Comic Review: Titans: The Lazarus Contract

Published: November 14th, 2017
Written by: Christopher Priest, Benjamin Percy, Dan Abnett
Art by: Brett Booth, Larry Hama, Phil Hester, Carlo Pagulayan, Paul Pelletier, Khoi Pham, Norm Rapmund

DC Comics, 132 Pages

Review:

I’ve read the entirety of Christopher Priest’s fifty-issue run on Deathstroke, which just finished, actually. So I did read his two issues that were part of this larger crossover arc but I missed the Titans and Teen Titans parts, as I wasn’t pulling those titles at my local comic shop. So this is the first time I’ve read this story in its entirety, which I should’ve done earlier as it would’ve added more context to the Deathstroke series, as a whole.

This is sort of a spiritual sequel to the famous The Judas Contract storyline from the Teen Titans comics in the ’80s while also connecting to the events of Deathstroke’s first appearance in The New Teen Titans issue 2 from 1980.

Here, Deathstroke wants to go back in time to save his son Ravager a.k.a. Grant Wilson. He blames the Titans for the death due to their involvement in the event, even though they’re not really responsible. So after learning about the Speed Force and its ability to send speedsters through time, he harvests that power from Kid Flash after winning over his trust.

That being said, we get a speedster Deathstroke, which is just really f’n cool!

Anyway, the story starts off with a bang and it brings in both the Teen Titans and adult Titans teams to deal with the threat. While it focuses mainly on a close knit group of main characters, all the others do get involved but mostly stay in the background, only adding their two cents when its needed to advance the plot or give a larger perspective.

However, even though the management of characters is well handled initially, this does become more of a convoluted mess as it gets towards the end. It just feels like there is too much going on and despite this having a lot of characters, it starts out feeling like a smaller, personal story.

Overall, this is still pretty good and all three writers (Christopher Priest, Dan Abnett and Benjamin Percy) did a good job working together.

Rating: 7.5/10
Pairs well with: the old Teen Titans story The Judas Contract, as well as Deathstroke/Teen Titans: The Terminus Agenda.

Comic Review: Detective Comics, Vol. 7: Batmen Eternal

Published: September 11th, 2018
Written by: James Tynion IV
Art by: Alvaro Martinez

DC Comics, 151 Pages

Review:

After the previous volume, I was really hyped for this one, as it was the last of Tynion’s lengthy and mostly solid run on Detective Comics.

While this started off with a bang, it fizzled out about a third of the way through and kind of went out with a whimper, focusing on a new plot thread that I didn’t find interesting, especially when the larger arc of Tynion’s complete run didn’t feel like it was properly resolved.

It’s not that this was a bad story, I just felt like I was left holding my dick in the cold wind on top of a mountain. I climbed all the way to the summit and there was nothing there to greet me. No party, no fanfare, just cold wind, thin air and no sense of real reward.

Honestly, there’s not much else to say, really.

I wanted certain plot threads closed and followed up on and everything just sort of splintered off into different directions with no clear path to follow.

Rating: 6/10
Pairs well with: other collections of James Tynion IV’s run on Detective Comics.

Film Review: Batman: Hush (2019)

Release Date: July 19th, 2019 (SDCC)
Directed by: Justin Copeland
Written by: Ernie Altbacker
Based on: Batman: Hush by Jeph Loeb, Jim Lee
Music by: Frederik Wiedmann
Cast: Jason O’Mara, Jennifer Morrsion, Geoffrey Arend, Jerry O’Connell, Maury Sterling, Rebecca Romijn, Rainn Wilson, Sean Maher, Peyton List (I), Peyton List (II), Vanessa Williams, Tara Strong

Warner Bros. Animation, DC Entertainment, 81 Minutes

Review:

“Riddle me this – “The less of me you have, the more I am worth”… what am I? Answer – A Friend.” – The Riddler

The DC Comics animated films are really hit or miss for me.

Mostly, I enjoy them but there are usually things that don’t click in the right way or the films claim to be adaptations of a famous story but then take tremendous liberties and are really only those stories in name only. Look at Gotham by Gaslight for an example of that.

For the most part, this takes a lot of liberties while still holding on to the spirit of the original Hush story.

The biggest difference here, is that Hush is not Thomas Elliot like in the comics but is actually someone else. Thomas Elliot appears in this film but he’s just a red herring. I won’t spoil the plot and tell you who Hush is though but I thought it was worth mentioning for those who would prefer a beat-by-beat adaptation.

I thought that the animation was some of the best DC has had, thus far. A lot of care was given to the character design, the actual motion in the film, as well as the visual tone.

The film also benefits, in my opinion, by not being cast with more well-known stars. Sometimes famous voices can be distracting in these films. Here, the main characters weren’t played by famous distinct voices. The more famous actors who were in this actually just blended in nicely and didn’t detract from the proceedings.

Overall, this is in the upper echelon of DC’s animated features. It’s not perfect but it’s definitely got a lot more positives than negatives.

Rating: 8.5/10
Pairs well with: other recent DC Comics animated movies.

Comic Review: Detective Comics, Vol. 5: A Lonely Place of Living

Published: April 10th, 2018
Written by: James Tynion IV
Art by: Eddy Barrows, Alvaro Martinez

DC Comics, 113 Pages

Review:

The few volumes before this story weren’t all that great. However, they existed in order to lead up to the return of Tim Drake a.k.a. Red Robin. And now that Drake has figuratively risen from the dead, most of those other stories paid off in providing us with this solid tale.

As I’ve stated before, I’m not a fan of Batman working with big teams. But this team worked well in this volume and it kind of made Drake’s return much more impactful.

This also deals with a future version of Tim Drake that has become his timeline’s Batman. He has come back in time to kill Batwoman, as it is said that she is on the verge of doing something terrible that destroys the timeline that future Batman comes from.

While future Batman is subdued, the story serves as a warning for something involving Batwoman after this volume. And frankly, the way it was presented and laid out here, has me intrigued for what’s next in this series.

Again, James Tynion IV does a good job writing. Plus, the art by Eddy Barrows and Alvaro Martinez is superb. This looks like what a top tier major comic book should look like in 2019 unlike the big slew of Marvel titles that look like amateur Tumblr art.

Rating: 7.75/10
Pairs well with: other collections of James Tynion IV’s run on Detective Comics.

Comic Review: Batman: Year Two

Published: 1987
Written by: Mike W. Barr
Art by: Alfredo Alcala, Alan Davis, Todd McFarlane, Paul Neary

DC Comics, 169 Pages

Review:

I’ve heard great things about Batman: Year Two. Surprisingly, I’ve never read it even though it came out in the time when I was just starting out reading superhero comics, specifically Batman titles.

Plus, seeing that this was written by Mike W. Barr is pretty exciting, as I read Camelot 3000 a few months back and loved it.

This story starts off with a bang. However, it gets away from itself after the first issue or so.

It explores Batman’s motivations and what he is willing to do in the name of justice. The story actually sees him team up with Joe Chill, the guy who murdered his parents, and Batman does brandish a gun in this. Eventually, he becomes the Batman we all know and love but his journey here was weird and it seemed kind of forced and shocking just to be shocking.

I guess this is a sort of sequel to Frank Miller’s Year One but it doesn’t seem to fit well with it.

I liked the Reaper character and his weird way of passing the torch to Gotham’s new hero but honestly, this was kind of a mess and Batman, despite this being early in his career, didn’t feel true to the character. I guess that’s kind of the point but it didn’t gel for me.

That being said, this is still worth a read and it has resonated with a lot of people. Also, it’s really cool seeing early art from Todd McFarlane, before his epic Spider-Man run.

Rating: 6.25/10
Pairs well with: Batman: Year One and other late ’80s Batman tales.

Comic Review: Detective Comics: Medieval

Published: April 10th, 2019 – June 12th, 2019
Written by: Peter J. Tomasi
Art by: Brad Walker, Andrew Hennessy, Nathan Fairbairn, Max Raynor

DC Comics, 110 Pages

Review:

Be forewarned, I can’t really get into this without spoiling parts of the plot, as well as the Arkham Knight video game.

When I first heard that the Arkham Knight was being introduced into the comic book continuity, I was really excited, as I love the Arkham video games and especially loved the Arkham Knight game.

However, I also wondered how they would do this, as the Arkham Knight was revealed to be Jason Todd, the Red Hood and once former Robin. Jason Todd certainly couldn’t also be the Arkham Knight in the comics, so I knew it would be a different person altogether. I just didn’t have an idea as to who it was and what their backstory and motivations would be.

I’ve been a fan of Peter J. Tomasi’s work over the last few years, so I had high hopes that he’d give us something compelling with this. But sadly, I was a bit let down.

The Arkham Knight in the comic book continuity is the daughter of Jeremiah Arkham, the head of Arkham Asylum. Her birth name is Astrid and she appears in Gotham City with the Knights of the Sun, an order of her own creation. They are a group motivated by their ideals, as opposed to material gain like many of Gotham’s more famous criminals.

Her backstory sees her born in Arkham Asylum during a riot. The Joker, along with several other famous inmates, deliver her amongst the chaos of the riot. Her mother is killed during the riot by one of Batman’s batarangs, which was thrown by one of the Arkham inmates.

Astrid, as a kid, used to interact with a lot of the Arkham inmates and through that, developed her hatred of Batman. She learns that one of his batarangs was the instrument that killed her mother and her hatred intensifies. Ideally, she wants to take control of Gotham away from Batman.

The story then has her use a really weird superweapon that is basically an artificial sun, which is to reveal Batman as a demon to the citizens of Gotham. Batman and Robin are able to stop her before she uses her sun to permanently blind everyone in the city. However, she escapes and will go on to fight another day.

The story started out fairly well but it took so many strange turns that it pulled me right out of it and I just found myself rolling my eyes with every new reveal. That’s not to say that Astrid Arkham won’t develop into a cool character but the backstory is a mess. From the Joker delivering a baby to a fake sun superweapon, this was a bizarre story that just didn’t work for me and certainly didn’t deliver in the way that the Arkham Knight video game story did.

I was hoping for something more akin to the game that saw Gotham fall into a total state of decay with gangs running the city, police hiding in their precincts and Batman taking to the streets to fight a sea of gang members, high tech tanks and a plethora of supervillains.

Honestly, this could have done that and been the basis for a solid major event.

Rating: 6.75/10
Pairs well with: most of the recent regular Batman comics.

Comic Review: Batman/Teenage Mutant Ninja Turtles II

Published: August 14th, 2018
Written by: James Tynion IV
Art by: Freddie Williams II

IDW Publishing, DC Comics, 151 Pages

Review:

With the huge success that was the Batman and Teenage Mutant Ninja Turtles crossover, you knew a sequel was imminent. In fact, there’s a third series, currently being published, and an animated film has also been released.

I think that this story was a bit better than the first one. I’ve really liked James Tynion’s work on Detective Comics over the last few years, as well as Justice League Dark, and he was the natural choice for merging the Bat and Turtle franchises.

It’s very apparent that Tynion has a passion for these characters and they all just sort of mesh really well together unlike other crossovers that seem forced or are penned by someone who may have a passion for one franchise but not both.

I also like that Freddie Williams II returned to do the art again. I think it really fits the tone of the book.

The plot here is better than the first corssover. It focuses on Bane taking over the Turtles version of New York City. Batman, Robin, Batgirl and Nightwing all show up to lend a helping hand. Eventually, the heroes have to free Shredder from prison and use him to give them an edge over Bane, who now controls the Foot Clan, along with Bebop and Rocksteady.

In the end, I can’t call these classics but they are pretty fun reads. I wasn’t a huge fan of the first one but this arc is better paced, feels more organic and Tynion has found his footing better than the initial outing.

I can’t wait to read the third one, once it’s been collected.

Rating: 7.75/10
Pairs well with: Batman/Teenage Mutant Ninja Turtles, Vol. 1 and 3, as well as other recent TMNT crossovers.