Original Run: November 12th, 2019 – December 13th, 2019
Created by: Leslie Iwerks
Directed by: Leslie Iwerks
Written by: Mark Catalena
Music by: Jeffrey Kryka
Cast: Angela Bassett (narrator), various
Iwerks & Co., Disney+, 6 Episodes, 62-68 Minutes (per episode)
In the last few years, I’ve started to take many documentaries with a grain of salt. Reason being, they always have an objective and typically tend to lean towards their preconceived biases, ignoring things that may actually challenge or disprove their message.
This is especially true when a documentary about a subject is made by the subject itself. For instance, for those who know anything about the wrestling business beyond the WWE, when they watch WWE documentaries, they know that it’s from the company’s point-of-view and that they often times don’t tell the whole story, alter the story for their benefit or completely ignore or gloss over some of the darker, unpleasant things.
I’ve got to say, though, as dishonest and “woke” as Disney has become with their output, this seemed to be pretty straightforward and fairly objective. It also included many key people from Disney’s past and didn’t really seem to sugarcoat things or censor the talking heads who may have had issues with Disney after moving on by their choice or the company’s.
That being said, I enjoyed this quite a bit and binged through it over a rainy Sunday afternoon.
It talks about Disney’s Imagineers from their earliest days up to modern times. Each of the six episodes moves forward and covers a different era of the many theme parks, their creation at the earliest stages, their design and engineering challenges, as well as their birth into the world and how they were perceived by the people who worked on them, the company itself and the public, who just want the best experience money can buy.
My only real complaint about this, and it’s probably just my personal preference, is that I wish they spent more time on the earliest stuff. I honestly don’t feel like one episode on Walt Disney, the man, and the genesis of the original Disneyland was enough. Granted, each episode could’ve been beefed up to two hours apiece and I’d still find this enjoyable.
The Imagineering Story is pretty damn cool if you’re into this stuff.
Original Run: March 21st, 2021 – April 4th, 2021
Created by: Adam McKay, Todd Schulman, Nancy Abraham, Lisa Heller, Cullen Hoback, Alina Solodnikova, Tina Nguyen
Directed by: Cullen Hoback
HBO Documentary Films, Hyperobject Industries, Hyrax Films, 6 Episodes, 57-60 Minutes (per episode)
I have HBO Max but I didn’t even know this was out there until Joe Rogan was talking to Zuby about it on his podcast. Granted, I also didn’t know what the hell Q was until a few months before the 2020 presidential election when you couldn’t escape mention of it on Twitter, a platform I still use because apparently I’m into torture and pig vomit limited to 280 characters.
Because of all the hoopla regarding Q, especially over the last twelve months, I figured I should watch this to learn more about what it is, why it is, how it is and the people that are connected to it. It’s become this strange, cultish, conspiratorial phenomenon and whether you agree with any of it or not, it’s still pretty fucking fascinating.
Being that this was put out by HBO, I was skeptical about it, as I wasn’t sure how objective and unbiased it would be. And frankly, that’s a real issue that I have with most documentaries these days that deal with political and/or social issues.
I ended up seeing this as pretty objective, though. It let all sides of the story that participated, clearly give their points of view on QAnon and everything surrounding 8Chan and its effect on the world of social media, American politics and the minds of those caught within its orbit.
That being said, this did feel more like a documentary about 8Chan than Q and QAnon. Sure, this does try to solve the mystery about who Q is and even though it does try to point to someone in the documentary, the viewer is still allowed to take the evidence presented and draw their own ideas and theories. But, at the same time, does it even really matter who it is?
All in all, I thought this was well-made, well-edited, well-paced after the first two episodes and it was hard to turn off and not watch in a single sitting. In a lot of ways, I guess this became my Tiger King for this year.
In the end, I don’t think this came close to solving this mystery but it was an entertaining journey and pretty damn informative, overall.