Film Review: Silent Night, Deadly Night, Part 2 (1987)

Release Date: April 10th, 1987
Directed by: Lee Harry
Written by: Lee Harry, Joseph H. Earle, Dennis Patterson, Lawrence Appelbaum
Music by: Michael Armstrong
Cast: Eric Freeman, James L. Newman, Elizabeth Kaitan, Jean Miller, Lilyan Chauvin (archive footage), Robert Brian Wilson (archive footage), Linnea Quigley (archive footage)

Silent Night Releasing Corporation, 88 Minutes

Review:

“[about to shoot a man carrying a garbage can] Gaaarbaaage daaay!” – Ricky Caldwell

While I enjoyed Silent Night, Deadly Night, I’ve never seen the sequels except for the fifth one that stars Mickey Rourke as the creator of killer Christmas toys.

Seeing this one now, I was surprised to discover that I like it more than its predecessor. While the first third-to-half of this film is bogged down by flashbacks of the original movie, once this becomes its own story, focused on the younger brother of the original killer, the film becomes pretty awesome.

Frankly, you can probably just start with this film as everything important from the first movie is shown in this chapter and honestly, you’re not missing much from the scenes that were omitted.

While this movie has been panned for years because of how bonkers and absurd it can seem at face value, I absolutely love the performance of Eric Freeman as the killer younger brother. His performance is over the top but that just adds to the insanity and tone of the film, which honestly, would’ve been kind of drab without his intensity. He makes the picture work and if I dare be so bold, he saves it from just being a rehash of shit we’ve already seen.

The whole sequence surrounding the infamous “garbage daaay!” moment is schlock of the highest caliber. From the moment he kills his girlfriend’s ex, his girlfriend, the cop and then goes on a gun toting killing spree that ends in a damn good car stunt, we’re treated to one of the most entertaining, bizarre and unintentionally stupendous cinema moments of ’80s horror.

While the average person would find this movie off-putting and stupid, I found it to be a true hidden gem that hits the right notes, perfectly, for those of us that like hearty helpings of ’80s horror schlock. Plus, it’s a Christmas movie.

Rating: 6.75/10
Pairs well with: it’s predecessor, but then again, that whole movie is basically re-told in the first half of this film. So I guess the sequels, which all veer off in their own weird directions.

Film Review: Jack Frost (1997)

Release Date: November 18th, 1997
Directed by: Michael Cooney
Written by: Michael Cooney, Jeremy Paige
Music by: Chris Anderson, Carl Schurtz
Cast: Christopher Allport, Stephen Mendel, F. William Parker, Rob LaBelle, Shannon Elizabeth, Jack Lindine, Zack Egniton, Brian Leckner, Marsha Clark, Eileen Seeley, Kelly Jean Peters, Scott MacDonald

Frost Bite Films Ltd., Moonstone Entertainment, Storyteller Films Ltd., A-Pix Entertainment, 89 Minutes

Review:

“Gosh. I only axed you for a smoke.” – Jack Frost

I’ve heard people refer to this as the movie that made Shannon Elizabeth famous. Actually, I think this is the movie that Shannon Elizabeth made famous after she blew up from her part in the original American Pie and rumors that she was also nude in this flick.

Apart from Shannon Elizabeth, there really isn’t anything in this film worth looking at.

It’s a horror comedy about a killer that has his body turned into shapeshifting sentient snow. So basically, he’s a killer snowman with some nonsensical snow-based powers and lots of really bad one-liners.

While this isn’t a movie made by Full Moon, it has a similar vibe in its cheapness, its terribly bad humor and its lack of anything that will make you want to sit still for 89 minutes. Well, except the infamous Shannon Elizabeth scene but that only takes up about three percent of the film’s run time.

The special effects are bad, the acting is bad, the jokes are even worse and the film is pretty boring, even though it features one of the strangest horror monsters of its time.

There’s not much else to say about the movie, as there isn’t much worth talking about other than Shannon Elizabeth. But you can just watch her important scene online and skip the other 97 percent of the movie.

Rating: 2.25/10
Pairs well with: it’s sequel and other terrible, terrible horror movies.

Film Review: Black Devil Doll (2007)

Release Date: October 31st, 2007 (limited)
Directed by: Jonathan Louis Lewis
Written by: Shawn Lewis, Mitch Mayes
Music by: The Giallos Flame
Cast: Jonathan Louis Lewis, Heather Murphy, Natasha Talonz, Erika Branich, Precious Cox, Christine Svendsen

Lowest Common Denominator Entertainment, Rotten Cotton, 73 Minutes

Review:

“Rated X by an All-White Jury!” – tagline

I never knew of this film’s existence until I was sitting with some friends in Frankie’s Tiki Room in Las Vegas and clips of the movie were edited into a video mixtape that was playing on all the TVs in the bar. The scenes of a Black Panther Chucky-like doll violently fucking and then murdering big breasted white girls intrigued me and I had to track down the film.

The same friends and I then had a party where we watched this on DVD, as you could actually get those from Netflix, back in the day. We had our own Tiki horror party and paired this up with Ed Wood’s Orgy of the Dead, which is basically just a horror themed nudie cutie from the ’60s. I reviewed that ages ago here.

Anyway, this is a dumb movie but I say that lovingly. It’s the sort of dumb, edgy boi, violent, offensive, cinematic trash that can easily entertain me. Since this was only 73 minutes, and actually felt shorter, this was the perfect running time before the joke ran dry and I zoned out.

The story is about a Black Panther who is set to be executed but his soul is then trapped in a little doll, similar to the origin of Chucky. Except this doll likes to fuck and kill big titted women. It’s exploitation at its finest with a supernatural twist.

And that’s basically all this movie is. A plot barely exists and this is mostly just softcore porn scenes with ’70s grindhouse style gore thrown in with a wisecracking killer doll that delivers great one-liners like a pro.

This film won’t resonate with most people bit it wasn’t made to.

It’s really hard to track this down now but if you come across a copy, you should definitely seize the opportunity.

I also remember that there was a sequel sitcom series that was in development. However, it was being crowdfunded and I don’t think it made its goal. If it does exist and you’ve seen it or know how to track it down, let me know in the comments below.

Rating: 5/10
Pairs well with: Black Devil Doll From Hell, Dolly Dearest, Dolls and the Child’s Play movies.

Film Review: Psycho IV: The Beginning (1990)

Release Date: November 10th, 1990
Directed by: Mick Garris
Written by: Joseph Stefano
Based on: characters by Robert Bloch
Music by: Graeme Revell, Bernard Herrmann (original themes)
Cast: Anthony Perkins, Henry Thomas, Olivia Hussey, C. C. H. Pounder, Warren Frost, John Landis, Kurt Paul, Sharen Camille

Smart Money Productions, Universal Pictures, NBC, Showtime, 96 Minutes

Review:

“All that faith and no potatoes.” – Norman Bates

For being a made-for-TV movie and the third sequel in a series, Psycho IV isn’t half bad. Hell, I even like it a bit more than the third film, even if it is missing Jeff Fahey, who killed it in that picture.

The cast in this one is really well-rounded though between the returning Anthony Perkins, as well as Henry Thomas, Olivia Hussey and C. C. H. Pounder. Honestly, this is a really well acted picture that saw its main players give it their all with really solid and compelling results.

The picture starts with Norman Bates being cured but we’ve seen that in the two previous pictures until events pushed him over the edge and back towards his serial killing slasher self.

What’s different and unique about this picture is it involves Norman calling a radio show discussing boys who have murdered their mothers. He uses the name “Ed” while on the air but he talks through his past, primarily his early years, in an effort to fight off his killer tendencies from returning.

With that, this film serves as both a sequel and a prequel. It takes place after Psycho III but it spends a great deal of time flashing back to his life before the events of the original Psycho. It delves into his bizarre relationship with his mother and how it shaped him into the man he became.

Henry Thomas, most famous for playing Elliot in E.T. the Extra-Terrestrial, shows that he was a good actor and he creates a young Norman that is sympathetic yet disturbed.

However, his performance is enhanced by the talent of Olivia Hussey, who plays his mother Norma Bates. The film examines the sexual tension between mother and son and it’s really the plot of this movie that gave birth to the concept that became the Bates Motel television series. And honestly, I prefer this version of a Psycho prequel.

Adult Norman, still played by Perkins, who really committed his life to this role and who always delivers an A-plus performance, shared most of his scenes with the always good C. C. H. Pounder. While the scenes they share are over the phone, as both act out their scenes in different rooms separate from each other, the two had perfect chemistry and their discussions are emotional and believable.

But giving credit where credit is due, a lot of this also probably has to do with the quality of the editing and the overall film direction. These two actors were on completely different sets, probably filming on completely different days but their combined efforts worked and it carries the picture at its most important parts.

What’s fantastic to me, is that I never expected much from Psycho sequels. The first one is perfection and anything else, I thought, would diminish it. But I was wrong. While none of the sequels are as good as the original Hitchcock film, each is still good in their own way and every chapter feels like it enhances the larger story that is Norman Bates’ complete life.

I hope that Anthony Perkins was pleased with the end result of all these films.

Rating: 7/10
Pairs well with: The other Psycho films.

Film Review: Seed of Chucky (2004)

Also known as: Child’s Play 5, Son of Chucky, Bride of Chucky 2 (working titles)
Release Date: November 12th, 2004
Directed by: Don Mancini
Written by: Don Mancini
Based on: characters by Don Mancini
Music by: Pino Donaggio
Cast: Brad Dourif, Jennifer Tilly, Redman, Billy Boyd, Hannah Spearritt, Steve Lawton, John Waters

Rogue Pictures, David Kirschner Productions, Castel Film Romania, 87 Minutes, 88 Minutes (unrated)

Review:

“Christ! Enough about your mother! I killed that bitch twenty years ago and she still won’t shut up!” – Chucky

Whenever this movie comes up in conversation, everyone I talk to seems to hate it. Granted, when it came out, the trailer didn’t make me want to see it and I put it off for nearly ten years. However, once I did give the film a chance, I liked it near the same level that I liked its predecessor: Bride of Chucky.

I understand why this entry into the long running movie series gets a lot of hate but I think that is because people try to view it in the same way that they looked at the original trilogy of films, as a serious slasher with some colorful and funny one-liners from the killer doll.

The big difference is that this needs to be viewed as a comedy. Sure, a dark, twisted, fucked up comedy but this takes the increase in comedy from Bride of Chucky and magnifies it a lot more. Now I understand why that would upset some hardcore slasher purists but this is really the 1966 Batman of the franchise and I mean that as lovingly as possible.

Brad Dourif and Jennifer Tilly are absolutely dynamite in this. It honestly feels like Dourif was ad-libbing the whole thing. I know that’s not really possible, unless he was controlling Chucky’s animatronics while voice acting but this has a similar feel to it as improv comedy. Plus, Chucky’s never been funnier and the jokes are just constant.

The real star of the film is Billy Boyd, though. He plays the offspring of Chuck and Tiff and isn’t sure about his/her gender, his/her life and his/her place in all of the madness that surrounds his/her parents. I guess a lot of people disliked this character severely and he/she’s sort of been pushed out of the film series since this picture but I’d still like to see him/her reappear or at least get a mention as to what his/her whereabouts are.

After typing that politically correct paragraph, I came to the realization that Don Mancini and the Child’s Play franchise were more socially progressive than Twitter by at least a decade.

Anyway, I still prefer the original three films to anything that came after but this reinvents the franchise quite a bit and honestly, it needed some reinvention. While Bride of Chucky accomplished that already, Seed of Chucky pushed the bar further.

Rating: 6.5/10
Pairs well with: all the Child’s Play movies except the 2019 reboot.

Film Review: Bride of Chucky (1998)

Also known as: Child’s Play 4, Chucky, Chucky and His Bride (working titles)
Release Date: October 16th, 1998
Directed by: Ronny Yu
Written by: Don Mancini
Based on: characters by Don Mancini
Music by: Graeme Revell
Cast: Brad Dourif, Jennifer Tilly, Katherine Heigl, Nick Stabile, John Ritter, Alexis Arquette, Gordon Michael Woolvett, Kathy Najimy

David Kirschner Productions, Midwinter Productions Inc., Universal Pictures, 89 Minutes

Review:

“My mother always said love was supposed set you free. But that’s not true, Chucky. I’ve been a prisoner of my love for you for a very long time. Now it’s payback time.” – Tiffany

Initially, I didn’t know what to make of this movie when it came out in 1998.

Over time, I grew to love it though, as I mostly see it as a black comedy, which is how it’s really intended to be seen. It’s not so much a parody of the Child’s Play movies, as it is a true vehicle to just let Brad Dourif’s Chucky be unrestrained from trying to make a more serious slasher film.

Bride of Chucky goes beyond horror accented by comical one-liners and evolves the franchise into something more in-line with its star character’s personality. Overall, it’s less scary and less terrifying but it makes up for that in its coolness. And it really does get nuts in the best way possible.

Now with that being said, I don’t like it as much as the original three films but it is more energetic and more fun, overall. Without, I feel as if it has more replay value than most of the movies in the series.

I love the inclusion of Jennifer Tilly as Tiffany, Chuck’s actual bride who also becomes a killer doll. And of course, this leads to the sequel Seed of Chucky, which focuses on the offspring of the killer dolls. Most people seem to hate that movie but I kind of love it too for what it is but I’ll get into that when I review it, specifically.

Ronny Yu did a fine job of giving life and energy to Don Mancini’s script and frankly, I thought he was a wise choice. I also love his Freddy Vs. Jason, even though some people think it sucks. But fuck those people, as Yu understands how to turn these slasher franchises into something beyond the norm, which was kind of needed in the time that he made this film and FvJ.

The best part about this (and its sequel) is the chemistry between Tilly and Dourif. It’s f’n spectacular. Where I originally wasn’t keen on the concept before seeing the film, Tilly won me over almost immediately and proved she was a perfect choice for the role. And she has since become nearly as iconic as Chucky.

Bride of Chucky is an enthralling entry into a series that didn’t have much left in the tank. It reinvented what a Child’s Play movie could be and it left the door open for more, which allowed the Dourif era to flourish for three more films.

Despite my distaste for the 2019 Child’s Play reboot, I’m glad that the Dourif version of Chucky still isn’t dead, as there is a television show in-development, which will continue to build off of this movie and all the ones before and after it.

Rating: 7/10
Pairs well with: all the Child’s Play movies except the 2019 reboot.

Retro Relapse: Top 50 Slasher Films of All-Time

RETRO RELAPSE is a series of older articles from various places where I used to write before Talking Pulp.

*Written in 2014.

*2019 Notes: Years have passed since I wrote and compiled this list for a different website, so the order in my head has changed somewhat and there are probably other films I’d add. Maybe I’ll re-order it and expand it in the near future.

I love slasher films. As a kid, it was probably my favorite sub genre of film, with horror being my favorite genre overall.

Sure, my mum hated the fact that I watched horror movies and she wouldn’t rent them for me but she also knew that I was just going to watch them somehow, whether at a friends house after school or a cousin’s house over the weekend. It was cool then though, because parents weren’t total pussies and didn’t hover over our every move like these modern kids have to deal with. This is also why these modern kids are afraid of their own shadow. My generation was the last great generation because an R rating didn’t mean crap and it was never actually enforced at the theater or video rental store.

Moral of the story, we all turned out just fine.

I was lucky enough to grow up in the heyday of slasher films. I saw pretty much everything I had access to.

In my 35 years on this planet, these are the ones I consider the very best.

1. Black Christmas (1974)
2. Halloween (1978)
3. A Nightmare On Elm Street (1984)
4. Psycho (1960)
5. StageFright
6. Sleepaway Camp
7. Suspiria
8. Friday the 13th (1980)
9. The Burning
10. A Nightmare On Elm Street III: Dream Warriors
11. Friday the 13th Part VI: Jason Lives
12. American Psycho
13. Blood Rage
14. Alice, Sweet Alice
15. The Texas Chainsaw Massacre 2
16. Child’s Play
17. Twitch of the Death Nerve
18. Friday the 13th Part IV: The Final Chapter
19. My Bloody Valentine (1981)
20. The Texas Chainsaw Massacre
21. A Nightmare On Elm Street IV: The Dream Master
22. Halloween II (1981)
23. The Funhouse
24. The Hills Have Eyes (1977)
25. Deep Red
26. Peeping Tom
27. Maniac (1980)
28. Friday the 13th Part 2
29. The Initiation
30. The Town That Dreaded Sundown (1976)
31. Child’s Play 3
32. Wes Craven’s New Nightmare
33. The Prowler
34. Terror Train
35. Scream
36. Torso
37. Freddy vs. Jason
38. Silent Night, Deadly Night
39. House of 1,000 Corpses
40. Halloween 6: The Curse of Michael Myers
41. Friday the 13th Part III
42. A Nightmare On Elm Street 2: Freddy’s Revenge
43. Child’s Play 2
44. Leatherface: The Texas Chainsaw Massacre III
45. Jason X
46. Friday the 13th Part V: A New Beginning
47. Halloween 4: The Return of Michael Myers
48. Halloween 5: The Revenge of Michael Myers
49. Friday the 13th Part VII: The New Blood
50. Hatchet