Published: November 17th, 2016 Written by: Chris Claremont Art by: Bret Blevins, Sal Buscema, Alan Davis, Jackson Guice, Rick Leonardi, Kevin Nowlan
Marvel Comics, 229 Pages
This collection of New Mutants stories was kind of all over the place. Also, none of them really grabbed me like most of the previous arcs leading up to this point.
I guess, by now, the series had been running for quite awhile and where it once felt like it was always building towards something and had an idea of where it wanted and needed to go, most of this felt like aimless filler.
I can clearly see the series running out of steam and I guess this is why everything got reinvented and soft rebooted not too long after this and the massive Inferno crossover event, which completely changed the dynamic of the team and its mission.
Now this isn’t bad by any means, it’s just that each story feels somewhat random and they don’t support each other and the progression of a larger arc as well as previous volumes have.
I guess the highlight for me was where this focused on Magik, her power struggle with S’ym and how things were changing in the realm of Limbo. This sort of sets up things that would happen in the big Inferno story.
Apart from that, everything else was entertaining enough but none of it seemed to matter, based off of where these characters’ lives were going to go. I guess, none of this really sticks or is all that memorable.
The art in this volume was also a mixed bag. A lot of different artists contributed to this stretch of issues and honestly, that just sort of adds to none of this really being memorable or sticking.
Published: July 10th, 2019 Written by: Chris Claremont Art by: Bill Sienkiewicz, Sal Buscema, Bob McLeod
Marvel Comics, 504 Pages
Man, oh man… I forgot how great the Demon Bear story was! It was one of my favorite New Mutants stories when I first discovered this comic series, as a young kid. But I hadn’t actually read it for probably thirty years now.
This beefy Epic Collection release doesn’t just cover that story, though, as it features the events leading up to it and the story after, which is the debut of Legion.
Every story arc in this collection is pretty damn cool. There really wasn’t a dull moment and you get to see these great characters develop even more while also seeing their bond strengthen quite immensely.
This stretch of issues also feature the art of Bill Sienkiewicz, a comic book artist that truly had a unique style that I’ve always thought was one of the most impressive, expressive and coolest. It’s this series that introduced me to Sienkiewicz’s work, which I couldn’t get enough of. In fact, I bought all of his Elektra and Moon Knight stuff that I could find at my local comic shop circa 1990.
This stretch of issues was always one of my favorite runs on any comic book series. Revisiting it for the first time in eons, I still feel that way.
Rating: 9.5/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Published: March 8th, 2017 Written by: Chris Claremont, Bill Mantlo Art by: John Buscema, Sal Buscema, Ron Frenz, Bob McLeod, Frank Miller, Paul Smith
Marvel Comics, 520 Pages
As big of a fan of The New Mutants as I am, it’s been a damn long time since I’ve read the original graphic novel and their earliest stories. I got into the series around it’s midpoint and because of that, didn’t have all of the earliest issues until more recently. This collects that first year of the regular comic books series, as well as the characters’ appearances before it started.
This was neat to revisit and it brought me back to where I was in the late’80s, as a young kid just discovering comics. Back then, I really liked the youth superhero teams like Teen Titans and New Mutants.
This collection had a few stories I hadn’t read before. It kicked off with Karma’s debut story, which happened in Marvel Team-Up and featured Spider-Man and the Fantastic Four.
Additionally, I had never read the story that served as the debut of the Hellfire Club’s Selene and New Mutants member Magma.
Everything else here I’ve read but it was nice checking it out again and refreshing my memory, as my brain gets older and forgets more than it remembers now.
I loved the art style of this series, early on, and the Chris Claremont and Bill Mantlo stories were solid.
Now I do have to say that this isn’t as good as the series would become. This is early on and it hasn’t found its grove, here.
However, this is the foundation of this group and they would eventually be faced with some really intense, life-altering storylines that would take this from just being a “Junior X-Men” comic to something unique and very much its own series, standing on its own strong legs.
Rating: 7/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Published: December 14th, 2005 Written by: Greg Pak Art by: Greg Land
Marvel Comics, 123 Pages
After reading the Grant Morrison Dark Phoenix story, I didn’t have much hope for this one, which follows it pretty closely. However, this was a big step up and I thoroughly enjoyed it.
The Phoenix Force comes back to Earth in an effort to rejoin Jean Grey but it discovers that Jean is dead. So it reanimates her corpse and poses as her, making for some painful moments with Wolverine and Cyclops. But this is also where Emma Frost has to step up and become a real leader on the X-Men team, after she had spent years as one of their greatest villains.
The thing that I loved most about this is that the stakes were real and you got a sense of the immensity of the terrible situation the heroes were in. However, the story stayed fairly small and close knit to a small group of X-Men members, as opposed to trying to make this a mega event that pulled in every character from the Marvel universe.
Greg Pak did a superb job in writing this and I’d say it’s my favorite story of his that I’ve read after the masterpiece that was Planet Hulk.
While Greg Land is a somewhat controversial artist that’s been accused of tracing photos, which there is actually a lot of evidence to back that up, I still really liked his art here and it felt top notch. I’m not as “offended” as some within the comic industry and its fans have been about the possibility of the man not being a “legit” artist. That’s because the finished product is still spectacular and he truly understands how to stage and set a scene, whether it’s slice of life moments or action. For more on Land, Comic Tropes did a good video on the guy here.
Overall, this was a really good, refreshing read that took the messy Phoenix story that preceded it and sort of fixed it. This was a satisfying conclusion to the string of Phoenix sagas that led up to this. Granted, it wasn’t the last Phoenix tale but this still brought things to a gratifying close for a short time, anyway.
Rating: 8.75/10 Pairs well with: other story arcs about Jean Grey as Phoenix.
Published: 1995-1996 Written by: Scott Lobdell, Jeph Loeb, John Francis Moore, Mark Waid, Warren Ellis, Fabian Nicieza, Larry Hama, Howard Mackie, Terry Kavanagh Art by: Roger Cruz, Terry Dodson, Steve Epting, Andy Kubert, Adam Kubert, Carlos Pacheco, Joe Madureira, Tony Daniel, Salvador Larroca, Chris Bachalo, Ken Lashley, Steve Skroce, Ian Churchill, Joe Bennett
Marvel Comics, 1462 Pages
I’ve really only heard great things about The Age of Apocalypse storyline since it started back in 1995, an era where I wasn’t really reading comics for awhile, except for Dark Horse’s Star Wars stuff.
In fact, the last major X-Men related event that I had read before this was X-Cutioner’s Song, a pretty good epic. But shortly after that, I got pretty burnt out once the top Marvel guys went off to form Image and then those comics were constantly hindered by delays and irregular schedules.
Based off of all the praise I heard, I always wanted to read this but it was such a massive story, spread over multiple collected volumes that I never really wanted to fork out the over $100 it would cost to buy the whole shebang. So, all these years later, I took advantage of a massive X-Men sale on Comixology and got the entire saga with its prelude for about $20.
Now that I’ve read it, I’m glad I only spent $20 because like Game of Thrones, all my friends and all the critics lied to me about how great this was. It’s not, it’s a clusterfuck of biblical proportions showcasing a lot of the things that were wrong with mid-’90s comic book art from the major publishers.
I’ll start with the art and just come out and say that this was mostly an eyesore to look at. The biggest reason was the colors, which relied so heavily on what I assume are digitally created gradients and overly vibrant colors that this was like staring into the asshole of a tropical fruit salad for hours. Everything is too busy, every single issue collected is made to be overly grandiose and if everything is larger than life and overly vivid, then that becomes the norm and thus, makes everything kind of boring.
Additionally, there is such a mix of different artistic styles that it becomes jarring as these collections jump from issue to issue every twenty pages or so. Some of the artists had great pencils but many of them illustrated in a style that didn’t feel like Marvel and instead felt like the artists were trying to emulate indie comics from Image and Valiant. Besides, the stuff that was illustrated well, ended up being wrecked by the primitive gradients and crazy colors that looked like a giallo film puked all over a box of Prismacolor markers.
When it comes to the narrative side of this, that’s also a mess.
This suffers from trying to be way more ambitious than it needed to be. The whole story is comprised of about seven or eight different subplots that are and aren’t intertwined. Some of them merge towards the end into the bigger story but some stuff just happens within this new timeline. But the story jumps around so much that it makes the whole thing hard to follow as a singular body of work. This is the same problem I have, right now, with all the new X-Men related titles that are tied to a bigger narrative but don’t feel connected as much as they should. But this is what happens when you have a half dozen different titles and different writers, all of whom want to explore different territory in their own way while being trapped within a common framework.
In fact, the only plot I actually enjoyed was the one that dealt with the characters that aren’t tied to the X-Men.
There was a two issue miniseries called X-Universe, which focused on what other Marvel characters were up to during this event. We check in on this timeline’s version of Gwen Stacy, some of the Avengers, Fantastic Four, Doctor Doom and a few others. I found this more interesting and it showed me that this alternate timeline could provide the right sort of environment for cool and refreshing takes on old characters.
While I should probably feel the same way about all the X-Men related characters and their stories, it is hard to focus on any of them because of how this jumps around so much. When I got to the non-X-Men characters, it felt like a nice break from the X-clusterfuck I was pushing myself through.
Ultimately, I was really disappointed in this. I kept powering through it because I was hoping that all these subplots and characters would unify into something coherent that clicked at the end but that didn’t happen. We eventually get to a resolution but it’s not all that satisfying.
On a side note (and spoiler alert): the way that Magneto kills Apocalypse is pretty f’n badass.
Rating: 5/10 Pairs well with: other big X-Men crossovers of the ’80s through ’00s.
Published: 1980 Written by: Chris Claremont Art by: John Byrne
Marvel Comics, 200 Pages
Does it make me a terrible X-Men fan that I have never actually read The Dark Phoenix Saga?
I’ve tried to round up all the single issues over the years but some of them are pricey and there’s nine issues that make up this arc. But in my defense, I know the story very well, as it has been referenced a million times over throughout X-Men history. I’ve also seen various interpretations and adaptations of the plot. Granted, none of them are really accurate in regards to this, the source material.
This is free for Comixology Unlimited subscribers though, so I thought that delving into it was long overdue and that I really didn’t have an excuse anymore.
I expected this to be enjoyable but it still took me by surprise, as it was better than what I anticipated and all the years of hype I’ve experienced, didn’t diminish it in anyway.
The Dark PhoenixSaga is quintessential Chris Claremont. I can’t say that this is where he peaked but this is certainly a very elevated highpoint in his long run writing X-Men related stories.
This also came out in a time when Marvel wasn’t addicted to big crossover mega-events. This was a mega-event for its time but it wasn’t marketed or structured in the way that these things are now. It was just a good, lengthy story, limited to one already existing comic that found a way to utilize a lot of characters but in a way that balanced them all out and made them all useful to the plot.
One cool thing about this arc, is it also features the first appearances of Kitty Pryde, Emma Frost, Sebastian Shaw, the Hellfire Club and Dazzler. There’s a bunch of stuff going on within this story but it doesn’t off track and still builds towards the big battle between Jean Grey as Dark Phoenix and her X-Men family. It’s, at times, heartbreaking and tragic but it also makes you love all these people all over again in an organic, natural and emotional way. This hits emotional notes in the reader in ways that comic books never seem to come close to in 2019.
I can’t just give credit to Chris Claremont and his stupendous writing though. The art by John Byrne is absolutely superb and it is just as rich, colorful and meticulously crafted as the story its telling.
The Dark Phoenix Saga is one of the greatest Marvel stories ever told. It’s classic Marvel and truly represents what I loved about the era and how I fell in love with this creative medium in the first place.
Rating: 10/10 Pairs well with: other early Chris Claremont X-Men comics.
Published: February 5th, 2014 Written by: Jonathan Hickman Art by: various
Marvel Comics, 866 Pages
Since new ideas are hard to come by, Marvel decided to sort of rehash the Infinity events from the ’90s in this modern version of a story that features Thanos and every single Marvel hero that can possibly fit on a splash page.
I’m not knocking the technique, if a story is good, it’s good. All stories borrow from something else and Marvel (just like DC) likes to recycle the core elements of their big crossover events, again and again. Marvel has had two Civil War storylines, Avengers Vs. X-Men, which was practically like Civil War, and multiple versions of Secret War. Then there are massive Skrull events that seem to have happened an awful lot too.
I guess the main similarity between this and the ’90s Infinity events is that it features dozens upon dozens of Marvel heroes against a seemingly omnipotent Thanos. However, Thanos’ purpose is different here and there is no sign of the Infinity Gauntlet. In this story, he comes to Earth to find his long lost son Thane. Why? Because Thanos wants to murder him, as he’s done with his other offspring.
I read the large collected edition of this, which was well over 800 pages. It was massive and thick and took some time to get through. At first, it started slow and I felt like I didn’t know what was going on because I haven’t read a lot of modern Marvel stuff and there are all of these new heroes I’ve never experienced. Don’t worry, this still has every classic hero in it too. Every major player is here, as should be expected with an event like this.
Reading this, I can see where it also influenced the recent Avengers: Infinity War movie, as it has the introduction of the Black Order, who played a big part in that film.
The story also deals with a threat from the Builders, who basically want to destroy the universe because villains do those sort of things in comic books.
There are a lot of layers to the story and it can feel overwhelming and overly complicated but the core of it is very good. This event had some really awesome and powerful moments and also featured some of the most badass stuff Thor has ever done.
It also gave us Thane, a character that is more dangerous than his famous father and who looks to be a massive threat for the heroes after the conclusion of this story.
I thought the pacing was good, once the story really got going. The six Infinity issues were certainly the high point of the story where the Avengers and New Avengers issues that were part of this collection served to give more exposition to the larger narrative.
This massive collected edition is capped off by a Silver Surfer story that takes place alongside these events. The Surfer didn’t appear in the main story but he had his own tale that was worth telling, as he was on the other side of the galaxy dealing with the same events in a different way.
And I guess another really important thing about this mega event is that the art was fabulous. I loved it, every panel, every page and every issue of every comic series collected here was visual perfection. Kudos to the artists: Jim Cheung, Jerome Opena and Dustin Weaver.
Rating: 8.75/10 Pairs well with: The ’90s Infinity trilogy of events: The Infinity Gauntlet, The Infinity War and The Infinity Crusade.
Published: December 17th, 2008 Written by: Jim Starlin Art by: Ron Lim, various
Marvel Comics, 488 Pages
Well, I read through the great Infinity Gauntlet storyline and followed that up with the mediocre Infinity War sequel. Naturally, I thought that I should finish the trilogy of Infinity stories with this one: The Infinity Crusade.
However, I wasn’t a fan of Magus and his whole shtick from the previous chapter in this large saga. The reason why I’m pointing that out here is because the setup is essentially the same. Where Magus was the physical embodiment of Adam Warlock’s evil side, the big threat in this story is the physical embodiment of Adam Warlock’s good side. I admit, I rolled my eyes when I was reminded that this was the setup to this story.
Frankly, I thought the plot was lame and what was even lamer was the McGuffin. No longer was the focus on the Infinity Gauntlet, now the focus was on this “Goddess” character and her Cosmic Egg. Basically, she just sits around in her giant cosmic egg using religion to brainwash a large group of heroes to be her holy army. So this is like Civil War but with religion and a giant friggin’ egg.
It also doesn’t help that there is virtually no action, this is overly talkie and just boring. Well, to be fair, the fifth issue in the six issue arc was just straight up action. But outside of that, there wasn’t anything exciting other than a few brief physical spats and some cosmic magic battles, the biggest of which featured psychically projected heads shooting laser beams at the “Goddess”.
Plus, the story suffers from being spread over several different titles. So when I read the collected edition of the main comic, there is key stuff missing from it, as it happened in another issue of a different title altogether. I get that this is how crossover events work but the two previous Infinity sagas kept the main story in the main title and the other comics just had tie-in subplots.
This whole mega event is just proof that Marvel was milking the Infinity thing way too hard. The Infinity War was just okay and then this was a disaster. Neither of them came as close to the greatness that was The Infinity Gauntlet.
Rating: 4.5/10 Pairs well with: Its prequels The Infinity Gauntlet and The Infinity War.