Written by: Steve Englehart, Danny Fingeroth, Jim Shooter, Roger Stern
Art by: Mark Bright, John Buscema, Steve Ditko
Marvel Comics, 278 Pages
I hate when I buy a thick, hefty collection that is sold to me as one thing, but once I buy it I find out that the thing I bought it for is about a third of the total collection and the rest of the volume is padded with other random stories.
While the issues collected here are presented in chronological order in how they appeared in single issues of the Avengers comics, they are all tied to larger stories or continued in other comics.
It’s pretty fucking infuriating when companies do this because I just wanted to read a Kang story that I had hoped would be pretty epic based off of the page count of this large Avengers release.
Instead, I got a medium sized Kang story and then a bunch of random plot threads that were left incomplete and open ended as they tied to Secret Wars II, Fantastic Four, X-Men and a story about both ’80s Avengers teams playing baseball.
Had I just read the Kang story, this would’ve been great. It would’ve been even better if it was reduced to the roughly four issues that the story took place in and I was charged a lot less than what I played for this disorganized mess.
Now to be fair, I did like most of this but when you’re pulled in one direction just to be left with blue balls, it’s pretty irritating. Especially, when you’re the one paying for it.
As far as the Kang story goes, I loved it. It was one of the best I’ve read and it featured one of my favorite incarnations of the Avengers team, as I started reading this series around the same era.
Had I known that I was going to get shafted by this, I would’ve just forked out the money for the less than a handful of physical floppy issues I needed for the story I wanted.
Pairs well with: other Kang-centric stories, as well as other comics that happened around the events of Secret Wars II.
Strange and Stranger: The World of Steve Ditko reminds me a lot of another book I recently read and reviewed: Kirby: King of Comics.
Both books are very artistically driven with lots of pictures and pages upon pages featuring the men’s artwork over their careers but they also serve as proper biographies that delve into their personal lives but more importantly into their legendary runs at the major American comic book publishing companies.
Before reading this, I thought I knew quite a bit about Steve Ditko but this is so full of information that almost all of it was new. Frankly, it’s a great read if you care about the man behind the great work.
Ditko was an interesting guy, who had his own views on the world that often times had him at odds with publishers and the business world in general. This does a fine job of going through all the highs and lows of the man’s life and career.
If you are a Ditko fan and I don’t know why you wouldn’t be, this is certainly worth a read. Heck, even if you don’t read it and want to flip through it, admiring the man’s art, it’s still worth the cover price.
Pairs well with: other books on comic books legends.
Published: June 1st, 1964
Written by: Stan Lee
Art by: Steve Ditko
Marvel Comics, 75 Pages
This story premiered in the first ever Amazing Spider-Man annual. Plus, it was written by Stan “The Man” Lee and drawn by the great Steve Ditko.
The plot is pretty standard fair for ’60s Marvel and it sees six of Spider-Man’s toughest villains come together to form the original version of the Sinister Six. That being said, the Sinister Six have been one of my favorite villain groups of all-time and this storyline didn’t just create a supervillain team to test a single hero but it created a trend in the comic book medium that saw other heroes have to take on similar teams of multiple rogues.
I like how the plot was structured, in that Spider-Man had to run the gauntlet on the Sinister Six and fought each one individually. This is actually a great setup for the future, which would see the Sinister Six up the ante and take on Spidey all at once. However, in future battles, Spidey would get some help of his own.
This group consisted of Doctor Octopus, The Vulture, Kraven the Hunter, Electro, Mysterio and the Sandman. While the group would rotate some other villains in over the course of time, I really liked this group and how having them come together in this story made it feel like a Spider-Man themed Royal Rumble.
For a first time reader, this had to be a fun read, as it forced Spider-Man to face multiple challenges in the same story. Plus, it just looks great with the Ditko art.
This is not my favorite Sinister Six story but we wouldn’t have gotten the other ones without this happening first. Plus, it’s quintessential Stan Lee in how this all plays out.
It’s hard not to love this.
Pairs well with: other Stan Lee and Steve Ditko era Spider-Man comics.
Release Date: September 16th, 2007 (UK)
Directed by: Peter Boyd Maclean
Cast: Jonathan Ross (host), Neil Gaiman, Alan Moore, Stan Lee, Joe Quesada, Mark Millar, John Romita Sr.
Hot Sauce, BBC, 59 Minutes
In Search of Steve Ditko was a one hour documentary special hosted by Jonathan Ross in 2007. It aired on one of the BBC channels but I’m not sure which one. I’ve had a DVD-R of it for a decade though and I figured I should revisit it, especially since Ditko passed, earlier this year.
Also, it’s on YouTube, so anyone can watch it if they want to.
The purpose of this documentary was two fold.
First, Ross wanted to do a biography piece on Ditko and interviewed a lot of other iconic creators to talk about him.
Second, Ross wanted to track down Ditko and meet him, possibly for an interview, but mostly to express his love of the man’s work.
While Ross does get to meet his hero, it happens off camera and we don’t get to see the reclusive Ditko appear. I’m fine with that even if others may be let down, as I believe in respecting the man’s privacy. And if you love Ditko, this is still a fine retrospective on his career and his influence on the comic book medium.
There are some great interviews here with Neil Gaiman, Alan Moore, Mark Millar, John Romita Sr. and even Stan Lee, who discusses who should get the credit for creating Spider-Man.
All in all, this was a good watch and for fans of Ditko, this is a nice, quick rundown of the importance of his work in comics.
Pairs well with: other comic book documentaries like The Image Revolution and Chris Claremont’s X-Men.