Comic Review: Uncanny X-Force, Vol. 3 & 4: The Dark Angel Saga – Books I & II

Published: May 23rd, 2012 (Vol. 3), August 15th, 2012 (Vol. 4)
Written by: Rick Remender
Art by: Rich Elson, Billy Tan, Mark Brooks, Scot Eaton, Andrew Currie, Andrew Hennessy, Jerome Opena, Robbi Rodriguez, Dean White

Marvel Comics, 274 Pages (total)

Review:

This is the big story arc where this highly regarded comic series really came together for me. I was patient, I liked the build of the two volumes before this and I was happy to discover that this was going somewhere solid.

The Dark Angel Saga is broken out into two volumes but I’m reviewing it as one body of work because that’s the best way to talk about it and because these Uncanny X-Force TPBs are too short.

Overall, the story reminds me of the late ’80s/early ’90s X-Men crossover events. This is actually smaller in scale and didn’t crossover with multiple books but it just had that feel, as the story itself is pretty grandiose. And frankly, I’m surprised it was contained in just one comic.

Rick Remender had a vision for this title and this is where that truly becomes clear.

This is a team made up of several characters I love, as well as Fantomex, who I didn’t know before this but have grown to like over the course of this comic.

The focus of the story is on the continued inner turmoil of Angel/Archangel. Now that Apocalypse is dead, his body and mind are slipping into darkness, as he is supposed to evolve into the next Apocalypse.

The story also takes us into the dimension from the Age of Apocalypse epic. Our X-Force team finds allies in the X-Men team of that dimension, which adds some really cool subplots to the story, as characters are reunited and some are very different than their regular versions.

The Dark Angel Saga is well choreographed and written, balancing a ton of characters, introducing new ones but still giving us something pretty focused that tells its story well and isn’t bogged down by a large ensemble and the problems that come with that.

Rating: 8.5/10
Pairs well with: the rest of Rick Remender’s Uncanny X-Force run.

Comic Review: X-Men: Mutant Genesis

Published: 1991
Written by: Chris Claremont, Jim Lee, Fabian Nicieza, Whilce Portacio, Peter David, Len Kaminski
Art by: Jim Lee, Whilce Portacio, Kirk Jarvinen, Tom Raney, Terry Shoemaker, Paul Smith, Andy Kubert, Jerry DeCaire, Ernie Stiner, Steven Butler, Art Thibert

Marvel Comics, 437 Pages

Review:

I’m pretty excited for the current Jonathan Hickman run on the X-Men titles. I haven’t started reading them because the two miniseries that are coming out are doing so just about weekly. So I want to wait to have all twelve issues before giving it a read. But from what I’ve heard, it’s absolutely solid and quite refreshing.

However, before getting into the new stuff, I wanted to travel back to the height of my time reading and buying X-books: 1991.

The reason I wanted to go back there was because it was a transitional period, as the original X-Factor team came to an end, the New Mutants became X-Force and two new X-Men teams formed, each with their own ongoing monthly series. It was also a transition from the Chris Claremont era into the era of Jim Lee.

This thick trade paperback collects multiple story arcs but all of the arcs are unified in their purpose, which was to end an era and to create a new one.

Here we have the final stories of the first X-Factor team, as well as stories involving the newly formed X-Force and New Warriors, Freedom Force and the X-Men team as it existed when Claremont moved on from the series.

This almost feels like an omnibus.

It also features a lot of great creatives on the writing side and art side.

Ultimately, this was a hell of a fun read that flew by despite its meaty 437 pages.

We get dozens of heroes and a whole slew of major X-villains like Magneto, Apocalypse, the Shadow King, Proteus and Fabian Cortez, just to name a few.

While a lot of the ’90s comics I go back to don’t have the same effect on me as they did when I was twelve, this is a solid f’n read. Seriously.

And what’s really surprising is that it has all these creatives working on it and it still turned out to be a really well managed and fully realized vision that brought an era to its end, quite epically, and generated real excitement and enthusiasm for what was to come.

Rating: 10/10
Pairs well with: other major X-Men crossover events from the era: X-Tinction Agenda, X-Cutioner’s Song, etc.

TV Review: Legion (2017- )

Original Run: February 8th, 2017 – current
Created by: Noah Hawley
Directed by: various
Written by: various
Based on: Legion by Chris Claremont, Bill Sienkiewicz
Music by: Jeff Russo
Cast: Dan Stevens, Rachel Keller, Aubrey Plaza, Bill Irwin, Jeremie Harris, Amber Midthunder, Katie Aselton, Jean Smart, Navid Negahban, Jemaine Clement, Hamish Linklater

26 Keys Productions, The Donners’ Company, Bad Hat Harry Productions, Kinberg Genre, Marvel Television, FX Productions, 20th Television, 19 Episodes (so far), 44-68 Minutes (per episode)

Review:

With two seasons in the bag, that bag is a mixed one.

Legion is a mindfuck of biblical proportions. And while that works for the show, it also works against it.

The problem with Legion is that if you zone out or miss something for five minutes, you’re totally lost and it’s hard to reel yourself back in.

This show has some very strong positives, however. The cast, for the most part, is f’n stellar. Dan Stevens and Aubrey Plaza are exceptionally fantastic in this. But I can’t dismiss the work of Rachel Keller, Jean Smart and the always entertaining Jemaine Clement. All the other players deliver as well.

Legion also has great cinematography, set design and sort of exists in a very vivid world that is one part fantastical and one part realistic. There is a balance in the show in storytelling, style and overall tone between the fantastical and the real. It works quite well, as long as you don’t get lost in the details and the weirdness of what’s unfolding on screen.

But with all those positives, the show is also hard to watch at times. For me, it gets too strange at certain parts and the narrative gets lost in the weirdness, just as the viewer might.

Point being, this can be a very confusing show and sometimes details come so fast that you might not grasp them all. What may look profound on paper, in this case the script, might not translate well to screen. It doesn’t matter that the screen is littered with a visual smorgasbord of incredible and creative images. It almost feels like all that stuff distracts from the most important thing that this show needs: story. And not just story but a coherent story that flows at a proper pace and doesn’t come across as some dreamlike clusterfuck.

I wish that this show would find a way to tighten up it’s superficial bullshit and be a bit more accessible because ultimately, it can continue to be a total mindfuck but it won’t maintain an audience and generate the ratings it would need to continue.

Legion isn’t beyond fixing but after two seasons, I kind of don’t care about it anymore. With season one, I was able to look past the flaws because it was so nice to look at but season two was tough to get through and every time a new episode popped up, it felt like a chore I had to push through.

This should be better and it can be better but it almost feels pretentious in a lot of ways and I hate saying that but it’s definitely putting art over substance and that doesn’t work too well in television, where people have to be enticed to keep coming back.

Rating: 6.5/10
Pairs well with: Other recent Marvel shows: The GiftedThe Runaways and Cloak & Dagger.