Film Review: Out of the Furnace (2013)

Also known as: Dust to Dust, The Low Dweller (both working titles)
Release Date: December 6th, 2013
Directed by: Scott Cooper
Written by: Brad Ingelsby, Scott Cooper
Music by: Dickon Hinchliffe
Cast: Christian Bale, Woody Harrelson, Casey Affleck, Forest Whitaker, Willem Dafoe, Zoë Saldana, Sam Shepard, Tom Bower

Appian Way Productions, Scott Free Productions, Red Granite Pictures, Relativity Media, 116 Minutes

Review:

“Working for a living? I gave my life for this country and what’s it done for me? Huh? What’s it done for me?” – Rodney Baze Jr.

*written in 2014.

Out of the Furnace is produced by Ridley Scott and Leonardo DiCaprio. It also stars Christian Bale, Woody Harrelson, Willem Dafoe, Casey Affleck, Forest Whitaker, Sam Shepard, Tom Bower and Zoe Saldana. With all those names, one would expect a pretty compelling film. What I saw was actually a disappointment.

Written and directed by Scott Cooper, who did the highly acclaimed Crazy Heart, this film falls sort of flat.

In a nutshell, the film was a bit slow and it felt mostly uneventful and very predictable. Where there were good spots to build some serious tension, the ball was dropped. In fact, tension was nearly nonexistent except in quick instant doses where it appeared and ended within a short single scene. There was no build up, no real emotional investment to be made in the characters and it was a string of missed opportunities for a better story or at least a more layered story.

Part of the problem with the film, is that it is a revenge story where the victim being avenged was an unlikable prick and an idiot. I was more invested in seeing the evil asshole in the film get taken out over how he treated his date in the opening scene than what he did to the idiot prick.

The film’s climax, the big payoff for the revenge we’re supposed to be wanting, is pretty straightforward, there are no surprises and it plays out as expected and I felt no emotional pull in the end.

This wasn’t necessarily a bad film, it is just that I was expecting something of much better quality with all these people involved. It is slow, seemingly pointless and a forgettable film. Nothing sets it apart, nothing makes it special or memorable. It just simply exists, as a story of mostly unlikeable characters that no one will want to relate to.

Rating: 5/10
Pairs well with: Scott Cooper’s other films.

Film Review: Hostiles (2017)

Release Date: September 2nd, 2017 (Telluride Film Festival)
Directed by: Scott Cooper
Written by: Scott Cooper, Donald E. Stewart
Music by: Max Richter
Cast: Christian Bale, Rosamund Pike, Wes Studi, Adam Beach, Jesse Plemons, Rory Cochrane, Ben Foster, Timothée Chalamet, Jonathan Majors, Q’orianka Kilcher, Paul Anderson, Stephen Lang, Scott Wilson

Waypoint Entertainment, Le Grisbi Productions, Bloom Media, Entertainment Studios Motion Pictures, 133 Minutes

Review:

“I’ve killed everything that’s walked or crawled. If you do it enough, you get used to it.” – Captain Joseph J. Blocker

Hostiles came into the theater with a lot of praise from top critics. Entertainment Weekly referred to it as “…the best western since Unforgiven.” That’s a pretty bold statement but when looking at traditional westerns from 1992 up until now, it’s a statement that’s not too far off. It’s a superb picture, through and through.

I haven’t been a huge fan of director Scott Cooper’s work. I didn’t care too much for Black Mass and I thought Out of the Furnace was pretty mediocre; I’ve yet to see Crazy Heart, even though I’ve been meaning to. I think Cooper certainly has a good eye and he’s great at building suspense but I thought Black Mass suffered from a narrative standpoint, as it seemed to rely on people already knowing its story, while Out of the Furnace was initially engaging put tapered off pretty quickly. With Hostiles, I was pulled in from the opening scene, fully engaged throughout and thought the narrative was really strong, well paced and subliminally sweet underneath all the violence and racial tensions. I feel like Hostiles was a body of work that benefited from the director learning from his past hiccups and thus, really coming into his own in a new way.

The film was so amazing and visually enchanting that it’s the first film I’ve been to in years, where the theater was full and everyone actually stayed off of their phones and shut the hell up for the duration of the picture, which must have been hard for them, as this was over two and a half hours with all those friggin’ trailers.

The story sees a war hero have to transport an old Indian chief from New Mexico to Montana, where he is to be buried on his sacred land. The hero, played by Christian Bale, wants nothing to do with the mission and even tries to bait the Indian once they get far enough away from his fort in New Mexico.

As the story progresses, we meet a woman whose entire family was slaughtered by Indians. The journey is long and arduous and the party encounters many enemies, some Indians and some white men. By the end, we see personal biases fade and a family dynamic develop between this small group of people who started the journey with hatred for one another.

The film had a perfect cast. I’ve been a fan of Wes Studi and Adam Beach for a long time. I’ve actually loved Beach as far back as 1998’s Smoke Signals, a fantastic Native American coming of age picture that everyone should experience at some point.

Additionally, Bale was stellar, as was Rosamund Pike. I liked seeing Jesse Plemons play a nice character and it was cool seeing Timothée Chalamet in this, as he’s a young actor who is quickly becoming one of the best talents working today. Rory Cochrane was a pleasant surprise in this, as I’ve followed him since his teen pictures Dazed and Confused and Empire Records in the ’90s. There are also small but pivotal roles played by Ben Foster, Stephen Lang and Scott Wilson, who was pretty much the antithesis of his most famous character, Hershel from The Walking Dead.

The cinematography was handled by Masanobu Takayanagi, who also did The Grey, which I loved but most people didn’t. He has a real talent for capturing incredibly majestic landscapes. Here, he had some vast and beautiful country at his disposal and made the most of it.

Max Richter provided the score and did a fine job with the film’s music. He most recently worked on Miss Sloane and Arrival before this.

I would say that Hostiles is as good as the critical hype. I love westerns and it’s rare that I get to see a really great one come down the pipeline.

Rating: 8.75/10
Pairs well with: Scott Cooper’s other films.

Film Review: Black Mass (2015)

Release Date: September 4th, 2015 (Venice International Film Festival)
Directed by: Scott Cooper
Written by: Jez Butterworth, Mark Mallouk
Based on: Black Mass by Dick Lehr, Gerard O’Neill
Music by: Tom Holkenborg
Cast: Johnny Depp, Joel Edgerton, Benedict Cumberbatch, Rory Cochrane, Kevin Bacon, Jesse Plemons, Corey Stoll, Peter Sarsgaard, Dakota Johnson, David Harbour, Adam Scott, Juno Temple, W. Earl Brown

Cross Creek Pictures, RatPac-Dune Entertainment, Warner Bros., 122 Minutes

Review:

*written in 2015.

“Take your shot, but make it your best. ‘Cause I get up, I eat ya.” – Whitey Bulger

Black Mass is the latest mobster biopic to come down the pipeline. What makes this one interesting is Johnny Depp wears a bunch of heavy make-up that looks odd and makes him look like the elderly love child of Ray Liotta and one of those reptilian aliens that I heard are taking over the U.S. government.

The film is directed by Scott Cooper, who also did the critically-acclaimed Crazy Heart and the mediocre Out of the Furnace. He also acted in an episode of The X-Files a long time ago. I wouldn’t say that this film brings back the bright shining star status Cooper had with his debut Crazy Heart but it isn’t a bad film by any means. It is more eventful than Out of the Furnace but unlike that film, I don’t care about any of the characters in Black Mass.

Depp’s portrayal of James “Whitey” Bulger is interesting and well executed for the material but there is a real lack of material there. There is no character building or development. What you have is a one-dimensional psycho on screen from the opening bell to the closing bell. His backstory is casually mentioned, his relationship with his friends and family is bland and he just feels like a cookie cutter bad guy in a cookie cutter mob film. I don’t care about Bulger, good or bad. I don’t sympathize with him or hate him. I should feel something, correct? And that is how it is for every character in this film.

For a movie boasting a cast of names like Depp, Benedict Cumberbatch, Kevin Bacon, Peter Sarsgaard, Joel Edgerton, Jesse Plemons, Adam Scott, Corey Stoll, Julianne Nicholson and Juno Temple – I expected more. Additionally, Rory Cochrane from Dazed and Confused and Empire Records has an integral role, as does Dakota Johnson, who I am not as familiar with but she is some sort of big deal because she was in Fifty Shades of Grey (hopefully that’s not all she’s going to be known for).

This film seems to be getting a lot of love from critics. I’m not sure why. It plays from scene-to-scene and has a logical and fairly fluid plot but there just isn’t a lot of suspense or build up. Everything is predictable. You know who is going to die and when, you know what this psycho is thinking. Realistically, shouldn’t the psycho surprise you? I know that this is a biopic but some of us don’t know the whole “Whitey” Bulger story and the film would benefit from giving us a few surprises instead of blatantly foreshadowing everything to the point of eliminating any real tension or drama in the movie.

Black Mass is more good than bad, even though I am being somewhat harsh. The thing is, it is pretty forgettable in the grand scheme of gangster movies. It is interesting enough to watch but it certainly isn’t a classic in the sense of Goodfellas, The Godfather, Scarface or even Depp’s 1997 film Donnie Brasco.

Rating: 6/10