Film Review: The Predator (2018)

Also known as: Predator 4 (informal title)
Release Date: September 7th, 2018 (TIFF)
Directed by: Shane Black
Written by: Shane Black, Fred Dekker
Based on: characters by Jim Thomas, John Thomas
Music by: Henry Jackman
Cast: Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Thomas Jane, Alfie Allen, Sterling K. Brown, Jake Busey, Yvonne Strahovski

TSG Entertainment, Davis Entertainment, 20th Century Fox, 107 Minutes

Review:

“Fuck me in the face with an aardvark.” – Baxley

I’m always game for a new Predator movie and as long as they aren’t mixing it up with xenomorphs from the Alien franchise, the results are usually pretty good.

I didn’t get to see this in the theater a few months back, as life was busy as shit. I wanted to but then a lot of the negative comments I read and heard about the film kind of snuffed out the motivation I had to see it on the big screen.

I guess I’m the odd man out though, because I didn’t think that this was terrible. While it is worse than the three previous Predator films, it is still better than both of the AvP movies.

Ultimately, I want Predator films to just be mindless fun with a lot of badassery mixed in. This film has that but it could have used a bit more of the badassery element, as the Predators came off as weak and there was more drama and comedy than actual ass kicking.

However, the action scenes were pretty good. Although the flow of the film was a bit messy and the motivations of the Predators and the humans were fairly confusing.

There’s a whole bunch of science-y shit about Predators stealing human DNA and making themselves adapt to human conditions so they can steal our planet as their own once we all die from global warming. I don’t know, that’s all pretty stupid and the film didn’t need some genetic plot twist with environmental alarmism tossed in but Hollywood’s gonna Hollywood.

Anyway, I’m not a fan of larger Predators, which is something they’ve done in the last two films. In Predators, it was just done to show that there are different types of Predator tribes but here, it was a genetic manipulation thing. I guess the large Predators in Predators could have also been genetically modified but when each of these movies has had different creative teams with lots of years between each release, its like each film, other than Predator 2, is trying to be some sort of reboot for a new trilogy that never actually happens. And that is exactly what this is, it’s the first part of a trilogy or multi-part story where there probably won’t be another sequel for another decade and then it’ll be another soft reboot.

And frankly, I don’t want a sequel to this film, I’d just prefer a badass Predator movie regardless of whether or not it has direct ties to previous films. Although, a true sequel to the first film that involves Schwarzenegger would be the best possible scenario, in my opinion. But I’d also check back in with the Adrian Brody character from Predators, as well.

This film had a lot of issues and I could fixate on things like Olivia Munn seeing a Predator ship leaving her behind, at least a mile or so away and then it crashes after traveling for a few more minutes but suddenly she arrives on foot to help kill off the alien. Or I could just try really hard to ignore that type of stuff and focus on the fact that this was pretty fun, even with its flaws.

Rating: 7.25/10
Pairs well with: PredatorPredator 2 and Predators.

Comic Review: Batgirl: Year One

Published: September 3rd, 2000 – December 31st, 2000
Written by: Scott Beatty, Chuck Dixon
Art by: Javier Pulido, Robert Campanella

DC Comics, 203 Pages

Review:

Batgirl: Year One has been paired up in a trade paperback format with Robin: Year One in some releases and for good reason.

Mainly, this is done by the same creative team and it has a similar tone, art style and narrative structure.

This was released a year before Robin: Year One and is equally as good, if not a wee bit better. Reason being, this has a threat that feels larger, a plot that’s more cohesive over the multiple issues, as well as more characters that come into the story in ways that really help to flesh out Barbara Gordon’s origin.

Scott Beatty and Chuck Dixon wrote a body of work that is close to being a masterpiece and is one of the best Batgirl stories ever produced, hands down.

Just like with Robin: Year One, which I already reviewed, I absolutely love the art of Javier Pulido and Robert Campanella. It has a pristine look while also looking retro for the time where this is set. It has a similar feel to Jeph Loeb and Tim Sale’s Batman epics, also from the same time period, and it even kind of channels elements from Batman: The Animated Series, which was still very fresh in people’s minds in 2000.

If you know Barbara Gordon, this book just feels right. Contrary to a lot of her more modern stories, this is the Batgirl I want to read about. I have loved this character since first experiencing her on the ’60s Batman TV show. While that was campy as hell, Barbara always resonated with me and I always loved when she showed up alongside the Dynamic Duo.

Batgirl: Year One is a classic in my opinion. It isn’t something that I hear a lot of people reflect on but it was a real high point in the careers of all the creators involved and for the character.

Rating: 9.25/10
Pairs well with: Robin: Year One, as well as the Batman related books by Jeph Loeb and Tim Sale.

Film Review: The Evil of Frankenstein (1964)

Also known as: Frankenstein’s Monster (Sweden)
Release Date: May 8th, 1964 (US)
Directed by: Freddie Francis
Written by: John Elder
Based on: Frankenstein by Mary Shelley
Music by: Don Banks
Cast: Peter Cushing, Sandor Eles, Peter Woodthorpe, Katy Wild, Duncan Lamont, Kiwi Kingston

Hammer Film Productions, Universal Pictures, The Rank Organisation, 84 Minutes

Review:

“I realized long ago that the only way to prove my theories was to make something in my laboratory that actually lived. I never told you, Hans… I succeeded once.” – Baron Frankenstein

Continuity?! Who the hell needs bloody continuity?!

This is the third film in Hammer’s long running Frankenstein film series but it completely overlooks the solid second film and only builds off of what happened in the first one. So I guess it’s like an alternate “part two”.

While that’s pretty common in horror franchises these days, it’s a little strange that they ignored the second film, which I thought was pretty good and had a really satisfying ending that set up a formula for future sequels.

In this chapter, Peter Cushing’s Baron Frankenstein searches for his creation from the first picture. He ends up finding the monster frozen in ice. The monster is then defrosted and brought back to life.

The film goes back and shows the creation of the monster but these flashbacks are new scenes and different from how they appeared in the original picture. So really, this kind of omits the context of the first film in a similar way to how Evil Dead 2 retells the events of The Evil Dead in its own condensed way.

Despite all that confusion, as I’m a stickler for continuity, I still like this chapter in the franchise. But if Peter Cushing is playing Baron Frankenstein, I’m probably going to like the film. Luckily, none of them are really bad.

This one was distributed in the United States by Universal Pictures, which gave the Hammer team the ability to make the monster look more like Universal’s classic design from the Boris Karloff movies. Weirdly, they made the creature’s head way too boxy in their attempt at creating the look of the Karloff creature. For most people it probably looks bad but it is at least a memorable version of the monster unlike the versions we got in parts two, four and five.

While this one isn’t directed by Hammer’s maestro behind the camera, Terence Fisher, it still has the same sort of spirit and tone. Freddie Francis did an acceptable job in place of the great Fisher.

The Evil of Frankenstein is a pretty strong outing by Hammer, even though it’s not one of the best in their long filmography. I still enjoy it for what it is and it kept the series interesting and fresh. And as always, Cushing was dynamite.

Rating: 7/10
Pairs well with: other Hammer Frankenstein films, as well as the Hammer Dracula and Mummy series.

Comic Review: Web of Venom: Venom Unleashed

Published: January 9th, 2019
Written by: Ryan Stegman
Art by: Juan Gedeon, Kyle Hotz, Ryan Stegman (cover)

Marvel Comics, 33 Pages

Review:

I’ve been really enjoying all of the Donny Cates Venom stuff between the ongoing series and the other Web of Venom one-shots. This one wasn’t written by Cates, however, but it was written by Venom artist Ryan Stegman.

Considering that Stegman knows Venom just as much as Cates, at this point, makes this a pretty interesting and unique take on the modern Venom world.

The story shows the Venom symbiote take the form of a dog in an effort to protect Eddie Brock. Recently, Venom went through some heavy shit and he can no longer communicate to Brock in the same way. He’s damaged but he still has loyalty to Brock.

Also, this continues to add more depth to the return of Carnage, who we saw working his way back into Venom’s story back in the previous Web of Venom one-shot.

Stegman got to take a break from the art, apart from the cover, but Juan Gedeon and Kyle Hotz’s art was more than satisfactory.

Overall, this was a quick, fun read and it served to enrich the current Venom mythos.

But now I’m tired of waiting for the big Carnage return. I want that sinister bastard back because when used the right way, he makes Venom stories more interesting. In the hands of Donny Cates, I’m sure we’re in for some really great issues coming up.

Rating: 8/10
Pairs well with: the recent Donny Cates Venom series and its Web of Venom spinoffs.

Comic Review: Cyco KO!

Published: September 6th, 2018 – December 19th, 2018
Written by: Robert Feldman
Art by: Robert Feldman, Peter Simeti

Alterna Comics, 67 Pages

Review:

I’ve been picking up everything from Alterna Comics, as of late. I wasn’t quite sure how I would feel about Cyco KO, as I’m not a big reader of humor comics but it still had some interesting character design and looked like something I’d probably find some enjoyment with.

Well, it was funnier than I expected. The tone and style of the humor is similar to old school Adult Swim programming before it got shitty.

Each issue is really its own story and you don’t have to read one to read the others but all three still work well as one body of work.

While this was a really fun comic, I feel like I just got my feet wet with the character and his universe. I hope that this spawns more miniseries or an ongoing title. Alterna seems to prefer doing limited runs, however.

This is a cool, exciting comic and if you like your stories humorous, bizarre and unique, than this is probably a comic book that you’ll want to pick up.

Rating: 7.75/10
Pairs well with: Alterna’s other recent releases but especially the more humorous stuff like Mr. Crypt and Baron Rat.

Comic Review: Nightwing: Knight Terrors

Published: October 3rd, 2018 – January 9th, 2019
Written by: Benjamin Percy
Art by: Travis Moore, Christopher Mooneyham, Klaus Janson, Tamra Bonvillain, Nick Filardi

DC Comics, 184 Pages

Review:

So I was reading Nightwing like a good, long-time Dick Grayson fan, enjoying the story that wrapped up in issue 49 and then all of a sudden, I picked up issue 50 and felt completely lost. Somewhere between the issues, in another comic title that isn’t Nightwing, our title hero was shot in the head, lost his memory, quit being Nightwing and changed his name to Rick because the editors were sick of fans making Dick joke memes.

Color me lost.

Regardless, I said “fuck it” and kept Nightwing added to my pull list because I figured that I’d still give it a shot. I mean, I’ve been a fan of the character my whole life and sometimes a little change is good.

…and then sometimes it isn’t.

This hurt my head, probably even more than that bullet hurt Dick Rick Grayson’s head. Wait… it’s “Ric”? I guess DC’s gotta make him edgy and shit.

So this story is about Dick walking around feeling sorry for himself, treating those who love him like total shit and then being all smuggy and douchey about it like some Millennial communist that hates his rich ass parents because they embarrassed him by picking him up from an Occupy rally in the family Porsche.

Anyway, while Dick is busy sucking at life and starting a career of cab driving in the hood, some actual heroic people find his old stash of Nightwing suits and decide to put them on and take up the mantle. So this new but inexperienced team of four Nightwings end up in over their head, thanks to Scarecrow. The real Nightwing ends up having to step in and save them, even though he’s still just Dick being a dick.

This was a damn challenge to get through but I wanted to believe that this was going to build to something worthwhile. After this seven issue story arc, I’m done. Nightwing is off of my pull list, as one of the best DC Comics titles has been reduced to canary cage liner.

Well, at least I have twenty-plus years of back issues I can revisit where Dick isn’t an insufferable asshole and he does a lot more than just mope and bitch like a petulant toddler.

Rating: 2.75/10
Pairs well with: some douchebag teen’s private diary about their fucked up suburban parents.

Film Review: Judge Dredd (1995)

Also known as: Dredd (Slovania)
Release Date: June 30th, 1995
Directed by: Danny Cannon
Written by: William Wisher Jr., Steven E. de Souza, Michael De Luca
Based on: Judge Dredd by John Wagner, Carlos Ezquerra
Music by: Alan Silvestri
Cast: Sylvester Stallone, Armand Assante, Diane Lane, Rob Schneider, Joan Chen, Jürgen Prochnow, Max von Sydow, Balthazar Getty, Scott Wilson, Ewen Bremmer, James Remar (uncredited), James Earl Jones (narrator)

Hollywood Pictures, Cinergi Pictures, Edward R. Pressman Film Corporation, Buena Vista Pictures, 96 Minutes

Review:

“I am the law!” – Judge Dredd

I was itching to watch the 2012 Dredd movie, once again. However, I figured that I’d revisit this adaptation first, as I hadn’t seen it since 1995.

Back then I thought it was pretty terrible. 24 years later, it still isn’t great but I appreciate it a bit more.

This movie is stupid, mindless and a total mess. However, it’s a hell of a lot of fun and just wacky enough to have some value.

Stallone is certainly enjoyable in this, as he hams it up big time and really embraces the insanity of what this picture is. But he had to know that it wasn’t going to be good once he got on set.

It had a post-apocalyptic feel that is typical of ’90s action sci-fi but man, this thing looks cheap. There are some good sets and big areas but there’s also a lot of shoddy green screen work that looks terrible when compared to the modern standard or really, the standard just a few years after this movie came out. I get that the production was limited by its resources but they were employing some techniques that were already outdated by the time 1995 rolled around.

One problem with the film is that the story is kind of incoherent and it felt like they didn’t have much of a script and just a sort of outline of the scenes. It feels like they’re just winging it and trying to make it work. Yes, I know there was an actual script but it doesn’t seem like it was fine tuned, it’s more like an early draft with some ideas for scenes stapled together.

This surprisingly had a pretty interesting cast between Stallone, Diane Lane, Rob Schneider, Armand Assante, Joan Chen, Max von Sydow, Balthazar Getty, Ewen Bremmer, James Remar, Scott Wilson and narration by James Earl Jones. But seriously, did Lane read this script before singing on? She just feels out of place, not because she isn’t a capable actress, she’s damn good, but because she’s just an odd choice to play a female Judge and she felt like she was above the rest of the film. Granted, I still liked her in it, she just stuck out like a sore thumb because she’s Diane f’n Lane. It’d be like having ’90s Julia Roberts in Double Dragon.

The only thing going for this is that it is a ham festival and pretty fun. It’s really dated and a big ’90s cliche but that kind of makes it lovable all these years later.

Also, I really like the chemistry between Stallone and Schneider, which we also got to experience in Demolition Man.

Overall, not a good movie but it is still a rather entertaining one for fans of ’90s cheese and action sci-fi.

Rating: 5.75/10
Pairs well with: Demolition ManRobocopHardware and it’s much better reboot, Dredd.