Film Review: Can’t Hardly Wait (1998)

Also known as: The Party (working title)
Release Date: June 12th, 1998
Directed by: Deborah Kaplan, Harry Elfont
Written by: Deborah Kaplan, Harry Elfont
Music by: David Kitay
Cast: Jennifer Love Hewitt, Ethan Embry, Charlie Korsmo, Lauren Ambrose, Peter Facinelli, Seth Green, Robert Jayne, Michelle Brookhurst, Chris Owen, Jason Segel, Clea Duvall, Jaime Pressly, Sean Patrick Thomas, Freddy Rodriguez, Donald Faison, Eric Balfour, Selma Blair, Sara Rue, Jenna Elfman (uncredited), Jerry O’Connell (uncredited), Melissa Joan Hart (uncredited), Breckin Meyer (uncredited), Jennifer Elise Cox (uncredited)

Tall Trees Productions, Columbia Pictures, Sony Pictures Releasing, 100 Minutes

Review:

“I don’t know about you, but I really believe that there’s one person out there, and for me it’s gotta be Amanda.” – Preston

I didn’t see this right when it came out, as it was a year after I had graduated high school and also because there were already dozens of similar movies that I had watched from the ’80s and ’90s, growing up.

I first saw this when it hit regular television but once I did, I thought it had a lot of heart while also having that heart in the right place. Sure, this is nothing new for the coming-of-age teen comedy subgenre but it’s hard not to like the main characters and their multiple story arcs.

Honestly, it also doesn’t hurt that this movie has a pretty stacked cast and even if most of these kids weren’t stars when this came out, they started to become them by the time I saw this.

The vast majority of the movie takes place in one location, a big ass house party. There are some school scenes early on but the bulk of the story takes place over one night.

To sum up the primary plot, the male lead has been in love with the female lead since his freshman year. But now that they’re graduating and the girl and her boyfriend split, this guy has one last chance to try and win her over.

Beyond that plot, the rest of the kids are dealing with the fact that high school is over and they have no idea what’s going to happen now that their lives are starting. The party is there as a way to blow off steam and distract them from the inevitable future but they all learn a lot about themselves over the course of the night.

There’s too many characters to feature for any great length and the two leads take up the bulk of the running time but each story is pretty enjoyable and endearing. I think there’s actually things that people can relate to with all of them, as they all share their own versions of doubt, insecurity and fear over what’s next.

Can’t Hardly Wait also feels a lot more like an ’80s teen movie than a ’90s one despite the music and fashion in the film. It just has that ’80s vibe to it and it’s easy to tell that the filmmakers were inspired by those movies and drawing from them.

That being said, this kind of feels like the last film of that subgenre of comedy. Sure, there were others after this but none of them are all that memorable, except for Not Another Teen Movie, which was a parody of this subgenre and kind of exposed all the tropes, making it hard to follow with another picture of this type.

In the end, the boy gets the girl and we leave these characters in a pretty positive way. Granted, the jock’s future isn’t all that promising but he went from dick to nice guy back to dick and well… karma is a bitch.

Rating: 6.25/10
Pairs well with: other teen comedies, specifically of the ’80s and ’90s.

Documentary Review: The Sheik (2014)

Release Date: April 26th, 2014 (Hot Docs International Documentary Festival – Canada)
Directed by: Igal Hecht
Written by: Jian Magen, Jake Neiman, Igal Hecht
Music by: Michael Hanson
Cast: Khosrow Vaziri “The Iron Sheik”, Mick Foley, Seth Green, Jack Black, Bret Hart, Jimmy Hart, Hulk Hogan, Dwayne “The Rock” Johnson, Bob Orton Sr., Bruce Pritchard, Jake Roberts, Jim Ross, Ron Simmons, Koko B. Ware, The Nasty Boys

Magen Boys Entertainment, Big Media, Chutzpa Productions, 95 Minutes

Review:

This film was one of the rare documentaries that I actually got to see in the theater. I think I saw it around 2016, as a small indie theater near me hosted a screening. I was pretty captivated by it and always wanted to watch it again. Since it’s been about five years, I figured I’d revisit it and review it.

I’ve reviewed several wrestler biographical documentaries but most of them don’t match the overall quality of this film. It actually looks like a budget went into it, as it’s really competently shot, edited and brings in some real heavy-hitters for the talking head interviews.

The great cast assembled in this could also be due to the film’s subject, Khosrow Vaziri a.k.a. The Iron Sheik, as he is legitimately a beloved legend who would influence not just many iconic wrestlers but also people from other fields within the larger entertainment sphere.

This film really delves into the Sheik’s backstory and the stuff about his early life is truly fascinating and impressive. It discusses his major accomplishments in the sport of amateur wrestling, why he left Iran for America and then how he adjusted to life in the States and a new career as a professional wrestler, once he moved to Minnesota and found Vern Gagne’s AWA (American Wrestling Association) territory.

We see Sheik come up through the ranks and then eventually make his way to the WWF (World Wrestling Federation) where he reached superstardom after winning the World Championship from Bob Backlund and then helped launch the career of Hulk Hogan, arguably the biggest star in professional wrestling history.

There is a dark side to this story too and that’s where the documentary becomes both compelling and heartbreaking. We see The Sheik struggle with drugs and alcohol and how it has a severely adverse effect on his family life and life in general. That’s not to say that this doesn’t have a happy ending but seeing Sheik at his worst is really difficult, especially for a long-time fan like myself.

This documentary tells a great story, though. While a lot of this may seem all too familiar with the biographical documentaries on other wrestling legends from The Sheik’s generation, this one just tells its story really well. Sheik has infectious charisma and it’s on full display, here, making this one of the best character pieces of its type.

Rating: 8/10
Pairs well with: other biographical wrestling documentaries. Many have been reviewed on this site, already.

Film Review: Can’t Buy Me Love (1987)

Also known as: Boy Rents Girl (alternative title)
Release Date: August 14th, 1987
Directed by: Steve Rash
Written by: Michael Swerdlick
Music by: Robert Folk
Cast: Patrick Dempsey, Amanda Peterson, Dennis Dugan, Tina Caspary, Darcy DeMoss, Cort McCown, Eric Bruskotter, Courtney Gains, Seth Green, Ami Dolenz

Apollo Pictures, Silver Screen Partners III, Touchstone Pictures, 94 Minutes

Review:

“What happened to us? We were all friends in elementary.” – Ronald Miller, “That’s because we were all forced to be in the same room together. But, hey, Junior high, high school. Forget it. Jocks became Jocks. Cheerleaders became cheerleaders. We became us. I like us.” – Kenneth Wurman

I always had a soft spot for this ’80s teen comedy but I guess I never realized how good it is when compared to all of the other films like it. Outside of the work of John Hughes and Fast Times at Ridgemont High, this one is probably the best of the lot.

This is a movie that carries a real message and does a fantastic job of delivering that message through the journey of its main character.

It’s also a message that’s timeless and maybe even more relevant today, as so many young people are willing to give anything just for their fifteen seconds of fame. Social media has probably just made this more of an issue, as “going viral” is a lifegoal of too many young people.

The story is about a geek named Ronald that has a hard time understanding why half of his friends from elementary school became the cool kids in high school and why he and his other buds are dorks, pushed away from the cool circle. He is also crushing hard on the most popular girl in school. When she finds herself in a bad financial situation, he bails her out. But he does so with the agreement that she’ll date him for a month, as he believes it will make him cool.

Of course, things can’t be that simple. While he does become “cool”, he turns his backs on his geeky friends and even breaks the heart of the popular girl he was in love with in the first place. As the story rolls on, his ruse is exposed and everything backfires. With that, he has to find a way to be himself, fix his old friendships and earn back the cool girl, who fell in love with the sweet guy she knows is inside Ronald.

As a young person, I got the message of the film loud and clear and it’s a simple one but this movie does a pretty good job of letting it play out in a lot of different ways, showing how it effects Ronald in every facet of his life, as well as the other kids around him.

Additionally, I think it’s a good message. High school aged kids generally want the same thing Ronald wanted but it’s important to understand the cost and what being “cool” actually means.

While this doesn’t have the magic of John Hughes best pictures, I think it is as well written as his high school movies and that’s why I consider it to be in the same ballpark of quality for ’80s teen comedies.

I like Patrick Dempsey in this but it’s Amanda Peterson that stole the show for me. I wish she had gotten better work after this film but she retired from acting in the mid-’90s, moved back home to Colorado and her life tragically went to shit until she died of an overdose in 2015.

Sorry to end this on a sad note but it’s kind of a punch to the gut when watching this film, knowing what happened to the high school goddess in real life.

Rating: 7.75/10
Pairs well with: other ’80s teen comedies.

Film Review: Pump Up the Volume (1990)

Release Date: August 22nd, 1990
Directed by: Allan Moyle
Written by: Allan Moyle
Music by: Cliff Martinez, various
Cast: Christian Slater, Samantha Mathis, Scott Paulin, Ellen Greene, Mimi Kennedy, Ahmet Zappa, Seth Green

SC Entertainment, New Line Cinema, 102 Minutes

Review:

“Do you ever get the feeling that everything in America is completely fucked up?” – Mark

Yes, Mark… I do.

Although, it’s infinitely more fucked up than it was in 1990 and that year seems like a much, much better time to be alive than 2021. However, I get the sentiment now, as I did back then and a lot of what was wrong then, gave birth to the extreme bullshit we have to live with now.

Wow! Jesus! I went on a tangent there. Let me stick to reviewing the film and not go too deeply down the dark, hopeless 2020s rabbit hole.

Pump Up the Volume was a favorite film of mine for a few years after it came out. Granted, I had just entered middle school in 1990 and wasn’t quite the age of a high schooler when this came out but it did have a fairly profound influence on me, as did many other coming-of-age Generation-X flicks of the era.

In 1990, we were exiting the opulent “everything is fine” 1980s and entering into the peak Gen-X decade, which brought grunge and a cultural edginess to the table where PC culture was vehemently shunned by the youth, unlike the complete 180 we’ve got in the 2020s. But there I go again, trashing this dumb decade.

Anyway, Christian Slater’s Mark was kind of a stand-in for the average person in this movie’s audience. He was awkward, unsure about himself, had a hard time expressing his thoughts face-to-face but discovered his voice through his creativity and anonymity. And what he expressed was a lot of the thoughts and sentiments of his generation, going into a seemingly bleak and potentially pointless future where what’s been mapped out for you might not be what’s best for you.

Most importantly, the film shows that teen angst and the insecurity about moving into adulthood isn’t just a generational issue. But hey, at least back then, the kids questioned the state and mainstream society’s narratives and attempts at control.

All that being said, this might be a difficult movie for new and modern fans to connect with. I think it defines my generation pretty well for its time but some of the movie may be seen as too farfetched or cheesy through modern eyes. And honestly, some of Mark’s rants may seem childish and immature but that doesn’t mean that they’re not genuine and a reflection of what kids were thinking at the time.

Pump Up the Volume is a weird time capsule into the minds of Gen-Xers being pushed into adulthood by their Baby Boomer parents who grew up with very different priorities and values. This encapsulates that generational clash quite well and I say that as someone who lived through these things and had similar issues with parents and authority. Despite their best interests, I knew that what was best for them was not necessarily what was best for me.

I’ll probably always love this movie because of all the points I just outlined, even if, yes, it does come off as a bit cheesy and dated in many regards. Still, its heart and soul comes across as pure and Christian Slater absolutely gives one of his best performances.

Side note: I still adore the hell out of Samantha Mathis in this.

Rating: 7.5/10
Pairs well with: other more serious coming of age movies from the Gen-X era.

Film Review: Austin Powers In Goldmember (2002)

Also known as: Austin Powers 3, Austinpussy, Austin Powers: Never Say Member Again, The Next Installment of Austin Powers, The Third Installment of Austin Powers (working titles)
Release Date: July 26th, 2002
Directed by: Jay Roach
Written by: Mike Myers, Michael McCullers
Music by: George S. Clinton
Cast: Mike Myers, Beyonce Knowles, Michael Caine, Michael York, Robert Wagner, Seth Green, Mindy Sterling, Verne Troyer, Clint Howard, Rob Lowe, Fred Savage, Masi Oka, Michael McDonald, Donna D’Errico, Greg Grunberg, Kinga Philipps, Tommy “Tiny” Lister, Kristen Johnston, Tom Cruise, Danny DeVito, Gwyneth Paltrow, Kevin Spacey, Steven Spielberg, Quincy Jones, John Travolta, Britney Spears, Ozzy Osbourne, Sharon Osbourne, Kelly Osbourne, Jack Osbourne, Willie Nelson, Burt Bacharach, Nathan Lane, Katie Couric

Team Todd, Gratitude, New Line Cinema, 94 Minutes

Review:

“There are only two things I can’t stand in this world: People who are intolerant of other people’s cultures, and the Dutch.” – Nigel Powers

The third and unfortunately final film of the Austin Powers series may be the worst of the three but it’s still damn enjoyable and pretty good. Besides, all the films are fairly close in overall quality; this one just happened to be the odd one out.

That being said, this one is the most ambitious of the three pictures.

I like this movie, even if the story feels really overstuffed. There are some cool, big twists to the series’ mythos and I actually kind of loved what they did with it by the end of the film. It also ended in a way that opened up a fresh take on the franchise that would’ve been really neat to explore in another movie.

While a fourth film has been rumored since this one came out, I don’t see how you could even do it now in our overly sensitive, always offended modern world. Comedy is truly dead in the 2020s and anything they could make, would be an unfunny, mittens wearing, faded Xerox copy of the original three flicks. No thanks.

Anyway, I think what I liked most about this was the inclusion of Michael Caine as Austin’s father. He was so enjoyable in this that I wish they would’ve debuted his character earlier so that we could’ve got him in more than just one picture.

Mike Myers also ups the ante, as he now plays not just Austin, Dr. Evil and Fat Bastard but also a new villain, Goldmember.

Heather Graham is gone, unfortunately, but Beyonce was decent as the new female partner for Austin. They didn’t really seem to give the two a romantic plot, though, which kind of felt weird, as Austin, in spite of his ugliness, is a chick magnet of incalculable levels.

As I said, this is the worst movie of the three but it’s still a good send off for these characters and their story, assuming we never get a fourth film.

Rating: 7/10
Pairs well with: the other Austin Powers films and other ’60s styled spy spoofs like the Dean Martin Matt Helm movies and the original Casino Royale.

Film Review: Austin Powers: The Spy Who Shagged Me (1999)

Also known as: Austin Powers 2, It’s Shagging Time (working titles)
Release Date: June 11th, 1999
Directed by: Jay Roach
Written by: Michael McCullers, Mike Myers
Music by: George S. Clinton
Cast: Mike Myers, Heather Graham, Elizabeth Hurley, Michael York, Robert Wagner, Seth Green, Mindy Sterling, Verne Troyer, Will Ferrell, Clint Howard, Burt Bacharach, Michael McDonald, Rob Lowe, Jeff Garlin, Elvis Costello, Jerry Springer, Rebecca Romijn, Woody Harrelson, Charles Napier, Tim Robbins, Willie Nelson, Fred Willard, David Koechner, Tony Jay (narrator)

Moving Pictures, Gratitude, New Line Cinema, 95 Minutes

Review:

“I can’t believe Vanessa, my bride, my one true love, the woman who taught me the beauty of monogamy, was a fembot all along. Wait a tick, that means I’m single again! Oh behave!” – Austin Powers

Out of the three movies in the Austin Powers trilogy, this one is my favorite, even though all the films are really close in overall quality.

There are a few reasons why I like this one slightly better.

First, I like the plot better than the first movie. It’s more complex, more interesting and doesn’t simply try to rehash the beats of the first picture. There’s also a time travel element that works for me, even though it quickly breaks the fourth wall dismissing the paradoxes and narrative problems it creates. Because, honestly, this is a mindless, fun Austin Powers movie and you shouldn’t be thinking that hard anyway.

Second, I loved all the new characters from Mini-Me, Fat Bastard and especially Rob Lowe, as the younger version of Number 2.

Third, this has Heather Graham in it as the main “Powers Girl” and she’s always been a favorite of mine and certainly my favorite babe in a film series packed full of incredible, badass babes.

Apart from those three things, this film is just as fun and entertaining as the first movie. Additionally, the cast seems much more at-home in their roles and they’re even better than they were in the previous film.

I also like this chapter because it shows you which jokes sort of become reoccurring gags. Many of these bits became staples of the series while also becoming one of the more endearing things about this goofy, amusing franchise.

It’s also obvious that this movie had more money to play around with. There are bigger, better sets and more of them. Dr. Evil gets multiple lairs and each of them are much grander than the previous film’s underground bunker.

All in all, this is still solid, fun escapism and it made me smile in a young decade that hasn’t been very kind to most of us.

Rating: 7.5/10
Pairs well with: the other Austin Powers films and other ’60s styled spy spoofs like the Dean Martin Matt Helm movies and the original Casino Royale.

Film Review: Austin Powers: International Man of Mystery (1997)

Also known as: Austin Powers (working title)
Release Date: April 29th, 1997 (Los Angeles premiere)
Directed by: Jay Roach
Written by: Mike Myers
Music by: George S. Clinton
Cast: Mike Myers, Elizabeth Hurley, Michael York, Mimi Rogers, Robert Wagner, Seth Green, Mindy Sterling, Fabiana Udenio, Will Ferrell, Joe Son, Paul Dillon, Charles Napier, Elya Baskin, Clint Howard, Tom Arnold (uncredited), Carrie Fisher, Larry Thomas, Burt Bacharach, Michael McDonald, Cindy Margolis, Christian Slater (UK version only), Rob Lowe (scene deleted) 

Capella International, Gratitude, Juno Pix, New Line Cinema, 94 Minutes, 68 Minutes (TV cut)

Review:

“Ladies and gentlemen, welcome to my underground lair. I have gathered here before me the world’s deadliest assassins, and yet each of you has failed to kill Austin Powers. That makes me angry. And when Dr. Evil gets angry, Mr. Bigglesworth gets upset. And when Mr. Bigglesworth gets upset… people die!” – Dr. Evil

I, like most people, was a big fan of this film series when it was current. Weirdly, I hadn’t watched any of these since the third movie, Goldmember, came out in theaters. I had seen the first two at least a half dozen times, however, leading up to that third and final chapter.

Revisiting these now was a lot of fun. Even though I remembered just about everything and knew all the jokes and gags, it still felt like I was seeing it fresh and frankly, it made me nostalgic for a time when you could make movies like these because the world wasn’t so f’n PC and sensitive. If they ever made a fourth film, it would be a neutered and unfunny bitch.

This first film is still a hell of a lot of fun and it’s great, solid escapism. Especially in the early 2020s, as the world is really turning into a big ball of shit. Not having much in the way of real entertainment has also taken its toll on people, so looking back at stuff like this is kind of comforting.

In spite of the adversity nearly everyone has gone through as of late, it’s still hard not being happy watching Mike Myers ham it up as an uglied up, horny, British spy that’s part playboy, part buffoon and somehow still a hero when the odds are against him.

Like the ’90s, as a whole, this movie is crass and low brow. But growing up in that time is why I love that shit and probably why I miss it. Then again, people still knew how to laugh back in 1997.

Anyway, Myers also plays Dr. Evil, the film’s villain and his greatest character. But Myers also had the benefit of playing off of so many other great actors in this film. It’s this series that really cemented Seth Green as a legitimate talent for me and it also helped me fall in love with the comedic greatness of Mindy Sterling. Plus, Robert Wagner has never been better and that guy is always f’n great!

Additionally, this movie is full of hot babes, most notably the angelic Elizabeth Hurley. We also get Mimi Rogers at her all-time hottest, as well as Fabiana Udenio, a long time favorite babe of mine, and the glorious and sultry Fembots.

Austin Powers wasn’t the first film to parody the James Bond franchise but honestly, it’s probably the best and I say that as someone that adores the Dean Martin Matt Helms quadrilogy. 

Rating: 7.25/10
Pairs well with: the other Austin Powers films and other ’60s styled spy spoofs like the Dean Martin Matt Helm movies and the original Casino Royale.

Documentary Review: Marvel 75 Years: From Pulp to Pop! (2014)

Release Date: November 4th, 2014
Music by: Lauren Pardini, Daniel Sternbaum
Cast: Axel Alonso, Hayley Atwell, Gerry Conway, Louis D’Esposito, Alan Fine, Seth Green, Clark Gregg, Jimmy Kimmel, Stan Lee, Ralph Macchio, Todd McFarlane, Patton Oswalt, Nicole Perlman, Joe Quesada, Peter Sanderson, Jim Shooter, Kevin Smith, Jim Starlin, Emily VanCamp, Len Wein, Ming-Na Wen

ABC Studios, Disney, Marvel, 42 Minutes

Review:

I recently reviewed a short, made-for-TV documentary on Disney+ called Assembling a Universe. That one was a piece on how Disney and Marvel assembled a movie franchise based off of Marvel’s rich treasure trove of characters and stories.

This short documentary is kind of more of the same but it focuses mostly on the comic books themselves and how Marvel grew into what it is today.

Like the previous documentary, which came out earlier in the same year, this one is really just a marketing tool to try and get people to go see their movies. It’s made by Disney, Marvel and ABC, all of whom are essentially the same company, so this is made to sort of pimp themselves out.

Ultimately, this is an autobiographical puff piece. That doesn’t mean that there aren’t things of value in it. It’s informative and gives you a good amount of info to start with for those interested in Marvel’s history but there are much better documentaries, books and magazine articles on the subject.

Rating: 6/10
Pairs well with: Assembling a Universe and Empire of Dreams.

Documentary Review: Comic-Con – Episode IV: A Fan’s Hope (2011)

Release Date: September 10th, 2011 (Toronto International Film Festival)
Directed by: Morgan Spurlock
Written by: Jeremy Chilnick, Morgan Spurlock, Joss Whedon
Music by: Jeff Peters
Cast: Joss Whedon, Guillermo del Toro, Kevin Smith, Stan Lee, Kenneth Branagh, Eli Roth, Seth Rogen, Thomas Jane, Seth Green, Edgar Wright, Corey Feldman, Paul Scheer, Todd McFarlane, Matt Groening, Frank Miller, Gerard Way, Grant Morrison, Paul Dini, Joe Quesada, various

Mutant Enemy, Thomas Tull Productions, Warrior Poets, 88 Minutes

Review:

“I think the fans are the most important thing in the comic book business. And I might add, in any form of entertainment. I feel… you gotta be nice to the fans because without them… you’re nothing.” – Stan Lee

Here we go, these nerdy fan documentaries are a dime a dozen but I guess this one got some recognition for being well produced and for featuring a slew of famous nerd-centric personalities.

I didn’t know that this was a Morgan Spurlock film until I was already watching it. Had I known that, I probably wouldn’t have watched it. Reason being, I think the guy’s a f’n hack and disingenuous. His most popular film Super Size Me was unwatchable to anyone that can see through a ruse, which it was. It wasn’t science, it wasn’t a real test to see how fast food effects you, it was one man’s entertaining mockumentary, sold as a legit documentary and damnation of the fast food industry. His documentary series on FX was also mostly a big bullshit endeavor where he went into everything with a bias then cherry picked info and edited everything down to the narrative he wanted. He’s the reason behind the modern alteration to an old phrase, “No shit, Spurlock!”

Anyway, this is exactly what you’d think it is. A bunch of famous nerdy types talk about their nerdy shit and their love for the San Diego Comic Con, which is barely about comic books at this point and isn’t anywhere near as cool as it once was. You missed the boat by a decade or so, Spurlock.

The only thing I really liked about this was seeing the behind the scenes stuff on cosplay. I don’t normally give a shit about cosplay but it was interesting to see, nonetheless.

As far as the interviewees, the only one that stuck with me was Stan Lee. Everything else was edited so choppy that the vast majority of comments could have been things out of context and then just thrown together for Spurlock to manufacture whatever narrative he was going for. Stan Lee’s bit was heartwarming though but that’s because he’s Stan Lee and he always has eloquent shit to say.

You’d probably be alright if you never watched this. It doesn’t do anything to inspire you to go to San Diego Comic Con. If anything, it told me to stay away because I like comics and don’t give a crap about massive celebrity panels or Joss Whedon publicly ranting about lefty hysteria.

Rating: 5/10
Pairs well with: any of the dozens of other documentaries about nerd conventions or nerdy hobbies, there are so many.

Film Review: Buffy the Vampire Slayer (1992)

Release Date: July 31st, 1992
Directed by: Fran Rubel Kuzui
Written by: Joss Whedon
Music by: Carter Burwell
Cast: Kristy Swanson, Donald Sutherland, Paul Reubens, Rutger Hauer, Luke Perry, Hilary Swank, David Arquette, Stephen Root, Thomas Jane, Sasha Jenson, Ben Affleck (uncredited), Ricki Lake (uncredited), Seth Green (uncredited), Alexis Arquette

Sandollar, Kuzui Enterprises, 20th Century Fox, 86 Minutes

Review:

“Does the word “duh” mean anything to you?” – Buffy

Joss Whedon wasn’t a fan of this version of his Buffy character and five years later, he developed a television series that reflected what he saw in his mind. Most fans prefer the television show but I guess I have to be the odd man out or maybe it’s because I am often times a contrarian but I prefer this movie. I’ll explain though, that’s why I’m here.

First, I have always loved Kristy Swanson. This isn’t a battle over who is hotter between Swanson or Sarah Michelle Gellar, as both are gorgeous, but Swanson’s personality and the way she played this role was more my cup of tea. And if Buffy is going to be a valley girl high schooler, Swanson fits the part better for me. Not to discount Gellar’s work because she was great in her own way and played Buffy as a much more complex character. But let’s be honest, she also had seven seasons and 144 episodes to grow in that role, Swanson had less than 90 minutes.

I also love the supporting cast of the movie better. I mean the villains are Rutger Hauer and Paul Reubens for chrissakes! And man, both of those guys ham it the hell up in this and just fit the tone of the film perfectly. Reubens ad-libbed in a lot of scenes and it made for a better movie and for a more entertaining character.

You also have Luke Perry, at the height of his popularity, and I’m not afraid to admit that I watched Beverly Hills 90210 during its peak. It was the hottest show on television and I was in middle school. Plus, I met Luke Perry when I was young, just by coincidence, and he was really f’n cool.

This movie is cheesy as all hell but it is supposed to be. It captures that ’90s teen vibe really well but overall, this is just a really fun movie that I can put on at any time and still enjoy for its absurdity and its awesomeness.

I knew that once the TV show came out, that we’d never get a proper followup to this version of Buffy. But since the TV show has its own comics, it’d be cool if someone did a comic book sequel to this incarnation of that universe. Or hell, maybe even a Buffy vs. Buffy crossover. Who owns the comic book rights now? IDW? Dark Horse? Boom? Dynamite? I don’t know but whoever it is, get on it!

Rating: 7/10
Pairs well with: Other ’90s teen horror comedies: Idle HandsThe FacultyFreddy’s Dead, etc. I also like pairing this with Encino Man for some reason.