Release Date: September, 2019
Directed by: Oliver Harper
Written by: Oliver Harper, Timon Singh
Music by: Peter Bruce
Cast: Scott Adkins, Shane Black, Ronny Cox, Steven E. de Souza, Bill Duke, Sam Firstenberg, Jenette Goldstein, Matthias Hues, Al Leong, Mark L. Lester, Sheldon Lettich, Zak Penn, Phillip Rhee, Eric Roberts, Cynthia Rothrock, Paul Verhoeven, Vernon Wells, Michael Jai White, Alex Winter, Graham Yost, various
When this popped up on Prime Video, I got pretty excited. Especially, because I had just watched Henchman: The Al Leong Story and felt that ’80s action flicks needed more documentary love.
Overall, this was enjoyable and it covered a lot of ground but it also had a beefy running time. However, I felt like they jumped from movie-to-movie too quickly and nothing was really discussed in depth.
Still, this gives the viewer a good idea of how broad, vast and popular the action genre was through the ’80s and into the first half of the ’90s.
I guess the thing that I liked best was that this interviewed a lot of people that were involved in the making of these iconic films. You had actors, directors, writers and stuntmen all taking about their craft and their love for a genre that hasn’t been the same since its peak, a few decades ago.
Now this was a crowdfunded project and with that, you can only do so much. But I wish that some distributor or streaming service saw this and decided to make it much broader like a television series where episodes can focus on specific films or at the very least, spend more time on each era or topic.
Maybe someone will see this, take the bull by the horns and actually do that at some point. But this could be a solid pop culture documentary series like Netflix’s The Toys That Made Us.
For those who love the action flicks of this era, this is certainly worth checking out. Had I known about it when it was raising funds, I would’ve backed it.
Pairs well with: other recent historical filmmaking documentaries, most notably Henchman: The Al Leong Story and Electric Boogaloo: The Wild, Untold Story of Cannon Films.
Release Date: May 6th, 1988
Directed by: Mark Goldblatt
Written by: Terry Black
Music by: Ernest Troost
Cast: Treat Williams, Joe Piscopo, Darren McGavin, Lindsay Frost, Vincent Price, Keye Luke, Robert Picardo, Professor Toru Tanaka, Shane Black
Helpren/Meltzer, New World Pictures, 86 Minutes
“[He shuts the porno mag the clerk’s being reading] Sorry to interrupt your erection.” – Det. Doug Bigelow
Dead Heat is greatly underappreciated. That’s probably because it bombed in the theater and then got brushed aside and barely even made a blip on the cable TV radar in the ’90s. By then it probably seemed really outdated and so cheesy that even late night movie shows didn’t really touch it.
I actually saw this on VHS around 1990 or so and thought it was pretty cool but it just never reemerged anywhere else until it popped up on streaming services within the last couple of years.
I was glad that it was most recently featured on Joe Bob Brigg’s The Last Drive-In, as it needs to be discovered and showcased for a new generation and for the old generation that might’ve missed it.
The film is written by Terry Black, the older brother of Shane.
Shane Black had already made waves after writing Lethal Weapon and The Monster Squad while also working on Predator and Night of the Creeps. Older brother kind of followed little brother here, as the story for Dead Heat is like a mash up of some of those other movies in how it features an action heavy buddy cop story with elements of horror and a bit of slapstick comedy.
That being said, the script was really creative and it provided a movie with a lot of really cool scenes and monster encounters: most notably the zombie animals that came to life despite being halfway butchered.
These scenes worked so well though because the special effects were solid. I mean, this was made by New World and thus, the production operated under Roger Corman economics. Despite that, the practical effects of the monsters looked great.
Additionally, some of the other effects were impressive too, such as the scene where Lindsay Frost decays into nothingness.
The film stars Treat Williams and Joe Piscopo as the two buddy cops but it also stars a great villain duo that features Darren McGavin and legendary Vincent Price. Everyone played well off of each other and all the core actors looked like they were having fun hamming it up and making this bonkers movie.
This is such a weird and unique picture that more people really should check it out. It’s amusing, enjoyable and deserving of more recognition than it initially received.
Pairs well with: other goofy horror comedies of the ’80s like the first two Return of the Living Dead Movies, C.H.U.D. II: Bud the Chud, TerrorVision, etc.
Release Date: July 5th, 1989 (Los Angeles premiere)
Directed by: Richard Donner
Written by: Jeffrey Boam, Shane Black, Warren Murphy
Music by: Michael Kamen, Eric Clapton, David Sanborn
Cast: Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland, Derrick O’Connor, Patsy Kensit, Darlene Love, Traci Wolfe, Steve Kahan, Mary Ellen Trainor, Jenette Goldstein, Dean Norris, Kenneth Tigar, Sherman Howard, Mark Rolston
Silver Pictures, Warner Bros., 114 Minutes, 108 Minutes (cut), 118 Minutes (Director’s Cut)
“I’m too old for this shit!” – Roger Murtaugh
This is my favorite Lethal Weapon movie and in fact, it’s pretty close to perfect on every level.
While most people probably see the first film as the best, I enjoy this one slightly more because it builds off of that foundation and makes it better. Also, this is the film that added in Joe Pesci, who had an amazing dynamic with Gibson and Glover and made this power duo a superpowered trio.
I also prefer the criminal plot in this movie and it takes more of a front seat, as the first film was primarily about dealing with Riggs’ personal problems and overcoming them.
That’s not to say that Riggs’ emotions don’t get the better of him in this film, they do, but the story and the context as to why are much more apparent and the tragedy that befalls his character actually happens in front of your eyes in this chapter. It makes more of an emotional impact on the viewer and because of what he’s already overcome, you understand his drive in the third act of the film and you root for him, and Murtaugh, in a way that you didn’t in the first picture.
Additionally, the villains are fucking superb. Joss Ackland is at his all-time best in this movie as the villainous, racist, South African diplomat, hiding behind legal red tape. I also like Derrick O’Connor as the top henchman. He isn’t quite on Busey’s level from the first movie but he is much better than the standard henchman from most action films of a similar style.
Overall, Lethal Weapon 2 takes the formula that was already established and perfects it. It adds to the series without taking anything away while having a swifter pace that doesn’t leave room for unnecessary filler. The characters are developed more in this chapter and all that is done organically as the story progresses. This is a finely written motion picture that understands the balance it needs between the action genre, comedy, drama and character building. It masters this in ways that other similar films have struggled.
There isn’t a bad thing I can say about the movie, really. It’s just awesome, top to bottom. It has everything I want in a Lethal Weapon movie and none of the stuff I don’t.
Pairs well with: the other Lethal Weapon films, as well as most ’80s buddy action movies.
Release Date: March 6th, 1987
Directed by: Richard Donner
Written by: Shane Black
Music by: Michael Kamen, Eric Clapton
Cast: Mel Gibson, Danny Glover, Gary Busey, Mitchell Ryan, Tom Atkins, Darlene Love, Traci Wolfe, Steve Kahan, Mary Ellen Trainor, Ed O’Ross, Al Leong, Jack Thibeau, Renée Estevez (uncredited – Director’s Cut)
Silver Pictures, Warner Bros., 109 Minutes, 117 Minutes (Director’s Cut)
“I’m too old for this shit!” – Roger Murtaugh
Since there have been rumblings, once again, about Lethal Weapon 5, I was reminded that I haven’t really watched the original film in quite awhile. So, since I have the DVD box set, I figured that I’d give them all a rewatch and a review.
I actually forgot how dark this first film was in regards to Martin Riggs’ depression and suicidal thoughts. Sure, I remember that part of the story but I see a lot more layers with it now, as an adult that has dealt with depression his entire life and many of the experiences and thoughts that come with it. I can also relate to the loss and grief that Riggs felt over his wife’s death, as I lost someone very close to me, which had me in a similar head space for a few years.
As a kid and a teen, I don’t think I understood the real depth of Riggs’ despair and I also didn’t fully understand how this is a movie about a broken man finding something to live for and that he is essentially adopted by a family that grows to love him as one of their own. And honestly, I’m not sure if Shane Black’s script meant to take it that deep but Mel Gibson and Danny Glover add so much to their roles and this story, emotionally, that lesser actors couldn’t have achieved this on quite the same level with this much human emotion.
That being said, the film is really about a man emerging from absolute darkness and finding his way in the world again. And while this isn’t the main plot thread of the sequels, it helped to establish the bond between Riggs and Murtaugh so well, that the emotions and connections in this film created such a strong foundation that it made the camaraderie in the sequels natural and frankly, easy.
The movie is an action comedy, despite the really heavy emotional stuff, and within that, it has a great balance between the darker stuff and its lighthearted playfulness. It’s also full of badass action and just makes me wish that Hollywood could still make pictures like this that are this good.
Action comedies in the modern era just don’t hit the right notes. You can’t compare any of those Kevin Hart buddy action comedies to the Lethal Weapon films and that’s not a knock against the talented Hart, I think it is just a product of the times we live in and their contrast to what the 1980s (and ’90s) were.
A lot of the credit has to go to Richard Donner, who was on his A-game as a director in the ’80s, as well as producer Joel Silver, a man that was involved with some of the most iconic films of all-time, especially in this era and the action genre.
But it all really comes back to the greatness that is the pairing of Gibson and Glover. They’re bond and their banter is absolute perfection. You buy into what they’re selling and they feel like they’re your friends too. On top of that, Glover’s family is great and they make the scenes they share with the two leads pretty special.
While the actual plot dealing with the crime element in the film is a bit thin, it’s still interesting and it also brings in great performances from Gary Busey, Tom Atkins and the grossly underappreciated Mitchell Ryan. I also love seeing and hearing Al Leong actually speak in this beyond just being a voiceless henchman.
On top of all that, the action sequences are superb, the stunts are fantastic and this is a movie that still packs a punch and is just as exciting as it was over thirty years ago.
Lethal Weapon is a stupendous film. It has the greatest tandem in buddy cop movie history and it has aged tremendously well.
Pairs well with: the other Lethal Weapon films, as well as most ’80s buddy action movies.
Release Date: March 18th, 2014
Music by: Brian Tyler
Cast: Hayley Atwell, Shane Black, Kenneth Branagh, Dominic Cooper, Vin Diesel, Robert Downey Jr., Chris Evans, Jon Favreau, Kevin Feige, Clark Gregg, James Gunn, Chris Hardwick, Chris Hemsworth, Tom Hiddleston, Samuel L. Jackson, Scarlett Johansson, Joe Johnston, Louis Leterrier, Jeph Loeb, Anthony Mackie, George R.R. Martin, Tom Morello, Bobby Moynihan, Gwyneth Paltrow, Chris Pratt, Joe Quesada, Robert Redford, Jeremy Renner, Mark Ruffalo, Sebastian Stan, Emily VanCamp, Ming-Na Wen, Jed Whedon, Joss Whedon, Edgar Wright (uncredited)
ABC Studios, Disney, Marvel, 42 Minutes
After watching the beefy but solid Star Wars documentary Empire of Dreams, I noticed that Disney+ also featured a similar made-for-TV documentary about the making of the Marvel Cinematic Universe. I figured I’d check it out, as it originally aired in 2014, on the cusp of the MCU reaching its peak.
Unfortunately, this isn’t as compelling as Empire of Dreams and it plays more like a Marvel produced production used mainly to pimp themselves out and market Captain America: Winter Solider and the Agents of S.H.I.E.L.D. TV show. But I get it, this played on ABC, which like Marvel, is owned by Disney.
It’s still an informative piece with a lot of insight into the making of the first Iron Man movie, which opened the floodgates for the rest of the MCU.
It also expands beyond that and delves a little bit into each movie up to the then still in-production Guardians of the Galaxy. In fact, I think that this was the first real peek into the Guardians of the Galaxy production.
The best part about this short feature is the interviews with the stars and filmmakers who helped bring this universe to life. I especially liked hearing the enthusiasm that Robert Downey Jr., Scarlett Johansson, Gwyneth Paltrow and Jon Favreau had with the early Iron Man pictures.
Overall, this isn’t a must watch but it’s worth your time if you are a big MCU fan.
Pairs well with: other filmmaking documentaries about blockbusters. Empire of Dreams, immediately comes to mind.
Taken from MauLer’s YouTube description: Well, well;
Who could have predicted that this would be a disaster? The script was leaked and I honestly didn’t believe the ideas that Shane Black came up with BUT it looks like a few of them got dialed back.
That didn’t change the fact that he royally destroys Predator and another corpse has been shoveled onto the franchise pile.
Release Date: May 1st, 1993 (Japan)
Directed by: Fred Dekker
Written by: Frank Miller, Fred Dekker
Based on: characters by Edward Neumeier, Michael Miner
Music by: Basil Poledouris
Cast: Robert John Burke, Nancy Allen, Robert DoQui, Felton Perry, Rip Torn, Mako, John Castle, CCH Pounder, Stephen Root, Jeff Garlin, Shane Black, Bradley Whitford, Lee Arenberg, Daniel von Bargen
Orion Pictures, 104 Minutes
“Well, I gotta hand it to ya. What do they call ya? Murphy, is it?” – The CEO, “My friends call me Murphy. You call me… RoboCop.” – RoboCop
RoboCop 3 should not exist. Well, at least in the form that it does.
For one, Peter Weller left the series and Nancy Allen’s Lewis gets killed off pretty early on, leaving us with a movie mostly devoid of the actors and characters we’ve come to care about except for a few minor side ones like the the police sergeant and Johnson.
Not even Dan O’Herlihy came back to play the Old Man in charge of OCP. I guess his absence was explained by OCP being bought by a Japanese company. So instead of the great O’Herlihy, we got a bored looking Rip Torn as the new head of OCP. Johnson was still there though, even if he felt out of place hamming it up with new office buddies.
The story deals with a bunch of poor people getting violently thrown out of their homes so OCP can steal the land and build Delta City, which has been an overused plot point since the first movie. RoboCop catches feelings for the poor people, especially after meeting a four year-old girl that hacks ED-209s and watching Lewis get gunned down by a private military company hired by OCP. There’s also some terrible cyborg ninjas in this. Oh, and RoboCop gets a pointless gun arm and a lame as shit jetpack.
The special effects in this are laughably bad, even looked at within the context of the era this was made in. This is a much cheaper looking movie than RoboCop and RoboCop 2 by a wide margin. ED-209 looks about the same but I’m sure they just reused one of the robots from the first film. RoboCop himself is a new actor but he’s wearing Peter Weller’s suit, which was too short for the new actor and caused him a lot of pain.
RoboCop 3 is just one costly shitshow that has nothing redeeming hidden within it. I’ve only seen this one a few times but I’ve watched the first two at least a dozen times each. This is just really hard to sit through and pretty much a pointless film, overall.
Pairs well with: the first two RoboCop movies but they’re far superior and I guess any bad RoboCop ripoffs with an extremely low budget, hokey effects and crappy acting.
Also known as: Predator 4 (informal title)
Release Date: September 7th, 2018 (TIFF)
Directed by: Shane Black
Written by: Shane Black, Fred Dekker
Based on: characters by Jim Thomas, John Thomas
Music by: Henry Jackman
Cast: Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Thomas Jane, Alfie Allen, Sterling K. Brown, Jake Busey, Yvonne Strahovski
TSG Entertainment, Davis Entertainment, 20th Century Fox, 107 Minutes
“Fuck me in the face with an aardvark.” – Baxley
I’m always game for a new Predator movie and as long as they aren’t mixing it up with xenomorphs from the Alien franchise, the results are usually pretty good.
I didn’t get to see this in the theater a few months back, as life was busy as shit. I wanted to but then a lot of the negative comments I read and heard about the film kind of snuffed out the motivation I had to see it on the big screen.
I guess I’m the odd man out though, because I didn’t think that this was terrible. While it is worse than the three previous Predator films, it is still better than both of the AvP movies.
Ultimately, I want Predator films to just be mindless fun with a lot of badassery mixed in. This film has that but it could have used a bit more of the badassery element, as the Predators came off as weak and there was more drama and comedy than actual ass kicking.
However, the action scenes were pretty good. Although the flow of the film was a bit messy and the motivations of the Predators and the humans were fairly confusing.
There’s a whole bunch of science-y shit about Predators stealing human DNA and making themselves adapt to human conditions so they can steal our planet as their own once we all die from global warming. I don’t know, that’s all pretty stupid and the film didn’t need some genetic plot twist with environmental alarmism tossed in but Hollywood’s gonna Hollywood.
Anyway, I’m not a fan of larger Predators, which is something they’ve done in the last two films. In Predators, it was just done to show that there are different types of Predator tribes but here, it was a genetic manipulation thing. I guess the large Predators in Predators could have also been genetically modified but when each of these movies has had different creative teams with lots of years between each release, its like each film, other than Predator 2, is trying to be some sort of reboot for a new trilogy that never actually happens. And that is exactly what this is, it’s the first part of a trilogy or multi-part story where there probably won’t be another sequel for another decade and then it’ll be another soft reboot.
And frankly, I don’t want a sequel to this film, I’d just prefer a badass Predator movie regardless of whether or not it has direct ties to previous films. Although, a true sequel to the first film that involves Schwarzenegger would be the best possible scenario, in my opinion. But I’d also check back in with the Adrian Brody character from Predators, as well.
This film had a lot of issues and I could fixate on things like Olivia Munn seeing a Predator ship leaving her behind, at least a mile or so away and then it crashes after traveling for a few more minutes but suddenly she arrives on foot to help kill off the alien. Or I could just try really hard to ignore that type of stuff and focus on the fact that this was pretty fun, even with its flaws.
Pairs well with: Predator, Predator 2 and Predators.
Also known as: Alien Hunter, Hunter, Primeval (working titles)
Release Date: June 12th, 1987
Directed by: John McTiernan
Written by: Jim Thomas, John Thomas, Shane Black (uncredited)
Music by: Alan Silvestri
Cast: Arnold Schwarzenegger, Carl Weather, Elpidia Carrillo, Bill Duke, Richard Chaves, Jesse Ventura, Sonny Landham, Shane Black, Kevin Peter Hall
Lawrence Gordon Productions, Silver Pictures, Davis Entertainment, 20th Century Fox, 107 Minutes
“Run! Get to the chopper!” – Dutch
Outside of the first two Terminator movies, this is the best thing that Schwarzenegger has ever done. In all honesty, I hold it in the same regards as the first two Terminator films because it is that damn good and it still works really well today.
Predator is one of those films that you assume every red blooded American male has watched, memorized and has the same appreciation for it as the other real red blooded American males. When you meet a guy that hasn’t seen it, you have to suspect if they are a communist or if they grew up “winning” a bunch of participation trophies for a pottery competition. Any red blooded American male that has seen this 107 minute masterpiece of majestic masculinity knows that Schwarzenegger is the second coming of the Jesus and that his mercenary crew are his apostles while Carl Weathers is his Judas.
This is a damn near perfect movie if all you’re looking for is chiseled beast men with massive guns (literally and figuratively), stomping through a jungle, spitting tobacco, making pussy jokes and murdering the everliving crap out of whatever they’re paid to murder the everliving crap out of. Throw in a giant beast alien with high tech gadgetry, stealth camouflage and a penchant for skinning its victims and you’ve got the cinema’s equivalent to the Holy Bible for dudes. Although, I also know several ladies who have been captivated by the Holy Word of John McTiernan with this and his other Holy work called Die Hard.
Apart from the reasons I’ve already talked about, this film also benefits from the incredible theme and score by Alan Silvestri. It is still one of the best scores he has ever done and it is simply badass.
The film also makes incredible use of its environment. You feel the heat and the discomfort, as these beefy men traverse through a thick jungle in Central America. The jungle is really the main character of this film and it overshadows the cast, despite the incredible lineup of talent that is in this: Schwarzenegger, Weathers, Jesse Ventura, Bill Duke, the Predator itself, etc. The film was actually filmed in Hawaii, for the record.
The one thing that could’ve really been the “make or break” moment of the film ended up being one of the most memorable scenes of the entire 1980s. That was the reveal of the monster. The Predator creature design was handled by the maestro, Stan Winston. The look of the creature is friggin’ incredible and it is still one of the coolest and most badass movie monsters going today.
The problem with this film and its monster being so damn great and iconic, is that no sequel will ever live up to this film. And so far, no sequel has. People seem to have a sort of disdain for Predator 2 but fuck those people. It’s also damned good, not a classic as this one is, but it is true to the spirit of the original. Also, Predators was a good experience as well. I think it is the weakest of the three Predator films but it is still a lot of fun and has some big iron balls like the other two films. Then there are those Alien Vs. Predator movies. While the concept works great in comic books and video games, it wasn’t very good on the big screen, sadly.
On a side note, Jean-Claude Van Damme was originally in this, as another alien creature, but the whole thing got cut from the film. Just saying, if Van Damme made it into this picture too, even if he was obscured by his costume, the testosterone levels in this movie would have run over and flooded whatever village this was filmed near.
Predator is one of my all-time favorite films. It will always be one of my all-time favorites. If you don’t feel the same way, you’re probably a hippie communist that writes poetry for your plants.
Pairs well with: Predator 2 and Predators. Ignoring those AvP movies is probably best for everyone.