I dug the hell out of the Splatterhouse games way back in the day. However, other than recently playing and reviewing the first one, I hadn’t played them since the early ’90s.
This one wasn’t released on the TurboGrafx-16 like its predecessor. Instead, it was released on the 16-bit Sega Genesis (or Mega Drive for international readers).
Unfortunately, this chapter is just more of the same and doesn’t do much to improve upon the first one. In fact, I think it is slightly worse in just how repetitive it is, as well as how shitty the controls and mechanics are.
Plus, it doesn’t take much for you to die, which doesn’t make a lot of sense when you’re a Jason Voorhees looking character with a more ripped physique and a myriad of badass weapons to use.
Additionally, the baddies in the game are all just kind of generic looking and uninspiring.
This is a game that’s fun for about ten minutes until you say to yourself, “Okay… I get it.” and then move on with your day.
Pairs well with: the other releases in this series.
Also known as: Fall Break (alternative title)
Release Date: August, 1984 (Wilmington, North Carolina premiere)
Directed by: Buddy Cooper, John S. Douglass
Written by: Buddy Cooper
Music by: Michael Minard
Cast: Matt Mitler, Bill Hitchcock, Ruth Martinez, Connie Rogers, Morey Lampley, Frances Raines
OK Productions, Ocean King Releasing, 86 Minutes
“So my philosophy is, let’s have some beer.” – Ralph
Growing up in the ’80s and early ’90s, nothing quite made Halloween feel like Halloween more than a low budget, formulaic slasher flick. Luckily, there are so many that I still come across that I haven’t seen, this being one of them.
The Mutilator, also known as Fall Break, is actually better than I thought it could be and it also reminds me of another great, lesser-known slasher, Blood Rage.
The story is simple, a young kid accidentally killed his mother and it drove his father insane. Years later, the kid is now a teen and he takes his friends to his family’s old beach house to clear it out. Unbeknownst to the kid and his friends, its a trap by the crazy father, who is fell bent on killing everyone in and around the house. Unfortunately for the teens, this North Carolina beach house is on an island in a small seasonal community where all the other residents are away.
This has the two main ingredients that every slasher film needs: violence and titties. There could’ve been more titties but the overall experience is pretty damn good and you can relish in the pretty decent kills and well executed special effects.
The real highlight for me was the scene at the end where the father is split in half by a car slamming him into a cinder block wall. Immediately after that, the father, who is literally in two separate pieces, snaps back to life for a split second and uses his big ass battleaxe to chop off half of a cop’s leg with ease. It’s crazy but it’s great and it left me with a smile, ending the film with a good gory exclamation point.
I liked the setting a lot and it just made the film more interesting. This could also be because I was born and raised in a small coastal community.
Overall, this is kind of cookie cutter and predictable but that’s the slasher genre’s modus operandi. It’s the little things in this that are different that set it apart from more mundane slasher flicks.
Pairs well with: other slasher films of the ’80s, especially the very similar Blood Rage.
Also known as: Halloween Haunt (Austria, Germany)
Release Date: August 7th, 2019 (Popcorn Frights Film Festival)
Directed by: Scott Beck, Bryan Woods
Written by: Scott Beck, Bryan Woods
Music by: Tomandandy
Cast: Katie Stevens, Will Brittain, Lauryn McClain
Beck Woods, Broken Road Productions, Nickel City Pictures, Momentum Pictures, 92 Minutes
Featured on a recent episode of The Last Drive-In with Joe Bob Briggs, I didn’t expect much from this modern horror film. The recent Shudder originals and exclusives that I’ve encountered have been a mixed bag but mostly bad-to-mediocre.
This one surprised me, though, and it was a pretty fun experience that immediately made me think of Tobe Hooper’s great 1981 film, Funhouse. I found out after I had that thought, that this was actually inspired by it, as the film’s directors were fans of that picture.
Also, going into this, I didn’t realize that these directors were the same guys that produced and wrote John Krasinski’s A Quiet Place. A film I mostly liked and also thought was much better than most modern horror offerings.
This film sees a group of teens go to a mysterious haunted house that appears to be some next level shit, as they have to give up their cellphones and sign a release form, which includes some worrisome rules like “Don’t touch the haunted house performers.” Maybe they should’ve asked for a safe word upfront.
Anyway, this goes exactly how you’d expect. The haunted house is actually a trap where the teens get murdered in horrifying ways making this picture one-part Saw and one-part slasher with the Funhouse aesthetic. It’s a really good mix and once you throw in some other weird surprises, this is just a good, fun, mindless horror film.
My only big complaint with the film was in regards to the editing. It was a bit quick and felt kind of disjointed. It made it hard to understand the layout of the haunted house. Maybe that was intentional, to make the viewer also feel lost within it but it’s not like it was an actual maze or anything, it was just a series of rooms and sections broke out into two different paths that eventually intersect again.
Other than that, the film looked good, I liked the antagonists and it definitely registered pretty high on the creep meter.
This is one of those things that could probably be spun into a moderately successful, low budget, horror franchise but unlike everything else these days, they should leave it alone and let it stand on its own merits, unaffected by increasingly shitty sequels and formula fatigue.
Pairs well with: other more modern horror films but this is much better than most.
Also known as: Horror Party (Germany)
Release Date: March 28th, 1986
Directed by: Fred Walton
Written by: Danilo Bach
Music by: Charles Bernstein
Cast: Jay Baker, Deborah Foreman, Deborah Goodrich, Ken Olandt, Griffin O’Neal, Leah King Pinsent, Clayton Rohner, Amy Steel, Thomas F. Wilson
YCTM, Hometown Films, Paramount Pictures, 89 Minutes
“[watching Kit and Rob through binoculars] Respectable young Quaker couple returning from a quiet afternoon of nonviolent sex.” – Chaz
I have never seen April Fool’s Day until now and that has a lot to do with the twist ending being spoiled for me at a young age by friends who were annoyed by it. While I have seen some clips and scenes over the years, this is my first time checking out the total package, as it was intended to be viewed.
Overall, this wasn’t bad but it’s really just a paint-by-numbers slasher flick with a unique ending.
If you’ve never seen the film and don’t want the ending spoiled, you might want to skip reading.
Anyway, the title sort of does give the ending away, as once we reach the climax of the film and the last two surviving teens are faced with the killer, it’s revealed that everything in the film was just a big, elaborate April Fool’s Day prank.
This upset a lot of people and others that weren’t as upset just wrote this off as dumb. I’m actually fine with it now that I’ve seen the movie, as it’s an original take on the genre, which was already exhausted to death by 1986, and because it was effective at being a decent slasher flick before the big reveal.
Plus, the ending makes it stand out in a sea of slasher clones and without it, no one would still talk about this film. While some said it killed the genre, that’s bullshit. Slashers kept being pumped out for years and in fact, they still exist today and often times have little resurgences even though Scream actually broke kayfabe on this subgenre of horror.
April Fool’s Day is a mediocre slasher movie but at least it tried something different. I get why altering the formula may be upsetting to some but it’s not like there aren’t about three-thousand other slasher pictures out there.
Pairs well with: other ’80s slasher flicks.
Release Date: October 13th, 2006
Directed by: Jeff McQueen
Written by: J. Albert Bell, Rachel Belofsky, Michael Derek Bohusz, Adam Rockoff, Rudy Scalese
Music by: Harry Manfredini
Cast: Ed Green (narrator), Wes Craven, John Carpenter, Debra Hill, Malek Akkad, Greg Nicotero, Amy Holden Jones, Stan Winston, Rob Zombie, Sean S. Cunningham, Tom Savini, Betsy Palmer, Harry Manfredini, Felissa Rose, Robert Shaye
Candy Heart Productions, thinkfilm, Starz, 88 Minutes
For being one of those film history documentaries made by Starz, it’s pretty good.
Granted, this isn’t great and there are much better documentaries on ’80s horror, slasher films and many of the specific movies this one discusses.
As can be expected, this is a series of talking head interviews edited and presented to tell a narrative. In the case of this film, it goes through the history of slasher films from the ’70s and up to more modern times. I kind of lost interest once it got midway into the ’90s but that’s when Scream came out and kind of wrecked the genre.
This does miss a lot and doesn’t even really touch on the things in film’s history that inspired and paved the way for slasher cinema.
It felt like a missed opportunity to examine Italian giallo and how that subgenre of horror (and neo-noir) laid some groundwork for what would become the American and Canadian slasher flick empire.
Still, this was entertaining and I enjoyed it even if I didn’t learn much of anything new.
Pairs well with: other documentaries on ’70s and ’80s horror.
Also known as: Death Mask (alternative international title), Halloween Night (US alternative title), The Damning (UK)
Release Date: March 25th, 1988 (UK)
Directed by: Jag Mundhra
Written by: Dave Eisenstark (as Burford Hauser), Carla Robinson
Music by: Greg Haggard (as Gregory T. Haggard)
Cast: Hy Pyke, Gregory Scott Cummins, Carla B., Katina Garner
Spencer Films, 87 Minutes
This weird ass movie is a combination of being abysmally bad and kind of entertaining, when not mulled down by the really dull parts. The abysmally bad parts kind of win out, though.
Hack-O-Lantern is a Halloween-themed horror movie directed by an Indian guy that doesn’t seem to know much about Halloween. Also, he is relying on tropes and themes that were kind of played out by the time this was released. It’s like the guy watched Halloween nearly a decade earlier and said, “Let’s do that but crazy! Very, very crazy!”
The film is about an old grandpa that runs a Satanic cult while also featuring a slasher, who goes around killing teens. There’s also some weird rock and roll band subplot that sees music videos just kind of randomly appear out of nowhere. I guess it’s not even really a subplot. This is just an amalgamation of bonkers ass shit that makes little to no sense.
I only watched this because it was featured on The Last Drive-In. I can’t call it the worst movie featured on there, as it was at the very least, amusing in spite of its massive flaws.
I don’t think that I’ll ever watch this again or even recommend it but I didn’t hate it, so that’s something.
Pairs well with: other Halloween-themed horror movies.
Also known as: Trick or Treat (alternative spelling)
Release Date: December 9th, 2007 (Butt-Numb-A-Thon Film Festival)
Directed by: Michael Dougherty
Written by: Michael Dougherty
Music by: Douglas Pipes
Cast: Dylan Baker, Rochelle Aytes, Anna Paquin, Brian Cox, Quinn Lord, Lauren Lee Smith, Britt McKillip, Jean-Luc Bilodeau, Samm Todd, Leslie Bibb, Tahmoh Penikett, Brett Kelly
Bad Hat Harry Productions, Legendary Entertainment, Warner Bros., 82 Minutes
“Werewolves, zombies and demons of every variety. They’ve all descended on the normally sleepy town of Warren Valley, OH. Where the holiday and all of its strange traditions are taken very seriously. It’s only 8:00 and the streets are already packed with costumed visitors. Some to show off, others to blend in, but all to celebrate the magical night of Halloween. The one night a year where we can pretend to be the scariest thing we think of.” – Reporter
It’s been a hell of a long time since I last watched Trick ‘r Treat and I was a bit surprised that I hadn’t reviewed it yet, as this is already the fourth Halloween season since Talking Pulp started. Not to mention all my other blogs that predate this one where reviewing movies was part of the regular output.
I like this movie quite a bit, especially because it truly is a love letter to Halloween and while we have a lot of horror movies in the universe, we don’t have enough that feel like they’re Halloween specific.
This is an anthology but all the stories are connected and happen in the same town on the same night. The plots overlap a bit and the movie is shown out of order ala Pulp Fiction but it isn’t hard to put the pieces together and it keeps you guessing as the multiple plot threads develop.
My only real complaint about the film is that it felt like it needed one more story thrown in to help pad out the running time and to take the picture to the next level. It’s short, moves really quick and the flick ends before you’re really ready to say goodbye to it. But I guess that’s also a testament to how entertaining it is.
I had always hoped that this would’ve kicked off a franchise of annual or semi-annual Halloween anthologies that exist in this same universe. Michael Dougherty, the film’s writer and director, has said he’s wanted to make more but it’s been thirteen years since this was originally shown and not much has happened since.
Well, Dougherty did do another holiday themed horror movie with 2015’s Krampus and I did enjoy that as well. But still, this deserves more love, more chapters and with that, I feel like it could evolve into a franchise strong enough to rival John Carpenter’s Halloween series.
Pairs well with: other horror anthologies, as well as movies about Halloween.
Also known as: Captive Women (Philippines title), Stab In the Dark (alternative title), Night Light (original script title)
Release Date: September 7th, 1990
Directed by: Sally Mattison
Written by: Catherine Cyran
Music by: Jamie Sheriff
Cast: Keely Christian, Brittain Frye, M. K. Harris, David Greenlee, Hope Marie Carlton, Maria Ford
Concorde Pictures, 87 Minutes, 75 Minutes (R-rated)
“I don’t wanna play this game anymore!” – Ken
The original Slumber Party Massacre didn’t need a sequel, as it was incredibly derivative of the slasher genre and also re-used the neat killer concept from the movie Driller Killer.
However, the second film was very different and had more personality and cool rockabilly charm, setting it apart and making it a unique slasher flick experience.
This third movie, sadly, is just derivative of the derivative first film and lacks the musical flair and uniqueness of the second one.
This is cookie cutter shit at its worst that’s both highly predictable and doesn’t offer up anything new to the genre or even its own series.
Although, by 1990, the slasher genre was becoming passe and horror was trying to get smarter and more introspective. I wouldn’t say that slashers were dead but they had definitely been made in abundance over the course of the previous decade and to stand out, you really needed to do something different.
Now don’t get me wrong, I don’t dislike this film. I just don’t have much love for it when there are dozens of better slasher flicks to watch and re-watch.
The characters are simple archetypes devoid of real personality and the mystery of who the killer is, is made quite obvious in the film’s opening. Sure, there’s a red herring but I even found that to be predictable as hell.
Being that this was produced by Roger Corman, it probably made money. So the fact that there wasn’t a fourth one is kind of interesting. But maybe Corman saw the writing on the wall and knew that this film was one too many in the Slumber Party Massacre series.
Pairs well with: the other films in the Slumber Party Massacre series, as well as other teen slasher flicks.
Also known as: Psycho Ripper, The Ripper (alternative titles)
Release Date: March 4th, 1982 (Italy)
Directed by: Lucio Fulci
Written by: Gianfranco Clerici, Lucio Fulci, Vincenzo Mannino, Dardano Sacchetti
Music by: Francesco De Masi
Cast: Jack Hedley, Paolo Malco, Almanta Suska, Alexandra Delli Colli
Silent Warrior Productions, Fulvia Film, 91 Minutes, 93 Minutes (Director’s Cut), 80 Minutes (VHS cut)
“But you won’t understand me, you’ll never understand me! You’re too stupid! Quack! Quack! Quack!” – The Ripper
Not all Lucio Fulci movies are created equal. Some are very good and some are not so good. This one falls somewhere in the middle but actually gets some extra credit points for its ending, as I thought it was a good double twist that I didn’t see coming.
Anyway, this is pretty much a perfect marriage between giallo and slasher but it’s much grittier than a standard, vividly colored giallo. Maybe that has to do with it taking place in New York City and Fulci was trying for a Martin Scorsese aesthetic. But honestly, his giallos have never been as colorful as Argento’s or either Bava’s.
This is a really violent film that mixes gore and sexploitation in a way that only an Italian director can properly do. It has some seriously gruesome moments akin to that infamous eye scene from Fulci’s Zombi 2. One in particular sees the mysterious killer cut and torture a naked woman while laughing at the police over the phone, as they fell for his ruse and failed to stop him.
The killer is also interesting in how his serial killer personality talks like Donald Duck. He boisterously quacks between his threats like a sadistic, evil cartoon character and while that may sound kind of hokey, it’s actually effective and pretty unsettling.
Overall, this is pretty straightforward for a giallo or an urban slasher flick. It adds in a lot more sex stuff than average but I wouldn’t call any of that shocking. The only thing really shocking and pretty unnerving is the gruesomeness of some of the kills.
For whatever reason, this film is pretty highly regarded by die hard Fulci fans. I don’t think it’s a classic of the genre like many do but it’s certainly worthwhile for fans of similar films.
Pairs well with: other Lucio Fulci horror movies, as well as Maniac and The Last Horror Film.