Also known as: Look Alive (alternative title) Release Date: May 29th, 1981 (special screening) Directed by: Gary Sherman Written by: Ronald Shusett, Dan O’Bannon, Alex Stern, Jeff Millar Music by: Joe Renzetti Cast: James Farentino, Melody Anderson, Jack Albertson, Dennis Redfield, Nancy Locke, Robert Englund, Lisa Blount, Bill Quinn, Michael Currie, Barry Corbin
“You can try to kill me, Dan. But you can’t. You can only make me dead.” – Dobbs
This is a movie I’ve never seen but the old VHS box art used to intrigue me when I was a kid because it was hard to tell what the film was even about.
Looking at the poster art, the perspective is strange and I kind of thought it was about undead giants in the desert at night.
By the way, that’s be a solid idea for a horror film or at the very least, minor villains in a sword and sorcery story.
Anyway, the film is a about a small coastal New England town where the townsfolk act as a killer mob that loves taking photographs of their victims before and as they murder them.
I don’t want to say too much more about the plot, as it could ruin the big reveal, which I thought was pretty damn intriguing.
The film is really atmospheric and it feels very confining, as the dread within the town closes in on the core characters with each passing murder. It’s also slow paced but there are enough kills in here to keep the regular horror fan engaged and satisfied.
Apart from the ambiance, I think the most effective thing about the movie is Stan Winston’s special effects. This was still early in the legend’s career but he used some superb practical effects that have held up tremendously well. The shock moment of the burnt man screaming back to life was amazing and as a practical effects fanboy, I just nodded and smirked.
Dead & Buried was a nice surprise for me. I didn’t know what to expect but it was a slow burn with a pretty good, batshit crazy payoff.
Rating: 7.25/10 Pairs well with: horror movies about killer families or strange small towns.
Release Date: October 6th, 2020 Directed by: David A. Weiner Written by: David A. Weiner Music by: Weary Pines Cast: Nancy Allen, Tom Atkins, Joe Bob Briggs, Doug Bradley, Clancy Brown, Lori Cardille, John Carpenter, Nick Castle, Larry Cohen, Jeffrey Combs, Barbara Crampton, Sean S. Cunningham, Joe Dante, Keith David, Robert Englund, Stuart Gordon, Andre Gower, Kane Hodder, Tom Holland, Chris Jericho, Jackie Kong, Heather Langenkamp, Don Mancini, Harry Manfredini, Kelli Maroney, Bill Moseley, Greg Nicotero, Cassandra Peterson, Diana Prince, Linnea Quigley, James Rolfe, Robert Rusler, Tom Savini, Corey Taylor, Gedde Watanabe, Caroline Williams, Alex Winter, Tom Woodruff Jr., Brian Yuzna
CreatorVC, 263 Minutes
Everything I said in my review of the first film in this series still holds true for this one. Reason being, they’re exactly the same in what they are. It’s just that each one features different films.
I think that I like this one a wee bit better for two reasons.
The first, is that I already know what I’m getting into now. I know that this will just fly through dozens of films and not give them the proper amount of time they deserve. As I said in the previous film’s review, I’d love to see each section spread out into a full episode and have these films actually be a streaming series.
The second reason, is that I like that the films are getting more obscure, as there were a few here I hadn’t heard of. With that, I walked away from this with a list of shit I need to watch and review.
Apart from that, this was more of the same. That’s not a bad thing, at all. I just wish that these documentaries didn’t fly through films and other topics so quickly.
I still like these, though. I know there’s a third one coming, which I look forward to, and there’s also one coming out on ’80s sci-fi flicks.
Rating: 8/10 Pairs well with: the other documentaries in the In Search of… series, as well as other documentaries on ’80s horror.
Release Date: April 5th, 2019 (Cleveland International Film Festival) Directed by: Roman Chimienti, Tyler Jensen Written by: Michael Beard, Clint Catalyst, Leo Herrera, Justin Lockwood Music by: Alexander Taylor Cast: Mark Patton, Robert Englund, Jack Sholder, David Chaskin, Robert Rusler, Marshall Bell, Kim Myers, Clu Gulager, JoAnn Willette, Linnea Quigley
The End Productions, 99 Minutes
I was pretty excited to check this out when I first saw the trailer pop up. I’m a big fan of the Nightmare On Elm Street franchise and I was probably one of the few that actually liked the second movie, before everyone else figured out how “gay” it was.
Granted, I kind of saw the film’s gay subtext for myself and despite this documentary claiming that the gay innuendo was widely known when this came out, I don’t recall many people talking about it until the late ’90s or so. Then again, I was also a young kid and didn’t reach my teen years until the ’90s, so maybe my peers were a bit behind in picking up on the cues.
Anyway, I actually thought that this was just sort of meh. I wouldn’t call this documentary a disappointment but it just didn’t live up to the hype around it and to my own excitement after first hearing about it.
I guess the thing I liked most about it was that I finally got to see what became of Mark Patton, who sort of fell off the face of the Earth for a long time because of what he perceived as backlash from this picture and because he felt that it somewhat exposed him as being gay in a time when there was still a lot of misinformation and fear of AIDS, as well as a lot of homophobia in mainstream Hollywood.
Most importantly, this really goes into Patton’s personal life, showing the viewer what hardships he went through during and after this film. I don’t want to give too much away, as this is worth watching for those who also love the Elm Street movies.
It was also cool seeing the cast of the second Elm Street movie finally reunite after all these years. It’s obvious that Patton’s cast mates cared for him and had missed him during his self-imposed exile from the business.
Overall, this was a decent piece on the man and his life but I wish it would’ve gotten more into the movie itself and actually tried to show it more as a somewhat beloved film by a small minority of Elm Street fans. It was the most bizarre and weird of the Elm Street pictures and that’s without looking at the subliminal homophobia that was written into the script.
Rating: 6.25/10 Pairs well with: other recent horror movie documentaries.
Also known as: Brutes and Savages, Slaughter Hotel, Death Trap, Horror Hotel, Horror Hotel Massacre, Legend of the Bayou, Murder on the Bayou, Starlight Slaughter, The Devil’s Swamp (alternative titles) Release Date: October, 1976 (limited) Directed by: Tobe Hooper Written by: Kim Henkel, Alvin L. Fast, Mardi Rustam Music by: Wayne Bell, Tobe Hooper Cast: Neville Brand, Mel Ferrer, Carolyn Jones, Marilyn Burns, William Finley, Roberta Collins, Robert Englund
Mars Productions Corporation, 91 Minutes
“Name’s Buck… and I’m rarin’ to fuck.” – Buck
A film that was directed by a young Tobe Hooper that features both Robert Englund and William Finley is enough to hook me. Now add in great TV legends Neville Brand and Carolyn Jones and you’ve got me hooked even further. Toss in Mel Ferrer, Marilyn Burns and Roberta Collins and this picture is now boasting some serious f’n talent!
But overall, this isn’t a classic and from a historical and cultural perspective, doesn’t hold a candle to Hooper’s previous film: The Texas Chain Saw Massacre.
However, this was still an awesome experience and even though I know that I had seen it in my youth, I barely remembered anything about it other than it taking place in a shitty bayou hotel where the owner chases people with his scythe until they fall into a pit where he keeps a large man eating crocodile.
But you don’t really need to know more than that. And frankly, that’s all the film needs to be. One doesn’t need to get bogged down by details and an elaborate story. This was ’70s horror. Just throw boobies and blood at the screen every few minutes and consider it a job well done. Granted, this could’ve used more boobage.
This is gritty and pretty brutal but not so much so that it’s a gore festival. But if you like watching people get slashed by a madman and then chomped by a large animal, this should satisfy.
Rating: 6.5/10 Pairs well with: Tobe Hooper’s other earlier films: The Texas Chain Saw Massacre, Funhouse and Salem’s Lot.
Also known as: C.H.U.D. 2 (France) Release Date: May 5th, 1989 Directed by: David K. Irving Written by: M. Kane Jeeves Music by: Nicholas Pike Cast: Brian Robbins, Tricia Leigh Fisher, Bianca Jagger, Gerrit Graham, Bill Calvert, Robert Vaughn, Sandra Kerns, June Lockhart, Norman Fell, Priscilla Pointer, Clive Revill, Robert Englund (uncredited cameo)
Lightning Pictures, Vestron Pictures, 84 Minutes
“Meet Bud, party animal of the living dead.” – tagline
Where C.H.U.D. is more of a serious horror film, C.H.U.D. II: Bud the Chud is a straight up teen comedy that doesn’t have much of a connection to its predecessor.
While most people seem to have a severe dislike of C.H.U.D. II, I find it to be the superior film. The reason being is that it is a funny, stupid movie and the original “serious” picture is mostly a boring dud that only excels when the actual C.H.U.D. is onscreen.
In this film, the C.H.U.D.s are just standard zombies. And since the main zombie is Gerrit Graham, this film gets an extra edge it wouldn’t have otherwise had.
But this isn’t completely carried by the great Graham, you’ve also got Robert Vaughn in one of his most hilarious and badass roles of all-time. He’s a military general here and he just goes around blowing shit up. At one point, he fires a f’n bazooka into a diner full of zombies and it creates a massive explosion. The dude just doesn’t give a shit in this flick and it’s fantastic to watch him ham it up and blow shit up.
This also features Brian Robbins of Head of the Class fame. I always liked him as a kid, as he was a cool, smarmy fuck that had quick comebacks and charisma.
C.H.U.D. II is also full of cameos by people as diverse as June Lockhart, Norman Fell and Robert Englund.
While the comedy here is cheesy and may feel very dated, it’s standard, low brow ’80s fare and for fans of the decade, it works.
I also like how creative the ending was. This kills off the zombie horde in a pretty imaginative way, even if it is over the top and completely implausible. Plus, that moment where Bud the C.H.U.D. rips out his own heart to give it to the girl he loves is pretty awesome and quite romantic.
A lot of people see this movie as a joke when compared to the original film but that’s the point. It’s supposed to be a joke and frankly, it’s a joke that works well and thus, this film accomplishes what it set out to do.
Rating: 6/10 Pairs well with: other horror comedies of the ’80s.
Release Date: April 30th, 1999 Directed by: Rodman Flender Written by: Terri Hughes, Ron Milbauer Music by: Graeme Revell Cast: Devon Sawa, Seth Green, Elden Henson, Vivica A. Fox, Jessica Alba, Jack Noseworthy, Robert Englund (voice), Fred Willard, Connie Ray, Kelly Monaco, The Offspring
Licht/Mueller Film Corporation, Team Todd, TriStar Pictures, Columbia Pictures, 92 Minutes
“There is evil out there, and I’m gonna kick its ass!” – Debi
Idle Hands is a bizarre and fun movie.
It follows a stoner and his buds. The main stoner, played by Devon Sawa, who was a hot commodity circa 1999, has a possessed hand. His hand murders his parents very violently while he is asleep. The rest of the film sees him trying to control his hand, as it yanks him around like a rag doll while looking for more people to murder.
This isn’t a film that did well when it came out and critics weren’t kind to it. It is sort of a niche movie that found its audience once it hit video stores. I remember that it developed a cult following pretty quickly and when I was in my early twenties, this was on the TV at a lot of parties. And rightfully so, as it is unique, cool and has a certain charm to it.
I have always been a fan of horror, especially when it has a comedy element to it. This film has the right balance between its scares and its laughs. It is also pretty gory, which was still fairly normal in 1999 before the ’00s brought tame PG-13 horror.
Seth Green has played a lot of good characters, the best of them always seeming to be an extension of himself. Here, he plays maybe his best character as one of the stoner buds. After he dies, early in the film, he is basically a zombie pothead with a bottle lodged into his forehead. The other stoner, who walks around holding his decapitated head, was played by Elden Henson, who modern audiences will probably recognize as Foggy Nelson from the Daredevil series on Netflix.
Jessica Alba is also in this, as the apple of the stoner’s eye, and she’s never been more adorable. Most guys my age fell in love with her in the TV show Dark Angel but it was Idle Hands that got me crushin’ on her hard.
I also love that Fred Willard is in this, albeit briefly, as the father of Sawa’s character. He meets his violent demise pretty quickly in the film but Willard is enjoyable in everything. Here, he is a straitlaced dad that’s sick of his stoner son being a useless coach potato with no ambition.
This movie has really good style. I love the set design, the characters’ looks and the score is actually pretty damn good.
I love the opening theme by Graeme Revell, as it truly sets the tone of the picture. The rest of the film is accented by Revell’s score mixed with a lot of notable ’90s rock. The Offspring even play the school dance, where they cover The Ramones “I Wanna Be Sedated”.
Idle Hands is just a good time if you are into horror comedies with a good amount of gross out moments.
Rating: 6.75/10 Pairs well with:Disturbing Behavior, The Faculty, Can’t Hardly Wait, Brainscan and Final Destination.
Release Date: December 9th, 1988 (UK) Directed by: Robert Englund Written by: Rhet Topham, Brian Helgeland Music by: Thomas Chase, Steve Rucker Cast: Stephen Geoffreys, Jim Metzler, Maria Rubell, Pat O’Bryan, Sandy Dennis
CineTel Films, Horrorscope Productions, New Line Cinema, 92 Minutes (theatrical), 105 Minutes (VHS)
“[possessed Hoax produces two ripped-out hearts] Would it be possible… to enter the game with a pair of hearts?” – Hoax
976-EVIL probably has a bad rap. It’s not a good movie, per se, but it gets more negative attention than it deserves. It is underappreciated, in my opinion, even if it is far from perfect. Plus, it was directed by Freddy Krueger himself, Robert Englund.
The film stars Stephen Geoffreys, most famous for playing “Evil Ed” in Fright Night. He is just as strange in this picture but even with that strangeness, he is likable and charismatic. In this, we get to see him break down from a nerdy kid into a demon possessed badass with some really good lines and cool moments.
The film isn’t boring but it also isn’t too exciting. It feels like a rehash of a lot of things 80s horror fans had already seen with better execution. Tapping into the hotline craze of the 80s was a cool touch, though. It became a story where the supernatural was reliant on technology to spread itself into the world, similar to what we would see years later with the Japanese film Ringu and its American remake The Ring. Not to mention all the films since then that tap into people getting possessed or killed by supernatural evil working through websites or social media platforms.
976-EVIL isn’t a complete waste but it isn’t a must see movie either. It works on a day when you’ve exhausted every 80s horror film you can think of and find this sitting on a streaming site. It is a good way to kill 90 minutes and Stephen Geoffreys gives a memorable performance.
Also, the big finale in the house where “Hell froze over” is well done. I always liked this part of the film and it stands out as a memorable horror finale from this era.
I never watched Hatchet or any of its sequels until this past weekend. I heard good things and they star Kane Hodder (the longest running actor to play Jason Voorhees in the Friday the 13th films) as the monster Victor Crowley. These films also star a plethora of other horror icons. The series grabs actors from the A Nightmare On Elm Street, Halloween, Texas Chainsaw Massacre, Candyman and Gremlins franchises. I’m sure I’m leaving some out as well.
Let me analyze each film in this trilogy separately.
Release Date: April 27th, 2006 (Tribeca Film Festival) Directed by: Adam Green Written by: Adam Green Music by: Andy Garfield Cast: Joel Moore, Tamara Feldman, Deon Richmond, Mercedes McNab, Parry Shen, Joel Murray, Joleigh Fioreavanti, Richard Riehle, Patrika Darbo, Joel David Moore, Joshua Leonard, Tony Todd, Robert Englund, Kane Hodder
ArieScope Pictures, Radioaktive Film, High Seas Entertainment, Anchor Bay Entertainment, 93 Minutes
“But you only shot him once, right? Maybe you gotta shoot him more times. Like four- or six- maybe you gotta shoot him six times?” – Shawn
The first film is enjoyable. Although these movies are supposed to be homages to the great slasher films of the 80s, they feel more like homages to the late sequels of those films. What I mean, is that this movie plays like the fifth film in a slasher franchise, where plot doesn’t matter and things are just violent, insane and way more over the top than normal.
Hatchet follows a group of people on a haunted bayou boat tour outside of New Orleans. The boat crashes, the people are stranded and our brutal beast of a killer literally rips them apart.
While this is considered part of the slasher sub-genre of horror and Victor Crowley is seen as a slasher, he tends to rip off arms and pull people’s heads apart, as opposed to stabbing people with knives or using machetes. Granted, he does use some tools here and there, but he has the tendency to mutilate his victims with his bare hands.
The film is more campy than scary. It is more like splatter porn than a mysterious slasher film that builds suspense. Instead of characters hiding from a knife-wielding psycho and trying to survive the night with cunning and stealth, we have people running from a mindless berserker that wants to fertilize the woods with hundreds of gallons of blood. There really is no suspense, just intense insanity once the monster shows up.
The ending is horrible, by the way. The film just cuts off. But it isn’t so bad, if you immediately watch the second film, which starts right where this one ends.
Hatchet II (2010):
Release Date: August 26th, 2010 (Frightfest) Directed by: Adam Green Written by: Adam Green Music by: Andy Garfield Cast: Kane Hodder, Danielle Harris, Tony Todd, Parry Shen, Tom Holland, R. A. Mihailoff, AJ Bowen, Alexis Peters, Ed Ackerman, David Foy, Colton Dunn, Rick McCallum
Dark Sky Films, ArieScope Pictures, 85 Minutes
“Come on, you hatchet-faced fuck!” – Bob
The second film is more of the same. It also continues into the next day following part one. Also, the main girl is suspiciously different looking. Oh, she’s now a different actress – Danielle Harris from Halloween 4 and 5, to be exact.
The sole survivor of the first movie, the new actress playing the old actress, returns to New Orleans to get answers regarding Victor Crowley. She then immediately heads out with a clueless posse to hunt him down because why the fuck not?
This one gets more insane than the first installment and is a lot bloodier and ridiculous. There isn’t a whole lot more to add really.
Same movie; ante upped.
Hatchet III (2013):
Release Date: June 14th, 2013 Directed by: B.J. McDonnell Written by: Adam Green Music by: Scott Glasgow Cast: Kane Hodder, Danielle Harris, Caroline Williams, Zach Galligan, Robert Diago DoQui, Derek Mears, Cody Blue Snider, Rileah Vanderbilt, Sean Whalen, Jason Trost, Diane Ayala Goldner, Joel David Moore
Dark Sky Films, ArieScope Pictures, 82 Minutes
“I’ve seen some crazy shit, man. I was working on an Asian male; head severed off, uh, leg cut off below the knee. I’m telling you, man… He looked kinda like you, man.” – Randy
Like its predecessor, this one starts immediately where the last film ended. Basically, these three films happen over the course of three consecutive nights.
There is more splatter, more horror icon cameos but we are essentially just watching a single four and a half hour film instead of three separate movies.
Like the other films, this one ends somewhat open ended. I can only assume there will be a fourth chapter in the future.
These aren’t great movies but they are worth a watch and an entertaining way to kill a few hours. I don’t know how driven I will be to ever watch them again but I would check out another sequel. But I doubt that I would ride this out for ten films like Friday the 13th.
Release Date: August 15th, 2003 Directed by: Ronny Yu Written by: Damian Shannon, Mark Swift Based on: characters created by Wes Craven, characters created by Victor Miller Music by: Graeme Revell Cast: Robert Englund, Monica Keena, Kelly Rowland, Jason Ritter, Chris Marquette, Lochlyn Munro, Ken Kirzinger, Katharine Isabelle, Zack Ward, Brendan Fletcher, Robert Shaye
New Line Cinema, Crystal Lake Entertainment, 97 Minutes
I have now reviewed all of the Friday the 13th and A Nightmare On Elm Street films, excluding remakes. I have finally gotten to the end of the ride, where the big main event that everyone always wanted to see, finally happened. The showdown of the immortals! Freddy vs. Jason!
For some reason, this film disappointed fans of both franchises. I’ve never really been sure why, other than complaints about the use of CGI having less of an effect than the practical effects of the 1980s used in Freddy’s dream sequences. Yeah, it does feel less organic visually but the spirit is still there and the emotional tone was perfect.
The plot is pretty well done, as it brings together both of these worlds and merges them into one thing. Freddy Krueger gets into Jason’s mind while he is wandering Hell and poses as his mother, telling Jason to go to Springwood to start killing the teenage population. If the teens live in fear, Freddy can manifest in their minds once again. Pretty good setup and it created an interesting scenario that saw Jason stalking teens in Freddy’s neighborhood.
I wasn’t a fan of Kane Hodder not being cast as Jason Voorhees. Ken Kirzinger did a solid job as Jason but the character was missing those Hodder mannerisms that became iconic over his four film run as the character.
Robert Englund was fantastic as Krueger, especially after a nine year hiatus following the more serious New Nightmare. This was Freddy back at his comedic and sinister best. And even though he only has one kill in this entire movie, the comedic effect of Jason beating him to the punch with kills was entertaining and added a cool dynamic to these horror icons’ relationship.
Monica Keena is fucking gorgeous in this movie and she was a good lead. She overacted in some scenes and screamed ridiculously too often but she was one of the better teenage characters out of any of these films. Jason Ritter was okay but it was cool seeing John Ritter’s kid get a shot in Hollywood. Kelly Rowland was atrocious as Kia, the nerd kid was boring and the rest of the supporting cast were ripoffs of popular actors of the time, most notably a poor man’s Jack Black and a horrible wannabe Jay from Jay & Silent Bob fame. Also, there was a heroic deputy that knew about Jason Voorhees. His character was a wasted opportunity where they could have brought back Tommy Jarvis from the fourth, fifth and sixth Friday the 13th films. It would’ve been cool to see Jason finally get his revenge on Tommy.
I don’t think that Ronny Yu was the best choice for director. He wasn’t bad but some of the action sequences were too Hong Kong and just felt weird and out of place. There were lots of shots where things would go into a strange slow motion pace with the visuals blurred and obscured – probably to hide things and keep the budget down. It wasn’t a style consistent with either film series and it became distracting.
As far as the Freddy vs. Jason battle, it happens twice in the film: once in the dream world and another in the real world. The ending is also open ended and ambiguous. You could argue that either monster won and in the end, they both survive anyway.
Unfortunately, there were no sequels after this for a joint film or solo films for either monster. Years later they both got remade with inferior films. It’d be nice to see them get a good reinvention in the future or to just pick up these films where Freddy vs. Jason left off. Although, Robert Englund says he will never play Freddy Krueger again, as he is a lot older than he was when he started in 1984.
Release Date: October 14th, 1994 Directed by: Wes Craven Written by: Wes Craven Based on: characters by Wes Craven Music by: J. Peter Robinson Cast: Robert Englund, Heather Langenkamp, John Saxon, Miko Hughes, Tracy Middendorf, David Newsom, Fran Bennett, Wes Craven, Robert Shaye, Marianne Maddalena, Sam Rubin, Sara Risher, Nick Corri, Tuesday Knight, W. Earl Brown
New Line Cinema, 112 Minutes
Wes Craven’s New Nightmare is a sequel of sorts to the original series but it is also a standalone film. Reason being, it is supposed to exist in the real world, as Freddy Krueger evolves from being a monster on the screen to manifesting in the real world to terrorize Heather Langenkamp, the actress who played Nancy in the first and third films in the series.
The film is a reinvention of the Freddy Krueger mythos. This is why I am reviewing it as its own thing.
Freddy enters our world, after being killed off in the film series. He needs fear to exist and if no one is making movies, he will evolve beyond them. The premise is bizarre but it gives the franchise a bit more originality and energy to give the audience something compelling and new.
For some reason, Freddy has evolved physically, as well. His scars are very different, he sometimes wears a trench coat and he no longer wears a glove, as his claws have grown organically out of his hand. Additionally, he now has a razor on his thumb. He looks more primal overall but I’m not a big fan of the trench coat.
The film also feels more serious than any of the previous chapters. The ante is upped creatively and it brings more realism to a horror fantasy.
Langenkamp was great, playing herself and having to deal with her child being terrorized and her husband being murdered. Her husband in the film was played by her real life husband.
As for the kid, Miko Hughes was stellar. He was a good child actor in a time when many weren’t. Also, he is the youngest potential victim Freddy has ever gone after on screen.
There are less deaths than normal but the real world feel adds more to those scenes. There is just something sinister and wrong in the scene where the young kid sees his babysitter dragged across the ceiling and gutted by Krueger. Robert Englund as Freddy, was at his evil best.
Watching Heather have to protect her very young son from a monster she unknowingly helped create, is more interesting and emotional than watching another slasher film full of mostly unlikable teens getting slaughtered for the umpteenth time.
I don’t know if a sequel to this could have ever materialized and been as good. It was best that this formula only lasted for a single film. And ultimately, it was a really good film.