down. Once Robin gets back to England, early on, it felt like it took awhile for the film to really get going.
I thought that the action was pretty good and the big battles were exciting and hold up well. However, the final swordfight didn’t feel swashbuckling-y enough. I think that the director wanted a more realistic fight but part of Robin’s appeal, at least to me, was his athleticism, playfulness and mastery of the sword. Furthermore, the Sheriff of Nottingham truly gets the best of Robin and the hero only wins due to a distraction and a dagger he had hidden. It just felt kind of meh and cheap.
Still, I did like seeing this again and it was an entertaining experience. Costner was fine as Robin Hood but Rickman stole every scene that they shared.
I found this volume out of the two Best of Robert E. Howard anthologies to be the better one. I figured they’d blow their load in the first one but they really saved some good stories for this volume and there was more diversity in these tales from Howard’s most famous characters and the different genres he dabbled in.
This had great sword and sorcery tales, some swashbuckling, horror and a whole lot of action and adventure!
This book features solid stories with Conan, Kull and Solomon Kane. Each of those characters have a hefty amount of good material to pull from, though.
And sure, my preferences are subjective but the stories here are just ones that resonate with me more.
Also, these can be found elsewhere in other collections and even free online but if you really want to hold a thick, beefy book in your hand and enjoy some of Howard’s best work, this is certainly a good place to start.
Granted, I’d start with volume one but I’m OCD like that.
Release Date: May 12th, 1938 (New York City premiere) Directed by: Michael Curtiz, William Keighley Written by: Norman Reilly Raine, Seton I. Miller, Rowland Leigh Music by: Erich Wolfgang Korngold Cast: Errol Flynn, Olivia de Havilland, Basil Rathbone, Claude Rains, Una O’Connor, Patrick Knowles, Eugene Pallette, Alan Hale Sr., Melville Cooper
Warner Bros., 102 Minutes
“Why, you speak treason!” – Lady Marian Fitzswalter, “Fluently.” – Robin Hood
I’m actually kind of shocked that I haven’t reviewed this yet, which means it’s been far too long since I’ve seen it. This was one of my favorite “old” movies when I was a kid and I probably watched it dozens of times throughout the years, as my mum and granmum always had classic movie channels on.
This is also the movie that introduced me to Errol Flynn, one of my all-time favorite actors, and the swashbuckling subgenre of action and adventure films.
Beyond that, this also introduced me to Basil Rathbone and Claude Rains, two actors that were mostly known for being horror icons. However, in this picture, Rathbone proves that he’s much more skilled than that and especially while wielding a sword.
With that, this isn’t the first time that Rathbone and Flynn are both wielding swords against one another. They had an epic and memorable duel in Captain Blood, which was also directed by this film’s director, Michael Curtiz. Flynn and Rathbone just make perfect rivals and their sword work is pretty exceptional in a time where the actors had to get out there and do it on the screen without quick edits, special effects and the level of fight choreography and stunt people Hollywood has at its disposal now.
The final duel between the two legends may even be better in this movie, as they have their final showdown in a castle and use that environment pretty well, where in Captain Blood, their duel was on a beach.
I’ve also got to mention Olivia de Havilland, who is stunning and wonderful in this, as Marian. Still to this day, she’s my favorite Marian and a lot of that has to do with her style and grace, which is why she was also one of the most sought after actresses of her time.
Claude Rains is pretty much perfect too. He’s such a devious little shit and really delivers the best performance he could’ve given. Being that he’s immensely talented and owns every role he’s ever had, he made a great villain as King John (not Prince John, mind you).
The story is good, quick paced and just moves from great moment to great moment. The animated Disney film probably borrowed most from this version of the Robin Hood legend. So if you’re familiar with that movie, this will all feel very similar.
In the end, this is still one of the best swashbuckling adventure movies ever made.
Release Date: December 26th, 1960 (UK) Directed by: Terence Fisher Written by: Alan Hackney Music by: Alun Hoddinott Cast: Richard Greene, Sarah Branch, Peter Cushing, Niall MacGinnis, Nigel Green, Oliver Reed (uncredited), Desmond Llewellyn (uncredited)
Yeoman Films Ltd., Hammer Films, 80 Minutes
“This is not a game, Madam, I’m dealing with criminals!” – Sheriff of Nottingham
I’m kind of shocked that this site is two months shy of its five-year anniversary and this is the first Robin Hood movie that I’ve reviewed! Damn, I’ve been slacking on one of my all-time favorite legendary characters! I must rectify it with this movie and many more in the coming months!
Anyway, I guess I’m glad that I started with one that I had never seen and one that was made by one of my all-time favorite studios, Hammer Films. It also features horror icon Peter Cushing and has smaller parts for Oliver Reed, Nigel Green and James Bond‘s original Q, Desmond Llewelyn.
This film’s Robin Hood is played by Richard Greene, who actually played the character in the British television show The Adventures of Robin Hood for four seasons, totaling 143 episodes! So for fans of that show, this film must’ve felt like a theatrical finale, despite other characters being recast.
I really liked Peter Cushing as the Sheriff of Nottingham and the only real shitty thing about that iconic character in this version of the story, is that he never gets to meet his end at the hands of Robin Hood. Instead, he’s murdered like a dog by his superior, who was just tired of listening to him obsess over Hood.
I thought that Richard Greene made a solid Robin Hood and since I’ve never actually watched his show, I might try and track it down. If I do, obviously, I’ll review it.
This was a thoroughly entertaining Robin Hood picture and I liked the sets, costumes and overall look of the presentation. Granted, being that this is from the UK, it’s easy to make the world of Robin Hood look right. Plus, they still have so many castles and old structures that it’s not difficult finding the right places out in the wild.
I was glad that Hammer’s most celebrated director, Terence Fisher, was able to dabble in this style of film, as he predominantly did horror for the studio.
In the end, this was a better than decent Robin Hood flick with good actors, a nice pace and an authentic look.
Published: 1985-1986 Written by: Ralph Macchio Art by: Bret Blevins, Steve Carr, Mike Mignola, John Bogdanove, John Ridgway Based on:Solomon Kane by Robert E. Howard
Marvel Comics, 157 Pages
The Sword of Solomon Kane was a six-issue miniseries that Marvel Comics released from 1985 to 1986. All of the stories were written by Ralph Macchio and adapted from the original Robert E. Howard stories.
Each of the issues had a different artist but they featured some of the best up and coming artists of that era, most notably Mike Mignola. One of the covers was also done by Bill Sienkiewicz.
I had a lot of fun reading these. I already knew the stories from their source material but it was really neat seeing them come to life in a different medium. Some of these stories are ones that I had hoped would’ve been adapted if there were ever more Solomon Kane films after that first, solid one with James Purefoy. But alas, it wasn’t a hit despite it being good.
While I wasn’t as blown away by this as I was the collection of black and white Solomon Kane comics that appeared in The Savage Sword of Conan magazine, this was still a hell of a fun read, had the right energy and felt pretty close to the source material.
Even though the art changes from issue-to-issue, I liked all of it and the general tone and visual aesthetic worked unlike a lot of modern comics that switch art styles frequently, which can be a bit jarring when reading a collection or larger story arc.
It would’ve been cool if this opened the door for a regular Solomon Kane series like other Robert E. Howard properties the first time they were at Marvel. Sadly, it didn’t but the stuff we did get between this series and the character’s stories from Savage Sword were all top quality.
Rating: 8.5/10 Pairs well with: other Solomon Kane comics, as well as other comics adapted from the works of Robert E. Howard.
Release Date: September 18th, 1987 (Toronto International Film Festival) Directed by: Rob Reiner Written by: William Goldman Based on:The Princess Bride by William Goldman Music by: Mark Knopfler Cast: Cary Elwes, Mandy Patinkin, Chris Sarandon, Christopher Guest, Wallace Shawn, Andre the Giant, Robin Wright, Peter Falk, Fred Savage, Billy Crystal, Carol Kane
Act III Communications, Buttercup Films Ltd., The Princess Bride Ltd., Vestron Pictures, 20th Century Fox, 98 Minutes
“Hello. My name is Inigo Montoya. You killed my father. Prepare to die.” – Inigo Montoya
I’m going to be honest, this wasn’t a film that captivated me in my childhood like it did most people from my generation. However, I have still always liked it and it’s one of those things I’d leave on if I was flipping the channels in my teen years.
This was the first time I had seen this, though, since probably the ’90s. At least, in its entirety. So revisiting it was kind of a treat and I actually think I’m more fond of it now, simply because they don’t make movies like this anymore.
At its core, this is just a wholesome fairytale. But it’s also full of several characters who have become iconic over the three and a half decades since this was released.
I think that these characters became so iconic because this movie was so well cast, from top-to-bottom.
I also really underappreciated the swashbuckling bits and the camaraderie between the characters, which was so good and natural that one would have to assume that all these people genuinely clicked and enjoyed working together.
As a big wrestling fan, especially the ’80s era, I love seeing Andre the Giant in this. He’s absolutely superb and it makes me wish that he got to do more films before he died, shortly after this.
The Princess Bride is just a really entertaining and fun movie that should work for anyone, regardless of age, gender or generation. It’s kind of perfect in its wholesomeness and its adventurous spirit.
While it’s not what I personally consider a classic, I can see why so many people are immensely fond of it.
Rating: 8.75/10 Pairs well with: other ’80s family friendly fantasy movies.