Vids I Dig 474: The Critical Drinker: ‘The Snyder Cut’: A Win For “Toxic” Fans

From The Critical Drinker’s YouTube description: Join me as I take a look at the trailer for the Snyder Cut of Justice League, and what it means for the relationship between fandoms and studios.

Comic Review: Batman: A Death In the Family

Published: 1988
Written by: Jim Starlin
Art by: Jim Aparo, Mike DeCarlo, Adrienne Roy

DC Comics, 142 Pages

Review:

A Death In the Family was one of the biggest Batman stories to happen around the time that I was getting into comics as a serious reader and not just a casual one, who just occasionally picked up stuff other than G.I. Joe: A Real American Hero.

When I was in elementary school, this is a story that all the kids talked about and I remember trading my hardcover copy of Arkham Asylum for this and The Killing Joke. I felt like I definitely won in that trade and it’s mainly because of this story.

I was the rare Jason Todd fan. Sure, nowadays other people like him because of how he came back as the Red Hood and carved out his own legacy. Before that, however, people pretty much hated Jason. I think I mainly liked him because he was Robin when I started paying attention and I saw through him being a prickish pain in the ass and knew that there was something deeper inside him that was needing to come out. The problems Jason presented Bruce/Batman with were different than Dick Grayson’s, the original Robin. He simply made things more interesting, as you knew his attitude and temperament would somehow come to a head in a big way.

While I love this story and I really liked how it altered the Batman series going forward, I always thought that Jason died too early and that they missed out on exploring him more. I guess that’s why I really gravitated towards his stories when he finally did return, nearly two decades later.

In regards to this story, it’s exceptionally well written and presented with great care and a respect for the character, even though the fans called a hotline and actually voted for Jason Todd to die.

This is still one of the best, all-time classic Batman stories ever written. It also has great art by Jim Aparo.

I liked that this takes things out of Gotham City and that the story is kicked off by Jason Todd discovering that his biological mother is out there, somewhere. He goes in search of her and while that’s happening, The Joker is off selling a missile to a Middle Eastern tyrant, which brings his story and Jason’s crashing together in a tragic and emotional way.

Jason does find his mother but what he finds with that costs him his life and turns Batman into someone that wants vengeance against The Joker for what he did to the child that Batman was supposed to raise and protect.

This is a pretty heartbreaking story that has stood the test of time and is still emotional, even if you are aware of what actually happens to Jason Todd after his death.

If you are a fan of the Caped Crusader and haven’t read this, you probably should.

Rating: 9.5/10
Pairs well with: other Batman comics of the late ’80s/early ’90s, as well as the early Red Hood stories from the ’00s.

Comic Review: Batman: The Complete Hush

Published: October 8th, 2013
Written by: Jeph Loeb
Art by: Jim Lee

DC Comics, 298 Pages

Review:

Batman: Hush is highly regarded as one of the best Batman stories of its era and honestly, it doesn’t disappoint. I hadn’t read it for over ten years but after recently watching the animated film adaptation, I wanted to give the source material a read again.

I’m happy to say that this lived up to my memories of it, as it’s just a great, well-layered story, where even if you figure out the big mystery, it doesn’t wreck the plot because there are so many surprises still woven in.

This features a lot of characters from both sides of the law but it doesn’t become bogged down by it and everyone truly serves a purpose with how they’re all tied to the main plot.

It shouldn’t be a surprise that this is good, simply because Jeph Loeb wrote it and he teamed up with the great Jim Lee, who provided some of the best and most iconic art of his career for this tale.

Hush is a solid comic book on every level. Saying too much about the plot might ruin things and this is a book that I definitely recommend. I’d rather people read it and discover its greatness for themselves.

Rating: 9/10
Pairs well with: other major Batman story arcs from the late ’90s and early-to-mid ’00s.

Comic Review: Superman: Last Son of Krypton

Published: October 8th, 2013
Written by: Geoff Johns, Richard Donner
Art by: Adam Kubert

DC Comics, 252 Pages

Review:

I wanted to read this because it was the first official comic book appearance of General Zod, the made-for-the-big-screen villain from the first two Superman movies by Richard Donner.

What makes this even cooler is that Donner worked on this story with Geoff Johns.

This collection is actually two separate stories. However, they both feature Zod with the first one being primarily about the character and his introduction into DC Comics canon. The second story primarily features Brainiac as the antagonist.

Ultimately, this was a really good read and one of my favorite Superman trade paperbacks of recent memory. Both stories were solid and they actually connect in a way that makes wedging both of them together, a more enjoyable, overall narrative.

I thought that Donner and Johns came up with a pretty satisfying story to introduce Zod and his family. I also thought that the Adam Kubert art was top notch but I’ve also always loved all the Kuberts.

If you grew up with the two Donner Superman films like I did, this should definitely peak your interest. It’s a worthwhile story that was both engaging and entertaining while also being a great homage to Donner’s Superman film work.

Rating: 7.75/10
Pairs well with: other Superman comics featuring General Zod.

Comic Review: Super Powers by Jack Kirby

Published: 1984-1985
Written by: Jack Kirby, Joey Cavalieri, Paul Kupperberg
Art by: Jack Kirby, Mike Royer, Greg Theakston, Mike Thibodeaux

DC Comics, 268 Pages

Review:

When I was a kid and super into G.I. Joe and Transformers, my cousin Billy was super into Super Powers and Marvel’s Secret Wars action figures. In a lot of ways, those two toylines were my introduction to many of the comic book heroes and villains outside of what a six year-old would know.

Playing with Billy’s toys and playsets, I was pretty captivated by them and it is probably a major factor in what got me to read superhero comics, as opposed to just G.I. JoeTransformers and Star Wars.

I never read either of the two Super Powers miniseries, however, so I was pretty excited to pick this up. Also, since this was primarily done by the legendary Jack Kirby, I thought that reading this was long overdue and that not having read this sooner was a major crime against my own soul.

This edition collects both of the miniseries, the first being five issues and the second being six.

Overall, this is a really fun time and other than Mister Miracle, it’s my favorite stuff that Kirby has done for DC. Essentially, this is Kirby writing and drawing the Justice League. It features many of the core League members while also using some of their main villains.

I really like what Kirby did with these characters and I really would’ve liked to have seen this spin off into a Kirbyverse for DC, as his style and charm worked well with these characters. This feels very ’60sish but it works even though this is an ’80s comic.

While Frank Miller and Alan Moore would drastically alter the tone at DC, just after Kirby’s Super Powers, this is a nice contrast to what DC became synonymous with in that decade. 

Rating: 8.5/10
Pairs well with: Jack Kirby’s other work at DC Comics, as well as ’80s Justice League comics.

Comic Review: Infinite Crisis

Published: 2005-2006
Written by: Geoff Johns
Art by: Phil Jimenez

DC Comics, 241 Pages

Review:

I hated Crisis On Infinite Earths but I had hoped that this more modern version of it would’ve been more to my liking. I guess it is better but not by much because it falls victim to the same bullshit.

It’s overloaded with characters to the point that it’s difficult to follow and it just becomes a mega clusterfuck, trying to be larger than life while wedging a fuck ton of characters into double splash pages.

DC likes doing these big events that try to “reset” the multiverse and all they do is become overly complicated messes that ignore their own established rules because new writers don’t have time to read the old stuff or pay attention to it. In Geoff Johns’ defense, the event this is a spiritual sequel to was a convoluted shitstorm, so I don’t blame him for paying it no real mind.

If I’m going to try and look at the positives, there is really only one: the art by Phil Jimenez. It’s spectacular and it is lively and even if I don’t enjoy the story, it’s hard not to get caught up in the absolute beauty of Jimenez’s work. It’s stunning and even on those overcrowded splash pages, he fills the space magnificently and dynamically.

Apart from that, there’s not much to say. This isn’t as messy as its predecessor but it is still an over-sized shit meatball.

Rating: 5/10 – because of the art more than anything else.
Pairs well with: other massive DC Comics events that are overloaded with characters.

Comic Review: Deathstroke, Vol. 2: God Killer

Published: March 1st, 2016
Written by: Tony Salvador Daniel
Art by: Tony Salvador Daniel

DC Comics, 134 Pages

Review:

Hands down, this is one of the coolest and most fun Deathstroke comics that I have ever read. Kudos to Tony S. Daniel for crafting something so damn energetic and enjoyable!

The story follows Deathstroke, as he is given a special weapon that has the power to essentially kill a god. It also controls its wielder and can change shape and morph into whatever is needed to win the battle. Slade is sent to Wonder Woman’s island and tricked into resurrecting an evil god that can bring destruction to the world.

Initially, he gets into fights with Wonder Woman and Superman, while using his new, magical weapon, but the three figure out that they had better work together if they’re going to bring this evil god down.

The story is very mythological based, which is kind of neat for a Deathstroke tale. It goes into new and exciting territory and also pairs him up with two iconic heroes that he seldomly interacts with. Within this story, I like the dynamic of the three working together and it feels like DC’s holy “Trinity” but with a darker, harder edge.

This is fantastical, action packed and badass.

On top of that, Daniel’s art is superb and I like his style quite a bit.

Man, this was just a blast and it completely caught me off guard.

Rating: 9.5/10
Pairs well with: the rest of the 2014-2016 Deathstroke run, as well as the Christopher Priest era that followed.

Comic Review: Crisis On Infinite Earths

Published: 1985-1986
Written by: Marv Wolfman
Art by: George Perez

DC Comics, 359 Pages

Review:

Crisis On Infinite Earths is one of DC Comics’ sacred cows. Yet, I’ve never had much urge to read it because my experience reading massive DC Comics crossovers has never been that great.

But now I have read it because I felt like it was long overdue and because this is a storyline that is referenced a lot, still to this day, thirty-five years later.

The first problem with this story might be apparent by the number of tags at the top of this post. It’s overloaded with so many characters that it is mostly a convoluted clusterfuck of biblical proportions.

In fact, this post may be the record holder for the number of tags I had to add to it. And frankly, that’s not all the characters, just the ones I know because two-thirds of the characters here are generic one-offs or so minute to the DC universe that they aren’t worth noting.

Now I know that some people love the splash pages from this series, as they showcase dozens (if not over a hundred) different characters all in one giant image. If I’m being honest, I’ve always disliked them and they are why I never really wanted to read this. Most of the action is minimal and many of these scenes are just characters standing around. They lack the energy that a splash page needs and look more like they belong in a Where’s Waldo? book. And I don’t say that to come off as a dick because I almost always love George Perez’s art. This just seems like DC management telling Perez to squeeze in as many characters as artistically possible. It’s hard on the eyes and it’s shit.

Another big problem with this twelve issue story arc is that every moment feels larger than life. Well, when everything is so big and grandiose, that becomes normal and status quo. You can’t possibly go bigger and with everything being so big from start to finish, none of it is memorable. It’s just a busy, stressful read without allowing the reader to catch their breath and reflect on what’s happened. It’s kind of like a Michael Bay movie. Throw so much intense shit at the audience, don’t let them stop and think and they’ll just move from point A to point B to point C and so on, forgetting everything that happened two points prior.

This event was made in an effort to sort of reset the DC universe. Honestly, all it does is make a giant fucking mess of things and splatters the mess all over everything it touches.

The plot doesn’t make sense, I’m not sure what exactly changed and with so many universes crashing together into one, it’s not properly organized and then re-established in any sort of way that a reader can follow. If this was supposed to be a jumping on point for readers in 1986, I don’t know how they made sense out of any of it and then knew which characters to follow.

The main reason for the previous sentence is that this is so overloaded with people that you don’t get to really know any of them. There is no character development and this is written in a way that it assumes the reader knows all about every character in the story. For a seasoned comic book reader like myself, who has been reading comics for three and a half decades, I was lost and didn’t know who half of the low tier characters were.

Crisis On Infinite Earths should have been written as a Justice League story with some inclusion of the Fawcett Comics characters and the Golden Age DC heroes. All the third tier and lower characters could have made cameos but even then, they don’t really need to.

I really hoped that this was going to pleasantly surprise me but it hurt my head.

It was too much, too big and too long.

Rating: 4/10
Pairs well with: mid-’80s DC Comics titles, as well as all the other massive DC crossover events.

Vids I Dig 216: Comic Tropes: The History of Every ‘Crisis’ in DC Comics

From Comic Tropes’ YouTube description: The CW is adapting DC Comics seminal crossover event Crisis on Infinite Earths. This video takes a look at the various Crisis stories in DC Comics which have been running since the 60s. The word “crisis” in a title in DC Comics tends to imply an epic event with changes to their ongoing comics.