Published: 1989 Written by: Archie Goodwin Art by: Howard Chaykin
Marvel Comics, 66 Pages
I have loved the hell out of this graphic novel’s cover since I was a little kid hanging out in comic book shops with very limited funds. So I never actually bought this back in 1989 or the years that followed and I hadn’t actually read it until now.
While I enjoyed this it’s pretty average for what Marvel was putting out in their popular graphic novel series at the time. With a script by Archie Goodwin and art by Howard Chaykin, I went into it with pretty high hopes that this didn’t live up to.
Although, it’s still a pretty cool, action-packed book. I just felt like the story needed more pages to really be fleshed out and that things felt rushed and then it was over.
I did enjoy Chaykin’s art, as I usually do. I dig his character design and his patented style and it did a good job setting the tone for this story. But like the story, I wish there was more.
Still, this is beefier and a bit more adult than the standard single page comics of the era. I thought the villain was kind of neat but he barely got a chance to develop in any sort of meaningful way in just 66 pages.
Published: November 17th, 2016 Written by: Chris Claremont Art by: Bret Blevins, Sal Buscema, Alan Davis, Jackson Guice, Rick Leonardi, Kevin Nowlan
Marvel Comics, 229 Pages
This collection of New Mutants stories was kind of all over the place. Also, none of them really grabbed me like most of the previous arcs leading up to this point.
I guess, by now, the series had been running for quite awhile and where it once felt like it was always building towards something and had an idea of where it wanted and needed to go, most of this felt like aimless filler.
I can clearly see the series running out of steam and I guess this is why everything got reinvented and soft rebooted not too long after this and the massive Inferno crossover event, which completely changed the dynamic of the team and its mission.
Now this isn’t bad by any means, it’s just that each story feels somewhat random and they don’t support each other and the progression of a larger arc as well as previous volumes have.
I guess the highlight for me was where this focused on Magik, her power struggle with S’ym and how things were changing in the realm of Limbo. This sort of sets up things that would happen in the big Inferno story.
Apart from that, everything else was entertaining enough but none of it seemed to matter, based off of where these characters’ lives were going to go. I guess, none of this really sticks or is all that memorable.
The art in this volume was also a mixed bag. A lot of different artists contributed to this stretch of issues and honestly, that just sort of adds to none of this really being memorable or sticking.
Published: November 3rd, 2016 Written by: Chris Claremont Art by: Arthur Adams, Alan Davis, Jackson Guice, Steve Purcell, Barry Windsor-Smith (cover)
Marvel Comics, 265 Pages
Man, this comic series is so damn good. I had a few reservations about revisiting it since my childhood (and in its entirety) but it hasn’t disappointed and for being Marvel’s “teen” comic in the ’80s, it still deals with some really heavy and adult subject matter.
This volume is no different and it keeps things moving forward swiftly, collects a few different story arcs and further develops these characters and their relationships quite superbly.
I think the thing that I liked most in this volume was the story with the Hellions, as you now see them more clearly, especially Thunderbird, who would later become Warpath on the X-Force and X-Men teams of the ’90s and beyond.
In that Hellions story, we really get to understand that only one of the kids is truly bad and the others are just teens going through their own growing pains. Teens that have more in common with the New Mutants team than differences. In the end, they’re all just kids, dealing with their own issues that just happen to belong to different schools of thought, figuratively and literally.
This collection also features another X-Men crossover story. This time it sees them have to outwit the villain, Mojo. We also have the second Legion story, where he goes off the rails and has to be reeled back in for the safety of himself and the others around him.
Chris Claremont truly put as much time and care into these characters and stories as he did the X-Men. This is just another solid string of stories, as all the X-Men books build towards the big Inferno crossover event, which happens immediately after the next volume of New Mutants comics.
Rating: 8.75/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Published: September 8th, 2016 Written by: Chris Claremont Art by: Arthur Adams, Jackson Guice, Rick Leonardi, Keith Pollard, Mary Wilshire
Marvel Comics, 269 Pages
This follows the Demon Bear Saga, the first Legion story and the short arc just after that.
This volume in The New Mutants starts with a two-part annual issues crossover with The Uncanny X-Men. The story sees the two mutant teams swept away to Asgard for some trickery and shenanigans involving Loki, the Enchantress and Hela. Frog-Thor, the Warriors Three and Surtur also make appearances.
I really dug the Asgard story, though, and I finally know how Dani Moonstar became a Valkyrie because it was always a bit of a mystery to me, as one day she wasn’t and then one day she was. I had never read these annuals, so I wasn’t sure how it all went down and why.
After that, we get a story that involves The Beyonder, as well as one that sees Magneto take over the team in place of Professor X. That is the more interesting plot thread, as it sees Emma Frost with help from one of her Hellions, convince Magneto to let her take over the New Mutants training, essentially merging them with the Hellions.
While with the Hellions, the New Mutants form some bonds with the teens they’re used to fighting. For those who have read X-Force, it’s pretty apparent which Hellions member will eventually align with the New Mutants once Cable comes in to lead them into adulthood.
Overall, this is a damn good collection and the Asgard and Hellion stories are two of the best arcs I’ve read thus far in the series.
Rating: 9/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Published: July 10th, 2019 Written by: Chris Claremont Art by: Bill Sienkiewicz, Sal Buscema, Bob McLeod
Marvel Comics, 504 Pages
Man, oh man… I forgot how great the Demon Bear story was! It was one of my favorite New Mutants stories when I first discovered this comic series, as a young kid. But I hadn’t actually read it for probably thirty years now.
This beefy Epic Collection release doesn’t just cover that story, though, as it features the events leading up to it and the story after, which is the debut of Legion.
Every story arc in this collection is pretty damn cool. There really wasn’t a dull moment and you get to see these great characters develop even more while also seeing their bond strengthen quite immensely.
This stretch of issues also feature the art of Bill Sienkiewicz, a comic book artist that truly had a unique style that I’ve always thought was one of the most impressive, expressive and coolest. It’s this series that introduced me to Sienkiewicz’s work, which I couldn’t get enough of. In fact, I bought all of his Elektra and Moon Knight stuff that I could find at my local comic shop circa 1990.
This stretch of issues was always one of my favorite runs on any comic book series. Revisiting it for the first time in eons, I still feel that way.
Rating: 9.5/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Original Run: November 19th, 1994 – January 31st, 1998 Created by: John Semper, Bob Richardson, Avi Arad, Stan Lee Directed by: Bob Richardson Written by: John Semper, various Based on:Spider-Man by Stan Lee, Steve Ditko Music by: Kussa Mahchi, Jeremy Sweet, Shuki Levy, Joe Perry, Shuki Levy, Kussa Mahchi, Udi Harpaz Cast: Christopher Daniel Barnes, Ed Asner, Jennifer Hale, Roscoe Lee Brown, Mark Hamill, Hank Azaria, Joseph Campanella, Martin Landau, Richard Moll, Don Stark, Dawnn Lewis, Majel Barrett, David Warner, Earl Boen
New World Entertainment Films, Genesis Entertainment, Marvel Enterprises, Fox, 65 Episodes, 23 Minutes (per episode)
After the success of the early ’90s X-Men cartoon on Fox, it was natural for the network to ask for more Marvel properties to adapt for their Saturday morning audience. The Spider-Man series was the longest running and most successful of these animated spinoffs.
While the X-Men show still stands as my favorite of these animated Marvel series, Spider-Man is a very, very close second and nearly as good.
The stories are generally well written and even if they have to take some liberties and alter the plots from the comics. This was due to time constraints and by trying to wedge in the debut of Venom really early in the series, which changes the overall timeline of events in Spider-Man’s life, greatly. Also, the showrunners probably wanted to get as many villains added into the mix, early on, so that each new episode felt fresh.
Spider-Man has a massive rogues gallery and this show utilized the core villains really damn well.
The tone of the cartoon is pretty perfect. Sure, there are cheesy and hokey bits in every episode because this is a kid’s cartoon but it does stay pretty true to the tone and style of the source material. Most importantly, it’s true to the characters and the writers obviously knew the Spider-Man mythos well.
I love this show and it’s still fun to have minimarathons of episodes. Honestly, to me, it’s one of the highlights of Disney+.
Rating: 8.25/10 Pairs well with: the other animated Marvel television series from the ’90s.
Published: February 1st, 2017 Written by: Brian Michael Bendis Art by: Jim Cheung, Oliver Coipel, David Marquez, Marko Djurdjevic (cover)
Marvel Comics, 317 Pages
Man, this was bewilderingly bad.
Historically, I’ve been pretty 50/50 on Brian Michael Bendis’ writing but man, it’s like when he did this, he already knew he was leaving Marvel. It also reads like he was given orders to use certain characters and he was begrudgingly forced to work them in. Granted, he’s also created some of the terrible modern characters.
While I’ve been well aware of the criticism that the Captain Marvel character gets in modern times, I always liked her when she was Ms. Marvel. But this new, short-haired, suddenly pushed into a leadership role Carol Danvers is not even the same character, remotely.
Based off of how she’s written here, as a self-righteous, fascist, tyrant bitch, I totally see why fans can’t stand her. If this story is an accurate portrayal of how she is post-2015 or so, I have no interest in following her character unless she’s actually made into a permanent villain. But even then, there are so many better villains I’d rather read about.
And I’m not really sure how I’m supposed to interpret her character. Is she supposed to be psychotic, god-powered, tyrannical piece of shit? Or am I supposed to empathize with her point-of-view?
What made the first Civil War so great was that you could emphasize and relate to both points-of-view and it made for a compelling read. Civil War II just made me hate Carol and every character that so easily sided with her. These characters aren’t heroes, as their actions in this story crossed the line into villainy.
Whatever. Fuck this comic. Fuck Bendis. Fuck post-2015 Marvel. But at least the art was really good.
Rating: 4/10 Pairs well with: all the other Civil War II crossover tie-in trade paperbacks.
Also known as: X-Men 3, X-Men 3: The Last Stand (working titles), X3, X III: The Last Stand (alternative titles) Release Date: May 22nd, 2006 (Cannes) Directed by: Brett Ratner Written by: Simon Kinberg, Zak Penn Based on:X-Men by Stan Lee, Jack Kirby Music by: John Powell Cast: Hugh Jackman, Halle Berry, Ian McKellen, Famke Janssen, Anna Paquin, Kelsey Grammer, James Marsden, Rebecca Romijn, Shawn Ashmore, Aaron Stanford, Vinnie Jones, Patrick Stewart, Ben Foster, Ellen Page, Dania Ramirez, Shohreh Aghdashloo, Bill Duke, Daniel Cudmore, Eric Dane, R. Lee Ermey, Ken Leung
The Donners’ Company, Marvel Enterprises, Twentieth Century Fox, 104 Minutes
“Charles Xavier did more for mutants than you will ever know. My single greatest regret is that he had to die for our dream to live.” – Magneto
From memory, this was the worst X-Men film of the lot. Well, after about a dozen movies with spinoffs and whatnot, this one still takes the cake in that regard.
This really killed the film franchise, at least for its time. It wouldn’t bounce back until First Class rolled around and gave the series a bit of a soft reboot.
Here, we see the original trilogy of films come to an end and unfortunately, that end is a very unsatisfactory one. Granted, none of these films have aged particularly well and they actually feel quite dated now.
That’s not to say that some of the performances aren’t great or iconic, a few of them are. Specifically, Hugh Jackman, Patrick Stewart and Ian McKellen. This is probably also why they tried to find ways to include these guys in the X-Men films that followed during the reboot era.
The plot for this is pretty fucking atrocious and the film spends more time killing off beloved characters than trying to tell a good story. It’s like it went for shock and cheap emotional grabs but it failed in generating any real emotion because it all felt soulless and cheap.
I think the biggest issue with the film was that Bryan Singer left to make that big bust, Superman Returns. While Brett Ratner probably wasn’t a bad choice, the final product makes me feel like he was sort of just inserted into a movie that was already well into production and found himself in over his head.
The film is also pretty short when compared to the two chapter before it. It makes me wonder if a lot was left out of the final movie. It certainly feels like it’s lacking story, context and depth.
In the end, this is okay if you want to spend a little more time with these characters and if you turn your brain off, it has some neat moments, but overall, it’s a sloppy misfire.
Rating: 5.5/10 Pairs well with: the other films in the original X-Men trilogy.
Also known as: X2 (original title), X-Men II (working title), X² (alternative spelling) Release Date: April 24th, 2003 (UK premiere) Directed by: Bryan Singer Written by: Michael Dougherty, Dan Harris, David Hayter, Zak Penn, Bryan Singer Based on:X-Men by Stan Lee, Jack Kirby Music by: John Ottman Cast: Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry, Famke Janssen, James Marsden, Bruce Davison, Rebecca Romijn-Stamos, Anna Paquin, Shawn Ashmore, Alan Cumming, Brian Cox, Aaron Stanford, Kelly Hu, Daniel Cudmore
Marvel Enterprises, Donners’ Company, Twentieth Century Fox, 134 Minutes
“You know, outside the circus, most people were afraid of me. But I didn’t hate them. I pitied them. Do you know why? Because most people will never know anything beyond what they see with their own two eyes.” – Nightcrawler
When this came out, I was pretty much blown away by it. Seeing it seventeen years later, not so much.
X2 is a film riddled with problems but it’s still good for what it is and for its era. It’s slightly better than its predecessor but after having just watched the Sam Raimi Spider-Man trilogy, it pales in comparison to the first two films in that series. In fact, I like the wonky Spider-Man 3 a hair bit more than this.
That being said, this does still have one of the greatest sequences in comic book movie history and that’s the part where the military squad attacks the X-Mansion, abducting the children and sending Wolverine and a few of the younger mutants fleeing into the night. I especially liked the inclusion of Colossus in this scene but that also made me wonder why he didn’t come back into the picture because he would’ve been helpful during the final battle. But I guess someone’s got to protect the kids hiding out who knows where.
Anyway, this is a film that is too driven by plot convenience and poor execution of those conveniences.
For instance, Storm can unleash dozens of tornadoes on military fighter jets but no one is worried about the innocent people living on the ground? And she does this while flying a high tech jet. Where was this immense wind power when the jet was going to be hit by raging water?
Which brings me to another poor plot convenience moment that saw Jean Grey have to push back a raging river while trying to lift the parked jet in an effort to save her friends. She’s powerful as fuck, why couldn’t she have just lifted the jet? An hour earlier, she stopped a missile with her mind. And getting back to Storm, where’s that wind power in this scene? Did you not pick up your power-ups in the final level?
I know I’m being pretty nitpicky here but these moments could’ve been shot better, explained better and just not been as stupid and devoid of logic. It seems like really lazy writing and if you needed to kill off Jean for the story, there are better ways to do it and they still could’ve had her sacrifice herself for those she loves. It just felt cheap and baffling.
This also must’ve been made in the era where they didn’t sign actors to multi-film deals because they spent so much time developing Nightcrawler but then he’s nowhere to be seen in the third film. His arc from the original X-Men trilogy is left incomplete. That just adds to the overall sloppiness of this film franchise. And it sucks because Alan Cumming was great as Nightcrawler and he was one of the high points in this trilogy.
The overall story in the film is pretty good though. I thought that the big finale was too long and could’ve been whittled down somewhat but it moves at a good, brisk pace.
Also, the set design, cinematography and overall look of the picture was a big step up from the previous one.
Patrick Stewart, Ian McKellan and Hugh Jackman kill it in just about every scene but Jackman really is the scene stealer, which is impressive when you think about where he was at in his film career in 2003 versus Stewart and McKellan.
In the end, this is still a decent way to waste a few hours but it’s not the great, epic film I saw it as when I was young and didn’t have such refined taste. Also, its since been overshadowed by the Raimi Spider-Man pictures, Nolan’s Batman movies and the Marvel Cinematic Universe.
Rating: 7.25/10 Pairs well with: the other films in the original X-Men trilogy.
Also known as: X-Men: The Movie (working title), X-Men 1.5 (longer cut) Release Date: July 12th, 2000 (Ellis Island premiere) Directed by: Bryan Singer Written by: David Hayter, Tom DeSanto, Bryan Singer Based on:X-Men by Stan Lee, Jack Kirby Music by: Michael Kamen Cast: Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry, Famke Janssen, James Marsden, Bruce Davison, Rebecca Romijn-Stamos, Ray Park, Tyler Mane, Anna Paquin, Shawn Ashmore
Marvel Enterprises, Donners’ Company, Twentieth Century Fox, 104 Minutes
“[to Senator Kelly] You know, people like you are the reason I was afraid to go to school as a child.” – Mystique
This was the movie that really got modern superhero films off the ground. It became the launching pad for several sequels, spin offs and what eventually became the Marvel Cinematic Universe.
It’s been a really long time since I’ve sat down and watched this one though. Compared to what is the norm today, twenty years later, this one feels really small and you can immediately tell that it had a smaller budget than what similar films today have.
That’s because this movie was a big risk in 1999 when it was filmed. Comic book movies other than the two Tim Burton Batman films and the first two Christopher Reeve starring Superman pictures just didn’t have a great track record and most of them were made deliberately cheesy and campy. The sequels to the films I just mentioned also fell victim to this creative misstep.
X-Men, however, took itself seriously and it succeeded because of that.
Granted, it’s a pretty flawed film with a lot of creative choices I wasn’t a fan of. These choices would actually go on to hinder the rest of the X-Men movies that Fox made but I think it was probably hard to see anything beyond just this movie when it was being made.
The acting is pretty solid for the most part but the heavy lifting in this chapter is primarily done by Hugh Jackman, Patrick Stewart, Ian McKellen and Anna Paquin. That doesn’t mean that there isn’t bad dialogue and bad acting, there is, but the high points greatly outshine the low ones.
Still, this is a weak adaptation. It chose a strange mix of characters to start with and by choosing these characters, the series sort of fucked itself going forward. It also altered the origins of most of the characters pretty drastically and it set some things in stone that would later lead to the film series’ continuity getting really screwed up. Some of these problems became even more clear after revisiting this.
The general plot is also wonky and weird and I’m not a big fan of it. The whole MacGuffin machine that Magneto wants to use to turn people into mutants was goofy as hell and it sabotaged the initial realism that this picture seemed to have. Well, it was as realistic as a film about superhero mutants could be before we got a hokey old timey comic book superweapon introduced.
From memory, but I’ll find out in a week or so, the sequel was much better. It delved deeper into the lore and tried to get past some of the missteps here.
In the end, this isn’t bad, by any means, it just isn’t as great as I felt that it was in 2000. Sure, it has issues but it also opened the floodgates for the superhero genre to enter the cinematic medium in a more serious way.
Rating: 7/10 Pairs well with: the other films in the original X-Men trilogy.