Also known as: Defender 2000 (Germany), Apocalypse Warriors (France), Slade, o Dominador (Portugal) Release Date: 1987 (Spain) Directed by: Cirio Santiago Written by: Joe Mari Avellana, Frederick Bailey Music by: Ding Achacoso (as Edward Achacoso) Cast: Richard Norton, Corinne Wahl, Don Gordon Bell, Robert Patrick
Premiere Productions, 85 Minutes
Out of all the Mad Max ripoffs I’ve watched over the years, this is one of the worst ones. Still, I liked it because I like these sort of films.
I’m not gonna lie, though. Former Penthouse Pet, Corinne Wahl, made this movie really watchable. So much so, I cry for my eight year-old self who missed this movie back when it was newly released.
Anyway, the only other person of note in this is Robert Patrick, who looks damn young playing a villainous scumbag trying to bite off more than he can chew with the movie’s buff hero, his clunker apocalypse car and bizarre, multi-turreted gun.
I wouldn’t call this Patrick’s best work but it’s still cool seeing him a couple years before he became famous as the T-1000 in Terminator 2: Judgment Day.
The story is pretty run-of-the-mill post-apocalyptic schlock. There’s a bad gang that terrorizes people, wants to steal their shit and then a hero shows up to challenge them and murder the crap out of them with guns and vehicles.
The cars aren’t very cool in this film and that works against it. Also, the action is just kind of mediocre and it doesn’t really leave you with anything worth remembering unlike Wheels of Fire, a similar movie that had great action and cooler cars.
I can’t recommended this to anyone, except for people like me who just have a strange attraction to post-apocalyptic vehicle flicks.
Equalizer 2000 could’ve and should’ve been better but it also came out at the tail end of these film’s popularity.
Rating: 4.5/10 Pairs well with: other Mad Max ripoffs: Battletruck, Metalstorm and Megaforce.
Also known as: Double Dragon: The Movie (alternative title) Release Date: November 4th, 1994 Directed by: James Yukich (as James Nickson) Written by: Paul Dini, Neal Shusterman, Michael Davis, Peter Gould Based on:Double Dragon by Technos Japan Music by: Jay Ferguson, Tolga Katas Cast: Robert Patrick, Mark Dacascos, Scott Wolf, Julia Nickson, Alyssa Milano, Leon Russom, Kristina Wagner, George Hamilton, Vanna White, Andy Dick, Cory Milano, Al Leong, Jeff Imada
Greenleaf Productions, Imperial Entertainment, Les Films du Scarabée, 96 Minutes
“I just want total domination of one major American City! Is that too much to ask for? Is it? Is it? Huh?” – Guisman
So out of all the “terrible” video game movies of the ’90s, this is one I hadn’t seen until now. While I loved the Double Dragon video game franchise, I never wanted to see this after the trailer for it dropped back in 1994. It looked horrendously bad, poorly adapted and like a hokey, steaming pile of shit.
That being said, I did enjoy the hell out of this even if it’s a pretty shitty movie. I know that I would’ve hated it when it was current, however. Especially, because I loved the tone of the Double Dragon games and in that regard, this didn’t just miss the mark, it wasn’t even aiming in the first place.
The film is bad from top-to-bottom but some of the big action sequences are actually kind of impressive in regards to how well this made the most of a moderate budget. It was able to give us a cool boat chase scene with good pyrotechnics and action. Plus, some of the sets, as corny as they are, were fairly large and well designed for the bizarre world that this film takes place in.
Sadly, the special effects took somewhat of a budgetary hit in the poor use of obvious matte paintings and the giant rubber suit the Abobo actor was forced to wear.
Additionally, the acting is pretty damn bad but I’d be lying if I said I didn’t enjoy how over-the-top and hammy Robert Patrick was in his role as the villain.
To put it bluntly, this is a bad movie but it’s weird as fuck. I really enjoy weird movies and because of that, I liked this. That doesn’t mean that I’ll ever watch it again or give it a positive rating but I’ve enjoyed other films that were far worse than this.
Granted, I would watch a RiffTrax version of this movie if one exists.
Rating: 4.5/10 Pairs well with: other ’90s video game film adaptations.
Also known as: Die Hard 2 (simplified title), 58 Minutes (working title) Release Date: July 2nd, 1990 (Los Angeles premiere) Directed by: Renny Harlin Written by: Steven E. de Souza, Doug RIchardson Based on:58 Minutes by Walter Wagner, characters by Roderick Thorpe Music by: Michael Kamen Cast: Bruce Willis, Bonnie Bedelia, William Atherton, Reginald VelJohnson, Franco Nero, William Sadler, John Amos, Dennis Franz, Art Evans, Fred Thompson, Tom Bower, Sheila McCarthy, Vondie Curtis-Hall, John Leguizamo, Robert Patrick, Mark Boone Junior, Colm Meaney, Robert Costanzo, Tony Ganios
Twentieth Century Fox, Gordon Company, Silver Pictures, 124 Minutes
“Oh man, I can’t fucking believe this. Another basement, another elevator. How can the same shit happen to the same guy twice?” – John McClane
Why the fuck do people shit on this movie? It’s a solid action flick with a solid action star that also boasts one of the manliest casts ever assembled for a motion picture not named The Expendables.
I love this movie and while I can recognize that it isn’t a perfect masterpiece like its predecessor, it is still a fine motion picture that helped to make the original Die Hard Trilogy one of the greatest trilogies of all-time. That was all undone and fucked up once Hollywood went back to the cow to milk the tits off of the franchise years later but I still consider the first three Die Hards to be a trilogy and that’s that.
John McClane is back and honestly, that’s all you really need. However, they set this one at Christmas, once again, and then padded out the rest of the cast with some of the coolest male actors of the time: Franco Nero, William Sadler, John Amos, Dennis Franz, Art Evans, Fred Thompson, Tom Bower, Vondie Curtis-Hall, Robert Patrick, John Leguizamo, Mark Boone Junior and Colm Meaney. Not to mention that they also brought back Bonnie Bedelia, William Atherton and Reginald VelJohnson in a cameo.
There is so much testosterone in this picture that it is hard to see the movie sometimes as it’ll spill over the top of the screen and ooze down the front of it. If that’s not what you’re looking for in an action flick circa 1990, then go watch Fried Green Tomatoes with your Aunt Millicent!
This film grabs you from the get go and doesn’t let go until the credits roll. It’s packed full of action and when shit isn’t blowing up or getting shot at, we’re treated to solid scenes between the solid cast and thus, there isn’t a dull moment in this entire picture.
I love the chemistry between just about everyone in this film. Bruce Willis, at least in this era, could work with anybody and bring the best out of them. While the guy has unparalleled charisma, it always seems to carry over and rub off on anyone he works with. I absolutely loved his banter with Dennis Franz and I also loved his camaraderie with Art Evans.
Looking at another tandem that’s great in this picture, I have to tip my hat to Bonnie Bedelia and William Atherton. This is their second time playing these characters that are at odds with one another but they work so well together that it kind of sucks that they never came back for any of the other films.
Look, it is hard to top perfection, which is what the first Die Hard was. But, man, this is a really good attempt at trying to follow it up and just give the fans more of what they wanted.
Rating: 9/10 Pairs well with: the other Die Hard movies, as well as other Bruce Willis action films of the era.
Also known as: T2 (promotional abbreviation) Release Date: July 1st, 1991 (Century City premiere) Directed by: James Cameron Written by: James Cameron, William Wisher Music by: Brad Fiedel Cast: Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick, Joe Morton, Earl Boen, Jenette Goldstein, Xander Berkeley, Dean Norris, Mark Christopher Lawrence, Nikki Cox, Michael Biehn (cameo – Special Edition and Ultimate Cut)
“[narrating] The unknown future rolls toward us. I face it, for the first time, with a sense of hope. Because if a machine, a Terminator, can learn the value of human life, maybe we can too.” – Sarah Connor
When I was middle school aged, this film hit theaters. At the time, I thought it was just about the best movie ever made. At that age, it appealed to me more than the superior original but I think that’s because I was roughly the same age as John Connor and I was living vicariously through his experience in the film.
The thing is, this is still an utterly stupendous motion picture and one of the best that James Cameron has ever done. But, as an adult, I can’t put this over the masterpiece that is the original film.
Still, it is an incredible film and a great thing to experience, even for the 38th time watching it. Honestly, I may have seen it more than that as my VHS copy broke years ago.
It’s been a long time since I’ve revisited this classic, though. But this was the first time I watched the Special Edition, which added in new scenes and longer cuts. The most important of those is a scene where Michael Biehn returns as Kyle Reese in a dream Sarah Connor has while still locked up in the mental hospital.
There is also a cool scene that shows John defy his mother in order to spare the Terminator that is protecting them. It’s actually a good character building scene that probably should have been left in, as it shows John’s natural leader personality come through and it also amplifies Sarah’s paranoia about working with a Terminator.
The only other notable addition is a scene that shows Miles Dyson and his family. This probably should have been cut but it is nice to see him trying to balance his personal life and work life.
Everything in this movie still holds up today. While the special effects might not be as impressive in 2019, they don’t look bad and for the time, they were lightyears ahead of what anyone else was doing. And it was those great digital effects that made the villainous T-1000 exist and frankly, he is still one of the most terrifying villains in movie history. But I have to give credit to Robert Patrick for that, even if its the effects that allowed him to come into being.
All the practical effects are top notch too, from the opening sequence of the war from the future and all the makeup, prosthetic and animatronic work they had to do for Schwarzenegger’s Terminator in the second half of the film.
But getting back to the acting, it’s a mixed bag, really.
Linda Hamilton has never been better. Also, Schwarzenegger is pretty perfect but this version of the Terminator character is written in a way that doesn’t require much from him other than what is naturally present in his real personality. That’s not a knock against Arnold, as much as it is a nod of respect to James Cameron for giving us a more human cyborg that is trying to become something more than just a killing machine. The script and the dialogue written for Arnold enhance his strengths and don’t force him to have to deal with his weaknesses. Frankly, it enhances the overall experience.
Now Edward Furlong did okay, being that this is his first film but I felt like his performance could’ve been fine tuned more. When I was a kid, I didn’t give a shit, I thought he was cool. As an adult, I see some of the problems with his acting but at the same time, he’s far from terrible. Where it sometimes doesn’t work really isn’t his fault either. James Cameron should’ve just stepped in more and helped the kid. But then, I also don’t know how many takes were shot and its possible that these were just the best they could get and had to move on.
I mentioned that I like the first movie the best but this one does a much better job of world building and in that, this feels like the most complete and overall satisfying film in the franchise. Where the first film feels more like a sci-fi slasher movie with guns instead of knives, this feels more like something akin to the epic world building of Star Wars or The Lord of the Rings.
This film certainly has the most to offer in regards to the franchise as a whole. And since nothing after has really come close to its greatness, there isn’t much reason to watch the films that follow. Besides, they all start contradicting each other and this franchise has been rebooted three different times because it became a giant mess.
Eventually, I will get around to the other films just to review them. I already reviewed Terminator: Genisys when it came out back in 2015 but I haven’t revisited Terminator 3: Rise of the Machines or Terminator: Salvation since they were in theaters. Plus, I’ve still got to watch the TV show but I’ve heard that it’s actually pretty good.
Rating: 9.5/10 Pairs well with: the first Terminator film. Ignore the sequels after this one.
Also known as: The Parasite (Japanese English title) Release Date: December 25th, 1998 Directed by: Robert Rodriguez Written by: Kevin Williamson, David Wechter, Bruce Kimmel Music by: Marco Beltrami Cast: Elijah Wood, Jordana Brewster, Shawn Hatosy, Clea DuVall, Josh Hartnett, Laura Harris, Robert Patrick, Bebe Neuwirth, Piper Laurie, Famke Janssen, Usher Raymond, Salma Hayek, Jon Stewart, Danny Masterson, Louis Black, Duane Martin, Daniel von Bargen
Dimension Films, Los Hooligans Productions, Miramax Films, 104 Minutes
“I’m not putting that hack drug up my nose – it’s so eighties!” – Stokely, “Aliens are taking over the earth. Weigh it!” – Zeke
I thought I had seen this film before and maybe I did but watching it now, it was all new to me. Granted, at the time when this was a current movie, I was dabbling in extracurricular substances. Angsty Gen-X teen shenanigans, am I right?
And I guess this film isn’t too different from my head space in the era in which this came out. I was dabbling in the party hard lifestyle and all it had to offer like most of the kids in this movie.
Anyway, this film had everyone in it. Seriously, this cast was loaded with talent to the point that it is pretty unbelievable when watching it today. In fact, I’m surprised this wasn’t a hit or didn’t get a much larger cult following. It kind of came and went but it also came out in a time when there were a lot of films like it.
I also didn’t know that this was a Robert Rodriguez film. But when this came out, I wouldn’t have really known who he was yet even though I had seen From Dusk Till Dawn and Desperado.
The story is pretty simple, an alien parasite is taking over the minds of people. Basically, it borrows heavily from Invasion of the Body Snatchers and a lot of other similar stories. This takes place in a high school though and the aliens have pretty much taken control of most of the faculty and a lot of the students. As the film rolls on, a group of teens discovers what’s happening and they decide to stop the invasion.
This was a much better movie than I anticipated when I fired it up nearly twenty years after its release. I was surprised with how fun and nuts it was. There are some parts that don’t make a lot of sense, like the whole opening scene if you reflect on it after watching the rest of the movie. However, Robert Rodriguez gave it a certain spirit that made me think of one of his other films: Planet Terror. Now this wasn’t Planet Terror levels of insane but it was edgier and cooler than other films like it from the late ’90s.
This also had some really impressive special effects and visuals. The scene where the alien queen, in human form, is walking naked through the locker rooms and the shadows of her invisible intertwining tentacles cast shadows all over the room is so fucking cool. Seriously, I loved this moment in the film and it really legitimized the picture as something much better than its contemporaries.
The Faculty is a greater film than it needed to be and that is the mark of a great director. I feel like it was certainly held tightly under the studio thumb and that Rodriguez would have made something pretty insane if he made this later in his career but he was still able to put his unique stamp on it and turn out a film that was damn good.
The film also features the worst Josh Hartnett hairstyle ever captured on film.
Rating: 7.75/10 Pairs well with:Disturbing Behavior, Teaching Mrs. Tingle, Urban Legend, Idle Hands and other late ’90s teen horror.
Also known as: Extremely Violent (working title) Release Date: June 13th, 1993 (Westwood premiere) Directed by: John McTiernan Written by: Shane Black, David Arnott, William Goldman (uncredited), Zak Penn, Adam Leff Music by: Michael Kamen Cast: Arnold Schwarzenegger, F. Murray Abraham, Art Carney, Charles Dance, Frank McRae, Tom Noonan, Robert Prosky, Anthony Quinn, Mercedes Ruehl, Austin O’Brien, Bridgette Wilson, Ian McKellen, Tina Turner, Rick Ducommun, Angie Everhart, Al Leong, Colleen Camp, Professor Toru Tanaka, Michael V. Gazzo, Sharon Stone (cameo), Robert Patrick (cameo), Joan Plowright (cameo), Danny DeVito (voice), MC Hammer (cameo), Karen Duffy (cameo), Maria Shriver (cameo), Little Richard (cameo), Leeza Gibbons (cameo), Chris Connelly (cameo), James Belushi (cameo), Damon Wayans (cameo), Chevy Chase (cameo), Timothy Dalton (cameo), Jean-Claude Van Damme (cameo), Melvin Van Peebles (cameo), Wilson Phillips (cameo)
Columbia Pictures, 131 Minutes
“Well I’m sorry to disappoint you but you’re gonna live to enjoy all the glorious fruits life has got to offer – acne, shaving, premature ejaculation… and your first divorce.” – Jack Slater
Man, this was a film I really loved when it came out. It was imaginative, fun and truly balls to the wall, even for not being an R-rated movie.
While it is still pretty fun, it isn’t a movie that has aged very well. At its heart, it is still a great homage to over the top, high octane action films from the ’80s, much like the ones that starred Arnold Schwarzenegger. It features lots of explosions and a ton of gun action and great vehicle chases but it is pretty toned down for a PG-13 audience unlike the hard R-rating that these movies typically get. Overall, it is more like a tongue in cheek parody of the genre. Schwarzenegger and the director, John McTiernan, poke a lot of fun at themselves and the films that they were instrumental in creating.
One cool thing about this movie is the over abundance of cameos it has. Since it takes place in a fantasy world and also goes into the “real world”, we get to see a lot of stars playing themselves, as well as some of their most famous characters within the fantasy movie world.
The story sees a young boy get a magic golden ticket that was supposedly passed down from Houdini. The ticket whisks the boy away into the movie he is watching, a film starring Arnold Schwarzenegger as a character named Jack Slater. The boy gets caught up in Slater’s in-movie adventure and gets to experience the fantasy fiction world of action films, which just so happens to overlap with other genres. Eventually, the big bad guy discovers the power of the ticket and uses it to go from world to world in an attempt to pull off heists and to gather other villains to stand against Slater.
The movie is full of late ’80s/early ’90s cheese but it is the best kind. Sure, the kid can get a bit grating at times but he’s not as bad as a lot of the kid actors from the time. This was also the young Austin O’Brien’s first movie. But ultimately, he is the eyes and ears of the audience, swept into this world and it was effective. Plus, I was the right age for this movie when it came out and he really just seemed like one of my peers from school.
Last Action Hero wasn’t a hit when it came out and critics weren’t kind to it. It’s a better picture than the experts would have you believe though, especially if the subject matter is something you’re a fan of. I grew up loving ’80s and ’90s action movies, so this is my cup of tea. Besides, Schwarzenegger is always great when he’s hamming it up. He really hams it up here.
Release Date: September 4th, 2005 (Telluride Film Festival) Directed by: James Mangold Written by: Gill Dennis, James Mangold Based on:Man In Black: His Own Story In His Own Words and Cash: The Autobiography by Johnny Cash Music by: T Bone Burnett Cast: Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick, Dallas Roberts
Fox 2000 Pictures, 20th Century Fox, 136 Minutes (theatrical cut), 153 Minutes (extended cut)
“You wear black ’cause you can’t find anything else to wear? You found your sound ’cause you can’t play no better? You just tried to kiss me because “it just happened?” You should try take credit for something every once in a while, John.” – June Carter
I’ve been a big fan of Johnny Cash since the age I first sprouted ears. That being said, I hadn’t seen this film until recently. Reason being, there were a ton of musical legend biopics popping up in the early 2000s and whether they were critical successes or not, I was pretty burnt out on them.
To be honest, I’m kind of glad that I waited, as I saw this at the right time, when I needed to. Plus, being a good distance away from the slew of other biopics that were in abundance back then, allowed me to appreciate this better than I would have in 2005. Also, my knowledge on old country and rockabilly is richer than it was in 2005, so I was really drawn in to all the other famous characters worked into this picture’s narrative.
Besides just being a really good movie, Walk the Line really gave me an understanding of who June Carter was and why Johnny loved her. The film gave me an appreciation and a respect for her that I didn’t have before. I have to give a lot of the credit for that to Reese Witherspoon, who won an Academy Award for her performance here and deservedly so. She also held her own musically and her performance of “Juke Box Blues” was energetic and awesome. Her duets with Joaquin Phoenix were quite amazing, as well.
Speaking of which, Phoenix truly knocks it out of the park with his performance as Johnny Cash. He had the voice, the mannerisms and exuded the presence of Cash. His covers of Cash’s songs were also well done and more than convincing. One thing that really worked extraordinarily well in this movie were the live performances. Everyone involved in this picture created musical magic.
The film was directed by James Mangold, who most recently directed Hugh Jackman’s swan song as Wolverine, the stupendous Logan. From his work on this film, I can see why Mangold was given the reins to helm two Wolverine films, both of which were really good.
Walk the Line isn’t a perfect movie but it is a solid biopic that is only enhanced by the talent of its stars, its director and its stellar musical performances.
Original Run: September 10th, 1993 – May 19th, 2002 Revival Run: January 24th, 2016 – present Created by: Chris Carter Directed by: various Written by: various Music by: Mark Snow Cast: David Duchovny, Gillian Anderson, Robert Patrick, Annabeth Gish, Mitch Pileggi, William B. Davis, Nicholas Lea, Chris Owens, James Pickens Jr., Tom Braidwood, Bruce Harwood, Dean Haglund, Laurie Holden, Brian Thompson, Mimi Rogers
Ten Thirteen Productions, 20th Century Fox Television, 208 Episodes, 45 Minutes (per episode)
The X-Files was on television for quite a long time: nine years. In fact, it just recently had a revival series that lasted six episodes and there will probably be some sort of follow up to that. It also spawned two motion pictures and two spinoff television series: Millennium and The Lone Gunmen. It also propelled the careers of stars David Duchovny and Gillian Anderson. It even paved the way to greatness for producer and writer Vince Gilligan, who would go on to create Breaking Bad and its spinoff Better Call Saul. Many don’t realize that The X-Files isn’t just a show, it is a massive franchise.
I hadn’t watched the series in its entirety, even when it was still on television, as I was a teenager at the time and being home on Friday nights wasn’t the cool thing to do. We also didn’t have DVR, On Demand or Hulu back then. But I did catch a lot of episodes and watched through most of the earlier seasons once the show went into syndication.
It wasn’t until recently, in early 2016, that I decided to dedicate some serious time to binge watching the 200-plus episodes.
There are certainly episodes that haven’t aged well in the two decades since the show was on television but there are many that are still pretty chilling and freaky. And many episodes hold up really well today and I can now consider some of them to be classics, as they stood the test of time and still maintain their effectiveness. Season Two was especially nightmarish and it still is at its high points.
For those who don’t know, the show follows FBI Agents Mulder and Scully. Mulder works on the FBI’s secret X-Files cases while Scully is sent in to partner up with him in an effort to be the skeptical voice in Mulder’s conspiratorial goose chases. Of course, Mulder is most often right and Scully is left questioning everything she knows while still maintaining her stance of skepticism until she can’t any longer. It’s actually a great relationship to watch, seeing these arguments happen throughout the show, as it always tries to debunk the weird stuff and usually does a good job of it until the shit hits the fan or a twist pops up near the end.
Duchovny and Anderson were perfect for the roles of Mulder and Scully and their relationship is the driving force of the series. Yeah, it’s cool to see aliens, vampires, monsters, demons and whatever other weird shit they throw at you, but without Duchovny and Anderson, the show doesn’t work. And that was apparent after Duchovny left the show at the end of the seventh season. He made sporadic appearances here and there but the show wasn’t the same. The magic was gone.
The X-Files is one of the greatest pop culture things from the 1990s. Hell, it is one of the greatest franchises out there. It is still eerie, unsettling and it plays well for the most part. And honestly, I would be okay with further miniseries and films until the end of time. Or just as long as Duchovny and Anderson want to keep doing them.