Release Date: December 21st, 1937 (Los Angeles premiere)
Directed by: David Hand (supervising), William Cottrell, Wilfred Jackson, Larry Morey, Perce Pearce, Ben Sharpsteen
Written by: Ted Sears, Richard Creedon, Otto Englander, Dick Rickard, Earl Hurd, Merrill De Maris, Dorothy Ann Blank, Webb Smith
Based on: Snow White by The Brothers Grimm
Music by: Frank Churchill, Paul Smith, Leigh Harline
Cast: Adriana Caselotti, Lucille La Verne, Harry Stockwell, Roy Atwell, Pinto Colvig, Otis Harlan, Scotty Mattraw, Billy Gilbert, Eddie Collins, Moroni Olsen, Stuart Buchanan
Walt Disney Animation Studios, RKO Radio Pictures, 83 Minutes
“I’m awfully sorry. I didn’t mean to frighten you. But you don’t know what I’ve been through. And all because I was afraid. I’m so ashamed of the fuss I made.” – Snow White
I’ve owned all of the original Disney animated films on DVD for years. I’ve always been a big fan of the classic hand-drawn 2D animation style and I’ve never really gotten into the Pixar CGI stuff. In fact, one of the first things I wanted to be, as a kid, was a Disney animator.
I also figured that reviewing all of these films is long overdue, as I’ve already written nearly 2000 film reviews on this site since its launch in late November of 2016. So why not start at the beginning with Walt Disney’s first full-length animated feature film?
That being said, I’ll probably do one of these per week until I get through the thirty or so that existed before CGI took over and killed the style that made Disney a massive company.
Snow White and the Seven Dwarfs wasn’t just Disney’s first animated motion picture, it was also the first one that I saw in the theater. I saw this on the big screen around 1983 or so, when I was four years-old. That experience always stuck with me and it helped fashion a lifelong love of Disney’s classic animation style.
This isn’t my favorite of these movies but it’ll always be special because it was my introduction to them.
I feel like everyone on Earth has seen this film but, as I’m learning as time goes on, the younger generation doesn’t have the attention span to indulge in anything old. To them, classic Disney is Toy Story 2 and films like these are relics that are probably seen as racist or offensive because everything is racist and offensive now.
For Disney’s first big feature, this is really well done. It has some issues with smoothness and how the characters move and flow but it is better than what was the norm in 1937. Also, Disney’s skill would improve with each movie until they really hit their stride around 1950.
I’ve always liked this story, even if it’s overly simplistic and plays more like a series of musical sequences tied together with a paper thin plot but honestly, that’s most musicals. And while I’m not particularly a fan of the musical genre, it has always worked for me in Disney’s animated films. Here, it’s no different and it was cool revisiting this simply because I forgot some of these songs.
This is a fairy-tale and you have to suspend disbelief but on that same token, this isn’t a film that really asks too much from its audience. It’s clear that the film was made in an effort to let its audience kick back and enjoy the feature without having to use a lot of processing power. In that regard, it works.
Granted, if you’re an overactive thinker like myself, there are a lot of questions you might have. Especially, now that you’ve reached adulthood and have a hard time taking things at face value.
For instance, the ending is kind of odd if you want to nitpick it apart. Actually, it’s slightly disturbing.
To give a brief rundown: the girl gets poisoned to death. Then the Dwarfs won’t bury her, so they just keep her corpse around the house as they build an opulent, intricate, gold and glass coffin to display her dead body in like a jewelry counter at Piercing Pagoda. Then a prince hears about this and sets off on a journey to kiss this corpse and bring it back to life like a zombie. I’m assuming all that didn’t happen within an afternoon and would also have to assume that Snow White got pretty rank.
See, there I go overthinking it like an overthinking adult.
The ending actually is fine but it’s pretty dark for a kids’ movie. But that’s also kind of cool, as it’s obvious that people in 1930s America didn’t coddle their damn kids into being complete weaklings. I’m glad that things were still that way when I was a kid in the ’80s: going to the movies at five to watch Gremlins.
Anyway, despite my weird tangent about the ending, this film just tells its story, throws in some tunes and gets it all over with in just 83 minutes. I wish more movies were only 83 minutes.
Pairs well with: Disney’s other early animated feature films.
From Yesterworld’s YouTube description: The story of Walt Disney’s uphill battle to revolutionize feature length animated films, ultimately winning him one of the rarest Academy Awards Oscar in History and changing the film industry forever.
Release Date: June 22nd, 1988
Directed by: Robert Zemeckis
Written by: Jeffrey Price, Peter S. Seaman
Based on: Who Censored Roger Rabbit? by Gary K. Wolf
Music by: Alan Silvestri
Cast: Bob Hoskins, Christopher Lloyd, Charles Fleischer, Stubby Kaye, Joanna Cassidy, Kathleen Turner, Mel Blanc, Joel Silver
Touchstone Pictures, Amblin Entertainment, Buena Vista Pictures, 104 Minutes
“Is he always this funny, or only on days when he’s wanted for murder?” – Dolores
Back in 1988, I saw this movie in the theater. It was a pretty memorable experience, as this was an incredibly unique and enjoyable motion picture. I used to watch this a lot as a kid but I hadn’t seen it in a long time. Watching it again, I realized how much I missed this film. I mean, what’s not to like?
The film uses animated characters in a live action world. When I was young, this was a really cool experience, as I hadn’t seen anything like it before, at least not an entire movie like this. After Roger Rabbit, this would become a technique that was fairly common but this was the first movie to do it on such a large scale.
The really cool thing about the use of animated characters, is that everyone was in on the movie. For the first time, we got to see Disney characters mingle with Warner Bros. characters. One scene, in particular, has both Bugsy Bunny and Mickey Mouse on screen together. The film really is a cool crossover before crossovers even really became a thing.
Roger Rabbit stars Bob Hoskins and Christopher Lloyd, as the main human components of the movie. The film provided iconic roles for both men and they hit it out of the park. Hoskins was tailor made to play a noir type private dick while Lloyd had the perfect balance of being sinister, chilling and completely insane when the reveal of his true identity came out.
Charles Fleischer was perfect as the voice of Roger and he instantly made this character a megastar and worthy of a place alongside the great animated stars of the Disney and Looney Tunes characters he shares the screen with. Roger truly felt like he belonged, which wasn’t an easy feat but Fleischer gave the character real life and comedic charm.
Jeffrey Price and Peter S. Seaman wrote a great script that had elements of film-noir, comedy, fantasy and lightheartedness mixed in with some really dark material. The scene where a character gets steamrollered was pretty harsh stuff for a kid but it is counterbalanced by the fantastic absurdity of how that moment plays out. This is truly a living cartoon.
Who Framed Roger Rabbit is a real classic. It still hits the right notes and being a period piece makes it a pretty timeless motion picture that still works just as well today, as it did in 1988.