Published: August 16th, 2016 Written by: Tony Salvador Daniel, James Bonny Art by: Tyler Kirkman
DC Comics, 136 Pages
Man, oh, man. I’ve really been enjoying the hell out of Tony S. Daniel’s Deathstroke run and it may be my favorite run on the character since his solo series debut back in 1991. But honestly, I find these stories to be even more fun than those and I like how the personality of Deathstroke has changed over the years and especially, how he’s presented in this series.
Deathstroke is still a badass, cold mercenary but he’s become driven in an effort to find his missing daughter and to try and fix their relationship.
I also like that he was made younger and how that kind of freshens him up and gives him extra vigor.
Additionally, I really like his interactions with Harley Quinn throughout this series, as she’s the version of the character I like best. She’s not a goofy female wannabe Deadpool, as she’s become in recent years, and she’s more of a broken yet clever person, playing everyone in the story in a way that benefits her. Plus, she’s also pretty badass too.
While this volume does end on a cliffhanger, I didn’t mind that, as this has been so good, I’m going to read the fourth and final volume, regardless. But at the same time, even with a cliffhanger, this is a good self-contained story that’s broken out into two parts: the first sees Deathstroke raid Belle Reve, where he has to fight Suicide Squad members and the second, which sees him fight Red Hood and involves a major double cross that sets up the finale.
From the writing to the art, this is solid from top to bottom. It’s a great run on the character and even though I loved Christopher Priest’s run that followed, it didn’t have the same sort of energy and pace.
If you are a fan of the character, you should probably check out the entire Tony Daniel run from 2014-2016.
Rating: 8.5/10 Pairs well with: the rest of the 2014-2016 Deathstroke run, as well as the Christopher Priest era that followed.
Published: August 1st, 2017 Written by: Joshua Williamson Art by: Carmine Di Giandomenico, Jesus Merino
DC Comics, 163 Pages
I know I’ve said it before but I’m not a huge fan of Flash comics. I like the character and loved the TV show from 1990 but when it seems like he’s wrapped up in stories with a dozen other characters with the same powers, it’s boring. This is why I quit watching the modern TV show on the CW.
However, I have always enjoyed Flash’s Rogues because they present different types of challenges other than whether or not the fast guy can catch the other fast guy.
That being said, I picked this story arc up, leapfrogging over the first two volumes because it focuses on the Rogues.
Overall, I was really happy with this story. It was entertaining, fun and had a good plot with a nice twist worked in.
Now the Rogues story only covers about the first half of this collection but the followup story was also good.
Maybe I will give Joshua Williamson’s other arcs a read.
The thing is, I want to like the Flash but in modern times, the comic has the same issues that the television show does. But this story reminded me of Flash comics from the ’80s when I first checked out the character. Back when he’d fight Captain Cold, the Trickster, the Mirror Master and Gorilla Grodd a lot.
Rating: 7.5/10 Pairs well with: I’m assuming, Joshua Williamson’s other Flash stories.
Published: November 7th, 2018 – April 3rd, 2019 Written by: Mike W. Barr, Jai Nitz Art by: Phil Briones, various
DC Comics, 260 Pages
I didn’t really know what this miniseries was going to be about when it came out, I just knew that it was full of a lot of characters, many of whom were new to the Suicide Squad.
What this is, is a miniseries where each double-sized issue is broken into two halves, telling two six issue story arcs. Although, they are somewhat joined as this serves to closeout the Suicide Squad team that’s been around for a few years while introducing the readers to a new team, who seem to be in line for an upcoming series of their own.
While this series was going on, the regular, monthly Suicide Squad comic came to an end with it’s 50th issue.
The two stories here were pretty decent but nothing exceptional. Between the two plot threads, I preferred the one centered around the newer team. So I guess that’s good, considering that they seem to be taking over as the primary Suicide Squad soon.
But I don’t know if this miniseries was enough to entice me to buy the new team’s books. I may give it a whirl and see how I feel about it after a few months but I was getting burnt out on the regular Suicide Squad title before it even got to it’s 50th issue finale.
If anything, the new team feels kind of like the Suicide Squad equivalent to the Justice League Dark. I’m kind of getting bored with Justice League Dark too, even though it started with a mighty bang.
Ultimately, it just feels as if a lot of the DC titles seem aimless, as of late. I don’t know where any of them are going and I’m not sure that there’s much of a cohesive plan by editorial.
Rating: 6.5/10 Pairs well with: the regular Suicide Squad series before it and I’m assuming an upcoming Suicide Squad Black series to follow up with the events here.
Published: April 24th, 2018 Written by: Scott Lobdell Art by: Joe Bennett, Tyler Kirkham, Dextor Soy
DC Comics, 188 Pages
Out of all the volumes of the Red Hood comic that focus on the trio of Red Hood, Artemis and Bizarro, this is my favorite.
Man, this story was solid as hell and it was also a pretty emotional due to how we see Bizarro die, come back to life as a super-genius and then find out that he is still going to devolve into a dumb brute again.
For long-time fans of Jason Todd, this is especially emotional, as we see him finally find a sense of family that has eluded him for so long. He’s no longer alone, he’s with people he loves but you get the sense that it’s all going to be taken away from him in the near future. Re-reading these issues now, it certainly adds more context to his more recent stories.
Scott Lobdell has done such a fantastic job with this series and even though my pull list from my local comic shop keeps shrinking, this is a series I just don’t want to give up. It’s much better than the industry standard in modern times and it is awesome that there is top tier talent working on a book that mainly features B or C level characters.
This volume actually collects three short story arcs, which see cameos from a lot of cool characters like the modern Suicide Squad, Nightwing, the modern Bat-family, Lex Luthor and others.
I’m also now a big fan of Dexter Soy’s art style. I didn’t know much about him before this series but the issues he works on just look fantastic.
Red Hood and the Outlaws is one of the best DC Comics titles of the last few years. I wish more people would read it, even if the most recent stuff is a bit different due to Jason Todd being alone, once again. But I feel as if that’s leading to him reuniting with his Outlaw family.
With DC cancelling a bunch of titles in the very near future, I really hope that this isn’t one of them.
Rating: 8.75/10 Pairs well with: the other Red Hood and the Outlaws collections post-Rebirth. Also, the recent Bat-family titles: Nightwing, Batgirl and also the current runs on Suicide Squad and Deathstroke.
Published: July 18th, 2018 – January 2nd, 2019 Written by: Tim Seeley Art by: Freddie E. Williams II, Jeremy Colwell Based on:Masters of the Universe by Mattel, Injustice by NetherRealm Studios
DC Comics, 153 Pages
I haven’t played the Injustice video games or read the comic books. I get the gist of it though, so being a long-time fan of Masters of the Universe, I thought that the idea of seeing He-Man and his world mix it up with the DC Comics universe was a cool idea.
However, I did have to go into this with some skepticism, as most comic book crossovers of unrelated intellectual properties usually don’t leave us with great results.
This one was pretty good though. I can’t say that it was completely compelling but the story did a good job of wedging in a lot of characters while managing multiple plot threads. This had many layers to it and all of them kept me engaged.
I think the thing that I liked most about this was the art. It just felt perfect for a Masters of the Universe story, as it reminded me of the art of the old comics they used to package with the toys. It just drummed up nostalgia on a pretty high level and it was very effective.
This lasted for six issues but I feel like it could have been better if it was a bit longer. While it works well in the space it was given, I felt like some confrontations were rushed through and some of the action suffered a bit. There were just some cool ideas here that could have been explored just a little bit more than they were but I don’t want to spoil the story details for those who want to read this.
Overall, this was pretty damn good. Tim Seeley told a fun story within two very different worlds that I love and the art was perfect for what this project was trying to convey.
Rating: 7.75/10 Pairs well with: other Masters of the Universe crossovers and the Injustice comics, as well as regular Justice League stories.
Release Date: March 23rd, 2018 (Anaheim premiere) Directed by: Sam Liu Written by: Alan Burnett Based on:Suicide Squad by Robert Kanigher, Ross Andru, John Ostrander Music by: Robert J. Kral Cast: Christian Slater, Billy Brown, Liam McIntyre, Kristin Bauer van Straten, Gideon Emery, Tara Strong, Vanessa Williams, C. Thomas Howell, Greg Grunberg
DC Entertainment, Warner Bros. Animation, DR Movie, 86 Minutes
“I know I’m going to Heaven – anyone who can put up with Mr. J deserves a break.” – Harley Quinn
It seems as if these DC Comics animated movies are getting better and better. Pretty much most of the stuff that Sam Liu produces and directs is top notch. Also, I love that these are for an adult audience.
While I pretty much hated the live action Suicide Squad movie, I’ve been a fan of the comics for some time. This animated feature does a pretty good job of capturing that magic in a way that the live action film completely missed.
The voice cast in this was really good too and I especially enjoyed Christian Slater as Deadshot. I hope he plays the character more in the future and if this spawned its own series, I’d watch the followups.
This movie is violent but it works, as this film is presented in a grindhouse style. Now the look of it is crisp and clean like other DC animated films but it has that modern grindhouse edge to it in it’s credits sequences, editing style and musical score. While the modern grindhouse thing really peaked with Tarantino and Rodriguez’s Grindhouse movie over ten years ago, it’s interesting seeing that style in this format.
The story is also good and it sets up a situation where these characters have a sort of loophole to work around the protocols the government has in order to control these villains forced to do good. There is a lot of back stabbing, twists and turns.
This also features a ton of villains whether they are members of the Suicide Squad or not. And while a lot of characters are crammed into this 86 minute picture, everything flows well.
This is solid. It’s one of the better DC Comics animated features to come out.
Rating: 8.5/10 Pairs well with: other recent DC animated features for adult audiences.
Published: August 8th, 2018 – September 19th, 2018 Written by: Rob Williams, Dan Abnett Art by: Jose Luis, Vicente Cifuentes
DC Comics, 128 Pages
Did you ever want a crossover that features the Suicide Squad and Aquaman? Well, you’ve got one! And while it didn’t start off all that strong, it ended up being a lot of fun and I enjoyed this short four-issue crossover.
The story takes place in Suicide Squad issues 45 and 46, as well as Aquaman issues 39 and 40.
The Suicide Squad team is a bit different after a key member has died, as well as a slight roster shakeup. The important members in this story are Harley Quinn, Deadshot and Killer Croc. We also get Lord Satanis, who ends up being a villain with his own agenda. On the Aquaman side, we get action from him and King Shark. Mera is also heavily involved in the story.
The real highlight of this entire event though, is the battle between Killer Croc and King Shark, a fight I never knew I wanted.
For the most part, this turned out better than the first issue led me to believe. The story was a bit weak and the threat, while somewhat large, was perpetrated by a very minor villain that most people won’t even remember.
I thought the art was good and most of the dialogue was decent.
Now had Harley become Queen of Atlantis, that would have been more entertaining.
Rating: 6.75/10 Pairs well with: The Suicide Squad and Aquaman story arcs that led up to this.
Published: May 9th, 2018 – July 11th, 2018 Written by: Rob Williams Art by: Eduardo Pansica, Julio Ferreira, Adriano Lucas, various
DC Comics, 103 Pages
I haven’t read a Suicide Squad comic in awhile but the idea of Batman teaming up with Deadshot peaked my interest. I’ve also liked DC Comics much more than Marvel, as of late, and their titles that deal with former or reforming villains have been really solid. The other comics I’m referring to are Deathstroke and Red Hood and the Outlaws and maybe even The Silencer fits in there, as her backstory doesn’t paint a heroic picture.
The premise for this is great. Batman breaks Deadshot out of Amanda Waller’s prison. The two then go on a road trip in an old pickup truck in an effort to stop a snake cult that has abducted Deadshot’s daughter. Also, the Suicide Squad is in hot pursuit. What’s not to love?
I liked the art and the character design in this arc. I also thought that the story was well-written and it made some good connections between the characters of Batman and Deadshot. Mainly, Batman, whose son was raised by a cult, doesn’t want to see the same fate befall Deadshot’s daughter, who the Kobra cult are trying to use to be a vessel for their dead leader.
Amanda Waller is pissed about the prison break and knows Batman was involved, even though there is no proof of it. She unleashes Harley Quinn, Captain Cold and Captain Boomerang to bring him in dead or alive.
My only real complaint is how the comic portrays Harley. She is made to be a dumb character for comedic effect and while I don’t blame this specific writer, I blame DC for downplaying her actual intelligence all the time. It was fine for Batman: The Animated Series but in the comics she shouldn’t be a goofy caricature. The Joker is a clown but he’s not an idiotic buffoon, he’s super intelligent and that makes him scary and formidable. This version of Harley Quinn would never be put on some special forces task force used by the government. I mean, she doesn’t even know the difference between a helicopter and a submarine. I haven’t really read anything with Harley since the DC Rebirth started but I had hoped that she was more like her live action film counterpart and less like her cartoon version. It’s time to make her something better than DC’s version of Squirrel Girl. I mean, she was a professional psychologist for fuck’s sake.
But moving on!
This was an entertaining and badass read. I hope this means that Deadshot is going to continue down some sort of path to redemption. DC is doing this with Deathstroke and I like how that’s gone so far. I wouldn’t mind seeing Deadshot also evolve into a character that isn’t just a throwaway assassin type to toss randomly into a story whenever one is needed.
After reading this arc, I had Suicide Squad added to my pull list at my comic shop. So we’ll see how it goes moving forward. But if the quality dips too far below this, I’ll cancel it and move on.
Rating: 7.75/10 Pairs well with: The current runs on Deathstroke, The Silencer, Red Hood and the Outlaws, Nightwing and Batman.
Release Date: August 1st, 2016 (Premiere) Directed by: David Ayer Written by: David Ayer Based on: Characters from DC Comics Music by: Steven Price Cast: Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Scott Eastwood, Cara Delevingne, Ben Affleck, Ezra Miller
DC Entertainment, RatPac-Dune Entertainment, Atlas Entertainment, Warner Bros., 123 Minutes (theatrical), 136 Minutes (extended cut)
Let me start by saying that I am really glad that I didn’t pay to see this movie in the theater. From the awful trailers, I expected this to be pretty bad. Well, it somehow managed to exceed the negative expectations I had for it.
It sucks, because on paper, this is a movie I should have loved. I really wanted it to be great. But ultimately, it goes to show that DC has no idea how to make a movie unless Christopher Nolan is in charge of it. I mean, between this, Batman v Superman: Dawn of Justice and Man of Steel, I already want DC to start over.
I watched the extended cut of the film, as I heard that it fleshed things out and made the story more coherent. It did? Because what I got was a very disjointed clusterfuck that made little-to-no sense at all. The film was hard to follow due to its inconsistent pace, awful editing and never really being able to explain what is happening on screen in any sort of intelligible way.
The biggest issue with this picture isn’t that it is a giant mess that plays more like a series of vignettes. The biggest issue is that it is trying so damn hard to be cool and edgy.
First is the music. Yes, there are great and iconic songs in this movie. However, they’re all songs already used in other films, in other iconic scenes. It’s like David Ayer made a Pandora station called “cool music from cool movies” and then just used the first twenty tracks that played. It was really a piss poor use of those songs and their usage doesn’t make much sense, for the most part, except to establish, “Look how cool we are using this cool song that everyone knows is cool! Aren’t we fucking cool?! C’mon, we’re cool, right?!”
Apart from the pop tunes, the score of the film is boring and generic. Suicide Squad is another movie, in a long line of blockbusters, that can’t give us any memorable themes to sink our teeth into. Long gone are the days of Danny Elfman’s Batman theme, John Williams’ Superman theme and a slew of others.
Then you had Will Smith’s Deadshot, in 2016, dressed like a cool character from a 70s blaxploitation flick. Killer Croc only cared about having BET in his cell, El Diablo had to play up the Mexican gangster card to the max and everyone else was too uninteresting to matter.
Harley Quinn was tolerable but pretty one-dimensional. The film does nothing really to show how she falls for the Joker. There are just a few flashbacks but they aren’t even that important. Sure, she proves her love by jumping into a vat of chemicals but why? Where is the build to that? How did she go from a presumably normal psychiatrist to Harley Quinn? I mean, I know, because I read the comics. But it is obvious from Suicide Squad that the people behind the movie never read them or just didn’t care enough about the character to give her life.
The Joker was awful. You had him covered in juvenile tattoos unfitting of the character. The Joker also had fronts in his teeth while being some sort of nightclub owner that cared about supercars and living in opulence. The Joker was also more of a wannabe punker trust fund kid than anything that felt Joker-like, at all. It was like some angry rich emo teen saw the real Joker on television and did his best trying to emulate him, all while never actually understanding the character. Wait, this is Jared Leto playing the Joker, so this is exactly what happened in real life.
The villain is the Enchantress. She is a boring villain. Granted, she is super powerful but that just makes me wonder why this “suicide squad” of extremely dangerous villains, mostly without superpowers, is sent to take her down. Where is Batman? Where is Wonder Woman? Aquaman? The Flash? Superman is “dead”, if this fits in the timeline after Batman v Superman. But seriously, wouldn’t any of those people be more capable and experienced? And the leader of this squad is a guy who has an emotional attachment to the villain? So the one good guy holding it together and trying to control these villains, is an emotionally unstable wreck?
The writing in this film sucks. The dialogue sucks and just serves the overall point of this whole film, “Ooh, ooh! Look how cool we are!”
The movie is also over two hours, which was too long. It should’ve been 90-100 minutes. 105, max. There was so much useless garbage scene-wise. Maybe the problem is the fact that they don’t even set off on their mission until 43 minutes into the picture.
What really sucks, is that the Suicide Squad was already on the CW show Arrow. They were handled really well and their story was building good momentum. Then because of this film being made, DC told the producers of Arrow to nix those characters. So a really good live-action version of the Suicide Squad was sacrificed to give us this shitty film.
David Ayer made a really bad movie. But that doesn’t seem to matter, as DC is letting him make a spin-off called Gotham City Sirens. That film is supposed to feature Harley Quinn and other female Batman villains.
It takes a lot for me to really hate a film. I hate this film. Comic book films have jumped the shark and at this point, it feels like exploitation of the original creators’ characters for a quick buck. DC Comics has yet to make a film that has any sort of soul. Suicide Squad is the worst of them, so far. I want to give Wonder Woman and Aquaman a chance but man, am I losing faith. Not that I had much since Man of Steel.