Release Date: October 6th, 2020 Directed by: David A. Weiner Written by: David A. Weiner Music by: Weary Pines Cast: Nancy Allen, Tom Atkins, Joe Bob Briggs, Doug Bradley, Clancy Brown, Lori Cardille, John Carpenter, Nick Castle, Larry Cohen, Jeffrey Combs, Barbara Crampton, Sean S. Cunningham, Joe Dante, Keith David, Robert Englund, Stuart Gordon, Andre Gower, Kane Hodder, Tom Holland, Chris Jericho, Jackie Kong, Heather Langenkamp, Don Mancini, Harry Manfredini, Kelli Maroney, Bill Moseley, Greg Nicotero, Cassandra Peterson, Diana Prince, Linnea Quigley, James Rolfe, Robert Rusler, Tom Savini, Corey Taylor, Gedde Watanabe, Caroline Williams, Alex Winter, Tom Woodruff Jr., Brian Yuzna
CreatorVC, 263 Minutes
Everything I said in my review of the first film in this series still holds true for this one. Reason being, they’re exactly the same in what they are. It’s just that each one features different films.
I think that I like this one a wee bit better for two reasons.
The first, is that I already know what I’m getting into now. I know that this will just fly through dozens of films and not give them the proper amount of time they deserve. As I said in the previous film’s review, I’d love to see each section spread out into a full episode and have these films actually be a streaming series.
The second reason, is that I like that the films are getting more obscure, as there were a few here I hadn’t heard of. With that, I walked away from this with a list of shit I need to watch and review.
Apart from that, this was more of the same. That’s not a bad thing, at all. I just wish that these documentaries didn’t fly through films and other topics so quickly.
I still like these, though. I know there’s a third one coming, which I look forward to, and there’s also one coming out on ’80s sci-fi flicks.
Rating: 8/10 Pairs well with: the other documentaries in the In Search of… series, as well as other documentaries on ’80s horror.
Also known as: Ghost… Dolls! (Thailand), Bonecos Assassinos (Portugal), Bonecas Macabras (Brazil) Release Date: March, 1987 (Los Angeles International Film Festival) Directed by: Stuart Gordon Written by: Ed Naha Music by: Fuzzbee Morse, Victor Spiegel Cast: Stephen Lee, Guy Rolfe, Hilary Mason, Ian Patrick Williams, Carolyn Purdy Gordon, Cassie Stuart, Bunty Bailey, Carrie Lorraine
“And they remember you, Ralph. Toys are very loyal, and that is a fact.” – Gabriel
I originally saw this years ago and then a few more times on VHS when I was a teenager. It’s been a really long time, though, and it’s one of those movies that I enjoyed but hardly remember. I also didn’t realize, until more recently, that it was directed by Stuart Gordon and produced by Brian Yuzna, the guys behind Re-Animator and a slew of other mindfuck horror pictures.
What stood out the most to me, seeing this with pretty fresh eyes, is how damn good the special effects were. Considering this was made for very little money by a production company I’ve never even heard of (and I’m a massive ’80s film buff), the practical special effects were absolutely impressive.
However, I guess the level of craftsmanship in regards to the effects should be somewhat expected, as these guys did so much with so little in Re-Animator and From Beyond. The effects here are very different, though, as they had to create tiny dolls and have them interact with full-sized humans.
I’m assuming that they relied on stop-motion animation, some animatronic and puppetry work, as well as having some actors in costume or partial costumes to create the doll effects.
Beyond that, the story is pretty hokey and the acting isn’t anything to write home about but the film is still very enjoyable because the spectacle of it is really entertaining and as I’ve already said, technically impressive.
While I can’t consider this a classic or even near the top of Gordon or Yuzna’s best, it’s still a hell of an accomplishment that worked out satisfactorily. It’s just a goofy, fun flick with a lot of creativity put to good use and executed well.
Rating: 6.5/10 Pairs well with: other doll-centric horror films of the ’80s and ’90s.
Release Date: October 6th, 2019 (Beyond Fest premiere) Directed by: David A. Weiner Written by: David A. Weiner Music by: Weary Pines Cast: Tom Atkins, Doug Bradley, Joe Bob Briggs, Diana Prince, John Carpenter, Larry Cohen, Jeffrey Combs, Barbara Crampton, Sean S. Cunningham, Joe Dante, Keith David, Stuart Gordon, Kane Hodder, Tom Holland, Lloyd Kaufman, Heather Langenkamp, Kelli Maroney, Bill Moseley, Greg Nicotero, Cassandra Peterson, Caroline Williams, Alex Winter, Brian Yuzna, various
CreatorVC, 264 Minutes
I was anticipating this documentary for a long time. So once it ended up on Shudder, I had to check it out. But holy shit!… I wasn’t expecting this thing to be four and a half f’n hours! Not that I’m complaining but I had to make an entire night out of this thing.
Realistically, this probably would’ve worked better as a documentary television series with an episode focused on each year in the decade. They could’ve expanded even further in that format but then this was crowdfunded and not a traditional production.
Still, this was a cool documentary and while it does jump from film-to-film too fast, it covers a lot of ground. Obviously, it can’t feature every horror film from the ’80s, as there were hundreds (if not thousands) but it does hit on most of the important ones.
This goes through the films in order of their release but it also has a few breaks between each year that focuses on other aspects of ’80s horror.
This is mostly talking head interviews with a few dozen different people, spliced together with footage from all the films they’re talking about. It kind of plays like one of those VH1 I Love the ’80s shows but it is a lot less smarmy. Well, for the most part. There is one guy that kept popping up that I wanted to punch because he was oozing with failed comedian smarm.
Overall, though, this was worth the wait. As I’ve said, I wish it could’ve given more on each film but even four and a half hours isn’t enough time to do more than just scratch the surface with the rich history of ’80s horror.
Rating: 7.75/10 Pairs well with: other documentaries about ’80s horror and horror franchises.
Release Date: July 24th, 2008 (Comic-Con International Independent Film Festival) Directed by: Frank H. Woodward Cast: Ramsey Campbell, John Carpenter, Guillermo del Toro, Neil Gaiman, Stuart Gordon, S. T. Joshi, Caitlin R. Kiernan, Andrew Migliore, Robert M. Price, Peter Straub
Wyrd, 24 Frames, BintFilm, 90 Minutes
I didn’t know if there was a good documentary on H.P. Lovecraft but I felt like I wanted to watch one, so I found this. Luckily enough for all those who are interested, it is streaming for free on YouTube. Granted, that could change at any moment.
What’s great about this is that it is a pretty legit and well produced documentary. It features several notable people between Neil Gaiman, Guillermo del Toro, John Carpenter, Stuart Gordon, Peter Straub and others.
This goes through all the motions like you’d expect it to, as it discusses Lovecraft’s childhood, the things that shaped him and then it delves deep into his work and what it meant to people, primarily those being interviewed.
Overall, this is pretty standard, even though it definitely doesn’t feel like some hastily thrown together extra for a random horror box set. It’s a documentary created to stand on its own and it does quite well.
All of the interviewees did a good job providing stories, context and discussing how Lovecraft has influenced their creations.
It’s definitely worth checking out for fans of Lovecraft’s work, the stories he’s inspired or even just his film adaptations like Re-Animator, From Beyond, Dagon and more.
Rating: 7.5/10 Pairs well with: H.P. Lovecraft film adaptations, as well as other documentaries about great literary figures.
Also known as: H.P. Lovecraft’s Dagon (US complete title), Dagon: Sect of the Sea (alternative), The Lost Island (Philippines) Release Date: October 12th, 2001 (Spain – Sitges Film Festival) Directed by: Stuart Gordon Written by: Dennis Paoli Based on:The Shadow Over Innsmouth by H.P. Lovecraft Music by: Carles Cases Cast: Ezra Godden, Francisco Rabal, Raquel Merono, Macarena Gomez, Brendan Price
ICCA, Generalitat de Catalunya, Institut Català de Finances, Televisió de Catalunya, Televisión de Galicia S.A., Vía Digital, Xunta de Galicia, Castelao Producciones, Estudios Picasso, Fantastic Factory (Filmax), Lionsgate, 95 Minutes
“You cannot care for her. You do not dream of her! You will go soon to a beautiful place. You will forget your world and your friends. There will be no time, no end, no today, no yesterday, no tomorrow – only the forever and forever, and forever without end. It is your fate. It is your destiny.” – Uxia Cambarro
Stuart Gordon and Brian Yuzna are no strangers to Lovecraftian horror but this film is the closest thing to the source material that they have ever produced. And while this isn’t better than their earlier films: Re-Animator and From Beyond, it is still a solid, good effort that is better than most of their films after the 1980s.
While Dagon is the title of a short story from H.P. Lovecraft, this film is actually an adaptation of Lovecraft’s novella, The Shadow Over Innsmouth.
The two major difference is that the setting was shifted to a Spanish fishing village called “Imboca”, as opposed to “Innsmouth”, Massachusetts. Also, the aquatic deity Dagon takes on more of a Cthulhu appearance, whereas in the originally story his was humanoid with fish-like features.
I like this film for the most part. In all honesty, my only real complaint were the digital effects. They looked cheap, horribly cheap. They looked worse than what the standard was in Sci-Fi Channel movies circa 2000. However, the practical effects really make up for it, as the gore that was created physically, comes off as pretty damn good. But the problem with this is that there is so much variance in quality between the great practical effects and the abysmal digital effects that it breaks the movie for me. It’s, at times, pretty jarring. Especially, when both are utilized in moments that run so close together.
Also, the acting is pretty shitty but its not so bad that it goes to lower depths than one would expect from this sort of picture. It’s just nothing to write home about and so much of it comes off as really hokey. This could also be due to the quality of the dubbing, as this is a Spanish film and a lot of the dialogue needed to be dubbed over for the American video release. Usually dubbing from Spanish language films isn’t too much of a distraction but there are some scenes that look very out of sync.
The story is pretty compelling though. But this doesn’t do anything to surprise you other than some shocks with the amount of gore towards the end. But, if I’m being honest, none of the gory stuff exceeds what Gordon and Yuzna have done with their earlier movies. The infamous face peeling scene here is also just a rehash of the infamous face peeling scene that Tobe Hooper gave us in The Texas Chainsaw Massacre 2.
What I dig most about this film is that regardless of its flaws, it is one of the best adaptations of Lovecraft’s work. It’s not “Lovecraftian horror” it is Lovecraft.
Also, the scenes with mutated people slowly walking through the dark streets of the village reminds me of one of my favorite scenes from the Vincent Price starring The Haunted Palace. That was another film that adapted Lovecraft and featured some similar plot points to this film.
Dagon is a pretty cool film to watch, if you are into Lovecraft. It probably won’t resonate for those who aren’t already fans but it does have some solid gross out moments and it’s strange, surreal and unique.
Rating: 6.25/10 Pairs well with: other Lovecraftian horror films: The Call of Cthulhu, From Beyond, Re-Animator, The Haunted Palace and The Dunwich Horror.
Also known as: Stuart Gordon’s Castle Freak Release Date: November 14th, 1995 Directed by: Stuart Gordon Written by: Dennis Paoli, Stuart Gordon Based on:The Outsider by H.P. Lovecraft Music by: Richard Band Cast: Jeffrey Combs, Barbara Crampton, Jessica Dollarhide, Jonathan Fuller
Full Moon Entertainment, 95 Minutes
“I didn’t kill her, I fucked her, Okay?” – John Reilly
Anything that brings the Re-Animator team back together, usually ends with pretty good results. This is the one and only time that it didn’t. I loved the three Re-Animator films and From Beyond but this was pretty friggin’ awful.
Even the acting of Jeffrey Combs, who I usually love in everything, was just off the mark and a bit over the top. Barbara Crampton was fairly decent but not as good as she was in those other films. Jessica Dollarhide, who was only in this movie and had a few TV credits, was actually the high point on the acting side.
The plot, like the other films featuring this director and his cast, was taken from an H.P. Lovecraft story. The film is missing that insane otherworldly feel of the other films though. This is also missing the comedy. Essentially, what we have here is a serious attempt at creating a horror film from a crew that were maestros of really dark comedy movies. It just didn’t work on any level.
The score was exceptionally bad, which was surprising since the man behind the music, Richard Band, worked with this troupe before with fantastic results.
I’m not sure what was wrong with this movie. It was the one time that these people didn’t create magic. It is just so out of tune with their other work that it’s baffling. Maybe it has to do with Full Moon putting out the film, as they’ve made mostly schlock for decades.
Castle Freak unlike this group’s other films, is completely forgettable.
Also known as: H.P. Lovecraft’s From Beyond Release Date: October 24th, 1986 Directed by: Stuart Gordon Written by: Dennis Paoli, Brian Yuzna, Stuart Gordon Based on:From Beyond by H.P. Lovecraft Music by: Richard Band Cast: Jeffrey Combs, Barbara Crampton, Ken Foree, Ted Sorel, Carolyn Purdy-Gordon
“Humans are such easy prey.” – Dr. Edward Pretorius
From Beyond might not be as well-known as Re-Animator but maybe it should be. It is made by the same creative team and even features two of the stars of Re-Animator. Plus, this is also a modern adaptation of another H.P. Lovecraft story. Stuart Gordon made his career off of adapting Lovecraft and this film, may be the most bizarre of all those stories.
To be honest, I like this slightly better than the original Re-Animator but not quite as much as Bride of Re-Animator, my favorite from the series. It is insane in the same way those other films were but this one is different. Where Re-Animator was more like a Lovecraftian version of a Frankenstein story, this is more like Lovecraft mixed with David Cronenberg’s body horror style. Think films like Videodrome, The Fly, Scannersor The Brood.
Jeffrey Combs is a scientist in this film too but he isn’t like Dr. Herbert West from Re-Animator. He is a good guy that got pulled into some really bad stuff and has been horribly effected by it.
Ted Sorel plays the evil doctor in this. His insane and disfigured Dr. Pretorius (named as an homage to the mad scientist from Bride of Frankenstein) is very similar to David Gale’s villainous Dr. Carl Hill from the first two Re-Animator films.
Barbara Crampton reunites with Combs, as the sexy doctor that is interested in the weird experiments in this story but also gets in way over her head. Horror icon Ken Foree gets some good moments in this film and looked like he was fully invested in his part, especially the more physical demands of this picture.
The special effects in this are friggin’ impressive and eclipse what Gordon and Brian Yuzna did in Re-Animator, a year prior. This is such a colorful film with great lighting, mostly employing a lot of high intensity reds and blues at different levels of depth in the shots. While the visual style probably disguised issues with some of the practical special effects, it actually makes them look even better, as the vivid colors just add to the otherworldly feel.
From Beyond is highly underrated and underappreciated. It is sort of lost to time. When I come across fans of the Re-Animator films, I always ask them what they think about this picture. Often times, I discover that they have never even heard of this movie.
This film is bizarre and unique and a hell of a lot of fun. It is disturbing and uncomfortable but has a charm about it. If you like Re-Animator, I don’t know why you wouldn’t like this.
Also known as: H.P. Lovecraft’s Re-Animator Release Date: October 18th, 1985 Directed by: Stuart Gordon Written by: Stuart Gordon, William J. Norris, Dennis Paoli Based on:Herbert West – Reanimator by H.P. Lovecraft Music by: Richard Band Cast: Jeffrey Combs, Bruce Abbott, Barbara Crampton, David Gale, Robert Sampson
Re-Animator Productions, Empire International Pictures, 86 Minutes
“I must say, Dr. Hill, I’m very disappointed in you. You steal the secret of life and death, and here you are trysting with a bubble-headed coed. You’re not even a second-rate scientist!” – Herbert West
Re-Animator is one of those movies I have to go back and rewatch every couple of years. And every time that I do, I am always surprised by it, even though I’ve seen it multiple times.
Reason being, is that much of this movie, especially the final third is so bizarre and surreal that it still sort of shocks the senses. The last fifteen minutes or so crosses certain lines that still make you feel uncomfortable, regardless of how many times you’ve seen the picture. I don’t want to go into the details of it, because I’d prefer not to spoil this movie for those who have yet to see it.
This is a 1980s modernization of an H.P. Lovecraft story. It is somewhat of a spin on the Frankenstein tale but goes to even darker places than Mary Shelley’s literary masterpiece.
The villain (or hero, depending upon your point of view), Herbert West, is a medical student that has just returned from a stint in Switzerland. He has expanded on the work of a notable doctor and has found a way to reanimate the brains of the deceased and thus, their bodies or what’s left of them. It sort of marries the Frankenstein concept and the zombie genre.
The special effects in this film are pretty well done for the most part but the budgetary limitations are very apparent. For instance, the scene where the zombie cat is on West’s back is pretty silly and plays like slapstick but the film really is a black comedy and this plays that up with its hokiness. However, the majority of the zombie effects are well handled and executed.
The cast is decent but it is Jeffrey Combs, as Herbert West, that steals the show and this was a launching pad for his career. He’s since gone on to be a horror icon and become an accomplished voice actor. He also had some great roles in different Star Trek television series, most notably as various incarnations of the villain Weyoun on Deep Space Nine.
Barbara Crampton holds her own and she had to deal with some seriously bizarre and uncomfortable situations in this movie. Props to her for that.
For many, Re-Animator is a bonafide horror classic. It’s a really good film from its era but I’m not as gung ho of a fan of it as many are. I certainly enjoy it and appreciate it but there are many more films from its time that I would put ahead of it. Still, it is effective and has had a lasting impact. It also spawned a few sequels, which I will review in the near future.