Published: November 1st, 2016 Written by: Chuck Dixon Art by: Greg Land, Scott McDaniel, Karl Story
DC Comics, 331 Pages
I took a bit of a break, as I had reached the middle of the collected editions of Chuck Dixon’s classic Nightwing run. But now I’m ready to jump back in with this installment, which I thought was pretty good and full of action and multiple story arcs, which were mostly entertaining.
The two best stories are the ones that are essentially the bookends of this volume.
The first is about Nightwing breaking into prison to take down the supervillains that have taken it over. It features a lot of villains and some of them actually help Nightwing, as they’re not happy with the conditions they’ve been provided with under the new tyrannical rule of Lockup and his right hand, KGBeast.
The last story is about Barbara Gordon a.k.a. Oracle and the former Batgirl, being abducted with Nightwing and his allies trying desperately to find her. I don’t want to spoil what happens, as there is a cliffhanger that sets up the next volume.
As for the art, the earlier issues here continued to have a very ’90s style, which hasn’t aged all that well, even though I liked it at the time. After the first third or so of this volume, Greg Land took over and the book looked more refined and polished.
Overall, this is a good chapter in the larger Dixon run. It also progressed the stories of Blockbuster and Nite-Wing, the ripoff wannabe sidekick, in ways that kept their stories interesting.
Published: June 18th, 2013 Written by: Jeph Loeb Art by: Tim Sale
DC Comics, 147 Pages
Being that I love the Batman comics that Jeph Loeb and Tim Sale did years ago, as well as their multiple Marvel miniseries, I’m not sure why I hadn’t picked up Catwoman: When In Rome until now.
It’s a pretty good solo story that sees Selina Kyle go off to Rome to get away from Gotham and her on again/off again relationship with Batman. Granted, he does have a very strong presence in the story, which I don’t want to spoil. However, this really shows you how the Bat has a tremendous emotional impact on Catwoman.
It should probably go without saying that I am a big fan of Tim Sale’s art. Mixing it in with a Jeph Loeb story somehow always brings the best effort out of Sale and this is no different.
Now I don’t consider this to be as good as Loeb and Sale’s Batman work but it still fits well within their version of the larger Batman universe. This is really a neat accent to their specific pocket of the mythos and honestly, I’d read anything they crafted that fit within the style and tone that they first created with The Long Halloween.
When In Rome is a much smaller and personal story than their Batman story arcs, however. And I guess that’s what I like about this, as it shows that they can tell smaller, more personally focused tales, where their Batman arcs involved lots of villains and characters.
Fans of the Catwoman character should probably love this and fans of the work of Loeb and Sale should probably love it too. It’s just a well-written and beautiful piece of work.
Rating: 7.5/10 Pairs well with: Jeph Loeb and Tim Sale’s other collaborations for DC Comics.
Published: June 16th, 2015 Written by: Chuck Dixon Art by: Scott McDaniel
DC Comics, 292 Pages
This volume in Chuck Dixon’s lengthy Nightwing run kicks off right where the previous one left off and builds off of those stories.
We also get to see appearances from more well-known villains in this chapter but a lot of them are just glorified cameos. However, the stories involving Scarecrow and Man Bat were really damn enjoyable.
Beyond that, I like how this also features other villains that are developed more for Nightwing and the city he protects, Blüdhaven.
We get more of Blockbuster, who essentially serves as Blüdhaven’s Wilson Fisk-type crime lord. We also get more of female villain Lady Vic, as well as some others thrown into the mix.
I also didn’t mind the romantic subplot that Dixon developed for this story between Nightwing and his new building’s female superintendent. Add in his sometimes romantic partner Barbara Gordon and you don’t really know how things will play out.
Ultimately, this is a story about Nightwing breaking out on his own and trying to be his own version of a street level vigilante. This is the culmination of the lessons he’s learned from Batman and it shows how he’s applying all of that to making his own life in a different city that also deserves a hero.
Rating: 7.25/10 Pairs well with: other ’90s Nightwing and Batman comics.
From Filmento’s YouTube description: Christopher Nolan’s The Dark Knight still remains one of the strongest superhero movies to date and overall features a lot of great stuff, from the Joker to the physicality of the practical action. But one aspect to learn from it especially is how to begin a movie — more specifically, how it handles the “day in the life” section its beginning consists of. And since we’ve had some Filmento haters argue in my Kristen Stewart Underwater 2020 movie video that The Dark Knight doesn’t have a day in the life section, let’s dig deeper into the film’s opening to see why that argument is dangerously false — what that term means and how to do it effectively. Here’s how to begin a movie.
Also known as: Arkham, Gotham, Batman 3 (working titles), Magnus Rex (fake working title), TDKR (informal short title) Release Date: July 16th, 2012 (New York City premiere) Directed by: Christopher Nolan Written by: Jonathan Nolan, Christopher Nolan, David S. Goyer Based on: characters by DC Comics Music by: Hans Zimmer Cast: Christian Bale, Michael Caine, Gary Oldman, Morgan Freeman, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Matthew Modine, Ben Mendelsohn, Burn Gorman, Juno Temple, Cillian Murphy, Liam Neeson, Nestor Carbonell, Desmond Harrington, Thomas Lennon, William Devane
DC Entertainment, Legendary Entertainment, Warner Bros., 164 Minutes
“There’s a storm coming, Mr. Wayne. You and your friends better batten down the hatches, because when it hits, you’re all gonna wonder how you ever thought you could live so large and leave so little for the rest of us.” – Selina Kyle
Where I’ve seen the first two films in this trilogy at least a dozen times each, I’ve only seen this one once: in the theater. If I’m being honest, I didn’t have much urge to see it again after my initial experience. But I’ll explain why as I roll on and review it.
I was pretty excited for this film but I also knew that it would be damn hard to top The Dark Knight or to try and replicate its greatness. Well, I wasn’t wrong. And while this isn’t a bad movie, it’s certainly the weakest of the trilogy and just falls flat when compared to the other two pictures.
To start, I was a bit perplexed when I first heard that Bane was going to be the big bad of the movie. I don’t necessarily have a problem with Bane but after following The Joker and Two-Face, I felt like the third film should’ve featured more of the old school villains, as opposed to bringing in a more modern one that is kind of boring by comparison. I mean, a Christopher Nolan movie featuring The Riddler, The Penguin or hell, even The Mad Hatter, could’ve been really intriguing.
What we got instead was pretty much a rehash of the threat and the plot of the first movie: Batman Begins. In fact, in this film, Bane is even tied to the same villainous organization of that film. We also get a curveball where we find out he really isn’t the big bad but that just kind of makes the overall story even more redundant.
I guess I understand why Nolan chose Bane, as he wanted to try and keep his Batman films grounded in reality as much as one can with a comic book property but seeing a secret Illuminati-type group descend upon Gotham City with the hopes of using a superweapon to destroy it is derivative of the director’s own work.
Now we do get Catwoman in the film but she is written to be the most sterile and boring version of the character I’ve ever seen. Sure, Anne Hathaway is stunning but for whatever reason, Catwoman just doesn’t feel sexy or believable as someone that can ensnare Bruce Wayne/Batman. She just isn’t interesting and it’s hard to imagine her as someone that could pull Bruce’s heart out of the pain it still feels, eight years after the death of Rachel.
Hell, Bruce’s little romantic moments with Miranda/Talia seem more genuine and their relationship isn’t supposed to be the one the audience is pulling for even before the big plot twist reveals itself.
The film’s overall story is trying to be as good of a thriller as the previous two. It just isn’t and that’s the real issue with it. While I do want to see the heroes beat the baddies and win out in the end, the film just comes off as repetitive and dull. It feels like a weak copy of the first two pictures with a much slower pace and a broken back side quest that slows the movie to a halt. I just can’t get as into it as I did the other movies.
Now I get that “breaking the Bat” and dropping him into a hole was about building him back up to make him stronger and that we needed to get him out of Gotham so that Bane could grow his power but it’s a half-assed recreation of the Knightfall plot. This story also only seems to borrow from it because it was Bane’s most iconic moment and biggest temporary victory in the comics. And with Batman overcoming his incredible injury and then climbing out of a hole deemed “impossible” to escape, it all kind of wrecks Nolan’s strive for realism. You can’t simply punch a popped disc back into someone’s spine.
I also hated the film’s ending but I think I’m done harping on the negatives, as I probably sound like I dislike this quite a bit, when I actually don’t.
The film is well-acted and that’s what really makes this work where it does.
I really dug Tom Hardy as Bane, even if his voice has become a social meme. I also just loved seeing the regular cast get back together for one more adventure. Bale, Caine, Freeman and Oldman are all so great in these roles and I loved the final act of the film where we get to see Oldman’s Commissioner Gordon get very involved. My only complaint about Caine’s Alfred is I didn’t like how Bruce pushed him away and left him without much to do in the second half of the film.
Additionally, I really enjoyed Marion Cotillard as the character who would reveal herself as Talia al Ghul. I only wish that we would have gotten to see her be more of a badass but her big reveal comes at the end of the movie and she’s not around much longer after that. Not having a Talia versus Selina fight was a missed opportunity.
The film also boasts great cinematography but why would anyone expect any less from Nolan at this point? I liked the brighter look of the town, especially in the third act, and how a lot of the film happens in daylight.
The final act, which sees Batman and the GCPD bring the fight to the League of Shadows in the streets was superb and chilling. Watching Batman and the cops take it to the villainous terrorists head-on was incredible and the best moment in the film. Watching Batman and Bane fight in a sea of people was also damn spectacular.
All in all, this is still one of the greatest superhero movies ever made. It just happens to be the worst of its trilogy and if I’m being honest, it felt like Christopher Nolan and the writers were just tired and wanted to move on to the next phase of their lives.
However, even if someone else would have to step in and do it, I’d rather see this film series continue, as opposed to seeing Warner Bros. keep trying to reboot Batman. Just let Nolan produce and pick the best creative team to help build off of his vision. I mean, a Joseph Gordon-Levitt Nightwing movie in this cinematic universe would certainly get my money.
Rating: 8.25/10 Pairs well with: the other two films in The Dark Knight Trilogy.
Also known as: Batman Begins 2 (working title), Rory’s First Kiss, Winter Green (fake working titles) Release Date: July 14th, 2008 (Buenos Aires & New York City premieres) Directed by: Christopher Nolan Written by: Jonathan Nolan, Christopher Nolan, David S. Goyer Based on: characters by DC Comics Music by: Hans Zimmer, James Newton Howard Cast: Christian Bale, Michael Caine, Gary Oldman, Morgan Freeman, Heath Ledger, Aaron Eckhart, Maggie Gyllenhaal, Cillian Murphy, Nestor Carbonell, Eric Roberts, Anthony Michael Hall, Ritchie Coster, Michael Jai White, Colin McFarlane, Tom “Tiny” Lister, William Fichtner, David Dastmalchian
DC Comics, Syncopy, Legendary Entertainment, Warner Bros., 152 Minutes
“Don’t talk like one of them. You’re not! Even if you’d like to be. To them, you’re just a freak, like me! They need you right now, but when they don’t, they’ll cast you out, like a leper! You see, their morals, their code, it’s a bad joke. Dropped at the first sign of trouble. They’re only as good as the world allows them to be. I’ll show you. When the chips are down, these… these civilized people, they’ll eat each other. See, I’m not a monster. I’m just ahead of the curve.” – The Joker
I was a bit apprehensive about revisiting this for the first time in a long time. The reason being, is that I remembered it as being perfect and it was the movie I saw in the theater more times than any other. But with so much time passing, I had worried that my take on it now could have soured a bit.
I’m glad to say that it didn’t, as this is still a masterpiece of crime fiction and social commentary.
As far as superhero films go, I still think that this is the greatest one ever made. I think a lot of that has to do with the realistic approach of the film and just how real and plausible it comes across even though it features a man in a bat costume and a criminal in clown makeup. Not to mention a guy with half his face burnt off and some wonky sci-fi gadgets like the incredibly high-tech sonar surveillance computer.
This is a film where just about everything went right. It was a perfect storm of great writing, great direction, great acting, stellar cinematography and an incredible musical score.
It was well balanced between action and drama and even with its somewhat lengthy running time, there isn’t a wasted moment in the film. Every scene has meaning and every scene does exactly what it needs to without dilly dallying and slowing the pacing down. At the same time, the timing is impeccable and this film perfectly creates tension when it needs to. The whole film is about escalation and the final product is a perfectly curated example of that.
It’s sad and tragic that Heath Ledger died before this was released. It would’ve been cool for him to have seen the final product and to have enjoyed the fanfare and praise his performance as The Joker got. It’s hands down one of the best performances of that decade and even though his death gave the role an added level of mystique and importance, it stands on its own as one of the greatest villain portrayals in motion picture history.
Additionally, I also really liked Ledger’s version of The Joker, as he kind of did his own thing with the character and it forced Nolan to kind of portray the character differently than what was originally intended. And while it might not be a perfect adaptation of the comic book Joker, which no film has done thus far, it kind of exists as its own, great thing and it added so much to this already stellar trilogy.
My only real complaint about the film was how growl-y Bale’s Batman voice was. I much preferred his voice in Batman Begins and I think most people did, as well. I’m not the only person to point this out and in fact, it sort of became a social meme after the movie’s release.
That being said, the Batman voice doesn’t wreck the film and I still think it’s a damn near perfect movie that transcended the superhero genre, forever changed it and hasn’t yet been eclipsed regardless of some of the superb comic book movies that have been released since.
Rating: 10/10 Pairs well with: the other two films in The Dark Knight Trilogy.
Also known as: Batman 5 (working title), Batman: Intimidation (script title), The Intimidation Game (fake working title) Release Date: May 31st, 2005 (Tokyo premiere) Directed by: Christopher Nolan Written by: Christopher Nolan, David S. Goyer Based on: characters by DC Comics Music by: Hans Zimmer, James Newton Howard Cast: Christian Bale, Michael Caine, Gary Oldman, Morgan Freeman, Liam Neeson, Katie Holmes, Cillian Murphy, Tom Wilkinson, Rutger Hauer, Ken Watanabe, Mark Boone Junior, Jack Gleeson
DC Comics, Syncopy, Warner Bros., 140 Minutes
“But I know the rage that drives you. That impossible anger strangling the grief, until the memory of your loved one is just… poison in your veins. And one day, you catch yourself wishing the person you loved had never existed, so you would be spared your pain.” – Henri Ducard
When this first came out on DVD, I watched it almost weekly for a few years. I loved this film and to me, at least at the time, it was the greatest Batman film ever made. Hell, before the DVD release, I think I saw this at least three times in the theater.
I would end up liking The Dark Knight even more but the Nolan trilogy started with this film and it was a great introduction to his more serious and realistic Batman film series.
In retrospect now, I like the 1989 Batman slightly better but it’s magic was undone by the later films that followed and even though it took eight years, Batman Begins was the cinematic reboot that we needed after the Schumacher Batman pictures.
This film is so good, as are the ones that follow, that I’ve kind of accepted that no one will ever make a Batman film series as great. Frankly, these are the best films that Christopher Nolan has made and while the first film in a trilogy can often times feel like a practice run, this one is fairly close to perfect.
My only real gripe about it is that the pacing feels a bit disjointed at times. But there is also a lot of story and a lot of characters to balance here. I think that Nolan got much better with that in the next film. These aren’t things that break the film in any way but if I can’t give this a perfect score, I feel that I should explain why.
This is still energetic and every scene feels necessary. But it also feels like so much was wedged into it that it could’ve actually benefited from an extra 20-30 minutes. And that’s not something I’m usually a fan of, as I love 90 minute running times and this picture is already well over two hours. But when a film is this good, I never seem to mind that it requires more of my time.
Nolan got the best possible performances out of all of the actors involved and everyone in this is absolutely perfect. This was well cast and even Katie Holmes, who was replaced in the sequel, pulled off the best performance of her career. Normally, I wouldn’t put her at the same level as everyone else in this movie but she held her own and I was disappointed that she was recast in The Dark Knight.
In closing, this is a stellar motion picture where everything just works in the right way from the direction, cinematography, acting, the musical score by Hans Zimmer and the great character development.
Rating: 9.5/10 Pairs well with: the other two films in The Dark Knight Trilogy.
Published: October 8th, 2013 Written by: Jeph Loeb Art by: Jim Lee
DC Comics, 298 Pages
Batman: Hush is highly regarded as one of the best Batman stories of its era and honestly, it doesn’t disappoint. I hadn’t read it for over ten years but after recently watching the animated film adaptation, I wanted to give the source material a read again.
I’m happy to say that this lived up to my memories of it, as it’s just a great, well-layered story, where even if you figure out the big mystery, it doesn’t wreck the plot because there are so many surprises still woven in.
This features a lot of characters from both sides of the law but it doesn’t become bogged down by it and everyone truly serves a purpose with how they’re all tied to the main plot.
It shouldn’t be a surprise that this is good, simply because Jeph Loeb wrote it and he teamed up with the great Jim Lee, who provided some of the best and most iconic art of his career for this tale.
Hush is a solid comic book on every level. Saying too much about the plot might ruin things and this is a book that I definitely recommend. I’d rather people read it and discover its greatness for themselves.
Rating: 9/10 Pairs well with: other major Batman story arcs from the late ’90s and early-to-mid ’00s.
Published: 2004-2005 Written by: various Art by: various
DC Comics, 628 Pages
While this does read better than the first volume in this two part epic series, it is still kind of a mess in that it jumps all over the place and doesn’t seem to follow any sort of logical narrative path. In short, it’s hard to follow and it’s not all that exciting to begin with.
I’m not sure why some people have made a big deal about the War Games epic. Sure, most of the art is solid and I mostly like the parts written by Ed Brubaker but this is such a mixed bag as a total package that the low points and drastically different art styles just pull you right out of the story.
This is overloaded with characters, which typically isn’t a bad thing for a large Batman story. However, this reads more like a massive DC mega event in that it’s so overloaded that there isn’t anything that one can fully connect to. Even if you’re interested in a certain plot thread, sometimes you get distracted for a really long period of time before coming back to it.
This was pretty poorly organized and executed.
Rating: 6.25/10 Pairs well with: other Batman stories of the late ’90s and early ’00s.