Comic Review: Deathstroke, Vol. 2: Lobo Hunt

Published: December 14th, 2010
Written by: Rob Liefeld, Justin Jordan
Art by: Rob Liefeld, Art Thibert, various

DC Comics, 266 Pages

Review:

I guess this came out in a time where I wasn’t paying close attention to new comics. Because I would’ve been on board for Rob Liefeld’s take on Deathstroke, especially since his most famous creation, Dead Pool, was done as a sort of parody of the character.

But, man. Having read this now, I kind of wish I never knew about it.

I hate to be harsh but the writing was a disjointed mess that was all over the f’n place. Plus, this collection doesn’t finish Liefeld’s story! It ends on a cliffhanger where Deathstroke and Hawkman are about to fight a horde of evil hawk dudes and then you turn the page and it’s a totally different story.

I mean, what the fuck, DC? Was the Hawkman story a crossover? Where’s the rest of that story? You just jump right past it and into another arc done by a completely different creative team. And frankly, the second half of this book should have just been a volume three, as it is drastically different than the Liefeld stuff that’s left incomplete.

This collection is garbage. It’s poorly organized, its a total clusterfuck narratively and tonally due to the creative team change midway through.

Honestly, this is only worth checking out if you are a Liefeld die hard. And even then, you’ll still be disappointed.

Although, I should mention that I thought it was neat that Liefeld utilized Jim Lee’s WildC.A.T.S. characters, as they’ve pretty much faded away into oblivion since Lee sold them to DC.

Rating: 4/10
Pairs well with: the Deathstroke collection before this one and then the other New 52 stuff after it.

Film Review: Hands of Steel (1986)

Also known as: Vendetta dal futuro (original Italian title), Atomic Cyborg (France), El destructor (Mexico), Hands of Stone (Netherlands), Arms of Steel (Norway), L’enfonceur (Canadian French title), Cyborg (Slovenia), Fists of Steel (UK), Destroyer (Spain)
Release Date: March 26th, 1986 (France)
Directed by: Sergio Martino
Written by: Sergio Martino, Sauro Scavolini, Elisa Livia Briganti, John Crowther
Music by: Claudio Simonetti
Cast: Daniel Greene, Janet Argen, John Saxon

National Cinematografica, Dania Film, Medusa Distribuzione, 94 Minutes

Review:

“When I get through with you, you’ll have to wipe your ass with your nose” – Raul Morales

This film had more international titles than it had extras!

But this film can have as many titles as it wants, as it is a pretty badass and ridiculous flick that has a plot that’s all over the map but doesn’t suffer because its supposed to be a smorgasbord of everything that made ’80s action movies so much fun.

Let me summarize the insane premise: An evil CEO sends a cyborg to assassinate a scientist. The cyborg fails so the CEO sends his other cyborgs to take him out. The cyborg hides in a desert diner with a chick that’s horny for him. All the while he draws the ire of the tri-state arm wrestling champion that wants to prove he’s the strongest man in the desert. The evil CEO is John Saxon and he has a really big laser.

This motion picture is insanely enjoyable and one of the best Italian post-apocalyptic, “knock off everything under the sun” movies.

There’s even a scene where the good cyborg has to arm wrestler a guy that looks like Bear Hugger from Punch-Out!! The insane part about this scene is that the loser gets their hand trapped in a shackle while a diamondback rattler bites them to death.

Now this is just about everything you’d expect from an Italian Mad Max wannabe but then it’s so much more. It’s part Terminator, part RoboCop, part Over the Top and 100 percent toxic masculinity. Plus, this came out before RoboCop and Over the Top, so it’s like the writer/director Sergio Martino was psychic. I mean, he ripped off something that didn’t yet exist!

Speaking of Martino, he’s a guy that directed a lot of the top Italian schlock. You know, the type of schlock that gives schlock a good name and inspires people like myself to find endearing things within movies that the general populace could never tolerate. He’s done giallo, slashers, spaghetti westerns, other post-apocalyptic movies and pretty much something in every cool sub-genre that matters to fans of grindhouse, exploitation, horror and action films.

Hands of Steel is a hell of a ride. It has pretty good, albeit hokey effects. But considering this picture’s budget, it’s all passable and it works. In fact, the scene where the cyborg repairs his arm is pretty impressive.

While I’m sure that most people would dismiss this movie as absolute shit, the opinions and money of the regular moviegoer are why we keep getting subpar blockbusters, countless sequels, spinoffs, remakes and reboots. I’ll take Hands of Steel over some Harley Quinn dressed like a peacock movie.

Rating: 7.25/10
Pairs well with: other Italian post-apocalyptic movies of the ’80s.

Comic Review: X-Cutioner’s Song

Published: 1992-1993
Written by: Scott Lobdell, Fabian Nicieza, Peter David
Art by: Brandon Peterson, Andy Kubert, Jae Lee, Greg Capullo

Marvel Comics, 336 Pages

Review:

This was one of my favorite big crossover events when I was really just getting deep into comics. This blew my middle school mind at the time and it had a lot of influence over my creative output in the comic book medium.

I was worried that revisiting this story would be a big disappointment. A lot of the stuff from this era that I reread now, usually lets me down, as my palate is more discriminatory than it was at thirteen years-old.

I’m happy to say that this was still pretty f’n solid!

In fact, I think it is slightly better than X-Tinction Agenda, which I used to place ahead of this one.

What I really liked about it, is that it features three of my absolute favorite villains: Apocalypse, Mister Sinister and Stryfe. They are all well balanced and they aren’t here to come together in an effort to finally take out the X-Men, X-Factor and X-Force (formerly the New Mutants). Each one of these baddies has their own purpose and agenda within the story and it all just comes together in a really cool way that even sees the X-Men have to turn to Apocalypse in order to stop Stryfe’s chaos.

This is the best big story to come after the epic Chris Claremont run on X-Men. But if I’m being honest and this certainly isn’t a dig at the legendary Claremont, whose work I love, X-Cutioner’s Song was really refreshing and it showed that new blood could liven things up. Granted, Peter David didn’t hang around too long, Scott Lobdell and Fabian Nicieza also moved on to other things, but this was a weirdly perfect storm considering all the changes happening on Marvel’s X-books following Claremont’s departure and many of the top creatives leaving for the newly formed Image Comics.

The art is also top notch, but Brandon Peterson, Andy Kubert, Jae Lee and Greg Capullo are all fantastic and three of those men have become somewhat legendary in their own right.

X-Cutioner’s Song is well crafted, well balanced and it should be a primer on how to write massive crossovers featuring dozens of characters all competing for their moment.

Rating: 9.25/10
Pairs well with: previous big X-Men crossover events like X-Tinction Agenda, Muir Island Saga, Inferno and Fall of the Mutants.

Film Review: Jumanji: Welcome to the Jungle (2017)

Also known as: Jumanji 2 (alternative title)
Release Date: December 5th, 2017 (Paris premiere)
Directed by: Jake Kasdan
Written by: Chris McKenna, Erik Sommers, Scott Rosenberg, Jeff Pinkner
Based on: Jumanji by Chris Van Allsburg
Music by: Henry Jackman
Cast: Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Nick Jonas, Bobby Cannavale, Colin Hanks, Rhys Darby, Missi Pyle, Marin Hinkle, Marc Evan Jackson

Columbia Pictures, Seven Bucks Productions, Matt Tolmach Productions, Radar Pictures, 119 Minutes

Review:

“Why am I wearing this outfit in a jungle? Tiny, little shorts and a leather halter top. I mean, what is this?” – Ruby Roundhouse

I’ve got to say that I was pleasantly surprised by Jumanji: Welcome to the Jungle. I wasn’t sure what to expect from it but it delivered on what it was trying to do, which was being a funny, over the top, action-adventure movie.

The cast was pretty good.

I always like Dwayne Johnson and Karen Gillan, Jack Black is usually enjoyable in most things and Kevin Hart can be grating at times but he does well here, as he isn’t the focal point of the film.

Additionally, I really liked seeing Rhys Darby and Bobby Cannavale in this. I’ve loved Darby since Flight of the Conchords and Cannavale really impressed me when he joined the cast of Mr. Robot.

This is a sequel to the original Robin Williams starring Jumanji but it takes the concept and kind of modernizes it by making it a video game instead of a board game. Here, four teens are sucked into the game and they have to play out the game in a real-life simulation as their avatars, all of which are very different from their real personalities.

It’s a fun, cute movie where the teens are challenged by their situation, their avatars’ roles and having to work together to survive and free themselves from the game. It’s a good coming of age story, even if its pretty predictable and embraces some tropes and cliches.

I thought that the action was solid, the CGI effects were top notch and the environment was rich, lush and beautiful. This had a real Uncharted feel to it, which I think was the intent of the filmmakers, who went the video game route with the story and even put up an Uncharted 4 poster in one of the teen’s bedrooms.

I guess there is a sequel to this coming out in the near future. I’d probably go see it. I’m not sure what they can do to keep the concept fresh but this new take on it worked fine for this chapter in what appears to be a real franchise now.

Rating: 7.5/10
Pairs well with: the original Jumanji and Zathura.

Film Review: Vampirella (1996)

Release Date: September 28th, 1996
Directed by: Jim Wynorski
Written by: Gary Gerani
Based on: Vampirella by Forrest J. Ackerman
Music by: Joel Goldsmith
Cast: Talisa Soto, Roger Daltrey, Richard Joseph Paul, Brian Bloom, Angus Scrimm

Cinetel Films, Concorde-New Horizons, Showtime Networks, 82 Minutes, 86 Minutes (DVD cut)

Review:

“You are much stronger than I am.” – Vampirella, “At the risk of sounding egotistical, I am stronger than anyone.” – Vlad

I don’t think I even knew about this movie at the time of its release and I worked in a video store then. I was also a fan of comics, horror and movies that were made with the involvement of Roger Corman, the King of B-Movies.

Well, I didn’t expect much from this film but it was still pretty entertaining seeing Roger Daltrey of The Who get to ham it up pretty hard. He looked like he was having a good time, committing to this character and this film, regardless of the production value.

On the flip side of that, I have no issues with Talisa Soto, but I don’t think that she was the best choice to play Vampirella. But the script was bad, the dialogue was terrible, her hair was wrong and her outfit looked like dime store cosplay and didn’t really work. But I also realize that the traditional Vampirella costume is even racier and way more revealing. But it’s not the skin that’s the issue, as much as it is the poor, kind of unflattering design of the suit.

Also, Vampirella should be more curvy. Soto has a great body but it’s more athletic than curvy. Tia Carrere would have been a better fit but she was also probably more expensive in 1995, when this was made. But she looks more the part and if she had the same hair style that she did the first moment you saw her in Wayne’s World, it’s even a better fit.

But nothing would’ve really saved this picture from itself.

The plot was nonsensical and the pacing and editing were pretty bad. I just watched this movie and I don’t even remember what it was about other than an evil alien vampire (Daltrey) escapes from execution, heads to Earth, Vampirella follows and they fight. But hey, Angus Scrimm, Phantasm‘s the Tall Man, plays an elder vampire on their home planet.

Calling Vampirella a disappointment is an understatement. It’s a movie that really shouldn’t have been made. You think Corman would’ve learned after his experiment with Fantastic Four a few years earlier.

Unless you are an absolute die hard Vampirella fan, you should ignore this film. If you insist on checking it out, do so at your own risk. But it is free on YouTube, at the moment.

Rating: 3.25/10
Pairs well with: Roger Corman’s unreleased adaptation of Fantastic Four, as well as the 1990 Captain America film.

Comic Review: Superman, Vol. 1: Son of Superman

Published: January 10th, 2017
Written by: Patrick Gleason, Peter J. Tomasi
Art by: Patrick Gleason

DC Comics, 163 Pages

Review:

A few friends of mine have talked up the Superman stories that started with DC’s Rebirth up until Brian Michael Bendis showed up and took over all the Superman books.

So starting at the beginning, I’ve got to say that this arc really peaked my interest. It establishes an interesting direction for the character and his son, the current Superboy, Jonathan Samuel Kent.

This story also features multiple Supermen, so I’m not sure what that’s all about, as I didn’t read any of the New 52 stuff before this.

But I love Clark in this story, his relationship with his son and the fact that he and Lois aren’t in an incredibly weird and uncharacteristic spot thanks to Bendis being Bendis.

Patrick Gleason does some stellar art and his story, which is also written by Peter J. Tomasi, one of my favorite writers of the last few years, especially, is pretty compelling and just feels like classic Supes.

I think I’ll check out the first volume of Action Comics‘ Rebirth run next, as that usually runs parallel to the events of this book.

So for fans that aren’t really digging Bendis’ Superman experiment, this might satisfy you more.

Rating: 7.25/10
Pairs well with: Superman and Action Comics at the start of DC’s Rebirth.

Comic Review: Captain America: Winter Soldier, Vol. 1

Published: March 1st, 2006
Written by: Ed Brubaker
Art by: Steve Epting, Michael Lark, J.P. Leon

Marvel Comics, 167 Pages

Review:

At the start of Ed Brubaker’s historic Captain America run, I wasn’t paying attention to comics. I found my way back to them around the time that Cap died, a few years into Brubaker’s tenure. So I never got to read the original Winter Soldier story.

I’ve got to say, this pretty much lives up to the hype. However, I’m only speaking as someone that’s read the first part, as the story covers two volumes.

So I don’t know how this will conclude or where it will go in the immediate future but this was a damn fine setup.

This may be the best and the most human Steve Rogers has ever been written. This explores the layers to his character and it does a fantastic job of giving the reader the right context without just relying on them to know Cap’s backstory. Additionally, it also doesn’t just dwell on the past and act as a lengthy modernized recap of those events.

I also love the art. And honestly, it’s the evolution of comic book art that really brought me back to the medium. And one of the books that lured me in was Captain America.

Rating: 8.75/10
Pairs well with: the rest of Ed Brubaker’s Captain America run.