Release Date: August 11th, 2011 (Los Angeles premiere) Directed by: Marcus Nispel Written by: Thomas Dean Donnelly, Joshua Oppenheimer, Sean Hood Based on:Conan the Barbarian by Robert E. Howard Music by: Tyler Bates Cast: Jason Momoa, Rachel Nichols, Stephen Lang, Rose McGowan, Saïd Taghmaoui, Leo Howard, Bob Sapp, Ron Perlman, Nathan Jones, Morgan Freeman (narrator)
“I live, I love, I slay, and I am content.” – Conan
I put off watching this for a really long time. But finally, after nine years of ignoring this movie, I said, “fuck it!” and fired it up because it was free on Prime Video and because I’m a hardcore fan of the Conan franchise. Also, I believe that this is the only film based off of Robert E. Howard’s literary work that I hadn’t seen.
It’s actually not as bad as people led me to believe but it is far from a good movie and it’s honestly, really fucking boring.
Jason Momoa was a decent choice for the role of Conan but I feel like he was chosen a few years too early, as he hadn’t reached the level of fame that he has now and because he hadn’t developed more as an actor. He’s got some of his charm here but it is nowhere near as much as it was in 2018’s Aquaman.
That being said, if they made a Conan movie with him now, I’m pretty sure it would do really well. And hopefully, it would be better than this was, as it didn’t seem to understand what it needed to be to be successful.
The main issue with this movie is it doesn’t feel larger than life. It relies so heavily on CGI and green screen that it lacks the scope and scale the Schwarzenegger Conan movies had. Hell, 1985’s Red Sonja looks much more grandiose than this digital cartoon that looks more like a syndicated television show than a blockbuster movie featuring one of the biggest and greatest literary and comic book heroes of all-time.
Adding to that problem, Conan only really tangles with one monster in this movie. Now it doesn’t need to be overflowing with mythic beasts but it should take more cues from the books and comics, which saw Conan come face to face with big creatures a lot more often than he does in this picture.
Now I did like the casting of Rachel Nichols as the female love interest of Conan and I thought that Nichols and Momoa had pretty good chemistry but overall, they didn’t get much to work with between the mundane script and uninspiring story.
On the other side of the coin, the villains felt completely wasted.
I just wasn’t feeling Rose McGowan as the witch character and her performance here borderlined on cringe, which I found surprising as she is typically pretty good. But I think that the script failed her, as did the overall look of the character.
As far as Stephen Lang goes, how do you take the guy that stole the show and was really the only good thing about Avatar, and make him so lame and generic? Who the fuck was this guy? Why the fuck should I care? He just looks like a boss from the second level of a side scrolling beat’em up game from the ’80s.
I also thought the mask was stupid and they could’ve come up with a much better MacGuffin than that. I mean, there are countless books and comics to pull material from and you basically come up with Gran Naniwa’s crab mask? For those that don’t know, he was a goofy comedy wrestler from Japan in the ’90s: Google that fucker. Side note: he was actually really entertaining, unlike this movie.
Conan the Barbarian was hard to get through. I wanted to turn it off just about every three minutes. I had to watch it in spurts of twenty-to-thirty minutes because it was dreadfully slow, terribly lame and didn’t feel as badass as something with the Conan name on it should.
But I am definitely not against giving Jason Momoa another shot as the character. The studio just needs to get their shit together and give fans something worthy of the Conan brand.
Rating: 5.25/10 Pairs well with: other modern sword and sorcery films.
Also known as: Untitled Wrestling Movie (working title), Head Lock Go! Go! Professional Wrestling (Japanese English title) Release Date: April 5th, 2000 (premiere) Directed by: Brian Robbins Written by: Steven Brill Based on: World Championship Wrestling Music by: George S. Clinton Cast: David Arquette, Oliver Platt, Scott Caan, Bill Goldberg, Rose McGowan, Diamond Dallas Page, Joe Pantoliano, Martin Landau, Ahmet Zappa, Jill Ritchie, Caroline Rhea, Lewis Arquette, Kathleen Freeman, Steve “Sting” Borden, Bam Bam Bigelow, Randy Savage, Booker T, Sid “Vicious” Eudy, Juventud Guerrera, Curt Hennig, Disco Inferno, Billy Kidman, Konnan, Rey Misterio, Perry Saturn, Prince Iaukea, Van Hammer, Michael Buffer, Gene Okerlund, Tony Schiavone, Mike Tenay, Charles Robinson, Billy Silverman, The Nitro Girls, John Cena (uncredited)
Bel Air Entertainment, Outlaw Productions, Tollin/Robbins Productions, World Championship Wrestling, 107 Minutes
“Just cause it’s your dream doesn’t make it right or noble or whatever! Charles Manson was following his dream! Joseph Stalin, Michael Bolton, you get my point?” – Mr. Boggs
When this came out in 2000, I didn’t bother to see it. It didn’t matter that I was a wrestling fan or that WCW (World Championship Wrestling) was promoting the shit out of it. The movie just looked terrible beyond belief and well, frankly, movies with major wrestlers in them were never good, at least up until this point. Thanks for fixing that, Dwayne “The Rock” Johnson.
I finally caught this on TV a year or two later because I was trapped at home with my car in the shop, Uber didn’t yet exist, and there was nothing on in the afternoon other than soap operas, lame game shows and even lamer talk shows. So I gave in and watched this unfunny and bizarre turd.
Now I don’t want to sound like I’m just being mean and shitting on a shitty film for the sake of being an asshole. It’s just a bad fucking movie and that’s mostly because it was written by someone who doesn’t know a damn thing about wrestling. If they do, the script and the story doesn’t show it and it’s almost insulting for those who have a love for this stuff.
Frankly, professional wrestling was treated like a joke. I get that this is a comedy movie but that doesn’t mean that you don’t do your research and try to give the audience something more authentic. Look at Slap Shot, a movie about hockey that is, at times, batshit crazy. Yet, it respects the sport and it doesn’t insult the fans of it by being written by someone just writing about what they think hockey is about, as opposed to someone who actually knew because she spent a season traveling with her brother’s team, an experience that led to her writing the Slap Shot script.
I don’t know how the wrestlers in this weren’t furious and insulted. I don’t know how they didn’t have meltdowns on the set about how stupid and inaccurate the script was in regards to something that was their beloved profession. Granted, I’m sure they were held hostage by their contracts and had more mouths to feed other than their own but the actual wrestlers had to see the writing on the wall with this shit show.
Now all that being said, I can’t hate on David Arquette or Scott Caan for being in this. They both really tried to make the best out of it and Arquette is a lifelong wrestling fan that probably signed on to this with some enthusiasm. I hope he didn’t see how bad the script was until after he signed the dotted line though because I’d rather hope that he just got hoodwinked.
But the effects of this movie were so bad that it led to Arquette legitimately becoming the WCW World Heavyweight Champion in real life, something he was apprehensive about and felt disrespected the talent that spent their entire adult lives training for the spot that was handed to him just to help market a shit movie. The tactic massively backfired and the Arquette incident is a major factor in what led to WCW permanently shutting its doors a year later.
As for the movie, it’s terribly unfunny. It also doesn’t make a lot of sense and it makes wrestling look stupid as hell. The whole thing is a caricature of what it’s supposed to represent, written as if it were some asshole’s personal take on something he didn’t even give a shit about in the first place.
I honestly feel bad for the people in this film. And while I like Brian Robbins as a comedic actor, as a director, this is the equivalent of him volunteering to wear a dunce cap made out of excrement.
Rating: 2.75/10 Pairs well with: really, really shitty ’90s and ’00s buddy comedies.
Release Date: August 9th, 2006 (Tokyo premiere) Directed by: Brian De Palma Written by: Josh Friedman Based on:The Black Dahlia by James Ellroy Music by: Mark Isham Cast: Josh Hartnett, Scarlett Johansson, Aaron Eckhart, Hilary Swank, Mia Kirshner, Mike Starr, Fiona Shaw, Patrick Fischler, Rose McGowan, Troy Evans, Pepe Serna, William Finley, Kevin Dunn (uncredited)
Davis Films, Millennium Films, Nu Image, Signature Pictures, Universal Pictures, 120 Minutes
“She looks like that dead girl! How sick are you?” – Kay Lake
For a modern noir picture with a cast this star studded, The Black Dahlia was a real disappointment. It had some positives but it mostly falls flat and is an example of style over substance.
This is not a good example of the work Brian De Palma can do. He is one of the best directors of his generation but this really misses its mark, which is unfortunate, as the subject matter is great and the talent he was able to get in this picture was impressive.
Josh Hartnett is the main star of the picture but his role feels pretty weak. I don’t feel like it is Hartnett’s fault, I feel like it is the direction of De Palma and the emotionless script. However, Hillary Swank, who is more talented than this film is able to show, is kind of just in this movie. It doesn’t really matter that it is her.
Although, everyone else does seem to work with the material. I thought that Aaron Eckhart and Scarlett Johansson were really good in their scenes and Patrick Fischler, a guy who is in everything but doesn’t get the notoriety he should, knocked his scenes out of the park. You also get to see Mike Starr and Troy Evans, two guys who do a lot of cop type roles but always bring their best to the table.
The real scene stealer however, is Mia Kirshner, an actress I’ve been mesmerized by since first seeing her in The Crow: City of Angels, a film where she was the only positive other than the murderous psycho biker played by Iggy Pop. Kirshner truly owns her role in this picture and it may have been the best she’s ever been. She’s really the only character in the film that you feel any emotion for. Honestly, it’s been eleven years since this came out and she should have gotten more prestigious roles but maybe her work was overshadowed by this being such a lackluster film.
Now, despite the overall film falling short, the visuals are top notch. The cinematography is unquestionably superb. Everything within the film feels true and authentic, even the bizarre K.D. Lang performance that pops up in the middle of the movie.
The narrative and the big reveal at the end were all pretty poorly strung together, though. It just made the film too bizarre and frankly, pretty fucking stupid and just really annoying after sitting through this two hour mess.
Typically, I like the work of Brian De Palma. This one just misses its mark.
Release Date: January 16th, 2014 (Sundance) Directed by: Rose McGowan Written by: M.A. Fortin, Joshua John Miller Music by: Elijah Hanford Cast: Tara Lynne Barr, Reiley McClendon, Hannah Marks, Michael Moskewicz, Julia Sanford, John Grady
Black Dog Films, BlackDog Films, RSA Films, 17 Minutes
Dawn is the directorial debut of Rose McGowan. It is a short film with a running time of seventeen minutes.
Ultimately, the film was pretty good. It showcased a great visual style and was well acted. McGowan did a fine job framing her shots and employed some stellar cinematography. She also captured the nostalgic magic of the 1960s and made a picture that truly felt innocent and sweet, initially.
The problem with the film, is that it starts with a quick peek at the concluding scene. I feel like this undermined the impact it could have had, if the film actually built up as sweet and endearing and then threw a dark curveball. Also, the ending was underwhelming and predictable due to the nature of the opening scene. The last line of dialogue also completely ruined the experience for me, as it just seemed incredibly derivative and too juvenile for a short film that actually seemed to be building towards something exceptional.
Tara Lynne Barr was perfection as the lead in this tale. The only other thing that I’ve seen her in is Bobcat Goldthwait’s God Bless America, which she was also fantastic in. Ultimately, I’d like to see her do so much more.
I don’t want to knock McGowan’s work. She showed that she definitely has something in regards to being behind the camera. There was some filmmaking magic here despite the final moments of the story kind of derailing things for me. But short films are often times experiments and practice before moving on to bigger things. I think Rose McGowan is off to a fairly good start and I am interested in seeing what else she will do in the future.
I was a senior in high school when the first Scream came out. It was huge, especially due to kids my age. Well, mostly kids who were never really into horror or girls who were too terrified to watch something actually scary. This isn’t me taking shots at the film, it is just the reality of it.
Scream changed the horror genre forever. The problem, is that it essentially ruined it. I’ll explain more as I go on but let me get to my thoughts on each film.
Release Date: December 18th, 1996 (Los Angeles premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Matthew Lillard, Rose McGowan, Skeet Ulrich, Drew Barrymore, W. Earl Brown
Woods Entertainment, Dimension Films, 111 Minutes
“What’s your favorite scary movie?” – Ghostface
I didn’t like this film the first time I saw it when it came out. I thought it was cheesy, not scary and full of too many recognizable stars. Although, everyone else in the theater seemed to be terrified when Drew Barrymore got murdered in the beginning. But then, the audience for Scream is not the real horror fan audience. At least not by 70s, 80s and 90s standards.
The problem with having recognizable stars in horror, as well as a decent budget, is that it feels less real and authentic. It is similar to the use of bad CGI for blood splatter and monster effects in horror now. It separates you from the film by constantly reminding you that you are watching a production. I’m going to feel more for some girl I’ve never seen before, who I have only witnessed going through the horror on screen, than I will some girl that was whiny and moody on Party of Five for several years before this movie came out. Or a cast member of Friends who I would’ve loved to see killed off, yet somehow she survived to be in all four films.
Ghostface, the slasher in these films, is not scary. Maybe he was to the teen audience of 1996 but being a teen at that time, I thought he was shit. The mask is goofy, the cloak looks like it was stolen from the Spencer’s Halloween display and the wavy knife looked like something gimmicky that came with a 80s G.I. Joe toy.
The film was too polished, and just looked too Hollywood. Craven, before this, had been known for his grittiness.
The slasher genre and horror, in general, were pretty much ruined when the characters started discussing the rules of slasher films. The film parodied the genre it was in and put on blast the unspoken rules of horror. Maybe perceived as smart and cool at the time, and maybe it was just Craven’s way of saying “fuck you” to his competition, this approach killed horror going forward. Yes, Wes Craven, a guy who modernized horror in the 70s and 80s, killed it in the 90s.
Due to its success, Scream went on to kill horror even further. It was mimicked by every studio, horror was now free of sex, gore was minimal, it became PG-13 to pull in more teens, known stars were cast, budgets swelled and the rest is history.
Today, I don’t hate Scream. Even with how it altered everything, it is better than the modern horror films we’re stuck with. While Scream was the start of something bad, year after year, that bad has gotten worse. And that wasn’t Craven’s intention. I think he was really just focused on an idea and a concept. That concept ended up bringing an end to his own career, other than pumping out Scream sequels that got worse as time went on.
Scream 2 (1997):
Release Date: December 10th, 1997 (Hollywood premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Sarah Michelle Gellar, Jamie Kennedy, Laurie Metcalf, Jerry O’Connell, Jada Pinkett, Liev Schreiber, Rebecca Gayheart, David Warner, Omar Epps, Portia de Rossi, Luke Wilson, Heather Graham, Tori Spelling, Joshua Jackson
Konrad Pictures, Craven-Maddalena Films, Dimension Films, 120 Minutes
Scream 2 was a step down from the original but I like that Liev Schreiber got to be a bigger character. I was also glad they killed off Jamie Kennedy. And Aunt Jackie from Roseanne is in it.
The problem with Scream 2, which is made more than obvious in the opening scene, is that it feels like it has to compensate for its lack of black actors in the first film. In fact, the first film really featured no black actors and was thus, accused of being another “whitewashed” slasher picture.
Some people have criticized Jada Pinkett’s monologue about race in slasher films but I enjoyed it. She wasn’t wrong. And at least Craven put it in there to address some of these issues that were brought up after the success of the original film. Although, it did feel like overcompensation.
The film isn’t as good as the first. The reveal of who the killer is this time, is pretty underwhelming. The formula ran it’s course in the first movie and we were stuck with a picture where we were treading the same water without any new scenery. The ending brings with it a twist but it is more of a head-scratcher than a shocking reveal. It also starts the trend of building up a bigger backstory that isn’t necessary.
Neve Campbell’s mom was a slut and her sluttiness is a key factor into why her daughter and her friends have to suffer. And in the third film, her legacy of sluttiness goes back even further.
Scream 3 (2000):
Release Date: February 3rd, 2000 (Westwood premiere) Directed by: Wes Craven Written by: Ehren Kruger Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Patrick Dempsey, Scott Foley, Lance Henriksen, Matt Keeslar, Jenny McCarthy, Emily Mortimer, Parker Posey, Deon Richmond, Patrick Warburton
Konrad Pictures, Craven-Maddalena Films, Dimension Films, 117 Minutes
The third film ended the trilogy. Well, it was supposed to be a trilogy, where the fourth film years later, was to be the start of a second trilogy. The second trilogy never happened, so we ended up with a single quadrilogy. But, at the time, this was treated as the third and final act.
This was also, by far, the worst movie in the series. It takes the parodying itself shtick to the max. It takes place mostly on a Hollywood set where it gives you a movie within the movie, which is a tactic that is more annoying than clever.
Scream 3 adds the awful Jenny McCarthy to the cast, the typically cool Patrick Dempsey and the indy sweetheart Parker Posey. I almost feel bad seeing Posey plying her trade in this shit picture.
The killer reveal is stupid. It fleshes out the backstory more than anyone needs in a slasher film and the bad guy’s motivations are recycled horror trope schlock. There is nothing imaginative or original about any of this.
This film also loses sight of its whole purpose. In trying to be a clever series in constantly referring to the rules of horror, this one breaks its own rules – or it just doesn’t truly understand them. Especially in regards to what they say about the final film in trilogies, Scream 3 proves that these films have no balls. This is obvious when characters establish that “all bets are off” and “no one is safe”, yet for the third consecutive film, every major character survives. Additionally, the horror gore factor it tries to sell in the film is minimal, the sex factor in horror that this film constantly makes reference to, is nonexistent and everyone who understands the rules, continues to make the same dumb mistakes.
And the sole black character is reduced to a caricature but at least they didn’t “whitewash” this one after meeting their quota in part two.
Scream 4 (2011):
Release Date: April 11th, 2011 (TCL Chinese Theatre premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Emma Roberts, Hayden Panettiere, Anthony Anderson, Alison Brie, Adam Brody, Rory Culkin, Marielle Jaffe, Erik Knudsen, Mary McDonnell, Marley Shelton, Nico Tortorella, Anna Paquin, Kristen Bell
Oh, there’s Emma Roberts! Why’s she in every thing horror-esque, lately? I don’t dislike her but I’m getting tired of seeing her play the same roles again and again. She’s actually okay and I’m certainly not as sick of her as I am of her Aunt Julia.
Anyway, here we go, years later. The main cast is still alive. Surprise, they live through the end because again, the Scream franchise has no balls.
There’s a bunch of false curveball beginnings to the film, all movies within the movie, which has gotten tiresome with the Scream series. I mean, fuck, has Wes Craven completely run out of ideas? Hire new writers, bro.
This film tries to establish the “new” rules of horror, as it takes place a decade after the previous film. Except, everyone knows that the new rules post-Scream are horrible and the genre has gotten awful.
The killers are predictable. More so than previous films, actually. The two killer formula has been used to death in this series and was only somewhat effective the first time around.
Also, from what I remember, no black people in this one. But there is the reference to gay people surviving horror movies and then a bad in-movie joke where a character being stabbed to death, claims he’s gay in hopes of getting a free pass. I’m not standing on a politically correct soapbox here but Craven isn’t doing himself any favors trying to branch out beyond his audience of straight white teens. I get the attempt at humor but it was juvenile and not that funny.
I’m getting tired of talking about these movies now.
In the end, this film sucks. Although it doesn’t suck as bad as Scream 3.
While I have seen both Robert Rodriguez’s Planet Terror and Quentin Tarantino’s Death Proof multiple times, I never got to see the full-length version of Grindhouse until now.
When it came out in 2007, only one theater near me carried it and it wasn’t there very long, so I missed it. Also, the films were released separately, as expanded editions, when they hit store shelves. There wasn’t a full version of Grindhouse available after its theatrical run.
When I subscribed to Starz via my Amazon Fire Stick, I saw that the full version of the movie was available and thus, I could finally rectify this cinematic injustice. I’m really glad that I did because these films actually play much better in this format, as double-billed companion pieces to one another.
Plus, I finally got to see the trailers, as a part of this overall experience, even though I have seen them on YouTube multiple times since 2007.
Robert Rodriguez’s trailer for Machete was a highlight of the film and it was so good that it became its own motion picture and then expanded into a franchise. Rob Zombie’s Werewolf Women of the SS trailer was interesting enough, as a trailer, but doesn’t seem like something that will work as a full-length feature. The same can be said for Edgar Wright’s Don’t. Now Eli Roth’s Thanksgiving should be made into a full-length slasher film in the same vein as Machete. Roth has hinted at making it and I hope he eventually does.
This film also spawned a contest for fans to make fake trailers in the grindhouse style. This lead to the full-length feature Hobo With A Shotgun, which was a hell of a lot of fun. I need to re-watch it and review it in the near future.
Moving beyond the fake trailers, we have the two big films that make up the bulk of the Grindhouse experience. So let me get into each film and discuss them on their own.
Planet Terror (2007):
Release Date: April 6th, 2007 Directed by: Robert Rodriguez Written by: Robert Rodriguez Music by: Robert Rodriguez Cast: Rose McGowan, Freddy Rodriguez, Michael Biehn, Jeff Fahey, Josh Brolin, Marley Shelton, Stacy Ferguson, Bruce Willis, Naveen Andrews, Electra Avellan, Elise Avellan, Quentin Tarantino, Tom Savini, Michael Parks
Rodriguez International Pictures, Troublemaker Studios, Dimension Films, 103 Minutes
“Now you’ve got a gal in your wrecked truck with a missing leg? A missing leg that’s now missing?” – Sheriff Hague
Planet Terror has always been my favorite of the two movies in Grindhouse. That still stands, as I love just about everything about it. It may even be my favorite Robert Rodriguez picture but it is a close race between this, From Dusk Till Dawn, Machete and Once Upon A Time In Mexico.
The film is essentially a zombie outbreak movie but it is really gross, even for that genre. People’s faces start bubbling into puss and there is a lot of blood and other strange bodily fluids oozing out of people throughout the movie. There are also lots of severed testicles and a melting penis. It’s a gross movie but it is still well done and it doesn’t overtake the picture making it a mindless gore festival.
Planet Terror has a lot of depth and character development for a movie loaded with a ton of people. Everyone has an interesting story and it is cool seeing it all play out as these people eventually come together in an effort to escape the growing threat of a zombie apocalypse.
It also really fits the old school 1970s exploitation style of horror pictures that populated grindhouse theaters in big cities. The cinematography really captures the right vibe and kudos to the extra graininess and inconsistent look of different shots in the same sequences.
The practical effects also work well in making this film fit the grindhouse mold. Sometimes there is obvious CGI and it is a reminder that this isn’t a true 70s grindhouse picture but it isn’t a distraction and it serves its purpose well enough.
The cast is also phenomenal. I remember that when I first saw this, that I hoped it would open up doors for Freddy Rodriguez. He’s still not anywhere close to being a household name but his character of El Wray should reappear in some way, in some other Rodriguez picture. He’s a guy too cool to just be confined to this one movie.
This is also my favorite thing that Rose McGowan has ever done. Plus you get a very evil Josh Brolin, an enchanting Marley Shelton, a bad ass Michael Biehn, plus Michael Parks, Tom Savini, Bruce Willis, Lost‘s Naveen Andrews and Quentin Tarantino as his most despicable character to date. Jeff Fahey, who is always stellar, really kills it in this movie as J.T. the Texas B-B-Q king. Also, Fergie from the Black Eyed Peas has never looked better.
Planet Terror is unique, even for a film in a tired genre. It takes the zombie formula and ups the ante in every way possible. Rodriguez made a fine picture that should be mentioned alongside other great zombie classics.
Death Proof (2007):
Release Date: April 6th, 2007 Directed by: Quentin Tarantino Written by: Quentin Tarantino Music by: Rachel Levy, Jack Nitzsche, Mary Ramos Cast: Kurt Russell, Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, Zoe Bell, Eli Roth, Quentin Tarantino, Michael Parks, James Parks, Marley Shelton
“Because it was a fifty fifty shot on wheter you’d be going left or right. You see we’re both going left. You could have just as easily been going left, too. And if that was the case… It would have been a while before you started getting scared. But since you’re going the other way, I’m afraid you’re gonna have to start getting scared… immediately!” – Stuntman Mike
When I first saw Death Proof, it didn’t resonate with me. I mean, I enjoyed it enough but it just didn’t compare to the work that Quentin Tarantino did before it. I still feel this way but I have more of an appreciation for the film now. Also, seeing it in the Grindhouse format, which is more condensed, serves the film better.
The problem I initially had with the film, and some of Tarantino’s other pictures, is that it is way too talky. Sure, he writes great dialogue but sometimes it can run on for far too long. Death Proof in its longer running time falls victim to this. The condensed Grindhouse version, however, is better balanced.
Another problem with the film, is that many of the characters just aren’t likable. This is especially true for the first group of girls we meet. At least the second group felt more like friends and their conversations came across as more natural and authentic.
Kurt Russell initially knocks it out of the park as the killer driver, Stuntman Mike. However, as the film and his character evolves, he completely loses the cool bad ass shtick and becomes a giant whining weeny. His character transformation isn’t a bad thing, it is just how it is executed that makes it a problem.
The one thing that really makes this a cool picture, however, is the cars and the stunts. Tarantino selected some seriously bad ass automobiles that were homages to films that influenced him. The stunt work and action was amazing and the sequence of the first major accident was shot and executed stupendously.
The problem with the film, being that it is supposed to be a grindhouse throwback, is that it needed more balls-to-the-wall mayhem and less chit chat. The fact that this has a lot more dialogue than Robert Rodriguez’s Planet Terror but somehow can’t develop characters as well is pretty baffling. Tarantino would just rather focus on cool conversations on subjects that directly interest him than to have any sort of meaningful character development. You just don’t care about these people in the same way you care about those in Planet Terror.
Regardless of my criticisms, I do still like this movie. But to be honest, I still think it is the worst film in Quentin Tarantino’s oeuvre. Granted, that doesn’t mean much, as everything he’s done has been fairly great in some way.
In the end, this is still entertaining as hell and who doesn’t love muscle car chaos and kick ass chicks?
Additional directorial credits:
Robert Rodriguez – Machete trailer
Rob Zombie – Werewolf Women of the SS trailer
Edgar Wright – Don’t trailer
Eli Roth – Thanksgiving trailer
Additional acting credits from the fake trailer segments: Danny Trejo, Nicolas Cage, Sheri Moon Zombie, Cheech Marin, Udo Kier, Tom Towles, Sybil Danning, Bill Moseley, Will Arnett, Nick Frost, Rafe Spall, Jason Issacs, Simon Pegg, Peter Serafinowicz