Release Date: July 31st, 1989 (Los Angeles premiere) Directed by: Ron Howard Written by: Lowell Ganz, Babaloo Mandel, Ron Howard Music by: Randy Newman Cast: Steve Martin, Rick Moranis, Dianne Wiest, Mary Steenburgen, Keanu Reeves, Martha Plimpton, Joaquin Phoenix, Tom Hulce, Jason Robards, Harley Jane Kozak, Eileen Ryan, Helen Shaw, Jasen Fisher, Paul Linke, Alisan Porter, Ivyann Schwann, Zachary La Voy, Alex Burrall, Charmin Lee, Dennis Dugan
“It sounds like a boy Garry’s age needs a man around the house.” – Helen, “Well, it depends on the man. I had a man around. He used to wake me up every morning by flicking lit cigarettes at my head. He’d say, “Hey, asshole, get up and make me breakfast.” You know, Mrs. Buckman, you need a license to buy a dog, or drive a car. Hell, you need a license to catch a fish! But they’ll let any butt-reaming asshole be a father.” – Tod
Man, this movie is great.
There are a lot of large family comedies that have been made over the years but for whatever reason, this is the one that hits all the right notes for me.
That’s probably due to when it came out and how old I was then, as well as how incredibly superb the cast is. All of them are loveable in their own way, even the shitty black sheep son that only comes around when he’s in serious trouble.
The thing is, anytime that Steve Martin and Rick Moranis get together, the results are pretty satisfying. However, when you add in Dianne Wiest, Mary Steenburgen, Tom Hulce, Jason Robards, Keanu Reeves, Martha Plimpton and a young Joaquin Phoenix, it maximizes the overall positive impact and gives you so much great talent to enjoy.
What makes this movie so perfect is that it features so many people but each one of them gets a fairly equal amount of time to let their story be told. In fact, the multiple plot threads are really well-balanced and when they merge, at times, it all flows pretty smoothly. Writing big ensemble stories like this can be a real challenge but the writers succeeded and Ron Howard, who directed this, had great material to work with.
I think a lot of credit also has to go to the editor, who kept this thing moving at a good pace and who handled the transition between plot threads pretty seamlessly.
Ultimately, though, this is a picture with a lot of heart and I feel like most people can find it relatable. Even if you don’t have all of these character types in your own family, I think we all have at least a few. Furthermore, these character tropes are all pretty timeless and even if this has that ’80s movie vibe to it, it’s still kind of timeless.
Additionally, the movie is well-acted from top-to-bottom, including the kid actors.
Parenthood is one of the best movies of its type. Personally, it’s my favorite but I’m also a big fan of all the key players in the film. And frankly, I can watch it just about anytime and it’ll lift my spirits even if I’m in a funk.
Rating: 9/10 Pairs well with: other family-centric comedies but this one takes the cake.
Release Date: May, 1988 (Cannes) Directed by: Ron Howard Written by: Bob Dolman, George Lucas Music by: James Horner Cast: Val Kilmer, Joanne Whalley, Warwick Davis, Billy Barty, Jean Marsh, Patricia Hayes, Pat Roach, Gavan O’Herlihy, Phil Fondacaro, Tony Cox, Kenny Baker (uncredited)
“Magic is the bloodstream of the universe. Forget all you know, or think you know. All that you require is your intuition.” – High Aldwin
I wish that Willow was more beloved than it is. It definitely has its fans but for whatever reason, it never quite reached the levels of popularity that Lucasfilms’ other big properties reached: Star Wars and Indiana Jones.
To be fair, I’d say that this isn’t as good as those other two properties but it is still in the ballpark and not far off.
Willow is an imaginative and fun adventure that was one in a string of special effects milestones in the early days of Lucasfilms’ digital effects mastery. This film had a major breakthrough in its use of visual morphing technology.
But apart from the special effects wizardry in the film, it also came to life with its spectacular sets, wardrobe and art direction.
What makes this click on a level much higher than just being a standard blockbuster is the ensemble cast. Everyone in this film is good and fun to watch, as they all felt like they were giving the movie their all, they had good chemistry and they were believable in their roles. I especially like the chemistry between Warwick Davis and Val Kilmer, as well as Val Kilmer and Joanne Whalley, who became my third or fourth childhood crush because of this film. Apparently, she became Kilmer’s crush too, as they met on this film’s set and married shortly thereafter. And they stayed together for almost a decade, which is in eternity in Hollywood time.
The casting of Jean Marsh as the film’s main villain, an evil sorceress named Bavmorda, was a stroke of genius. One, because she is a damn good actress but can really be terrifying. Two, because her appearance in a similar role from Return to Oz was still fresh in my childhood mind when this came out. And I’m sure it was fresh in a lot of kid’s minds, who were scarred for life by the witch with the interchangeable heads.
I’ve really got to tip my hat to Warwick Davis, though. I don’t think that most people realize that he was just seventeen when this movie was filmed. He carries himself like a true veteran and even though he’s not the top billed star, he is the main character of the film, which is also why the movie’s name is his character’s name. Willow is his journey.
I wish that this had led to more leading roles for Davis but I think that was also the intent had this film done as well as the other Lucasfilm tentpole movies. It underperformed, even though it did make a profit, and that’s probably why this didn’t get the trilogy treatment. Granted, there are still talks of bringing the world of Willow back to the screen and there was also a sequel novel trilogy written by Chris Claremont with the plot outlines done by George Lucas.
Willow is one of the best fantasy epics of its time. I think that revisiting it is long overdue and I assume that it’s going to happen, especially with Disney now owning Lucasfilms and needing content for their Disney+ streaming service. And with that being said, I think a sequel television series would actually work better for this property than a theatrical movie.
Rating: 9.25/10 Pairs well with: other Lucasfilm movies from the ’70s and ’80s, as well as The Lord of the Rings trilogy.
Release Date: May 10th, 2018 (Los Angeles Premiere) Directed by: Ron Howard Written by: Jonathan Kasdan, Lawrence Kasdan Based on: characters created by George Lucas Music by: John Powell, John Williams (original Han Solo and Star Wars themes) Cast: Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton, Phoebe Waller-Bridge, Joonas Suotamo, Paul Bettany, Jon Favreau (voice), Warwick Davis, Linda Hunt (voice), Clint Howard, Anthony Daniels, Ray Park, Sam Witwer (voice)
Lucasfilm Ltd., Walt Disney, 135 Minutes
“I hate you.” – Lando Calrissian, “I know.” – Han Solo
*Warning: there will be spoilers… and probably some ranting!
At one point, Star Wars was the biggest pop culture thing in my life. Over the years, a lot has changed: ownership of the franchise, the fan base and most importantly, the canon. I’m told that decades worth of novels and comic books on my shelves are irrelevant now. I would have been able to adjust to that if the new additions to Star Wars were better than the stories given to us by dozens (if not hundreds) of authors that have been enriching the mythos for over 40 years. But so far, Disney has done nothing but drop the ball. Granted, I did like Rogue One but that’s just one film out of the four that Disney has done and I still have my fair share of issues with it.
Solo: A Star Wars Story isn’t a bad film but it isn’t a very good one either. Frankly, other than a few sequences, it was kind of boring and unexciting. But then there were the politics in it, which is something I usually stay away from talking about but if this film is going to beat its audience over the head with its fucking nonsense, just as the other Disney Star Wars films have, I have to speak up.
When Disney bought Star Wars from George Lucas, most people were ecstatic. People were espousing things like, “Finally, George Lucas is gone, we can forget about those terrible prequels!” and “Disney will fix the franchise!” Yeah, they fixed it, alright. If by “fix” you mean “neuter”.
Kathleen Kennedy and Disney have already run this franchise into the ground and it happened a lot quicker than I thought it would. Their first attempt at Star Wars isn’t even three years old yet but based off of the audience’s response to this film and its incredibly lackluster opening weekend, I think that the public’s opinion is abundantly clear.
There is already Star Wars fatigue and it came so damn quickly. Had these movies been great or at least, very good, people would still be enthused. And if Disney wasn’t milking the franchise to piggyback off of known characters like Han Solo, Boba Fett and Obi-Wan Kenobi for their spinoff films, maybe they could actually move the franchise forward.
In regards to the movie Solo, as this is a review of it, let me talk about the positives.
First of all, I really liked the train robbery sequence. That was the highlight of the film and one of the best, if not the best sequence in the Disney Star Wars films. It was creatively done, well thought out, well executed and just a good time.
Second, I liked the tone of the film. The atmosphere was dark and brooding, which enhanced the story, the peril the characters found themselves in and the life they were living, which is one of crime… even if Solo is considered to be a hero.
I also liked Donald Glover as Lando Calrissian. There are certain moments in the film where Glover is talking and you literally hear Billy Dee Williams’ voice. He definitely prepped for this role and really studied Billy Dee Williams. He is kind of the antithesis to Alden Ehrenreich’s Han Solo but I’ll get to his performance in a minute.
I thought that Paul Bettany as the villain was a strong positive. He didn’t have the sort of weight that a traditional Star Wars movie villain should have but he nailed the part, hands down. But I’ll get into the villain problem in a minute, as well.
The other big highlight of the film was the conclusion. I liked the Darth Maul cameo and am genuinely interested in what it means for Star Wars going forward but I hope it is to tie into the Obi-Wan movie and not a sequel to this film, which they should not make. I also liked the reveal of who the Marauders were and that whole sequence on the beach between them, Beckett, Solo, Chewie and Qi’ra.
I thought that the pace of the film and its progression were good, even if a lot of the stuff wasn’t as interesting as the filmmakers probably thought it was.
But on to the negatives.
I like Alden Ehrenreich as an actor but I didn’t like him trying to play Han Solo. The character is so distinctly Harrison Ford and Ehrenreich tried to nail it but fell short. I thought his comedic timing was off, his mannerisms didn’t work and “the cool” felt forced. The thing is, he could have just been his own character and this film would have worked better. He didn’t have to be Han Solo, this could have been a Star Wars heist movie with all new characters, punctuated by its main player that was more of an homage to the Han Solo archetype and not Solo himself. This would have served Ehrenreich’s talents better and opened the door to a new thread in the grand Star Wars universe.
Next up is Emilia Clarke. I don’t know what it is about her but I just don’t like her. Granted, I’m probably the only person on Earth that can’t get into Game of Thrones but that’s also not just her fault, it’s that whole thing. Anyway, Clarke is just an incredibly one-dimensional and boring actress. She makes me feel absolutely nothing. She’s no different in this. Her character felt soulless and just made me yearn for her death and for Han to hurry up and go meet Leia.
Then there is the Woody Harrelson problem. For the record, I love Harrelson. I always have, ever since I was a young kid watching Cheers with my mum and granmum when it was still broadcasting. The problem with Harrelson is that he is such a distinct actor that it is sort of distracting in a film like Star Wars. All I ever see is Harrelson, which most of the time is a good thing, but in a Star Wars picture, it just pulls me out of the movie. I think that the original Star Wars films were so magical due to George Lucas finding the right kind of talent from a pool of unknown actors. He did use a few well-known actors but their parts were perfectly tailored and fit them. But really, we’re just talking about Peter Cushing, who was primarily a low budget horror actor, and Alec Guinness, who had a long filmography but was never as recognizable or as famous as Woody Harrelson has become.
Earlier I mentioned the villain problem about the movie, even though I praised Bettany’s performance. You see, his baddie here was just some low level crime boss. Okay, maybe he’s a high level crime boss but him being the big bad would have been like Return of the Jedi expanding the Jabba the Hutt stuff to two hours and cutting out the second and much bigger half of the film. The Jabba stuff is solid but a gangster is not the type of villain that really brings a high threat level in the Star Wars universe. Frankly, Solo felt like it should have happened in an episode of Clone Wars or Rebels and not on the big screen for over two hours.
The biggest blight on all of Star Wars history though has to be Lando’s droid Che Droidvera a.k.a. L3-37. The droid was a wisecracking feminist revolutionary because robots apparently have gender in Star Wars now and are fighting for equal rights or something. Basically, this was Disney’s attempts at bringing gender politics into a Star Wars film in a cutesy and funny way. It’s not that I’m against feminism or equal rights, but this was absolute retardation of the highest caliber. I don’t bitch and moan about SJWs because sometimes those bitching about SJWs can come off as terrible as SJWs themselves but Jesus Jeff Goldblum Christ, man! Is this what Star Wars is now? A political and social platform for Hollywood holier-than-thous to sneak their messages into mindless entertainment used for escapism? You know, escapism: where people want to escape the real world for two hours because of real world problems and issues?
Then again, we’re dealing with people whose only counterargument is to point and call those who disagree with them “racist woman hating alt-right Nazis.”
See what I’m saying, though? In a world where people espouse politics and aren’t even minutely rational about it, you sometimes need to escape. But when that escape is inundated with that same irrational political bullshit, you look for another form of escapism. Hence, why this movie isn’t the success that Disney was absolutely sure it would be.
People just didn’t have the interest in this movie like they did with the old school Star Wars films before it.
Reason being, The Last Jedi mostly sucked and it pushed its politics on the people. People responded by telling Solo to “go fuck itself” when they didn’t rush out and buy tickets opening weekend. In fact, this is the first Star Wars movie I didn’t see within the first few hours of its release. I waited over a week and really, that wasn’t even over politics it was over The Last Jedi just sucking as a whole, politics aside.
Last week, I started organizing and cataloging my comic book collection. I came across my massive collection of Star Wars Dark Horse stuff from the ’90s and ’00s. I flipped through a lot of them, re-familiarizing myself with the stories. It really just reinforced my sentiment that the Expanded Universe, that has been washed away with the Disney tide, was so much better than what we have now.
Those Clone Wars tales with Quinlan Vos and all that Knights of the Old Republic era stuff were great Star Wars stories. Jacen and Jaina Solo were infinitely better characters than Kylo Ren and Rey. Well, at least Disney kept Thrawn relevant but Mara Jade is bantha fodder.
Solo: A Star Wars Story just doesn’t work. But hey, at least I got to see Lando, even if it wasn’t Billy Dee Williams and it wasn’t in The Force Awakens where Lando and Han should have had a reunion.
Rating: 6.25/10 Pairs well with: The other Disney Star Wars films.
Release Date: October 20th, 1965 Directed by: Bert I. Gordon Written by: Bert I. Gordon, Alan Caillou Based on:The Food of the Gods and How It Came to Earth by H.G. Wells Music by: Jack Nitzsche, The Beau Brummels Cast: Tommy Kirk, Johnny Crawford, Beau Bridges, Joy Harmon, Robert Random, Tisha Sterling, Toni Basil, Ron Howard
Berkeley Productions, Embassy Pictures, Joseph E. Levine Productions, 81 Minutes
“I’m hungry too. What’s for breakfast?” – Elsa, “Sheriff, on toast.” – Fred
A movie with Ron Howard and Beau Bridges in it that is based off of an H.G. Wells story? Well, at least it sounds good on paper.
This movie was featured in an early Mike Nelson episode of Mystery Science Theater 3000 and I guess this was one of the few that I have never seen because I would have remembered this bizarre train wreck of pure, unadulterated awesomeness.
These juvenile delinquents that are overly delinquently and dance like cracked out schmucks every chance they get, come into contact with this chemical that makes living things grow to much larger proportions.
However, before we even get a town ravaged by kaiju sized teen douches, we get to see ducks the size of rhinos dancing around in a nightclub. We also get to see one get barbecued, which was kind of sad because a one ton party duck isn’t just something you skewer, set on fire and cover in Sweet Baby Ray’s! These dumb kids could have paraded that duck around from town to town getting lots of money from curious rednecks and baffled farm folk.
This film is terrible but it’s that extraordinary kind of terrible where it has just enough bizarre kookiness to make it pretty unique and quite entertaining. I can’t realistically give this even an average rating but I was charmed by the absurdity of it and for the fact that it is a fun dumb movie. It’s nowhere near as bad as most of the dreck you’ll see on MST3K and if I were to make a list of best movies to watch that were featured by MST3K, this would be high up on that list.
Village of the Giants is stupid but its a stupid you can laugh at and enjoy.