Comic Review: X-Men: Mutant Genesis

Published: 1991
Written by: Chris Claremont, Jim Lee, Fabian Nicieza, Whilce Portacio, Peter David, Len Kaminski
Art by: Jim Lee, Whilce Portacio, Kirk Jarvinen, Tom Raney, Terry Shoemaker, Paul Smith, Andy Kubert, Jerry DeCaire, Ernie Stiner, Steven Butler, Art Thibert

Marvel Comics, 437 Pages

Review:

I’m pretty excited for the current Jonathan Hickman run on the X-Men titles. I haven’t started reading them because the two miniseries that are coming out are doing so just about weekly. So I want to wait to have all twelve issues before giving it a read. But from what I’ve heard, it’s absolutely solid and quite refreshing.

However, before getting into the new stuff, I wanted to travel back to the height of my time reading and buying X-books: 1991.

The reason I wanted to go back there was because it was a transitional period, as the original X-Factor team came to an end, the New Mutants became X-Force and two new X-Men teams formed, each with their own ongoing monthly series. It was also a transition from the Chris Claremont era into the era of Jim Lee.

This thick trade paperback collects multiple story arcs but all of the arcs are unified in their purpose, which was to end an era and to create a new one.

Here we have the final stories of the first X-Factor team, as well as stories involving the newly formed X-Force and New Warriors, Freedom Force and the X-Men team as it existed when Claremont moved on from the series.

This almost feels like an omnibus.

It also features a lot of great creatives on the writing side and art side.

Ultimately, this was a hell of a fun read that flew by despite its meaty 437 pages.

We get dozens of heroes and a whole slew of major X-villains like Magneto, Apocalypse, the Shadow King, Proteus and Fabian Cortez, just to name a few.

While a lot of the ’90s comics I go back to don’t have the same effect on me as they did when I was twelve, this is a solid f’n read. Seriously.

And what’s really surprising is that it has all these creatives working on it and it still turned out to be a really well managed and fully realized vision that brought an era to its end, quite epically, and generated real excitement and enthusiasm for what was to come.

Rating: 10/10
Pairs well with: other major X-Men crossover events from the era: X-Tinction Agenda, X-Cutioner’s Song, etc.

Comic Review: X-Men ’92

Published: 2016-2017
Written by: Chad Bowers, Chris Sims
Art by: Mirati Firmansyah, Coby Hamscher, David Nakayama (cover)
Based on: the X-Men animated series by Fox Kids

Marvel Comics, 240 Pages

Review:

If you were a kid in the ’90s, you probably watched the X-Men cartoon that used to be on Fox on Saturday mornings. It was solid, did a pretty good job of adapting some of the comic book’s big storylines and introduced a lot of non-comic reading kids to the X-Men franchise.

It ended after a few seasons and never really had a proper follow up. Well, that is until recently, as the show moved into the medium it was born out of: comic books.

Maybe this took its cues from DC Comics and how they came out with Batman ’66, a comic book series that revisited the 1960s Adam West Batman TV series. But one can’t deny that Batman ’66 was a cool comic, a great idea and with that, should have inspired other comic books that continued the stories of comic book characters as they were presented in other mediums. Hell, I’m still waiting for that Batman ’89 comic that was once teased and then had those teases retracted.

But this is about X-Men ’92, which was a decent follow up to the animated series.

Overall, this was a fun read but it didn’t wow me in the same way that Batman ’66 did. Where that Batman comic felt tonally right and as if it was a true continuation of the series, X-Men ’92 throws some weird curveballs and also tries to force in way too many characters just for the sake of the creators trying to give you the animated series’ versions of these characters.

Maybe they knew this series would be short lived and therefore, they wanted to wedge in every character they could but it really becomes too much to process in the second half of this series. Also, I wasn’t a fan of devoting so much time to a Dracula/vampire story. None of that was central to the core of the cartoon and it shouldn’t have been central to the core of this comic.

Also, this feels like it is just borrowing the visual style of the TV show but it doesn’t seem to understand the tone or the spirit of it.

It’s still entertaining for fans of the source material but I wouldn’t call it a must read or all that necessary. Die hards should check it out but I can see why this didn’t make it a year where Batman ’66 has still been hanging on for quite awhile with a long running series and several crossovers.

Rating: 6.75/10
Pairs well with: the animated series it’s based on, as well as ’90s X-Men comics and various spinoffs.

Comic Review: X-Men: Days of Future Past

Published: 1980-1981
Written by: Chris Claremont
Art by: John Byrne

Marvel Comics, 176 Pages

Review:

I read the collected trade paperback of this famous story but I was surprised to find that Days of Future Past is only a two issue story arc. The majority of this collection is padded out with a few different stories around that saga. However, everything in this collection directly follows The Dark Phoenix Saga.

Days of Future Past is a story I have never read, until now, but it’s been heralded as on of the best in the decades since it came out. But if I’m being honest, I didn’t think it was a real classic of a story. At least, not in how it has been sold to me over the years.

It’s a good, fun story but I think it’s severely over hyped. I think that it’s fondly remembered because it introduced the idea of possible dark futures to the X-Men mythos and that’s a storytelling device that never really went away after this tale. We’ve had time travelling characters showing up in X-Men stories all the time ever since Days of Future Past.

That being said, one can’t deny the impact that this story had and anything with lasting power like that is going to always be a pivotal point for fans to go back and reference. But looking at it objectively, without any actual nostalgia for it, allows me to rate the story on its own merit, detached from decades of nostalgia and hype.

Also, maybe I’m a bit less impressed than I should be because I read this just after The Dark Phoenix Saga and that story is legitimately a real classic, in my eyes. But that’s not to say that Days of Future Past isn’t a milestone, it is.

Ultimately, this is still a solid collection of stories where the two issue Days of Future Past story arc is the high point. But I was surprised to discover that it wasn’t a long, massive epic like I always thought that it was.

Rating: 7.5/10
Pairs well with: other X-Men stories from the Chris Claremont/John Byrne era.

Comic Review: X-Men: The Dark Phoenix Saga

Published: 1980
Written by: Chris Claremont
Art by: John Byrne

Marvel Comics, 200 Pages

Review:

Does it make me a terrible X-Men fan that I have never actually read The Dark Phoenix Saga?

I’ve tried to round up all the single issues over the years but some of them are pricey and there’s nine issues that make up this arc. But in my defense, I know the story very well, as it has been referenced a million times over throughout X-Men history. I’ve also seen various interpretations and adaptations of the plot. Granted, none of them are really accurate in regards to this, the source material.

This is free for Comixology Unlimited subscribers though, so I thought that delving into it was long overdue and that I really didn’t have an excuse anymore.

I expected this to be enjoyable but it still took me by surprise, as it was better than what I anticipated and all the years of hype I’ve experienced, didn’t diminish it in anyway.

The Dark Phoenix Saga is quintessential Chris Claremont. I can’t say that this is where he peaked but this is certainly a very elevated highpoint in his long run writing X-Men related stories.

This also came out in a time when Marvel wasn’t addicted to big crossover mega-events. This was a mega-event for its time but it wasn’t marketed or structured in the way that these things are now. It was just a good, lengthy story, limited to one already existing comic that found a way to utilize a lot of characters but in a way that balanced them all out and made them all useful to the plot.

One cool thing about this arc, is it also features the first appearances of Kitty Pryde, Emma Frost, Sebastian Shaw, the Hellfire Club and Dazzler. There’s a bunch of stuff going on within this story but it doesn’t off track and still builds towards the big battle between Jean Grey as Dark Phoenix and her X-Men family. It’s, at times, heartbreaking and tragic but it also makes you love all these people all over again in an organic, natural and emotional way. This hits emotional notes in the reader in ways that comic books never seem to come close to in 2019.

I can’t just give credit to Chris Claremont and his stupendous writing though. The art by John Byrne is absolutely superb and it is just as rich, colorful and meticulously crafted as the story its telling.

The Dark Phoenix Saga is one of the greatest Marvel stories ever told. It’s classic Marvel and truly represents what I loved about the era and how I fell in love with this creative medium in the first place.

Rating: 10/10
Pairs well with: other early Chris Claremont X-Men comics.

Comic Review: X-Men: Second Coming

Published: June 22nd, 2011
Written by: Craig Kyle, Christopher Yost, Matt Fraction, Zeb Wells, Mike Carey
Art by: David Finch, Terry Dodson, Ibraim Roberson, Greg Land, Mike Choi, Rachel Dodson, Sonia Oback

Marvel Comics, 360 Pages

Review:

I went into this thinking that I would like it for the most part. The events that precede it were pretty good reads. What I didn’t expect was to be blown away. But in the end, I have to say, this was one of the absolute best X-Men crossover events that I have ever experienced. Seriously, this was nothing short of superb.

More than anything, this story made me love Cable more than ever and it got me to love Hope Summers, who I would say is one of the best characters to come out of the last decade, even though she previously appeared as a baby before this in Messiah Complex.

This had a lot going on in the story but there was room for it all. Plus, all the key players were well balanced throughout and it gave most of the top characters a real purpose and mission.

There are real consequences in this story, as some key X-Men figures die. Granted, one could argue that those consequences are never real because no one truly dies in comics and the two biggest victims of this story are already alive and well, once again. But despite that, it felt like a real blow within this narrative. It didn’t lose its impact knowing that they’d eventually be back.

Second Coming carries all the doom and gloom of Messiah Complex over and it brings more doom and gloom but it ends in a way that finally sees a glimmer of “hope” appear in the darkest time of the X-Men franchise. I don’t want to spoil too much because I’d rather people give this a read.

Being that this is a crossover event, there is a mix of art styles. All of it works for me though, even if there are noticeable style shifts from chapter to chapter. Ultimately, the tone stays about the same from beginning to end.

This is a fairly long read but none of it is boring or filler. It moves at a brisk pace, keeps you engaged and makes you cheer for these heroes in a way that you haven’t since the early ’90s.

Rating: 10/10
Pairs well with: the stories that precede it: Avengers Disassembled, House of M and X-Men: The Messiah Complex, as well as the one this leads up to: Avengers Vs. X-Men.

Comic Review: X-Men: Inferno

Published: 1988-1989
Written by: Chris Claremont, Louise Simonson, various
Art by: Marc Silvestri, Walter Simonson, various

Marvel Comics, 600 Pages

Review:

This was actually the first big X-Men crossover event that I ever read. Unfortunately for me back in 1988 and 1989, I wasn’t able to get every single issue in this massive event. But I do own them all now, so I wanted to revisit this huge story in its entirety.

It is really good but it also has some problems.

In regards to the positives, the writing is pretty solid. The bulk of this event is written by Chris Claremont and Louise Simonson with other writers contributing to some of the tie-ins. The art is also great, most of which is done by Marc Silvestri and Walter Simonson.

The story sees Mr. Sinister unleash literal Hell on Earth with many weapons at his disposal: Madelyne Prior, S’ym, the evil version of Polaris, the Marauders and the big bad demon, N’Astirh.

Sinister also finds ways to trick the X-Men and X-Factor into fighting amongst themselves and manipulates the stage to pit brothers Cyclops and Havok against each other.

There is a lot at stake here and it changes many of the characters going forward. One of my favorite characters, Magik, dies here. Granted, we all know she comes back because she’s basically a demon queen of the underworld but the weight of it is very heavy and at the time, we didn’t know if the young heroine could return.

This crossover also includes the New Mutants and the X-Terminators. The story serves to merge those two teen teams into one. This set the groundwork for what was to come once Rob Liefeld came into The New Mutants and gave us Cable, Deadpool and eventually, the hugely successful X-Force.

What I love about this story is that it merges superhero Marvel with fantasy Marvel. Like the Magik miniseries a few years earlier, this takes Marvel’s mutant heroes and makes them deal with fantastical and occult evil but on a much grander scale. Also, Mr. Sinister was damn cool in this period of X-history.

Looking at the negatives, my only real issue is that the story drags out in places. That could be due to me also reading all of the tie-ins apart from the main body of the central story. Some of it felt really unnecessary and it also felt poorly organized. The New Mutants issues were on the orbit of the main story but with the death of Magik and how that effected her brother Colossus, I feel like that should have happened within the framework of the stories actual main chapters.

Shaky narrative flow aside, this is still a better crossover event than what the Big Two comic book publishers give us in modern times.

Inferno was my first big crossover event. It’s not the best but it’s still a lot of fun and it came out in a time where the X-titles were at their absolute creative peak.

Rating: 8.5/10
Pairs well with: other big X-Men crossover events of the late ’80s and early ’90s like X-Tinction Agenda and X-Ecutioner’s Song.