Release Date: October 4th, 1991
Directed by: Russell Mulcahy
Written by: Steven E. de Souza, Fred Dekker, Menno Meyjes
Music by: Alan Silvestri
Cast: Denzel Washington, John Lithgow, Ice-T, Kevin Pollak, Lindsay Wagner, Sherman Howard, Mary Ellen Trainor, John Amos, Miguel Sandoval, Jesse Ventura
Indigo Productions, Cinema Plus, HBO Pictures, Silver Pictures, Warner Bros., 102 Minutes
“I guess a Beretta in the butt beats a butterfly in a boot, huh?” – Nick Styles
Man, this may be the most Fred Dekker movie ever put to celluloid. It’s got his fingerprints all over the story and Steven E. de Souza’s script really encapsulates the spirit of Dekker’s style. Beyond that, the director, Russell Mulcahy, then turns everything up passed eleven! I’d say he turned it to about seventeen!
I haven’t seen this since it was a new movie on VHS but I’ve got to say that even though I remember enjoying it, I didn’t realize how over the top and crazy it was. I guess that’s because this was fairly normal for an early ’90s edgy boi action flick.
Seeing greats like Denzel Washington and John Lithgow clash in this was fucking incredible, though! These guys brought their a-game, their balls and then, I’m assuming, shot a bunch of steroids and extra testosterone into their man bits. That’s the only way I can really explain their intensity in this movie.
This is a high octane action thriller from the very beginning. It follows a young cop that takes down an extremely violent criminal in the first few minutes. The cop becomes a hero and a bit of a celebrity and eventually starts working for the district attorney’s office. He ends up getting married and has two daughters. All the while, Lithgow rots in prison, fighting and murdering other prisoners, waiting for his chance to escape and get vengeance on the cop that put him there.
Once out of prison, the criminal creates an elaborate plot to break the cop down, destroy his personal life, his career, pump him full of heroin and have him get raped by a hooker with an STD. This story goes to some dark, bonkers places.
In the end, Denzel sets his own trap by utilizing the gangsters he grew up with. The big, legitimately awesome finale takes place on the famous Watts Towers. The finale is fucking great! Especially, for those who loved these type of over-the-top, bar pushing action flicks of this era.
All in all, this is far from a perfect film and it has its flaws but it is perfect escapism, chock full of that “toxic” masculinity that modern Hollywood loathes.
Pairs well with: other cop thrillers of the ’80s and ’90s.