Vids I Dig 172: Strip Panel Naked: Using 3D Space in 2D Comic Books

From Strip Panel Naked’s YouTube description: On this episode I look at how Grant Morrison, Frank Quitely and Jamie Grant build a constant approach to showing three-dimensional depth in their comic ‘We3’. Using a constant camera angle that shows off three levels of content, foreground, mid ground and background, in almost every panel. It also leans into that way to show certain movement, showing it not as lateral left to right movement and but as back to front movement. It aims to create a real sense of place and three-dimensional space.

Vids I Dig 156: Strip Panel Naked: A History of Colors on Sean Phillips

 

From Strip Panel Naked’s YouTube description: On this episode I look at how colorists have adapted to Sean Phillips’ work over the years, from Sleeper to Criminal to The Fade Out, Kill or be Killed, and the new Criminal series. Seeing how the search for a more expressionist look finally landed with Jacob Phillips and his painterly approach.

Vids I Dig 138: Strip Panel Naked: Analyzing the Art of ‘The Killing Joke’

 

From Strip Panel Naked’s YouTube description: On this episode I wanted to try and approach the ending of The Killing Joke by Brian Bolland, Alan Moore, John Higgins and Richard Starkings, and see if I could peel back some of the art. The idea was to see how Bolland and Moore approach the panels, and how that helps build and clarify some of the symbolism and subtext if the book, specifically around the ending.

Vids I Dig 122: Strip Panel Naked: The Art of a Mignola Fight Scene

From Strip Panel Naked’s YouTube description: On this episode I wanted to look a fight sequence from Hellboy, The Wolves of Saint August, and look at how Mignola, Sinclair and Brosseau tackled it. On re-reading the Hellboy Omnibus, this sequence struck me in particular because of it’s starkness in contrast to the rest of the standalone issue, and the striking use of yellow in one of the final pages. So I explore a little of the craft behind it, and what makes it work in context.